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robertogreco + seeing   19

DAILY SERVING » Summer of Utopia: Interview with Ted Purves [via: http://randallszott.org/2012/05/25/ted-purves-aesthetics-social-practice-personal-economies/ ]
"I feel like a project is successful if we have had substantive encounters with people, if we have created spaces where a kind of exchange—whether it’s family history, or talking about why something should or shouldn’t be in an art museum, or sometimes it’s just swapping recipes—some form of animated or engaged dialogue comes out, or some sort of story emerges. It means we learn something, a story can be brought forward from that, that’s when things are successful. Another high-five moment comes when there is something compelling to look at. A lot of times when you see a social practice show, it’s either a room full of crap to read, or it looks like a place where they had a party and you didn’t get to go. I’ve been to a lot of those, and they’re not satisfying! You either wish they had just printed a book you could take home and read in your own chair—because it’s not very comfortable to sit in a museum—or you wish that you’d been at the party."
urbanism  rural  cities  urban  suburban  suburbia  suburbs  belief  via:leisurearts  democracy  alteration  change  perception  lemoneverlastingbackyard  wrongness  weirdness  glvo  openendedness  seeing  art  aesthetics  fruit  dialog  publicspaces  publicspace  workinginpublic  disagreement  decisionmaking  debate  negotiation  unplanning  thebluehouse  temescalamityworks  susannecockrell  sharing  2010  overlappingeconomies  capitalism  economics  utopia  thomasmore  socialpractice  tedpurves  from delicious
5 days ago by robertogreco
The Leonard Lopate Show: Video: Questions for Teju Cole - WNYC
"What are your favorite books/who are your favorite authors?

Poets inform my ear and my way of seeing the world. I read poetry much more than I read prose…"

"Do you have any writing rituals or habits? Where and when do you write?

I make notes all the time. There are little fragments of experience that somehow call out to me, and I make note of them: either something I’ve read in a book, or something I see on the subway, or a thought that occurs to me in the shower. And this archive of fragments after a while begins to show family resemblance, and could lead to a work, fictional or otherwise. Other than that, I have no particular rituals. I write longhand or on a computer, usually the latter, in the morning or late at night, usually the latter, in silence or with music, usually the latter."

"How does your photography inform you writing?

I try to see things from a different angle, in photography and in writing. Not novelty for its own sake but something that comes from an…"
noticing  patterns  patternrecognition  howwework  seamusheaney  derekwalcott  poetry  nyc  walking  experience  interviews  2012  notetaking  writing  opencity  cities  perspective  seeing  looking  photography  adjectives  words  tejucole  from delicious
20 days ago by robertogreco
Sagashitemiyo! | Benesse’s new iPhone app for little explorers | Spoon & Tamago
"I love the idea behind this new iPhone app for kids called Sagashitemiyo! (さがしてみよ！), or Let’s Search! The simple interface starts off by prompting little explorers to search for objects based on certain criteria like something “round,” “white” or “sparkly.”

The kids then set off on an expedition, capturing objects with the phone’s camera.

The app then allows you to catalog your discoveries into a virtual field guide of things around you. You can even share your discoveries with friends who are also using the app."

[See also http://kodomo.benesse.ne.jp/enjoy/iapl/search/ AND http://itunes.apple.com/jp/app/id484416695 ]
viewfinders  cameras  photography  seeing  looking  benesse  virtualtinboxes  search  searching  sagashitemiyo  observation  2012  noticing  emptytins  discovery  japanese  japan  children  applications  ios  iphone 
february 2012 by robertogreco
portland: projections
"For two months in a basement, I lived in Portland. With me, I had my camera, a slide projector, and hundreds of found transparencies of people and homes, decades old, and blue with age. I spent my days in darkness illuminated by children and families, interiors and landscapes, events and narratives (patterns and densities) automatically processed, cast out and lined across the cracks and textures of foundational walls. Daydreaming, repeatedly, in passing, these photographic remnants — summer vacations, birthday parties, holiday dinners, reunions — I sensed my memory shift upward, flatten out and onto my eyes. Like this, I watched, in time, my camera, recollect everything."
recollection  oregon  portland  memory  jamesluckett  dreaming  seeing  photography  from delicious
february 2012 by robertogreco
(SL) DISTIN 15 (This is what happens.)
"Looking, really looking, at art (some might say seeing…feeling) is like this: It is like all the other really amazing things in life…You do it too much & you forget how good it can actually be…you become jaded. You don’t get enough & it is all you can think about—the good & the bad. Then, there is one photo…drawing…performance & you want to know all there is to know about it…It is a little bit like falling in love. It’s best, most exciting, when you don’t know why you like something…the thing you are looking at is something you might usually be inclined to dislike…But, with this, you cannot stop looking, cannot stop thinking. And so, in every other thing that you think about, talk about, read about, talk about, read about, you start to see it in all of those other things, whether or not they, directly, have anything to do with that thing you are suddenly, entirely, falling for…all of those other things have changed. And everything that you thought you knew is no longer the same."
rabbitholes  looking  taste  feeling  artappreciation  interestedness  interest  interests  thinking  howwelearn  evolution  understanding  appreciation  art  love  2011  passion  obsession  wittgenstein  change  yearning  learning  noticing  seeing  saradisten  from delicious
february 2012 by robertogreco
A Brief History of Architecture Fiction: Implausible Futures for Unpopular Places: Places: Design Observer
"First, we identify a suitable building: Something that appears neglected, and seems to have no immediate prospects for a future use. In short, we choose an unpopular place. Next we devise a hypothetical future for that structure. Specifically, we strive to make this future blatantly implausible: maybe provocative, maybe funny; above all engaging. Then an artist creates a rendering based on the imaginary concept. This is printed onto a 3' x 5' sign, modeled on those used by real developers. That sign, finally, goes onto the building."<br />
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"Our neighborhood is the sort that people describe as "transitional," and some of the property…is vacant. On one nearby commercial structure…I noticed a sign…You've seen similar signs…It was a rendering of a development, a future, involving a small, empty building. It suddenly struck me that, given how long this sign has been here, what it depicted was, at best, a hypothetical future — and arguably a fictitious one."
design  architecture  writing  fiction  designfiction  robwalker  classideas  architecturefiction  archigram  creativity  jgballard  brucesterling  hypotheticdevelopmentorganization  writingprompts  geoffmanaugh  bldgblog  carlzimmerman  brettsnyder  phantomcity  nyc  nola  neworleans  losangeles  cities  urban  urbapotential  foundfutures  honolulu  stuartcandy  packardjennings  stevelambert  genre  storytelling  benkatchor  detroit  dreams  seeing  noticing  from delicious
july 2011 by robertogreco
BLDGBLOG: Unsolving the City: An Interview with China Miéville
"Over the course of the following long interview, China Miéville discusses the conceptual origins of the divided city featured in his recent, award-winning novel The City and The City; he points out the interpretive limitations of allegory, in a craft better served by metaphor; we take a look at the "squid cults" of Kraken (which arrives in paperback later this month) and maritime science fiction, more broadly; the seductive yet politically misleading appeal of psychogeography; J.G. Ballard and the clichés of suburban perversity; the invigorating necessities of urban travel; and much more."
chinamieville  thecityandthecity  design  art  architecture  books  cities  bldgblog  geoffmanaugh  literature  fiction  jgballard  scifi  sciencefiction  borders  toread  jmwturner  gulliver'stravels  thomaspynchon  gravitysrainbow  tvtropes  via:preoccupations  seeing  unseeing  attention  2011  from delicious
july 2011 by robertogreco
Between the By-Road and the Main Road: Being in the Middle: Learning Walks
"So imagine a commitment to learning that involved making regular learning walks with high school students as a normal part of the "school" day. Now, these learning walks should not be confused with walking tours, which are designed based on planned outcomes. One walks to point X in order to see object or artifact Y. The points are predetermined, hierarchical in design.<br />
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Instead, learning walks are rhizomatic. They are inherently about being in the middle of things and coming to learn what could not been predetermined. Learning walks are part of the "curriculum" for instructional seminar (which I described here)."

[My comments cross-posted here: http://robertogreco.tumblr.com/post/7182110515/walking-and-learning ]
maryannreilly  comments  walking  walkshops  adamgreenfield  flaneur  psychogeography  derive  dérive  education  learning  schools  teaching  unschooling  deschooling  noticing  observation  seeing  2011  rhizomaticlearning  johnseelybrown  douglasthomas  unguided  self-directedlearning  serendipity  johnberger  willself  rebeccasolnit  sistercorita  maps  mapping  photography  alanfletcher  lawrenceweschler  kerismith  exploration  exploring  johnstilgoe  noticings  rjdj  ios  situationist  situatedlearning  situated  hototoki  serendipitor  flow  mihalycsikszentmihalyi  experience  control  ego  cv  from delicious
july 2011 by robertogreco
Breaking A Habit: Sister Corita - NOWNESS
"Aaron Rose's Documentary On the Nun Who Stormed the Art World<br />
<br />
If The Sound of Music and Sister Act taught us anything, it was that Catholic nuns are expected to pray and sing, in that order. But the story of Sister Mary Corita Kent rewrites that script. A teacher at Immaculate Heart College in Los Angeles from 1947 to 1968, Sister Corita was a Pop Art pioneer. Her silkscreen prints created an arresting new visual language for spirituality in the early 60s, praising the Almighty by co-opting typograpy, advertising slogans and the bright colors of billboards and local streets. Though she would often work in collaboration with her students—who she encouraged to mount group exhibitions such as 1965’s decidedly anti-Vietnam Christmas show, "Peace On Earth"—she would spend each August creating her own art work…"<br />
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[Posted here: http://tcsnmy7.tumblr.com/post/3643416683/breaking-a-habit-sister-corita ]
sistercorita  teaching  art  immaculateheartcollege  immaculateheartcommunity  aaronrose  documentary  learning  noticing  seeing  observation  eames  design  tcsnmy7  from delicious
july 2011 by robertogreco
SpeEdChange: The art of seeing
"we must stop being blinded by our incredibly limited view of "science." Rather, we must learn to see again, to see widely & complexly. To build our own deep maps of the people, places, & experiences before us. You cannot describe the experience of a middle school English class w/out knowing what happened in the corridor before class began, or what happened the night before at home. You cannot describe the work coming out of a 10th grade math class w/out understanding the full experience of students and their parents with mathematics to that point…And you cannot tell me about the "performance" of any school if you have not deep-mapped it to include a million data points—most of which cannot be charted or averaged or statistically normed.<br />
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Human observation & deep mapping are hard, but hardly impossible. These are skills which we all had before school began, and which we must recapture. We'll start by putting down our checklists…& in the next post, we will start to practice…"
seeing  observation  observing  deepmapping  learning  education  unschooling  deschooling  science  progressive  administration  management  tcsnmy  lcproject  schools  irasocol  nclb  billgates  gatesfoundation  arneduncan  rttt  checklists  adhd  adhdvision  pammoran  salkhan  jebbush  matthewkugn  robertmarzano  instruction  training  gamechanging  from delicious
june 2011 by robertogreco
Pasta&Vinegar » About The City and the City by China Miéville
"What struck me…was the role played by the cityscape in the whole narrative. The action takes place in the distinct cities of Besźel & Ul Qoma. However, both of them actually occupy the same physical space.…Because the citizens chose this separation, B & UQ are perceived by people as 2 different cities…inhabitants are taught to “unsee” or “unhear” the persons from the other city:

“They knew I was in Ul Quoma: I could find them & could walk alongside them in the street & we would be inches apart but unable to acknowledge each other. Like the old story. Not that I would ever do such a thing. Having to unsee acquaintances or friends is a rare & notoriously uncomfortable circumstance.“

Unseeing, as described above, is supposed to be unconscious. This ability is important because it doesn’t mean that people would’nt notice anything…This of course means that this ability is taught very early to children & that each cities has its own peculiar design/color/shape/architecture…"
books  toread  scifi  sciencefiction  noticing  seeing  unseeing  unhearing  chinamieville  novels  fiction  cities  perception  urban  urbanism  borders  2009  nicolasnova  division  cityscapes  place  from delicious
june 2011 by robertogreco
eye | feature : All you need is love: pictures, words and worship [Great piece on Sister Corita Kent]
"Corita’s cultural contribution spanned several decades. Although she described herself as an artist rather than a design professional, her 1960s work spanned both fields. Graphic strategies such as lettering and layout were central to her artistic voice. At the same time, she had no qualms about accepting commissions for magazine covers, book jackets, album sleeves, ads and posters, although even here she should be seen less as a jobbing designer than as an artist with a distinctive and easily recognisable graphic sensibility. As Harvey Cox said, “The world of signs and sales slogans and plastic containers was not, for her, an empty wasteland. It was the dough out of which she baked the bread of life.” 12 At its best, her work proposed a symbolic template that blurred the boundaries between art, design and communication, between a life of worship and the everyday life of her time."
sistercorita  art  vernacular  life  everyday  glvo  design  communication  graphicdesign  graphics  typography  advertising  signs  symbols  via:britta  teaching  printmaking  serigraphs  accessibility  urban  urbanism  decontextualization  photography  noticing  seeing  seeingtheworld  fieldtrips  unschooling  deschooling  education  immaculateheartcollege  eames  viewfinders  process  julieault  2000  1960s  martinbeck  society  perspective  activism  from delicious
may 2011 by robertogreco
Short Schrift: The New Liberal Arts: Photography ["Photography is a comprehensive science; photography is a comparative literature."]
"classical liberal arts are arts of the word, products of the book, letter, lecture…Renaissance added plastic arts of painting & sculpture, & modernity those of laboratory…new liberal arts are overwhelmingly arts of the DOCUMENT, & the photograph is the document par excellence.<br />
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Like exact sciences, photographic arts are industrial, blurring line btwn knowledge & technology…Like painting & sculpture, they are visual, aesthetic, based in both intuition & craft. Like writing, photography is both an action & an object: writing makes writing & photography makes photography. & like writing, photographic images have their own version of the trivium—a logic, grammar & rhetoric. <br />
We don't only SEE pictures; we LEARN how they're structured & how they become meaningful…<br />
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Photography is science of the interrelation & specificity of all of these forms, as well as their reproduction, recontextualization, & redefinition…"
timcarmody  2009  newliberalarts  photography  seeing  intuition  craft  writing  documents  actions  objects  meaning  expressions  communication  logic  grammar  composition  art  visual  from delicious
april 2011 by robertogreco
"Wittgenstein Plays Chess with Duchamp or How Not to Do Philosophy: Wittgenstein on Mistakes of Surface and Depth" by Steven B. Gerrard
"We should not think of the difficulty or resistance here as a psychological matter, as an individual’s  quirk.  Wittgenstein’s sights were broader, surveying (and diagnosing) his whole culture.  As he wrote in the Foreword to Philosophical Remarks:

"This book is written for such men as are in sympathy with its spirit. This spirit is different from the one which informs the vast stream of European and American civilization in which all of us stand. That spirit expresses itself in an onwards movement, in building ever larger and more complicated structures; the other in striving after clarity and perspicuity in no matter what structure."

In these matters the individual needs neither psychoanalysis nor shock therapy; it is philosophy that is required:  a philosophical striving after clarity and perspicuity, a philosophical straining (and training) to constantly conquer temptation anew and to see the sense visible amidst the nonsense and the nonsense clothed as sense."
philosophy  art  games  chess  marcelduchamp  wittgenstein  clarity  perspicuity  sensemaking  connections  psychoanalysis  shocktherapy  complexity  simplicity  philosophicalremarks  stevengerrard  seeing  seeingtheworld  perception  nonsense  sense  cv  from delicious
march 2011 by robertogreco
The slow-photography movement asks what is the point of taking pictures? - By Tim Wu - Slate Magazine
"When you look carefully and avoid trying to label what you see, you inevitably start to notice things that you mightn't have otherwise." [See also: Seeing Is Forgetting the Name of the Thing One Sees: http://www.ucpress.edu/book.php?isbn=9780520256095 ]<br />
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"After taking these two steps, taking the photo becomes irrelevant. You've already had the experience. At this stage, you could shoot with a filmless camera, and the process could retain its power. In the logic of slow photography, the only reason to take photos is to gain access to the third stage, playing around in post-production, whether in a darkroom or using photo-editing tools, an addictive pleasure."
photography  philosophy  ideas  seeing  perception  attention  slow  slowphotography  anseladams  process  from delicious
january 2011 by robertogreco
Slow=Know – Danny Gregory [via: http://bettyann.tumblr.com/post/1032617624]
"The point is not what your lines look like or how accurate your crosshatching might be. The point is not the drawings on the page or the pages in the book. The point is not the opinions of others who love/hate/ignore those lines you made on the page. The point is not the money you make selling your work to galleries or publishers. The point of practicing your craft is not to rise in the rankings of those who draw. It’s not to have your style dominate (sorry, Dan!). The point is to more easily gain access to the moment, to the deeper more peaceful recesses of your Self. The point is to live as well and as fully as you can today, right now, whether your pen is in your hand or not. The point is to See and to Be."
drawing  seeing  slow  knowing  understanding  learningbydoing  thinking  howwework  dannygregory  glvo  from delicious
august 2010 by robertogreco
Jonathan Harris . Clouds and coins [Read the whole thing.]
"[I]t was the best class I ever had anywhere at any age. It was basically a grab bag of things that people should know, but things that people often never end up learning… The class was a crash course in things that are usually picked up slowly and by accident, like lost coins, over the course of your life. This class was so memorable because it was so little like school, and so much like life. School is basically a way of keeping people occupied — a theatrical set piece designed to take up time and spit out consenting consumers.<br />
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Any adult knows that what he really knows he did not learn in school. The gradual accumulation of experience is really how we learn. But unlike school, life is unpredictable, so it would be dangerous to leave the teaching of life to life. Just think how much would get left out of the curriculum, and how hard it would be to standardize tests!"
jonathanharris  education  learning  life  wisdom  unschooling  topost  toshare  tcsnmy  videogames  metaphor  standardizedtesting  schools  schooling  teaching  parenting  east  west  westernworld  easternworld  passivity  accepance  lcproject  understanding  experience  experientiallearning  emptiness  heroes  identity  knowledge  mortality  replacability  children  making  seeing  building  unpredictability  curriculum  from delicious
august 2010 by robertogreco
"Do you See What I See?: Visibility of Practices through Social Media"
"Just because we have the ability to see does not mean that we're actually looking. And often, as in this case, we aren't looking when people need us the most...When should we be looking? Not looking to judge or manipulate, but looking to learn, support, or evolve? Shouldn't we be looking for the at-risk kids who are in trouble? Shouldn't we be willing to see their stories, their pain, their hurt? So that we can help them? Shouldn't we be looking to see the world more broadly? Shouldn't we be willing to see in order to learn and transform the society we live in? This is the essence of what Jane Jacobs called "eyes on the street"...One of the reasons why people fear the technologies we make are because they make thing visible that we don't like...bullying and harassment that happens everyday... So they blame the technology for making what has always been there more visible...we should be informed so that we can make change that we want to see in this world."
danahboyd  socialnetworking  socialsoftware  socialnetworks  privacy  facebook  visibility  participation  socialmedia  socialjustice  society  internet  public  2009  seeing  tcsnmy  technology  parenting  schools  engagement  citizenship 
december 2009 by robertogreco
Rob Forbes on ways of seeing | Video on TED.com
"Rob Forbes, the founder of Design Within Reach, shows a gallery of snapshots that inform his way of seeing the world. Charming juxtapositions, found art, urban patterns -- this slideshow will open your eyes to the world around you."
design  observation  cities  photography  ted  designwithinreach  robforbes  travel  urban  urbanism  chicago  buenosaires  seeing  us  future  planning 
january 2009 by robertogreco

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