robertogreco + space 635
Mustafa's Space Drive: An Egyptian Student's Quantum Physics Invention | Fast Company
5 days ago by robertogreco
"Aisha Mustafa, a 19-year-old Egyptian physics student, patented a new type of propulsion system for spacecraft that uses cutting edge quantum physics instead of thrusters…
Mustafa invented a way of tapping this quantum effect via what's known as the dynamic Casimir effect. This uses a "moving mirror" cavity, where two very reflective very flat plates are held close together, and then moved slightly to interact with the quantum particle sea. It's horribly technical, but the end result is that Mustafa's use of shaped silicon plates similar to those used in solar power cells results in a net force being delivered. A force, of course, means a push or a pull and in space this equates to a drive or engine.
In terms of space propulsion, this is amazing…
if you want proof that the tiniest of pushes can propel a spacecraft, check this out: Two Pioneer space probes, launched in the 1970s, are the farthest manmade objects from Earth...but they're not as far away as they should be…"
thisishuge
spaceprobes
pioneer
casimireffect
propulsion
aishamustafa
2012
spacetravel
energy
quantum
space
science
solarsail
quantumphysics
physics
from delicious
Mustafa invented a way of tapping this quantum effect via what's known as the dynamic Casimir effect. This uses a "moving mirror" cavity, where two very reflective very flat plates are held close together, and then moved slightly to interact with the quantum particle sea. It's horribly technical, but the end result is that Mustafa's use of shaped silicon plates similar to those used in solar power cells results in a net force being delivered. A force, of course, means a push or a pull and in space this equates to a drive or engine.
In terms of space propulsion, this is amazing…
if you want proof that the tiniest of pushes can propel a spacecraft, check this out: Two Pioneer space probes, launched in the 1970s, are the farthest manmade objects from Earth...but they're not as far away as they should be…"
5 days ago by robertogreco
Maps of Intensity — Bobby George
19 days ago by robertogreco
"Maps should not be understood only in extension, in relation to a space constituted by trajectories. There are also maps of intensity, or density, that are concerned with what fills space, what subtends the trajectory… It is always an affective constellation… Pollack and Sivadon have made a profound analysis of the cartographic activity of the unconscious, perhaps their sole ambiguity lies in seeing it as a continuation of the image of the body. On the contrary, it is the map of intensity that distributes the affects, and it is their links and valences that constitute the image of the body in each case—an image that can always be modified or transformed depending on the affective constellations that determine it. A list or constellation of affects, an intensive map, is a becoming." - Gilles Deleuze
density
bobbygeorge
trajectory
place
space
cartography
constellationalthinking
constellations
intensity
maps
deleuze
gillesdeleuze
from delicious
19 days ago by robertogreco
Abra Ancliffe – The ReHistory of a Lost School: Asbury Community School
24 days ago by robertogreco
"The Asbury Community School in Albuquerque, New Mexico existed from 1978-1985; during which time I attended as a young girl. It was a non-traditional school with an open campus, a diverse student body and curriculum that included yoga & self-directed learning. Asbury closed its doors in 1985, after which the school disappeared and its existence faded. I gathered the memories and traces of the students, teachers and parents of Asbury in order to reinstate the history of the school into its former buildings and the Sawmill neighborhood of Albuquerque. By engaging the ethereal nature of memories, the fuzzy and fractures fragrnents become a testimonial to a lost school and begin to fill a gap in the history of the buildings. The memories are placed back into the rooms and spaces in which they first occurred and a palimpsestual history emerges."
temporalspaces
temporality
atemporality
lcproject
childhood
mapping
maps
asburycommunityschool
glvo
installation
2009
alburquerque
place
space
memory
schools
abraancliffe
art
from delicious
24 days ago by robertogreco
Det Kongelige Danske Kunstakademie Billedkunstskolerne
7 weeks ago by robertogreco
"The School of Walls & Space investigates contemporary notions of space, its production, privatization & the role of the artist as a critical and political agent within it, & uses both traditional & more experimental pedagogical methods.
The School is a multi-layered micro-institution that encourages the development of an inter-disciplinary research-based practice. It balances individual mentoring w/ collective group activities. The school uses traditional pedagogical methods: group & one-to-one crits, seminars and talks, in conjunction w/ the exploration of more experimental collaborative teaching models which the School researches and develops collectively as a group. These include brain storming techniques, games, charettes, group activities, actions & happenings. It also explores historical practices, such as psychogeography & the derive, & the experimental teaching methods of Paolo Freire, Roy Ascott, Paul Goodman, & Colin Ward…"
[See also: http://wallsandspace.wordpress.com/ ]
copenhagen
theschoolofwallsandspace
2837university
lcproject
derive
collaborativeteaching
collaborative
charettes
arteducation
situationist
psychogeography
paulofreire
colinward
paulgoodman
royascott
nilsnorman
permaculture
denmark
art
space
education
place
pedagogy
from delicious
The School is a multi-layered micro-institution that encourages the development of an inter-disciplinary research-based practice. It balances individual mentoring w/ collective group activities. The school uses traditional pedagogical methods: group & one-to-one crits, seminars and talks, in conjunction w/ the exploration of more experimental collaborative teaching models which the School researches and develops collectively as a group. These include brain storming techniques, games, charettes, group activities, actions & happenings. It also explores historical practices, such as psychogeography & the derive, & the experimental teaching methods of Paolo Freire, Roy Ascott, Paul Goodman, & Colin Ward…"
[See also: http://wallsandspace.wordpress.com/ ]
7 weeks ago by robertogreco
Utopia Seminar A Reader The School of Walls and Space Copenhagen 2010 [.pdf]
7 weeks ago by robertogreco
"This course explores the history, concepts and the real and imaginary worlds of Utopia. As an extension of Nils Norman’s ongoing research of Utopia, the Utopic World will be investigated using a broad artistic, rather than academic, method of inquiry.
Utopia is nowhere, but historically and conceptually it cannot be just anywhere. The course will navigate the analytic study and long tradition of mainly Western Utopia going back to the Ancient Greeks, through the Judeo-Christian tradition of Millenarianism, sailing past the Utopias of the 16C, and on towards the mad and fantastic plans and programs of Utopian Socialists like Charles Fourier, Robert Owen and Saint Simon. From there we will steer towards the history of communalism in the United States, feminist utopias, the communitarian experiments of the 60s and 70s, and the intentional communities of the present."
karlmarx
marxism
socialism
ecology
intentionalcommunities
communitarian
saintsimon
robertowen
charlesfourier
millenarianism
anarchist
anarchism
utopia
place
space
psychogeography
situationist
art
denmark
copenhagen
theschoolofwallsandspace
2010
nilsnorman
from delicious
Utopia is nowhere, but historically and conceptually it cannot be just anywhere. The course will navigate the analytic study and long tradition of mainly Western Utopia going back to the Ancient Greeks, through the Judeo-Christian tradition of Millenarianism, sailing past the Utopias of the 16C, and on towards the mad and fantastic plans and programs of Utopian Socialists like Charles Fourier, Robert Owen and Saint Simon. From there we will steer towards the history of communalism in the United States, feminist utopias, the communitarian experiments of the 60s and 70s, and the intentional communities of the present."
7 weeks ago by robertogreco
Will Self: Walking is political | Books | The Guardian
8 weeks ago by robertogreco
"A century ago, 90% of Londoners' journeys under six miles were made on foot. Now we are alienated from the physical reality of our cities. Will Self on the importance of walking in the fight against corporate control"
"Borges's animals and beggars are those who still seek the disciplines of physical geography – we understand that to walk the city and its environs is, in a very powerful sense, to use it. The contemporary flâneur is by nature and inclination a democratising force who seeks equality of access, freedom of movement and the dissolution of corporate and state control."
humanconnection
humanconnectivity
connectivity
human
society
indifference
friedrichengels
gps
london
thomasdequincey
moritzretszch
edgarallanpoe
wandering
wanderlust
rebeccasolnit
epicurus
thecityishereforyoutouse
geography
democracy
freedomofmovement
freedom
access
movement
flaneur
borges
cities
place
space
limitedspace
psychogeography
urbanism
urban
transportation
control
corporatism
willself
2012
walking
from delicious
"Borges's animals and beggars are those who still seek the disciplines of physical geography – we understand that to walk the city and its environs is, in a very powerful sense, to use it. The contemporary flâneur is by nature and inclination a democratising force who seeks equality of access, freedom of movement and the dissolution of corporate and state control."
8 weeks ago by robertogreco
True writing and (ethnographic) fiction | Design Culture Lab
10 weeks ago by robertogreco
"I’m most struck by the possibility that a story’s capacity to affect a reader depends on how successfully a writer can bring people, places and things to life. And what I take from Hemingway here is that this requires a writer to blur the line between fact and fiction, to write truly without writing the Truth.
In any case, I want my writing to inhabit, and evoke, this space–and moving in this direction is, I think, the key to merging researcher and writer to create good ethnographic fiction."
hemingway
fscottfitzgerald
thewind-upbirdchronicle
harukimurakami
2012
truth
ethnographicfiction
space
thinking
fiction
writing
everydaylife
annegalloway
In any case, I want my writing to inhabit, and evoke, this space–and moving in this direction is, I think, the key to merging researcher and writer to create good ethnographic fiction."
10 weeks ago by robertogreco
Week 2 - Weekly Dispatch
february 2012 by robertogreco
"a blog post by Tag Savage [http://sexpigeon.org/post/16729718345/path-puts-a-silly-amount-of-trust-in-its-avatars ] about Path’s user interface choices in their app. Central tennent: if a place is too pristine and planned, it can’t be colonized. Tag’s words:
"Path is pretty in the same designy way as our modern museums. […] These museums are very exciting when they open. You show up and marvel along with all of the other fans of architecture. Maybe you return for one of those nights where they stay open late and there is a band and drinking. “A great space,” you think. […] The art doesn’t get talked about so much at these museums."
Path is a monument to Path. It is no place to scribble in. I wish it longevity so that it might find shabbiness.
A tricky balance, to be sure, but one that must be navigated if a product is dependant on user’s content. Part of the product must be left undone to provide the opening for the user to contribute."
pristineness
usefulness
architecture
ownership
space
place
museums
over-planning
planning
tagsavage
frankchimero
wabi-sabi
comfort
approachability
shabbiness
2012
colonization
path
"Path is pretty in the same designy way as our modern museums. […] These museums are very exciting when they open. You show up and marvel along with all of the other fans of architecture. Maybe you return for one of those nights where they stay open late and there is a band and drinking. “A great space,” you think. […] The art doesn’t get talked about so much at these museums."
Path is a monument to Path. It is no place to scribble in. I wish it longevity so that it might find shabbiness.
A tricky balance, to be sure, but one that must be navigated if a product is dependant on user’s content. Part of the product must be left undone to provide the opening for the user to contribute."
february 2012 by robertogreco
tevis thompson: Saving Zelda
february 2012 by robertogreco
"A world is more than a space, more than a place; it is something to inhabit & be inhabited by. What you infuse a space w/ to make it habitable, to make it memorable (since memory is profoundly spatial), gives the place its character, its soul…
Zelda would be better if it had no story…no plot to structure the adventure…first Zs barely had any plot…were better for it. With plot, sequence matters too much…early Zs had situations, worlds & scenarios that framed action, gaps to be filled in by player, sequences to be broken. Optimal paths & shortcuts weren’t a given; they had to be earned. Items were the most prominent plot devices, & even they were not unduly strict about order. You could be slow & steady or blast straight through with a little know-how…basic rules of the gameworld were what bound you, not some artificial necessity imposed for the sake of plot."
…a world is not for you. A world needs a substance, independence, sense that it doesn’t just disappear when you turn around."
2012
space
play
openendedness
open-ended
autonomy
exploration
memory
spatialmemory
worlds
worldbuilding
nintendo
videogames
gaming
zelda
games
gamecriticism
gamedesign
via:tealtan
tevisthompson
Zelda would be better if it had no story…no plot to structure the adventure…first Zs barely had any plot…were better for it. With plot, sequence matters too much…early Zs had situations, worlds & scenarios that framed action, gaps to be filled in by player, sequences to be broken. Optimal paths & shortcuts weren’t a given; they had to be earned. Items were the most prominent plot devices, & even they were not unduly strict about order. You could be slow & steady or blast straight through with a little know-how…basic rules of the gameworld were what bound you, not some artificial necessity imposed for the sake of plot."
…a world is not for you. A world needs a substance, independence, sense that it doesn’t just disappear when you turn around."
february 2012 by robertogreco
Bret Victor - Inventing on Principle on Vimeo
purpose living life insight doing self-discovery experience modelessness causes craftsman problemsolving meaning meaningmaking specialization skills identity rightandwrong ideals richardstallman piaget jeromebruner alankay dougengelbart xeroxparc terrycavanagh larrytesler activism injustice justice morality responsibility animation mediaconnection teletype computing history analogdesign electronics comparisons data space understanding search visualization time braid making ideas programming 2012 connection discovery coding invention creativity principles bretvictor from delicious
february 2012 by robertogreco
purpose living life insight doing self-discovery experience modelessness causes craftsman problemsolving meaning meaningmaking specialization skills identity rightandwrong ideals richardstallman piaget jeromebruner alankay dougengelbart xeroxparc terrycavanagh larrytesler activism injustice justice morality responsibility animation mediaconnection teletype computing history analogdesign electronics comparisons data space understanding search visualization time braid making ideas programming 2012 connection discovery coding invention creativity principles bretvictor from delicious
february 2012 by robertogreco
intro to landscape studies - YouTube
february 2012 by robertogreco
"The modern age of landscape is an age where social interactions, markets, and developments are routinely channeled by institutions invisible to the ordinary individual. State infrastructure and capital have made immense and irreversible the effects of building, in the form of corridors, monuments and waste, channeling everyday paths and interactions in new space. In the era of modern building, the secrets of landscape are constantly hidden in plain sight.
To learn to see the landscape, western writers first had to learn to describe it. Unlike studies of rhetoric, which stretch back through the classical tradition, structural studies of the phenomenology, politics, and psychology of landscape only matured in the nineteenth century, in the era when state intervention began to physically reshape the shape of trade, agriculture, and the city at an unprecedented scale. Psychologists like Georg Simmel and cultural critics like Walter Benjamin imported the science of rhetoric and the…"
podcast
digitalhumanities
rebeccasolnit
streets
space
place
micheldecerteau
economics
politicaleconomy
policy
geography
urbanism
urban
cities
architecture
landscapearchitecture
modernity
institutions
literature
history
walterbenjamin
georgsimmel
interdisciplinarity
lanscapestudies
2008
infrastructure
class
landscape
joguldi
To learn to see the landscape, western writers first had to learn to describe it. Unlike studies of rhetoric, which stretch back through the classical tradition, structural studies of the phenomenology, politics, and psychology of landscape only matured in the nineteenth century, in the era when state intervention began to physically reshape the shape of trade, agriculture, and the city at an unprecedented scale. Psychologists like Georg Simmel and cultural critics like Walter Benjamin imported the science of rhetoric and the…"
february 2012 by robertogreco
Realizing Empathy: An Inquiry into the Meaning of Making by Slim — Kickstarter
february 2012 by robertogreco
"At the heart of it is an inquiry into the meaning of making. I am deeply interested in how making works (as a process), what it means (to make something), and why it matters (to our lives).
One of the central theme is the relationship between the act of empathizing with the act of making…
The second theme is exploring how we can design a space that facilitates the act of making, especially in the digital space…
The book is structured around a number of stories that talk about the humbling experiences I've had in art school. These are experiences that have lead to epiphanies, which changed my understanding of what it means to make something.
In response to these experiences are conversations I've had with an interdisciplinary group of friends (an animator, a programmer, a neuroscientist, a human-computer interaction researcher, and a theologian) about these epiphanies.
Weaving together the stories and conversations are both reflective and analytic essays that model…"
integrity
honesty
acting
knowledge
workspace
space
metaphors
trust
courage
comfort
computers
computing
safety
technology
seungchanlim
perspective
risktaking
risk
dignity
humility
meaningmaking
meaning
scale_slim
tools
howwework
openstudioproject
making
empathy
design
2012
language
One of the central theme is the relationship between the act of empathizing with the act of making…
The second theme is exploring how we can design a space that facilitates the act of making, especially in the digital space…
The book is structured around a number of stories that talk about the humbling experiences I've had in art school. These are experiences that have lead to epiphanies, which changed my understanding of what it means to make something.
In response to these experiences are conversations I've had with an interdisciplinary group of friends (an animator, a programmer, a neuroscientist, a human-computer interaction researcher, and a theologian) about these epiphanies.
Weaving together the stories and conversations are both reflective and analytic essays that model…"
february 2012 by robertogreco
Ethel Baraona | dpr-barcelona | Mis palabras para...
january 2012 by robertogreco
"Vivimos momentos en los que los territorios se desdibujan, la frontera entre lo tangible y lo intangible es cada vez más difusa y las relaciones que se crean a través de la red toman cada vez más y más importancia en la definición de un nuevo espacio. ¿Cómo podemos entender estos nuevos territorios? ¿Cómo podemos asumir estas nuevas configuraciones espaciales?"
2012
urban
urbanism
relationships
intangible
tangible
network
networks
territory
borders
guydebord
situationist
ethelbaraona
space
from delicious
january 2012 by robertogreco
Treehouses: Online community for internet // Speaker Deck
january 2012 by robertogreco
Notes here by litherland:
“The ephemerality of speech [sic] in these tools better affords intimacy.” Revisit. /
“That speech is temporal also means someone can be absent, which makes presence meaningful.” Makes a lot of assumptions; needs to rethink (or think harder about) what speech is. Or what he means by it. /
Concept of “intransient group memory.” /
Interesting thoughts about playgrounds. /
“Conversation is an iterated game, so your pseudo can be a strong identity even if it isn’t your *public commercial web face*.” [my emph] /
“Hosts use soft power to influence. The group still governs itself.” /
“Recording is corrosive to candid sharing, so a private internet space must be transient.” /
2012
markpaschal
dannyo'brien
via:litherland
heatherchamp
self-organization
openspace
hackerspaces
autonomy
richardbartle
johanhui
johanhuizinga
play
groupmemory
availabot
ephemerality
muds
space
place
alancooper
sovereignposture
secondlife
personalization
tomarmitage
animalcrossing
ambient
presence
minimumviabletreehouses
minecraft
gaming
games
clubhouses
socialmedia
darkmatter
privacy
sharing
conversation
groups
onlinetreehouses
treehouses
organizing
activism
community
“The ephemerality of speech [sic] in these tools better affords intimacy.” Revisit. /
“That speech is temporal also means someone can be absent, which makes presence meaningful.” Makes a lot of assumptions; needs to rethink (or think harder about) what speech is. Or what he means by it. /
Concept of “intransient group memory.” /
Interesting thoughts about playgrounds. /
“Conversation is an iterated game, so your pseudo can be a strong identity even if it isn’t your *public commercial web face*.” [my emph] /
“Hosts use soft power to influence. The group still governs itself.” /
“Recording is corrosive to candid sharing, so a private internet space must be transient.” /
january 2012 by robertogreco
Going dark: SOPA, Wikipedia, and expressive absence | metaLAB (at) Harvard
january 2012 by robertogreco
"The occupations rejuvenated an embodied rhetoric of people in places, a fundamental politics of presence; the impending darkness of Wikipedia (in which the online encyclopedia will be joined by a growing cohort of Internet actors, including the Berkman-born Global Voices project) manifests a complimentary absence.
Occupy rediscovered the politically-compelling qualities of place; in going dark, Wikipedia strives to remind us that while the Internet may exist in virtual space, it has fast become a very real place."
matthewbattles
place
space
protest
pipa
wikipedia
expressiveabsence
presence
2011
ows
2012
sopa
from delicious
Occupy rediscovered the politically-compelling qualities of place; in going dark, Wikipedia strives to remind us that while the Internet may exist in virtual space, it has fast become a very real place."
january 2012 by robertogreco
Man is alone before the cosmos - interview - Domus [Interview with Oscar Niemeyer]
january 2012 by robertogreco
"…professor coming here to our office to talk about philosophy & the cosmos. We also edit an architectural periodical…architecture is just the pretext…magazine's real purpose is to provide young people with the information they need. In all disciplines, from medicine to engineering, when young people finish their studies, as specialists they can only talk about their idea of architecture, or more in general their job…haven't yet thought about or taken much notice of all the rest, of life itself, which is more important than architecture."
"…phrase I once used as motto…"Life is more important than architecture. The fight goes on. In defence of Latin America and the progress of the world.""
[Interviewer] "Looking from above, on the other hand, I was surprised at how the favelas seem more integrated with the environment and that, extensive as they are, they're paradoxically more respectful of it."
"Brasilia is nothing anymore. It is not an example, simply a provincial capital."
change
creativegeneralists
experts
specialists
generalists
brasil
brasilia
attobelloliardessi
space
design
architecture
oscarniemeyer
2010
"…phrase I once used as motto…"Life is more important than architecture. The fight goes on. In defence of Latin America and the progress of the world.""
[Interviewer] "Looking from above, on the other hand, I was surprised at how the favelas seem more integrated with the environment and that, extensive as they are, they're paradoxically more respectful of it."
"Brasilia is nothing anymore. It is not an example, simply a provincial capital."
january 2012 by robertogreco
Nostalgia for the Light / Trailer - YouTube
january 2012 by robertogreco
"Nostalgia for the Light takes place 10,000 feet above sea level to the driest place on earth, the Atacama Desert, where atop the mountains astronomers from all over the world gather to observe the stars. The sky is so translucent that it allows them to see right to the boundaries of the universe. The Atacama is also a place where the harsh heat of the sun keeps human remains intact: those of Pre-Columbian mummies; 19th century explorers and miners; and the remains of political prisoners, "disappeared" by the Chilean army after the military coup of September, 1973."
[See also: http://www.imdb.com/title/tt1556190/combined ]
nostalgiaforlight
science
astronomy
space
2011
atacama
patricioguzmán
chile
documentary
film
from delicious
[See also: http://www.imdb.com/title/tt1556190/combined ]
january 2012 by robertogreco
dConstruct2011 videos: The Transformers, Kars Alfrink
december 2011 by robertogreco
"In this talk, Kars Alfrink – founder and principal designer at applied pervasive games studio Hubbub – explores ways we might use games to alleviate some of the problems wilful social self-seperation can lead to. Kars looks at how people sometimes deliberately choose to live apart, even though they share the same living spaces. He discusses the ways new digital tools and the overlapping media landscape have made society more volatile. But rather than to call for a decrease in their use, Kars argues we need more, but different uses of these new tools. More playful uses."
[See also: http://2011.dconstruct.org/conference/kars-alfrink AND http://speakerdeck.com/u/dconstruct/p/the-transformers-by-kars-alfrink ]
"Kars looks at how game culture and play shape the urban fabric, how we might design systems that improve people’s capacity to do so, and how you yourself, through play, can transform the city you call home."
monocultures
rulespace
self-governance
gamification
filterbubble
scale
tinkering
urbanism
urban
simulationfever
animalcrossing
simulation
ludology
proceduralrhetoric
ianbogost
resilience
societalresilience
division
belonging
rioting
looting
socialconventions
situationist
playfulness
rules
civildisobedience
separation
socialseparation
nationality
fiction
dconstruct2011
dconstruct
identity
cities
chinamieville
design
space
place
play
gaming
games
volatility
hubbub
howbuildingslearn
adaptability
adaptivereuse
architecture
transformation
gentrification
society
2011
riots
janejacobs
karsalfrink
from delicious
[See also: http://2011.dconstruct.org/conference/kars-alfrink AND http://speakerdeck.com/u/dconstruct/p/the-transformers-by-kars-alfrink ]
"Kars looks at how game culture and play shape the urban fabric, how we might design systems that improve people’s capacity to do so, and how you yourself, through play, can transform the city you call home."
december 2011 by robertogreco
Theaster Gates
december 2011 by robertogreco
"Theaster Gates is an artist and cultural planner. In his performances, installations, and urban interventions, Gates transforms spaces, institutions, traditions, and perceptions.
Gates’s training as an urban planner and sculptor, and subsequent time spent studying clay, has given him keen awareness of the poetics of production and systems of organizing. Playing with these poetic and systematic interests, Gates has assembled gospel choirs, formed temporary unions, and used systems of mass production as a way of underscoring the need that industry has for the body.
When Theaster is not making art for museums, he is committed to the restoration of poor neighborhoods, converting abandoned buildings into cultural spaces that allow not only new cultural moments to happen in unexpected places, but raising the city’s expectations of where “place-making” happens and why."
placemaking
culture
installation
space
place
lcproject
restoration
performance
chicago
urbaninterventions
glvo
theastergates
urbanplanning
urbanism
urban
art
from delicious
Gates’s training as an urban planner and sculptor, and subsequent time spent studying clay, has given him keen awareness of the poetics of production and systems of organizing. Playing with these poetic and systematic interests, Gates has assembled gospel choirs, formed temporary unions, and used systems of mass production as a way of underscoring the need that industry has for the body.
When Theaster is not making art for museums, he is committed to the restoration of poor neighborhoods, converting abandoned buildings into cultural spaces that allow not only new cultural moments to happen in unexpected places, but raising the city’s expectations of where “place-making” happens and why."
december 2011 by robertogreco
George Dyson | Evolution and Innovation - Information Is Cheap, Meaning Is Expensive | The European Magazine
december 2011 by robertogreco
"We now live in a world where information is potentially unlimited. Information is cheap, but meaning is expensive. Where is the meaning? Only human beings can tell you where it is. We’re extracting meaning from our minds and our own lives…
I think that we are generally not very good at making decisions. Mostly, things just happen. And there are some very creative human individuals who provide the sparks to drive that process. History is unpredictable, so the important thing is to stay adaptable. When you go to an unknown island, you don’t go with concrete expectations of what you might find there. Evolution and innovation work like the human immune system: There is a library of possible responses to viruses. The body doesn’t plan ahead trying to predict what the next threat is going to be, it is trying to be ready for anything."
georgedyson
decisionmaking
culture
technology
internet
information
evolution
meaning
meaningmaking
adaptability
humanprogress
humans
progress
cognitiveautarchy
computers
computation
chaos
diversity
intelligence
survival
web
innovation
creativity
philosophy
science
google
uncertainty
life
religion
biology
space
time
ethics
I think that we are generally not very good at making decisions. Mostly, things just happen. And there are some very creative human individuals who provide the sparks to drive that process. History is unpredictable, so the important thing is to stay adaptable. When you go to an unknown island, you don’t go with concrete expectations of what you might find there. Evolution and innovation work like the human immune system: There is a library of possible responses to viruses. The body doesn’t plan ahead trying to predict what the next threat is going to be, it is trying to be ready for anything."
december 2011 by robertogreco
Hypermodernity - Wikipedia
november 2011 by robertogreco
"If distinguished from hypermodernity, supermodernity is a step beyond the ontological emptiness of postmodernism and relies upon a view of plausible truths. Where modernism focused upon the creation of great truths (or what Lyotard called "master narratives" or "metanarratives"), postmodernity is intent upon their destruction (deconstruction). In contrast supermodernity does not concern itself with the creation or identification of truth value. Instead, information that is useful is selected from the superabundant sources of new media. Postmodernity and deconstruction have made the creation of truths an impossible construction. Supermodernity acts amid the chatter and excess of signification in order to escape the nihilistic tautology of postmodernity. The Internet search and the construction of interconnected blogs are excellent metaphors for the action of the supermodern subject."
supermodernity
supermodernism
hypermodernity
hypermodernism
modernism
networkculture
newmedia
postmodernism
postmodernity
truth
interconnectedness
interconnectivity
information
metanarratives
marcaugé
terryeagleton
space
place
from delicious
november 2011 by robertogreco
Space and place: the perspective of ... - Yi-Fu Tuan - Google Books
november 2011 by robertogreco
"In the 25 years since its original publication, Space and Place has not only established the discipline of human geography, but it has proven influential in such diverse fields as theater, literature, anthropology, psychology, and theology. Eminent geographer Yi-Fu Tuan considers the ways in which people feel and think about space, how they form attachments to home, neighborhood, and nation, and how feelings about space and place are affected by the sense of time. He suggests that place is security and space is freedom: we are attached to the one and long for the other. Whether he is considering sacred versus "biased" space, mythical space and place, time in experiential space, or cultural attachments to space, Tuan's analysis is thoughtful and insightful."
yi-futuan
space
place
humangeography
human
geography
books
toread
anthropology
psychology
home
november 2011 by robertogreco
The mission: never come back (Ships Not Shelters, a non-Earth heterotopia) : socks-studio
september 2011 by robertogreco
“–Evadere ad auras,<br />
Hoc opus, hic labor est.”<br />
<br />
To escape into the upper air,<br />
This is the task, this is the labour.<br />
<br />
The underlying premise behind Ships not Shelters is to abandon the idea of shelter, in favour of the development of unstatic in transit non-Earth living situations.<br />
<br />
Published by the Peckham Outer-Space Initiative, a thinktank of sort, formed by the guys at Anvil and El Ultimo Grito, the handy manifesto (170 pages), is an overall ode to the ship (both physical and mental) as a tool for the prospect and fascination of the uncharted, aiming at the evolution of human species and its culture. A vehicle as a solution to current forms of planetary based society and living:"<br />
<br />
[See also: http://www.shopwork.net/projects/peckham-outerspace-initiative/ via ªªhttp://nomadicity.tumblr.com/post/10174302145/evadere-ad-auras-hoc-opus-hic-labor-est-to ]ºº
peckhamouter-spaceinitiative
space
shelter
ships
spaceships
nomads
neo-nomads
unstatic
design
architecture
from delicious
Hoc opus, hic labor est.”<br />
<br />
To escape into the upper air,<br />
This is the task, this is the labour.<br />
<br />
The underlying premise behind Ships not Shelters is to abandon the idea of shelter, in favour of the development of unstatic in transit non-Earth living situations.<br />
<br />
Published by the Peckham Outer-Space Initiative, a thinktank of sort, formed by the guys at Anvil and El Ultimo Grito, the handy manifesto (170 pages), is an overall ode to the ship (both physical and mental) as a tool for the prospect and fascination of the uncharted, aiming at the evolution of human species and its culture. A vehicle as a solution to current forms of planetary based society and living:"<br />
<br />
[See also: http://www.shopwork.net/projects/peckham-outerspace-initiative/ via ªªhttp://nomadicity.tumblr.com/post/10174302145/evadere-ad-auras-hoc-opus-hic-labor-est-to ]ºº
september 2011 by robertogreco
The London Perambulator (full length documentary) - YouTube
september 2011 by robertogreco
"Featuring: Russell Brand, Will Self, Iain Sinclair and Nick PapadimitriouDirected by John Rogers<br />
John Rogers' film looks at the city we deny and the future city that awaits us. Leading London writers and cultural commentators Will Self, Iain Sinclair and Russell Brand explore the importance of the liminal spaces at the city's fringe, its Edgelands, through the work of enigmatic and downright eccentric writer and researcher Nick Papadimitriou - a man whose life is dedicated to exploring and archiving areas beyond the permitted territories of the high street, the retail park, the suburban walkways.<br />
The ideas of psychogeography and Nick's own deep topography are also explored."
london
cities
psychogeography
willself
russellbrand
iainsinclair
nickpapadimitriou
walking
topography
situationist
2011
via:preoccupations
place
urban
urbanism
history
thelondonperambulator
uk
johnrogers
maps
mapping
space
research
documentation
photography
video
discovery
noticing
classideas
has:via
from delicious
John Rogers' film looks at the city we deny and the future city that awaits us. Leading London writers and cultural commentators Will Self, Iain Sinclair and Russell Brand explore the importance of the liminal spaces at the city's fringe, its Edgelands, through the work of enigmatic and downright eccentric writer and researcher Nick Papadimitriou - a man whose life is dedicated to exploring and archiving areas beyond the permitted territories of the high street, the retail park, the suburban walkways.<br />
The ideas of psychogeography and Nick's own deep topography are also explored."
september 2011 by robertogreco
Video: Deducing the Physics of How Cats Fall - Alexis Madrigal - Technology - The Atlantic
september 2011 by robertogreco
"You know when a cat falls, it always lands on its feet. Thomas Kane was the kind of scientist who saw a cat fall and wanted to deduce the biophysics of the trick. In a series of experiments, he dropped cats and photographed them at high-speed, then broke their movements down into mathematics. Then, he had a trampolinist (in a spacesuit!) perform similar motions to imitate the feline. The images of the cat appeared in LIFE Magazine and the International Journal of Solids and Structures. In the latter, Kane's model of the phenomenon is superimposed on Ralph Crane's photographs."
physics
cats
thomaskane
2011
alexismadrigal
humans
space
science
animals
falling
from delicious
september 2011 by robertogreco
Small Wooden Shoe » Perhaps in a Hundred Years
august 2011 by robertogreco
"Perhaps in a Hundred Years is a tender science fiction story about three friends stuck in outer space, waiting for the future to arrive. They tell stories, sing songs, pass notes, and try to answer some questions about communism, candy bars and parties. Dancing, lip syncs and quiet beauty fill the space. Our heroes are surprisingly optimistic, given the conditions outside, armed as they are with cheerful pop songs and over a millennium worth of utopias. Despite an almost overwhelming pessimism for the long term future, which many of us share, Perhaps in a Hundred Years endeavors to keep it upbeat, or at least tenderly, militantly, hopeful. <br />
<br />
Perhaps in a Hundred Years mixes space-rock show with confessional, talk show with theatre to create performance for the future from the past (or at least from 2005.) "
theater
scifi
sciencefiction
plays
2005
smallwoodenshoe
space
amehenderson
chaddembski
jacobzimmer
hub14
2010
from delicious
<br />
Perhaps in a Hundred Years mixes space-rock show with confessional, talk show with theatre to create performance for the future from the past (or at least from 2005.) "
august 2011 by robertogreco
Video: A Two-Minute Visual History of the Spacewalk - Kasia Cieplak-Mayr von Baldegg - Technology - The Atlantic
july 2011 by robertogreco
"If there is a defining activity for NASA's Space Shuttle program, it is the spacewalk, or extra-vehicular activity. 160 spacewalks were made in the assembly of the ISS alone. There's something about the image, too, of a human high above the Earth, clambering around on a piece of machinery whizzing through space. In this video, we take a two-minute tour of the history of the EVA from the first during the Gemini program to the last spacewalk, which occurred Wednesday in low-earth orbit.<br />
<br />
All footage is courtesy of NASA and the Internet Archive. Some of it has been sped up."
kasiacieplak-mayrvonbaldegg
space
spacewalks
2011
video
spaceshuttle
nasa
history
iss
internationalspacestation
weightlessness
from delicious
<br />
All footage is courtesy of NASA and the Internet Archive. Some of it has been sped up."
july 2011 by robertogreco
The Spirit of the Spacesuit - NYTimes.com ["The success of this “soft” approach — ad hoc, individualistic, pragmatic — should be a lesson to us."]
july 2011 by robertogreco
"Props and costumes mattered in this theater of war. That NASA’s equipment should be painted white, and feature no military shields or corporate brands but only “USA,” “NASA” and the flag, was a deliberate decision by President Dwight D. Eisenhower. Yet American rockets were nevertheless cobbled together from instruments of war, their craftsmen drawn from the same network of systems engineers that was devised to manage the arms race and its doomsday scenarios. Our first astronauts went to space hunched into an improvised capsule atop ICBM’s, squatting in place of warheads. The brilliance with which the resulting achievements shone was — like a diamond’s — the result of terrible pressure. We should be glad that this era is past.<br />
<br />
But if the dazzling image of midcentury spaceflight obscures its dark origins, close scrutiny of the Apollo spacesuit reveals a different and more robust approach to innovation — one that should inspire us at this uncertain moment in space exploration."
space
spacerace
history
war
2011
ingenuity
nicholasdemonchaux
via:javierarbona
spaceexploration
spacesuits
spaceflight
coldwar
adhoc
innovation
nasa
us
bureaucracy
militaryindustrialcomplex
possibility
optimism
from delicious
<br />
But if the dazzling image of midcentury spaceflight obscures its dark origins, close scrutiny of the Apollo spacesuit reveals a different and more robust approach to innovation — one that should inspire us at this uncertain moment in space exploration."
july 2011 by robertogreco
Who Needs NASA? Life as an Independent Astronaut - Kasia Cieplak-Mayr von Baldegg - Technology - The Atlantic
july 2011 by robertogreco
"The great thing that I found when I began to live my life as an astronaut was that the world seemed so different. It was as if I was viewing my environment with a fresh pair of eyes." <br />
- John Barlow, Independent Astronaut
space
spaceexploration
astronauts
kasiacieplak-mayrvonbaldegg
art
davidwilson
2011
perception
roleplaying
storytelling
from delicious
- John Barlow, Independent Astronaut
july 2011 by robertogreco
Punchdrunk
july 2011 by robertogreco
"Since 2000, Punchdrunk has pioneered a game changing form of immersive theatre in which roaming audiences experience epic storytelling inside sensory theatrical worlds. Blending classic texts, physical performance, award-winning design installation and unexpected sites, the company's infectious format rejects the passive obedience usually expected of audiences. Lines between space, performer and spectator are constantly shifting. Audiences are invited to rediscover the childlike excitement and anticipation of exploring the unknown and experience a real sense of adventure. Free to encounter the installed environment in an individual imaginative journey, the choice of what to watch and where to go is theirs alone."
art
culture
alternative
interactive
storytelling
london
theater
immersive
sleepnomore
classideas
sensory
experiencedesign
space
performance
audience
from delicious
july 2011 by robertogreco
Sci-Fi Hi-Fi • Hecate had just sat down and was about to start...
july 2011 by robertogreco
"…experienced “Sleep No More,” a sprawling interactive theatrical production…in a renovated former warehouse…it was one of the most amazing “designed” experiences I’ve ever had. The entire place is essentially a giant interactive set featuring a cabaret, hotel lobby, a graveyard, a mental hospital, a hedge maze, a detective agency, and numerous other locations you’re allowed to move around freely—following the action (loosely based on “Macbeth”) if you like, or simply exploring. There are secret passages, doors that are locked & unlocked throughout the performance, & dark areas that take a fair amount of courage to explore at first. I found I was exercising parts of my brain I hadn’t used since building a mental map of “Legend of Zelda” dungeons. As the story illustrates, there’s always a possibility you, as an observer, will be pulled into the play’s action, which keeps you constantly a bit on edge. It’s very hard not to get swept up by it all…the immersion is near total"
buzzandersen
sleepnomore
performance
experience
experiencedesign
immersive
theater
nyc
classideas
zelda
legendofzelda
space
place
2011
emursive
punchdrunk
from delicious
july 2011 by robertogreco
SpeEdChange: A physical place for virtual education
july 2011 by robertogreco
"…physical place is importan…beautiful…flexible…interactive. Kids should be free to come & go, but I'd like them to want to stay. Kids should have the tools they need there, & access to food & drink & other "comforts." & the faculty needs to be there too - not for supervision - but for interaction as students need & want.<br />
<br />
…start w/ effective wireless capabilities in your "Physical Space for Virtual Learning," …4G comes in well…a Tool Crib of devices…lots of different kinds of seating. Tables and floor space for collaboration, and spaces - like music practice rooms - for solitude or quiet…furniture should all be movable, and probably whimsical in some ways…place for play…variety to the space, variety to the time, and variety in staff interaction…lighting varies…noise levels…vary…Don't pick "50 year" furniture.<br />
<br />
Think of MeetUps linked to any possible subject of mutual interests. Hold Hack Days geared to music or games or teaching or anything. And invite the community in…"
schooldesign
tcsnmy
lcproject
learning
irasocol
2011
space
place
unschooling
deschooling
education
community
furniture
schools
teaching
meetups
meetingplace
play
hackdays
hackerspaces
variety
diversity
from delicious
<br />
…start w/ effective wireless capabilities in your "Physical Space for Virtual Learning," …4G comes in well…a Tool Crib of devices…lots of different kinds of seating. Tables and floor space for collaboration, and spaces - like music practice rooms - for solitude or quiet…furniture should all be movable, and probably whimsical in some ways…place for play…variety to the space, variety to the time, and variety in staff interaction…lighting varies…noise levels…vary…Don't pick "50 year" furniture.<br />
<br />
Think of MeetUps linked to any possible subject of mutual interests. Hold Hack Days geared to music or games or teaching or anything. And invite the community in…"
july 2011 by robertogreco
Ring Around a Tree - Architecture - Domus [Looks like something new at Fuji Kindergarten.]
july 2011 by robertogreco
"In “Philosophical Investigations,” Wittgenstein writes that what children and foreigners have in common is the absence of knowledge of language & a set of codified rules. This leads them—in the first instance—to learn through the senses and the body. To give the children more freedom to move around the school, the directors of the Fuji Kindergarten requested Tezuka to design spaces without furniture: no chairs, desks or lecterns. As a result, “Ring Around a Tree” offers an architecture where there are no measures taken to constrain space, in order to liberate the body.<br />
The space created by Tezuka seems to have just two floors, but for the children the building has 6 floors w/ volumes that are one meter high. The compressed spaces, which can only be reached by crawling, further the freedom of movement & ability to use the body as a means of learning."<br />
<br />
[Via: http://bobulate.com/post/7560943445 ]<br />
[More about Fuji Kindergarten: http://delicious.com/rgreco/fujikindergarten ]
fujikindergarten
tokyp
schooldesign
wittgenstein
space
tezukaarchitects
body
architecture
design
from delicious
The space created by Tezuka seems to have just two floors, but for the children the building has 6 floors w/ volumes that are one meter high. The compressed spaces, which can only be reached by crawling, further the freedom of movement & ability to use the body as a means of learning."<br />
<br />
[Via: http://bobulate.com/post/7560943445 ]<br />
[More about Fuji Kindergarten: http://delicious.com/rgreco/fujikindergarten ]
july 2011 by robertogreco
The Seven Spaces of Technology in School Environments on Vimeo
july 2011 by robertogreco
"Matt Locke originally came up with the concept of the Six Spaces of technology (http://test.org.uk/2007/08/10/six-spaces-of-social-media/ ). I added a seventh earlier this year, Data Spaces, and have played around with how education could harness these spaces, and the various transgressions between them, for learning.
This short presentation tackles the potential of adjusting our physical school environments to harness technology even better. What happens when we map technological spaces to physical ones?
You can see more of the detail behind these thoughts over on the blog:
http://edu.blogs.com/edublogs/2010/10/-cefpi-clicks-bricks-when-digital-learning-and-space-met.html "
[via: http://twitter.com/irasocol/status/86712955856629760 See also: http://www.notosh.com/2011/01/consultancy-new-schools/ via http://twitter.com/ewanmcintosh/status/86721281147404288 ]
ewanmcintosh
2010
classroom
classroomdesign
gevertulley
tinkering
tinkeringschool
teaching
pedagogy
adaptability
digital
physical
learning
unschooling
deschooling
fidgeting
privatespaces
groupspaces
dataspaces
technology
fujikindergarten
mattlocke
blogging
flickr
blogs
watchingspaces
participatory
participationspaces
thirdteacher
performingspaces
space
publishing
twitter
stephenheppell
design
place
lcproject
classideas
tcsnmy
reggioemilia
from delicious
This short presentation tackles the potential of adjusting our physical school environments to harness technology even better. What happens when we map technological spaces to physical ones?
You can see more of the detail behind these thoughts over on the blog:
http://edu.blogs.com/edublogs/2010/10/-cefpi-clicks-bricks-when-digital-learning-and-space-met.html "
[via: http://twitter.com/irasocol/status/86712955856629760 See also: http://www.notosh.com/2011/01/consultancy-new-schools/ via http://twitter.com/ewanmcintosh/status/86721281147404288 ]
july 2011 by robertogreco
No Longer Empty
june 2011 by robertogreco
"NLE embraces a fresh perspective on creating, presenting & experiencing art.<br />
<br />
…works w/ internationally recognized curators to feature established artists alongside lesser known or new artists, using limited resources w/out sacrificing quality. The synthesis of area & site research drives each curatorial theme & selection of artists. The curatorial premise & physical realities of location provide artists w/ alternative to today’s art world status quo allowing them to expand their practice thru site commissioned work.<br />
<br />
…presents art in environments that are free & accessible to all. Our multi-locational exhibitions engage directly w/ each community drawing on resources & connections of community groups to provide meaningful programming. Utilizing vacated spaces in urban context, we act as a catalyst for revitalization & economic opportunity for local business thru increased flow of visitors…<br />
<br />
At the heart of the experience is community engagement & benefit."
design
art
culture
urban
social
glvo
urbanism
vacatedspaces
space
place
experience
nolongerempty
situationist
phantomgalleries
curation
community
the2837university
from delicious
<br />
…works w/ internationally recognized curators to feature established artists alongside lesser known or new artists, using limited resources w/out sacrificing quality. The synthesis of area & site research drives each curatorial theme & selection of artists. The curatorial premise & physical realities of location provide artists w/ alternative to today’s art world status quo allowing them to expand their practice thru site commissioned work.<br />
<br />
…presents art in environments that are free & accessible to all. Our multi-locational exhibitions engage directly w/ each community drawing on resources & connections of community groups to provide meaningful programming. Utilizing vacated spaces in urban context, we act as a catalyst for revitalization & economic opportunity for local business thru increased flow of visitors…<br />
<br />
At the heart of the experience is community engagement & benefit."
june 2011 by robertogreco
Maths and Science blog- matthen
june 2011 by robertogreco
"I post original stuff about maths, space, computational linguistics and other things that I like. This blog is meant to be accessible and interesting to people of all backgrounds. My undergrad was maths in Cambridge, and I'm now starting research in Speech and Language technology."
matthen
blogs
tumblr
math
science
mathematics
space
computationallinguistics
computing
from delicious
june 2011 by robertogreco
Henri Lefebvre - Wikipedia
june 2011 by robertogreco
"Henri Lefebvre (16 June 1901 – 29 June 1991) was a French sociologist, intellectual and philosopher who was generally considered a Neo-Marxist.[1] He first coined the phrase The Right to the City as an idea and a slogan in his 1968 book Le Droit à la ville."<br />
<br />
"His Critique of Everyday Life, first published in 1947, was among the major intellectual motives behind the founding of COBRA and, eventually, of the Situationist International."<br />
<br />
"Lefebvre dedicated a great deal of his philosophical writings to understanding the importance of (the production of) space in what he called the reproduction of social relations of production."<br />
<br />
"Lefebvre argued that every society - and therefore every mode of production - produces a certain space, its own space. The city of the ancient world cannot be understood as a simple agglomeration of people and things in space - it had its own spatial practice, making its own space…"
architecture
culture
history
cities
urban
urbanism
marxism
neo-marxism
1968
situationist
henrilefebvre
space
place
social
meaning
rights
antoniogramsci
spatialization
urbantheory
from delicious
<br />
"His Critique of Everyday Life, first published in 1947, was among the major intellectual motives behind the founding of COBRA and, eventually, of the Situationist International."<br />
<br />
"Lefebvre dedicated a great deal of his philosophical writings to understanding the importance of (the production of) space in what he called the reproduction of social relations of production."<br />
<br />
"Lefebvre argued that every society - and therefore every mode of production - produces a certain space, its own space. The city of the ancient world cannot be understood as a simple agglomeration of people and things in space - it had its own spatial practice, making its own space…"
june 2011 by robertogreco
Welcome the San Diego Air & Space Museum to The Commons! « Flickr Blog
may 2011 by robertogreco
"The San Diego Air & Space Museum is loaded with great images from aeronautical history. The breadth of the collection is amazing with images from the earliest days of flight, historic planes and pilots, space travel, and everything in between."
sandiego
flickr
history
air
space
commons
california
aviation
photography
archives
spacetravel
spaceexploration
flights
from delicious
may 2011 by robertogreco
A prayer beneath the Tree of Life - Roger Ebert's Journal
may 2011 by robertogreco
"Many films diminish us. They cheapen us, masturbate our senses, hammer us with shabby thrills, diminish the value of life. Some few films evoke the wonderment of life’s experience, and those I consider a form of prayer. Not prayer “to” anyone or anything, but prayer “about” everyone and everything. I believe prayer that makes requests is pointless. What will be, will be. But I value the kind of prayer when you stand at the edge of the sea, or beneath a tree, or smell a flower, or love someone, or do a good thing. Those prayers validate existence and snatch it away from meaningless routine."<br />
<br />
[via: http://blog.frankchimero.com/post/5639441270/many-films-diminish-us-they-cheapen-us ]
terrencemalick
film
prayer
rogerebert
art
culture
media
life
space
nature
existence
meaning
meaningmaking
meaningfulness
2011
from delicious
<br />
[via: http://blog.frankchimero.com/post/5639441270/many-films-diminish-us-they-cheapen-us ]
may 2011 by robertogreco
Leigh Blackall: Situated art, situated learning - En Route by One Step At A Time Like This
may 2011 by robertogreco
"I think the artistic intent of these concepts could be enhanced with study of Joseph Beuys' work, particularly the Free International University, as well as Situationist International and their desire to create environments for discovering and appreciating the true value of things rather than their staged value.<br />
<br />
All of this makes for excellent examples to add to my essay in progress on Ubiquitous Learning - a critique, where I'm trying to argue that the words ubiquity and learning have nothing inherently to do with technology, and are instead words of ethical dimension, so the phrase ubiquitous learning should become one more to do with an ethical approach or framework to learning, and not one suggesting a technological determination of it."
context
situated
situationist
leighblackall
comments
josephbeuys
newpublicthinkers
technology
art
situatedlearning
ubiquitouslearning
2837university
agitpropproject
agitprop
williamhanks
randallszott
colinward
learning
unschooling
deschooling
education
messiness
ethics
georgesiemens
curation
curating
curatorialteaching
connectivism
space
place
explodingschool
adamgreenfield
guydebord
enroute
street
urban
urbanism
cities
cityasclassroom
thecityishereforyoutouse
cv
lcproject
psychogeography
urbanscale
salrandolph
situatedart
from delicious
<br />
All of this makes for excellent examples to add to my essay in progress on Ubiquitous Learning - a critique, where I'm trying to argue that the words ubiquity and learning have nothing inherently to do with technology, and are instead words of ethical dimension, so the phrase ubiquitous learning should become one more to do with an ethical approach or framework to learning, and not one suggesting a technological determination of it."
may 2011 by robertogreco
OK Do | Happiness resides at home – Interview with Tuula Pöyhönen of ONNI
may 2011 by robertogreco
"What made you take your work home in the first place?<br />
It felt ridiculous to keep the flat empty the whole day and rent a space for a shop where I couldn’t work on my products. This way, I can combine design work and shop-keeping just like the clothiers, shoemakers and other similar professionals did in the olden times. Also, it makes integrating family and work life easier…<br />
<br />
Does it ever feel uncomfortable that your home is open to the public?…<br />
<br />
If a visitor gets uneasy to enter a space that is my home, it’s not really my problem…<br />
<br />
What are the best things about having an open home?…<br />
<br />
I prefer to invite them [clients] over in order to show them the atmosphere of my home. It conveys what I’m like and how I work; the mentality that underpins my design. In my opinion, it’s nonsense to claim that a design professional is someone who is able to adopt to different clients’ wishes. I think that clients should go to designers who are on the same wavelength to begin with."
okdo
onni
tuulapöyhönen
finland
livework
openstudio
glvo
lcproject
space
place
life
from delicious
It felt ridiculous to keep the flat empty the whole day and rent a space for a shop where I couldn’t work on my products. This way, I can combine design work and shop-keeping just like the clothiers, shoemakers and other similar professionals did in the olden times. Also, it makes integrating family and work life easier…<br />
<br />
Does it ever feel uncomfortable that your home is open to the public?…<br />
<br />
If a visitor gets uneasy to enter a space that is my home, it’s not really my problem…<br />
<br />
What are the best things about having an open home?…<br />
<br />
I prefer to invite them [clients] over in order to show them the atmosphere of my home. It conveys what I’m like and how I work; the mentality that underpins my design. In my opinion, it’s nonsense to claim that a design professional is someone who is able to adopt to different clients’ wishes. I think that clients should go to designers who are on the same wavelength to begin with."
may 2011 by robertogreco
People’s Atlas of Chicago
may 2011 by robertogreco
"“Notes for a Peoples Atlas” is a multi-city, participatory mapping and design project that began under the sponsorship of AREA Chicago in 2005 with a Chicago-based project, and has now traveled to Zagreb, Croatia and Syracuse, NY.
“Notes” invites participants to fill in the blank outline of the political border of their city or region with individual and collective local knowledge, forgotten histories, ongoing debates, and changing definitions of urban space. “Notes” generates dialogue and open-ended imagining about urban space and history, taking seriously the expertise and ideas of “nonspecialist” community members. When archived, it presents information in a form that is accessible, well-designed, and visually rich."
maps
mapping
chicago
local
zagreb
syracuse
2005
participatory
handdrawn
localknowledge
urban
urbanism
space
place
meaning
history
atlases
from delicious
“Notes” invites participants to fill in the blank outline of the political border of their city or region with individual and collective local knowledge, forgotten histories, ongoing debates, and changing definitions of urban space. “Notes” generates dialogue and open-ended imagining about urban space and history, taking seriously the expertise and ideas of “nonspecialist” community members. When archived, it presents information in a form that is accessible, well-designed, and visually rich."
may 2011 by robertogreco
Saturn is linked to Enceladus by an electron beam (Wired UK)
april 2011 by robertogreco
"On its latest flyby of the 500km-wide Enceladus, Cassini found jets of gas and icy grains emanating from the moon's south pole. These materials become electrically charged and form an ionosphere which -- in the magnetic bubble that surrounds Saturn -- create a current system between the celestial objects, like a massive dynamo generator."
saturn
space
planets
science
electronbeams
dynamos
dynamogenerators
2011
cassini
from delicious
april 2011 by robertogreco
Week 304 – Blog – BERG
april 2011 by robertogreco
"I’m looking forward to travel pausing for a bit, and having everyone back in the same room. There have been lots of changes recently, and the Room – which in my head I’ve started capitalising, Room not room – is nothing if not a culture – a particular stance to design and the world, and shared values – a way to work which is beautiful, popular and inventive – and a network of people in which ideas transmit, roll round and mutate, and come back in new forms and hit you in the back of the head. The Room is what it’s all about. It’s a broth that requires more investment than we’ve been giving it recently. So, yeah, that."
mattwebb
theroom
openstudio
work
howwework
networkedlearning
networks
berg
berglondon
sharedspace
space
place
learningplaces
learningspaces
2011
schooldesign
lcproject
tcsnmy
culture
sharedvalues
invention
creativity
cv
socialemotionallearning
shaedspace
sharedtime
community
communities
howwelearn
from delicious
april 2011 by robertogreco
Animate Field on Vimeo
april 2011 by robertogreco
"Animate Field presents a cloud of low-hanging fiber-optic filaments which create a volumetric mass for participants to directly engage in by physically occupying and moving through it. The red lit endpoints of the filaments are locally activated by people’s positions in the cloud. As the participants wade through the thicket of hanging filaments, their movement through the field creates trails of yellow light which persist as a kind of temporal residue, leaving a ghostly memory of their presence and their traveled paths. <br />
<br />
The mass of hanging fibers delicately grazes the skin of people whose physical presence in turn causes ripples and waves of movement throughout the mass.<br />
<br />
The field of lights in Animate Field constitutes a type of mediated architectural “skin”, but unlike most applications of this concept, this skin takes on volumetric dimensions and makes direct contact with the body."
justinlui
interactive
installation
video
thesis
fiber
architecture
design
space
movement
mass
from delicious
<br />
The mass of hanging fibers delicately grazes the skin of people whose physical presence in turn causes ripples and waves of movement throughout the mass.<br />
<br />
The field of lights in Animate Field constitutes a type of mediated architectural “skin”, but unlike most applications of this concept, this skin takes on volumetric dimensions and makes direct contact with the body."
april 2011 by robertogreco
YouTube - First Orbit - the movie
april 2011 by robertogreco
"A real time recreation of Yuri Gagarin's pioneering first orbit, shot entirely in space from on board the International Space Station. The film combines this new footage with Gagarin's original mission audio and a new musical score by composer Philip Sheppard. For more information visit http://www.firstorbit.org "
yurisnight
yurigagarin
space
spaceexploration
spacetravel
history
documentary
realtime
recreation
2011
firstorbit
ussr
russia
spacerace
audio
from delicious
april 2011 by robertogreco
YouTube - Jonathan Harris : Today
april 2011 by robertogreco
"When Jonathan Harris ( http://number27.org ) turned 30, he began a simple ritual of taking one photo a day and posting it to his website before going to sleep, along with a short story. He called this project, 'Today'.<br />
This is a short film about Jonathan's project, made a few weeks after he stopped it, by his friend, Scott Thrift: http://mssngpeces.com<br />
Jonathan's 'Today' project is viewable here:http://number27.org/today.php?age=30 "
storytelling
jonathanharris
memory
photography
time
life
documentary
2011
today
aging
classideas
experience
sensemaking
privacy
space
growth
from delicious
This is a short film about Jonathan's project, made a few weeks after he stopped it, by his friend, Scott Thrift: http://mssngpeces.com<br />
Jonathan's 'Today' project is viewable here:http://number27.org/today.php?age=30 "
april 2011 by robertogreco
Tactical Urbanism Final
april 2011 by robertogreco
"Improving the livability of our towns and cities commonly starts at the street, block, or building scale. While larger scale efforts do have their place, incremental, small-scale improvements are increasingly seen as a wayto stage more substantial investments. This approachallows a host of local actors to test new concepts beforemaking substantial political and financial commitments. Sometimes sanctioned, sometimes not, these actions are commonly referred to as “guerilla urbanism,” “pop-up urbanism,” “city repair,” or “D.I.Y. urbanism.” For the moment, we like “Tactical Urbanism,” which is anapproach that features the following five characteristics: A deliberate, phased approach to instigatingchange; The offering of local solutions for local planningchallenges; Short-term commitment and realistic expectations; Low-risks, with a possibly a high reward; & The development of social capital between citizensand the building of organizational capacity between…"
urbanism
diy
planning
gardening
publicspace
via:grahamje
tacticalurbanism
guerillagardening
space
place
chairbombing
pop-upcafes
pop-uprestaurants
pop-upstores
openstreets
playstreets
situationist
foodcarts
parkingday
cities
urban
mobilevendors
mobility
pop-upeducation
streetfairs
streets
streetlife
plazas
sharedspace
popup
pop-ups
from delicious
april 2011 by robertogreco
BUY THIS SATELLITE - Connect Everyone.
april 2011 by robertogreco
"We believe Internet access is a tool that allows people to help themselves—a tool so vital that it should be considered a universal human right. Imagine your digital life disconnected. W/out access to the 100 million man-hours that have been put into Wikipedia, how much do you actually know? W/out your contacts online social networks how much can you accomplish? W/out access to the news, weather, your bank account—how in charge of your life are you?<br />
The Internet has transformed what it means to be human—we are now more connected to one another than ever before. Yet, over 5 billion people do not have access to this incredible invention, do not have a voice in global dialog, or opportunity to share ideas & learn from Internet's ever-expanding knowledge pool.<br />
…access to information & Internet is a necessity for every global citizen & We plan to address information inequality by making internet access so ubiquitous you can take it for granted: Free, global, seamless connectivity."
internet
satellite
activism
charity
space
ahumanright
access
accessibility
communication
web
online
palomar5
global
from delicious
The Internet has transformed what it means to be human—we are now more connected to one another than ever before. Yet, over 5 billion people do not have access to this incredible invention, do not have a voice in global dialog, or opportunity to share ideas & learn from Internet's ever-expanding knowledge pool.<br />
…access to information & Internet is a necessity for every global citizen & We plan to address information inequality by making internet access so ubiquitous you can take it for granted: Free, global, seamless connectivity."
april 2011 by robertogreco
Stan Cohen - Diary: The gradual anarchist | New Humanist
march 2011 by robertogreco
"late 60s…heady years for libertarian left…new generation of radicals had gone through rapid education that skipped orthodox Marxism & traditional anarchism, plunging straight into dialectics of liberation, Fanonism, International Situationism & more. Under this influence group of us…had begun to question assumptions & boundaries of our academic discipline…looked for links to anarchist tradition &…flirted w/ late 19th-century idea of criminal as crypto-revolutionary hero.<br />
<br />
What attracted us to anarchism?…3 obvious affinities:…distrust of all authority…undermining of professional power (Illich-style de-schooling, anti-psychiatry…critique of state, especially its power to criminalise & punish.<br />
<br />
These standard anarchist concerns always informed Colin’s agenda…had little time for “apocalyptic” or “insurrectionary” anarchism. His approach was pragmatic, gradualist, even reformist…His anarchism was not a glorification of chaos & disorder but encouragement of special form of order…"
politics
activism
anarchism
obituary
colinward
situationist
marxism
pragmatism
1960s
2010
hierarchy
creativity
individuality
socialspaces
architecture
criminology
insurrection
apocalypse
chaos
disorder
deschooling
ivanillich
anti-psychiatry
criminalization
behavior
society
fanonism
liberation
freedom
cities
urban
urbanism
defensiblespaces
space
place
housing
state
pruitt-igoe
stlouis
hopefulness
patience
insecurity
victimization
crime
housingprojects
oscarnewman
from delicious
<br />
What attracted us to anarchism?…3 obvious affinities:…distrust of all authority…undermining of professional power (Illich-style de-schooling, anti-psychiatry…critique of state, especially its power to criminalise & punish.<br />
<br />
These standard anarchist concerns always informed Colin’s agenda…had little time for “apocalyptic” or “insurrectionary” anarchism. His approach was pragmatic, gradualist, even reformist…His anarchism was not a glorification of chaos & disorder but encouragement of special form of order…"
march 2011 by robertogreco
Power « Adam Greenfield's Speedbird
march 2011 by robertogreco
"To me, power is…
- an ability expressed within an immanent grid of relations superimposed on the phenomenal world, from which it’s effectively impossible to escape;
- the ability to shape flows of matter, energy and information through that grid of relations, and most particularly through bodies situated in space and time (including one’s own);
- the ability to determine outcomes where such bodies are concerned;
- this ability consciously recognized and understood.
By this definition, power can be exerted locally or globally, at microscale or macro-."
[See also the comments, including further reading and a definition of lines by Fred Scharmen.]
power
adamgreenfield
definitions
richarddawkins
buddhism
feminism
anarchism
deleuze
guattari
davidharvey
gayatrispivak
naomiklein
antonionegri
michaelhardt
matter
energy
relationships
body
space
time
spacetime
scale
fredscharmen
lines
adamkahane
paultillich
foucault
zygmuntbauman
modernism
johnruskin
gillesdeleuze
from delicious
- an ability expressed within an immanent grid of relations superimposed on the phenomenal world, from which it’s effectively impossible to escape;
- the ability to shape flows of matter, energy and information through that grid of relations, and most particularly through bodies situated in space and time (including one’s own);
- the ability to determine outcomes where such bodies are concerned;
- this ability consciously recognized and understood.
By this definition, power can be exerted locally or globally, at microscale or macro-."
[See also the comments, including further reading and a definition of lines by Fred Scharmen.]
march 2011 by robertogreco
Volunteered Geographic Information » ‘Compactness’ in Zoning: the circle as the ideal.
february 2011 by robertogreco
"I saw a thought provoking presentation recently, given by Wenwen Li of the University of California Santa Barbara, the talk was a wide ranging insight into Cyber Infrastructure, its uses for geospatial information, and some of the computational techniques that underpinned the project. One element of the project involved zone design for the greater Los Angeles region, and involved the implementation of an algorithm that was intended to aggregate small areal units into larger zones whilst meeting a number of conditions, principle among these conditions was ‘compactness’. The output looked very much like a single hierarchy of Christaller hexagons, and this got me thinking about the nature of space and compactness."
compactness
density
cities
losangeles
geography
hexagons
circles
zoning
clustering
python
builtenvironment
demographics
infrastructure
space
centralplacetheory
wenwenli
ucsb
cyberinfrastructure
geospatial
information
from delicious
february 2011 by robertogreco
In Cramped Japan, the iPad Is the Home Library - BusinessWeek
february 2011 by robertogreco
"Armed w/ a cutting board, the 28-year-old pharmaceutical company employee chopped his 850 titles to fit inside a cheap scanner & converted each book into a PDF. His library now lives in his preferred tablet computer, a Samsung Galaxy Tab. "There was just no more room for books when my son was born," he says.<br />
<br />
Japan's famously small living spaces make it a natural market for such space-saving innovations as digital books. Japanese have taken to tablet computers…While the iPad has opened the doors for e-books, the publishing industry has been slow to walk through them & still offers few Japanese-language editions. A cottage industry of pulp-to-PDF scanning startups are filling the void and now offer to digitize books for a modest fee.<br />
<br />
Some Japanese, such as Tagomori, are doing the scanning on their own. Fujitsu's PFU scanner-manufacturing subsidiary says sales of its consumer models rose 80% in June, the month after iPad was released, & more than doubled the following month."
japan
technology
books
ebooks
scanning
ipad
tablets
trends
2011
space
from delicious
<br />
Japan's famously small living spaces make it a natural market for such space-saving innovations as digital books. Japanese have taken to tablet computers…While the iPad has opened the doors for e-books, the publishing industry has been slow to walk through them & still offers few Japanese-language editions. A cottage industry of pulp-to-PDF scanning startups are filling the void and now offer to digitize books for a modest fee.<br />
<br />
Some Japanese, such as Tagomori, are doing the scanning on their own. Fujitsu's PFU scanner-manufacturing subsidiary says sales of its consumer models rose 80% in June, the month after iPad was released, & more than doubled the following month."
february 2011 by robertogreco
Communication Nation: The connected company
february 2011 by robertogreco
"average life expectancy of a human being in 21st century is ~67 years…average life expectancy for a company is…has dropped precipitously, from 75 years (in 1937) to 15 years in a more recent study…
I believe that many of these companies are collapsing under their own weight. As companies grow they invariably increase in complexity, & as things get more complex they become more difficult to control.
…As you triple the number of employees, their productivity drops by half (Chart here).
This “3/2 law” of employee productivity, along with the death rate for large companies, is pretty scary stuff. Surely we can do better?
…secret, I think, lies in understanding the nature of large, complex systems, & letting go of some of our traditional notions of how companies function. [Proceeds to explain]
business
management
collaboration
complexity
organizations
small
scale
flexibility
adaptability
organisms
connectivism
listening
adaptation
space
social
society
cities
urban
urbanism
design
culture
socialbusiness
planning
people
humans
inefficiency
efficiency
division
identity
ecosystems
activelistening
from delicious
I believe that many of these companies are collapsing under their own weight. As companies grow they invariably increase in complexity, & as things get more complex they become more difficult to control.
…As you triple the number of employees, their productivity drops by half (Chart here).
This “3/2 law” of employee productivity, along with the death rate for large companies, is pretty scary stuff. Surely we can do better?
…secret, I think, lies in understanding the nature of large, complex systems, & letting go of some of our traditional notions of how companies function. [Proceeds to explain]
february 2011 by robertogreco
The Interventionist's Toolkit: Places: Design Observer
february 2011 by robertogreco
"Driven by local and community issues and intended as polemics that question conventional practice, these projects reflect an ad hoc way of working; they are motivated more by grassroots activism than by the kind of home-ec craft projects (think pickling, Ikea-hacking and knitting) sponsored by mainstream shelter media, usually under the Do-It-Yourself rubric. (Although they do slot nicely into the imperative-heavy pages of Good and Make magazines.) They are often produced by emerging architects, artists and urbanists working outside professional boundaries but nonetheless engaging questions of the built environment and architecture culture. And the works reference edge-condition practitioners of earlier generations who also faced shifts within the profession and recessionary outlooks: Gordon Matta Clark, Archigram, Ant Farm, the early Diller + Scofidio, among others."
politics
urban
social
urbanism
activism
interventioniststoolkit
designobserver
favelachic
diy
economics
crisis
greatrecession
recession
serendipitor
amphibiousarchitecture
architecture
design
urbanfarming
farming
make
making
mirkozardini
anarchism
anarchitects
anarchitecture
space
place
diyurbanism
culture
archigram
matta-clark
antfarm
dillerscofidio
agitpropproject
the2837university
from delicious
february 2011 by robertogreco
The Bakery
january 2011 by robertogreco
"THE BAKERY is a collaborative creative space in the Barrio Logan neighborhood near downtown San Diego. Several times a year, the studio is transformed into a venue for nontraditional art, design, and music events.<br />
<br />
The historic building was once a Mexican bakery and now houses mi-workshop (object+space design), Set & Drift (art+design collaborations), and Sheepless Co (id+indie media).<br />
<br />
The Bakery is also host to The Farm Proper, a mobile, urban farm experiment, and a mural by artist Mike Maxwell."
sandiego
design
art
community
space
mikiiwasaki
thebakery
set&drift
sheepless
thefarmproper
mikemaxwell
barriologan
from delicious
<br />
The historic building was once a Mexican bakery and now houses mi-workshop (object+space design), Set & Drift (art+design collaborations), and Sheepless Co (id+indie media).<br />
<br />
The Bakery is also host to The Farm Proper, a mobile, urban farm experiment, and a mural by artist Mike Maxwell."
january 2011 by robertogreco
Paris Review - The Art of Fiction No. 182, Haruki Murakami
january 2011 by robertogreco
"I started writing at the kitchen table after midnight. It took ten months to finish that first book…<br />
<br />
When I was 29, I just started to write a novel out of the blue. I wanted to write something, but I didn’t know how. I didn’t know how to write in Japanese—I’d read almost nothing of the works of Japanese writers—so I borrowed the style, structure, everything, from the books I had read—American books or Western books. As a result, I made my own original style. So it was a beginning."<br />
<br />
"I’m a loner. I don’t like groups, schools, literary circles. At Princeton, there was a luncheonette, or something like that, and I was invited to eat there. Joyce Carol Oates was there and Toni Morrison was there and I was so afraid, I couldn’t eat anything at all! Mary Morris was there and she’s a very nice person, almost the same age as I am, and we became friends, I would say. But in Japan I don’t have any writer friends, because I just want to have . . . distance."
harukimurakami
writing
japan
cv
distance
solitude
time
space
howwework
social
introverts
from delicious
<br />
When I was 29, I just started to write a novel out of the blue. I wanted to write something, but I didn’t know how. I didn’t know how to write in Japanese—I’d read almost nothing of the works of Japanese writers—so I borrowed the style, structure, everything, from the books I had read—American books or Western books. As a result, I made my own original style. So it was a beginning."<br />
<br />
"I’m a loner. I don’t like groups, schools, literary circles. At Princeton, there was a luncheonette, or something like that, and I was invited to eat there. Joyce Carol Oates was there and Toni Morrison was there and I was so afraid, I couldn’t eat anything at all! Mary Morris was there and she’s a very nice person, almost the same age as I am, and we became friends, I would say. But in Japan I don’t have any writer friends, because I just want to have . . . distance."
january 2011 by robertogreco
The Making of TIONG BAHRU on Vimeo
january 2011 by robertogreco
"Joe Lawlor and Christine Molloy discuss the making of TIONG BAHRU, the 10th in the awardwinning Civic Life series exploring the relationship between community and civic spaces. TIONG BAHRU was shot in Singapore in June 2010 and starred over 150 volunteers from the community."
joelawlor
christinemolloy
socialengagement
civiclife
community
tiongbahru
film
art
singapore
space
place
civicspaces
neighborhoods
urban
urbanism
from delicious
january 2011 by robertogreco
Shadowed Spaces - Arika™ | Underground Music | Film Festivals | Tours
january 2011 by robertogreco
"There are places in the towns and cities where you live that exist not by planned design, but by circumstance. Their elusive ambience attracts those with nowhere else to go, and those who wish to go elsewhere.<br />
<br />
overlooked bypassed unwatched detached unconsidered shadowed<br />
<br />
They offer respites from society and routine. They are found by necessity, by those driven by desire, more than destination. Shadowed Spaces is a tour of nooks and crannies like these, in your towns and cities: forgotten steps that lead nowhere, alleyways, old railway tunnels. We’ll place musical performances in these spaces that will hopefully help us to think about the continued need for a sense of privacy in public."
architecture
psychogeography
space
foucault
via:javierarbona
from delicious
<br />
overlooked bypassed unwatched detached unconsidered shadowed<br />
<br />
They offer respites from society and routine. They are found by necessity, by those driven by desire, more than destination. Shadowed Spaces is a tour of nooks and crannies like these, in your towns and cities: forgotten steps that lead nowhere, alleyways, old railway tunnels. We’ll place musical performances in these spaces that will hopefully help us to think about the continued need for a sense of privacy in public."
january 2011 by robertogreco
Tana Sprague | Lissom
january 2011 by robertogreco
"I am transfixed with micro details, and the elevation of consciousness that is obtained through attuned presence . With focus fluctuating between digital and organic, my work creates a space where one complements the other. Inspired by the elegant complexity of organic forms, I utilize various devices to synthesize a similar enveloping intricacy. My approach is primarily intuitive, but may also incorporate generative processes that either directly inform the structure, or become the perceptual data itself. My intention is to heighten and transform awareness of time, space, place and scale, by seeping through the senses." [found via: http://www.flickr.com/photos/tristandacunha/4844869500/ ]
tanasprague
lissom
art
glvo
artists
ucsd
sound
audio
sense
space
place
scale
perception
conciousness
from delicious
january 2011 by robertogreco
The Glory of the Rails by Tony Judt | The New York Review of Books
january 2011 by robertogreco
"The conquest of space led inexorably to the reorganization of time. Even the modest speeds of early trains—btwn twenty & thirty-five miles per hour—were beyond the wildest imaginings of all but a handful of engineers. Most travelers & observers reasonably assumed not only that the railway had revolutionized spatial relations & the possibilities of communication, but also that—moving at unprecedented velocity & with no impediments to heed their advance—trains were extraordinarily dangerous. As indeed they were. Signaling, communication, and braking systems were always one step behind the steady increase in power & speed of the engines: until well into the later twentieth century trains were better at moving than stopping. This being so, it was vital to keep them at a safe distance from one another & to know at all times where they were. And thus—from technical considerations & for reasons of safety as much as commerce, convenience, or publicity—was born the railway timetable."
trains
transportation
history
technology
art
time
space
classideas
stations
trainsstations
railways
us
society
change
gamechanging
speed
distance
architecture
design
from delicious
january 2011 by robertogreco
space clearing (15 Jan., 2011, at Interconnected)
january 2011 by robertogreco
"Constrained walks and the dérive both reveal the city's psychogeography, and force the city to give up more of itself. It's funny to find, right on my doorstep, the streets I didn't know that I didn't know, the ones I'd got the unknown habit of avoiding. The city grows.<br />
<br />
Space clearing makes visible and disrupts the psychogeography of my home. By standing in far corners, I find new perspectives. I strengthen rarely visited spots in my own mental map. Later, I find myself noticing the corners more. My house looks larger. The changed shape of my rooms encourages me to walk differently about the space. I stand in slightly unfamiliar spots, look at my bookshelves with a new-found unfamiliarity, and this prompts new combinations of titles to come to my attention, and new ideas.<br />
<br />
I wonder if I could make something to do this for me? Maybe a robot vacuum cleaner programmed to find rarely visited corners and play an attention-grabbing sample, hey, over here, over here."
space
perspective
mattwebb
situationist
dérive
psychogeography
robots
constraints
flaneur
cities
homes
spaceclearing
mentalmaps
mapping
maps
attention
2011
derive
from delicious
<br />
Space clearing makes visible and disrupts the psychogeography of my home. By standing in far corners, I find new perspectives. I strengthen rarely visited spots in my own mental map. Later, I find myself noticing the corners more. My house looks larger. The changed shape of my rooms encourages me to walk differently about the space. I stand in slightly unfamiliar spots, look at my bookshelves with a new-found unfamiliarity, and this prompts new combinations of titles to come to my attention, and new ideas.<br />
<br />
I wonder if I could make something to do this for me? Maybe a robot vacuum cleaner programmed to find rarely visited corners and play an attention-grabbing sample, hey, over here, over here."
january 2011 by robertogreco
makezine.com: Helium Balloon Imaging "Satellite"
december 2010 by robertogreco
"Snap aerial photos from 300' up by suspending a hacked drugstore camera from 3 tethered helium balloons."
balloons
edg
sdspacesociety
projects
make
space
aerialphotography
photography
makemagazine
from delicious
december 2010 by robertogreco
makezine.com: Making Your Own Satellites
december 2010 by robertogreco
"Build and launch your own sat for as little as $8,000."
edg
projects
space
satellites
sdspacesociety
make
makemagazine
from delicious
december 2010 by robertogreco
“O Campo” by Joachim Schmid. | Multicipios Brasil
december 2010 by robertogreco
"Joachim Schmid apresenta sua mais recente obra “O Campo” Brazilian Football Fields, é uma compilação fotográfica de campos de futebol nas cidades brasileiras.<br />
<br />
As imagens foram tiradas por satélite, mostram campos de futebol de formas estranhas, parecem ser construídos sempre em locais impossíveis, demonstram claramente que o desejo de jogar futebol ultrapassa e ignora as limitações da topografia natural e também as leis da FIFA.<br />
<br />
Um projeto que utiliza imagens do Google Earth tomadas em campos de futebol de atletas amadores, a conhecida várzea, Schmid que vive e trabalha em Berlim, é um dos primeiros artistas que basearam seu trabalho sobre o uso de imagens que encontrou em torno de materiais fotográficos pré-existente."
photography
brasil
football
soccer
play
space
sports
from delicious
<br />
As imagens foram tiradas por satélite, mostram campos de futebol de formas estranhas, parecem ser construídos sempre em locais impossíveis, demonstram claramente que o desejo de jogar futebol ultrapassa e ignora as limitações da topografia natural e também as leis da FIFA.<br />
<br />
Um projeto que utiliza imagens do Google Earth tomadas em campos de futebol de atletas amadores, a conhecida várzea, Schmid que vive e trabalha em Berlim, é um dos primeiros artistas que basearam seu trabalho sobre o uso de imagens que encontrou em torno de materiais fotográficos pré-existente."
december 2010 by robertogreco
Project Aether
december 2010 by robertogreco
"Project Aether is a program designed to inspire the next generation of scientists, engineers, explorers, and dreamers. We collaborate with schools to teach students physics concepts, experimental research skills, and to demonstrate low-cost, accessible space exploration through high altitude balloon launches equipped with HD cameras."
space
spacetravel
science
diy
education
physics
classideas
sdspacesociety
edg
engineering
exploration
spaceexploration
from delicious
december 2010 by robertogreco
Pasta&Vinegar » Tom Sachs' DIY Lunar Module
december 2010 by robertogreco
Quote from Buzz Aldrin: “Our space program is expensive, slow, and crappy… but that’s why it’s magic. In my studio, by building functional elements, by making systems really work, we create new problems that require even more work to solve. This compounded work process, with things built according to our strict code of love and haste, defines the look of what we do. So for us, going to the Moon is a physical armature for continuing to practice what we do.<br />
<br />
I could argue that our is just as real, although it’s maybe more theatrical and more representational (…) my sculptures are not just studies of “real things”; they are real things. Building a spaceship out of plywood creates some special problems that force unique solutions. It’s in those solutions that the work has value to me.“
art
design
history
technology
space
slow
buzzaldrin
nicolasnova
problemsolving
howwework
process
learning
spaceexploration
from delicious
<br />
I could argue that our is just as real, although it’s maybe more theatrical and more representational (…) my sculptures are not just studies of “real things”; they are real things. Building a spaceship out of plywood creates some special problems that force unique solutions. It’s in those solutions that the work has value to me.“
december 2010 by robertogreco
Dreams of Space - Books and Ephemera
november 2010 by robertogreco
"Non-fiction children's books about space flight from 1945-1975."
books
history
spacerace
space
spacetravel
visions
vintage
scifi
retro
retrofuture
blogs
spaceexploration
from delicious
november 2010 by robertogreco
C O P E N H A G E N S U B O R B I T A L S
november 2010 by robertogreco
"Our mission is very simple. We are working towards launching a human being into space. This is a non-profit suborbital space endeavor lead by Kristian von Bengtson and Peter Madsen, based entirely on sponsors and volunteers."
space
spacetravel
diy
engineering
future
copenhagen
science
technology
rockets
suborbital
spaceexploration
from delicious
november 2010 by robertogreco
Lifework - Herman Miller ["Ideal Live/Work Space: Architects Tim Durfee and Iris Anna Regn"]
november 2010 by robertogreco
"In our future house we hope to build on this small example of telescoping space: where the different parts are simultaneously visible, welcoming different modes of living.<br />
<br />
Iris: I have always admired the way Marguerite Duras worked – stolen spaces in her living room, or in a simple sunny nook. Having work areas in various locations of the house, somewhat defined (by Duras as stacks of books and ashtrays), allows for the different functions and humors.<br />
<br />
Duras writes: “There are houses that are too well made, too well thought out, completely without surprises, devised in advance by experts. By surprise I mean the unpredictable element produced by the way a house is used…” (Practicalities: Marguerite Duras Speaks to Jerome Beaujour, Grove/Atlantic, Inc, 1993)"
timdurfee
irisannaregn
broodwork
homes
glvo
work
space
margueriteduras
housing
design
predictablity
unpredictability
architecture
environmentaldesign
from delicious
<br />
Iris: I have always admired the way Marguerite Duras worked – stolen spaces in her living room, or in a simple sunny nook. Having work areas in various locations of the house, somewhat defined (by Duras as stacks of books and ashtrays), allows for the different functions and humors.<br />
<br />
Duras writes: “There are houses that are too well made, too well thought out, completely without surprises, devised in advance by experts. By surprise I mean the unpredictable element produced by the way a house is used…” (Practicalities: Marguerite Duras Speaks to Jerome Beaujour, Grove/Atlantic, Inc, 1993)"
november 2010 by robertogreco
Things We Like: A Veritable Playground Made Out Of Packing Tape. | Public Workshop
november 2010 by robertogreco
"It is a flexible and forgiving, an open system of design, and construction that encourages relentless testing, exploration and collaboration. Very much like our landscape weaving projects (here and here), the material itself is so disassociating to the design-builder that one is likely to drop their conceptions of possibility and the formal notions of space that they have accumulated over their lifetime. We’ve repeatedly seen in our own work how although the final structures may not be permanent, this type of design-build process is incredibly valuable as a piece of a larger learning or design process for getting groups of kids or community members to drop their assumptions and fully, openly explore the possibility of an idea or space."
packingtape
projectideas
architecture
space
structures
play
playgrounds
materials
testing
tinkering
experimentation
exploration
collaboration
design
from delicious
november 2010 by robertogreco
Diagonal Mar Park - WikiArquitectura - Buildings of the World
november 2010 by robertogreco
"born in sea & forks, as main branches of trees on 2 axes that branch. 1st axis: promenade where flows of people. 2nd: man's life. In turn these 2 lines are different in 7 areas:<br />
<br />
* 'Branching of the square:' A walk through flowing where visitors to park, from central to sea & promenade. <br />
* 'Branching of man's children - playground:' human life begins with his childhood...a game marked by a small pond & games for children. <br />
* 'Street Taulat:' The park makes a break down this road, from which they have a stunning view of the new district Diagonal Mar. <br />
* 'Gateway Lake:' A zigzag bridge over the lake & lake at foot waterfalls w/ surprising ways. <br />
* 'The Magic Mountain:' The man moved forward in its evolution towards pre-teen age, playing area w/ slides of sinuous shapes in a large green mountain. <br />
* 'Lake:' wide pond of water, twisting steel sculptures that expel water vaporized. <br />
* 'La Plaza:' The meeting place btwn neighbors & intersection of park w/ city & Avenida Diagonal."
parcdiagonalmar
design
playgrounds
publicspace
space
place
barcelona
spain
architecture
landscape
water
from delicious
<br />
* 'Branching of the square:' A walk through flowing where visitors to park, from central to sea & promenade. <br />
* 'Branching of man's children - playground:' human life begins with his childhood...a game marked by a small pond & games for children. <br />
* 'Street Taulat:' The park makes a break down this road, from which they have a stunning view of the new district Diagonal Mar. <br />
* 'Gateway Lake:' A zigzag bridge over the lake & lake at foot waterfalls w/ surprising ways. <br />
* 'The Magic Mountain:' The man moved forward in its evolution towards pre-teen age, playing area w/ slides of sinuous shapes in a large green mountain. <br />
* 'Lake:' wide pond of water, twisting steel sculptures that expel water vaporized. <br />
* 'La Plaza:' The meeting place btwn neighbors & intersection of park w/ city & Avenida Diagonal."
november 2010 by robertogreco
Humanitas, Hongdae II | Flickr - Photo Sharing!
november 2010 by robertogreco
Another photo here: http://www.flickr.com/photos/studies_and_observations/5116315813/
lcproject
adamgreenfield
thirdplaces
thirdspace
design
environmentaldesign
experience
coffeehouses
books
work
workplace
workspace
space
conviviality
architecture
lighting
ventilation
seoul
korea
socialization
from delicious
november 2010 by robertogreco
Open social scene: Coffeesmith, Garosu-gil | Flickr - Photo Sharing!
november 2010 by robertogreco
"I thought this was just an exemplary platform for conviviality.<br />
<br />
Coffeesmith's multiple zones readily support:<br />
- prospect and refuge;<br />
- solitary drinking/reading/studying/people-watching;<br />
- socialization at a variety of scales, from couples to mid-sized groups;<br />
- a range of options for lighting and ventilation."
lcproject
space
conviviality
thirdplaces
thirdspace
design
architecture
environmentaldesign
lighting
ventilation
seoul
korea
socialization
adamgreenfield
experience
coffeehouses
work
workplace
workspace
from delicious
<br />
Coffeesmith's multiple zones readily support:<br />
- prospect and refuge;<br />
- solitary drinking/reading/studying/people-watching;<br />
- socialization at a variety of scales, from couples to mid-sized groups;<br />
- a range of options for lighting and ventilation."
november 2010 by robertogreco
OK Do | The Archaeology of Mind pt. 2 – Between Realities
october 2010 by robertogreco
"Besides being a child’s work, play can be an adult’s way of life. It is a creative state of mind where one uses the ability to symbolise in order to create something unprecedented. The ability to play doesn’t only lead to artistic masterpieces, but also enhances one’s inner freedom by enabling a rich relationship with life.<br />
<br />
A playful state of mind can be seen as a third reality between oneself and the outer world. When playing, one is neither in the real world nor experiencing their inner reality in the purest sense. You draw on the surrounding material environment, but make it yours by altering it for your own purposes…<br />
<br />
Play is a potential space – it enhances a creative relationship to one’s surroundings. When playing, it becomes possible to free presentations from their referents and modify them, generating more flexible ways to see the world."
play
space
experience
creativity
reality
symbolism
relationships
patternrecognition
patterns
environment
potentialspace
perspective
flexibility
work
okdo
from delicious
<br />
A playful state of mind can be seen as a third reality between oneself and the outer world. When playing, one is neither in the real world nor experiencing their inner reality in the purest sense. You draw on the surrounding material environment, but make it yours by altering it for your own purposes…<br />
<br />
Play is a potential space – it enhances a creative relationship to one’s surroundings. When playing, it becomes possible to free presentations from their referents and modify them, generating more flexible ways to see the world."
october 2010 by robertogreco
Brooklyn Space Program
october 2010 by robertogreco
"The Brooklyn Space Program is a organization formed by a group of friends in New York City interested in scientific experiments, engineering, design and education."
brooklyn
classideas
space
diy
physics
iphone
gps
science
balloons
spacetravel
spaceexploration
from delicious
october 2010 by robertogreco
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