robertogreco + publishing 240
FreedomBox Foundation
4 days ago by robertogreco
"What is FreedomBox?
Email and telecommunications that protects privacy and resists eavesdropping
A publishing platform that resists oppression and censorship.
An organizing tool for democratic activists in hostile regimes.
An emergency communication network in times of crisis.
FreedomBox will put in people's own hands and under their own control encrypted voice and text communication, anonymous publishing, social networking, media sharing, and (micro)blogging.
Much of the software already exists: onion routing, encryption, virtual private networks, etc. There are tiny, low-watt computers known as "plug servers" to run this software. The hard parts is integrating that technology, distributing it, and making it easy to use without expertise. The harder part is to decentralize it so users have no need to rely on and trust centralized infrastructure."
decentralized
decentralizedcomputing
decentralization
infrastructure
socialnetworking
socialnetworks
mediasharing
encryption
eavesdropping
telecommunications
email
oppression
censorship
microblogging
publishing
ebenmoglen
activism
hardware
technology
linux
security
freedom
privacy
opensource
software
freedombox
from delicious
Email and telecommunications that protects privacy and resists eavesdropping
A publishing platform that resists oppression and censorship.
An organizing tool for democratic activists in hostile regimes.
An emergency communication network in times of crisis.
FreedomBox will put in people's own hands and under their own control encrypted voice and text communication, anonymous publishing, social networking, media sharing, and (micro)blogging.
Much of the software already exists: onion routing, encryption, virtual private networks, etc. There are tiny, low-watt computers known as "plug servers" to run this software. The hard parts is integrating that technology, distributing it, and making it easy to use without expertise. The harder part is to decentralize it so users have no need to rely on and trust centralized infrastructure."
4 days ago by robertogreco
Journal of Universal Rejection
11 days ago by robertogreco
"The founding principle of the Journal of Universal Rejection (JofUR) is rejection. Universal rejection. That is to say, all submissions, regardless of quality, will be rejected. Despite that apparent drawback, here are a number of reasons you may choose to submit to the JofUR:
You can send your manuscript here without suffering waves of anxiety regarding the eventual fate of your submission. You know with 100% certainty that it will not be accepted for publication.
* There are no page-fees.
* You may claim to have submitted to the most prestigious journal (judged by acceptance rate).
* The JofUR is one-of-a-kind. Merely submitting work to it may be considered a badge of honor.
* You retain complete rights to your work, and are free to resubmit to other journals even before our review process is complete.
* Decisions are often (though not always) rendered within hours of submission."
via:sarahhendren
journals
publishing
humor
rejection
academia
from delicious
You can send your manuscript here without suffering waves of anxiety regarding the eventual fate of your submission. You know with 100% certainty that it will not be accepted for publication.
* There are no page-fees.
* You may claim to have submitted to the most prestigious journal (judged by acceptance rate).
* The JofUR is one-of-a-kind. Merely submitting work to it may be considered a badge of honor.
* You retain complete rights to your work, and are free to resubmit to other journals even before our review process is complete.
* Decisions are often (though not always) rendered within hours of submission."
11 days ago by robertogreco
Eastgate: Serious Hypertext
18 days ago by robertogreco
SERIOUS HYPERTEXT: Eastgate publishes superb, original hypertext fiction, nonfiction, and poetry, and we create innovative tools for hypertext writers.
These outstanding hypertexts are collected in libraries and studied in universities and schools throughout the world, and have been widely discussed in the research literature."
[Catalog: http://www.eastgate.com/catalog/Fiction.html ]
edg
srg
eastgate
fiction
nonfiction
hypertextpoetry
hypertextnonfiction
hypertextfiction
poetry
literature
text-basedgames
text
web
books
publishing
if
writing
hypertext
via:caseygollan
from delicious
These outstanding hypertexts are collected in libraries and studied in universities and schools throughout the world, and have been widely discussed in the research literature."
[Catalog: http://www.eastgate.com/catalog/Fiction.html ]
18 days ago by robertogreco
dOCUMENTA (13) - dOCUMENTA (13)
18 days ago by robertogreco
"Note taking encompasses witnessing, drawing, writing, and diagrammatic thinking; it is speculative, manifests a preliminary moment, a passage, and acts as a memory aid.
With contributions by authors from a range of disciplines, such as art, science, philosophy and psychology, anthropology, economic- and political theory, language- and literature studies, as well as poetry, 100 Notes – 100 Thoughts constitutes a space of dOCUMENTA (13) to explore how thinking emerges and lies at the heart of re-imagining the world. In its cumulative nature, this publication project is a continuous articulation of the emphasis of dOCUMENTA (13) on the propositional, underlining the flexible mental moves to generate space for the possible. Thoughts, unlike statements, are always variations: this is the spirit in which these notebooks are proposed."
[via: http://frieze.com/issue/article/books2027/ AND http://halloween-in-january.tumblr.com/post/21407577412 AND http://www.jennasutela.com/frieze ]
publishing
conversations
collaborations
essays
notebooks
hatjecantz
memoryaids
memory
noticing
witnessing
writing
drawing
diagrammaticthinking
thinking
2012
2011
notetaking
notes
literature
language
economics
politics
politicaltheory
philosophy
anthropology
art
psychology
books
documenta(13)
documenta
from delicious
With contributions by authors from a range of disciplines, such as art, science, philosophy and psychology, anthropology, economic- and political theory, language- and literature studies, as well as poetry, 100 Notes – 100 Thoughts constitutes a space of dOCUMENTA (13) to explore how thinking emerges and lies at the heart of re-imagining the world. In its cumulative nature, this publication project is a continuous articulation of the emphasis of dOCUMENTA (13) on the propositional, underlining the flexible mental moves to generate space for the possible. Thoughts, unlike statements, are always variations: this is the spirit in which these notebooks are proposed."
[via: http://frieze.com/issue/article/books2027/ AND http://halloween-in-january.tumblr.com/post/21407577412 AND http://www.jennasutela.com/frieze ]
18 days ago by robertogreco
April 27 #followreader conversation between @kissane and @katmeyer · maxfenton · Storify
4 weeks ago by robertogreco
"Every Friday, Kat Meyer hosts an hour-long conversation on twitter about the future of publishing. It's open to anyone following the hashtag. This one with Erin Kissane took place on April 27."
onlinetoolkit
utilitybelt
bookfuturism
howweread
reading
comments
maxfenton
2012
future
publishing
katmeyer
erinkissane
from delicious
4 weeks ago by robertogreco
A Whip to Beat Us With
7 weeks ago by robertogreco
"For too long, publishers have been worrying about the wrong thing, chasing pie-in-the-sky DRM that has never worked at stopping piracy, and will never work. In the process, they’ve fashioned a scourge for their own industry—a multimillion-dollar liability that their customers will have to absorb in order for publishers to get back any leverage at the bargaining table. And every book you allow a tech company to sell with DRM only increases that liability."
1998
dmca
jimhines
technology
ebooks
books
apple
kindle
publishers
2012
corydoctorow
amazon
publishing
copyright
from delicious
7 weeks ago by robertogreco
James Bridle: Literature needs much more than ebooks (Wired UK)
7 weeks ago by robertogreco
"What we are coming to realise is that no one thing can pick up where the book left off; instead it is everything, all of our networks, our services, our devices, the internet plus everything else, which will carry literature forward. Literature is unique among art forms in that it is enacted entirely in the minds of author and reader; a psychic dance. Literature is everything, and thus everything must be employed in its support. And publishers, so long accustomed to doing a couple of things well, are adrift in a world that needs them to do everything -- or GTFO."
2012
future
internet
digital
literature
ebooks
publishing
publishers
books
jamesbridle
from delicious
7 weeks ago by robertogreco
TEMPORARY SERVICES - Non-commercial since 1998
7 weeks ago by robertogreco
"Experiencing art in the places we inhabit on a daily basis remains a critical concern for us. It helps us move art from a privileged experience to one more directly related to how we live our lives. A variety of people should decide how art is seen and interpreted, rather than continuing to strictly rely on those in power. We move in and out of officially sanctioned spaces for art, keeping one foot in the underground the other in the institution. Staying too long in one or the other isn’t healthy. We are interested in art that takes engaging and empowering forms. We collaborate amongst ourselves and with others, even though this may destabilize how people understand our work."
"AGAINST COMPETITION… GROUP WORK & WORKING WITH OTHERS… BUILDING LONG-TERM INFRASTRUCTURE TO SUPPORT SIMILAR WAYS OF WORKING"
[via: http://www.dismalgarden.org/pages/links.html ]
temporaryservices
leisurearts
artproduction
competition
philadelphia
copenhagen
zines
publishing
marcfischer
salemsollo-julin
brettbloom
unschooling
deschooling
deinstitutionalization
everydaylife
artists
design
community
chicago
collective
activism
art
collaboration
from delicious
"AGAINST COMPETITION… GROUP WORK & WORKING WITH OTHERS… BUILDING LONG-TERM INFRASTRUCTURE TO SUPPORT SIMILAR WAYS OF WORKING"
[via: http://www.dismalgarden.org/pages/links.html ]
7 weeks ago by robertogreco
Webstock '12: Erin Kissane - Little Big Systems on Vimeo
10 weeks ago by robertogreco
"It's really easy to understand the lure of small, artisanal projects that we can polish to a satin finish: they offer a sense of craftsmanship, a human scale for our work, and the chance to get something really *right*. But larger projects and bigger systems can often feel soulless and unsatisfying, even when we're excited by the causes and ideas behind them. So is there a way to work on an ambitious scale without losing the purpose and handcraftedness that makes more intimate gigs so much fun? (Hint: yes.)
Via the craft of content strategy and its intertwinglements with design and code, this talk follows the connections between making small-scale, handcrafted artifacts and designing big, juicy systems (editorial and otherwise) that encourage both liveliness and excellence."
publishing
apprenticeships
masters
craftsman'stime
time
slow
small
scale
handcrafted
artifacts
systems
systemsthinking
apatternlanguage
christopheralexander
design
contentstrategy
content
2012
webstock
webstock12
erinkissane
humanscale
craft
craftsmanship
from delicious
Via the craft of content strategy and its intertwinglements with design and code, this talk follows the connections between making small-scale, handcrafted artifacts and designing big, juicy systems (editorial and otherwise) that encourage both liveliness and excellence."
10 weeks ago by robertogreco
Deploy / from a working library
february 2012 by robertogreco
What if you could revise a work after publishing it, and release it again, making clear the relationship between the first version and the new one. What if you could publish iteratively, bit by bit, at each step gathering feedback from your readers and refining the text. Would our writing be better?
Iteration in public is a principle of nearly all good product design; you release a version, then see how people use it, then revise and release again.…
Writing has (so far) not generally benefited from this kind of process; but now that the text has been fully liberated from the tyranny of the printing press, we are presented with an opportunity: to deploy texts, instead of merely publishing them…
where fixity enabled us to become better readers, can iteration make us better writers? If a text is never finished, does it demand our contribution?…
Perhaps it is time for the margins to swell to the same size as the text."
publishing
marginalia
readingexperience
reading
unfinished
editing
fixity
elizabetheinstein
change
permanence
impermanence
stability
metadata
revision
print
productdesign
design
deployment
contentstrategy
content
digitalpublishing
digitial
process
writing
2012
unbook
iteration
mandybrown
aworkinglibrary
from delicious
Iteration in public is a principle of nearly all good product design; you release a version, then see how people use it, then revise and release again.…
Writing has (so far) not generally benefited from this kind of process; but now that the text has been fully liberated from the tyranny of the printing press, we are presented with an opportunity: to deploy texts, instead of merely publishing them…
where fixity enabled us to become better readers, can iteration make us better writers? If a text is never finished, does it demand our contribution?…
Perhaps it is time for the margins to swell to the same size as the text."
february 2012 by robertogreco
Zak Group
february 2012 by robertogreco
"Zak Group is a design studio focusing on publication, identity, exhibition design and art direction for art, architecture and institutional clients. The studio’s approach is defined by its active collaborations in ever-changing constellations. The studio is engaged in complex projects that integrate graphic design, publishing, research, strategy and architecture.
The studio was founded in London in 2005. In addition to undertaking commissioned work the studio initiates and produces editorial and curatorial projects."
research
graphicdesign
art
artdirection
publication
publishing
identity
architecture
design
london
zakgroup
The studio was founded in London in 2005. In addition to undertaking commissioned work the studio initiates and produces editorial and curatorial projects."
february 2012 by robertogreco
TOC 2012: Tim Carmody, "Changing Times, Changing Readers: Let's Start With Experience" - YouTube
february 2012 by robertogreco
Notes here by @tealtan:
"unusual contexts in writing / reading text
“In a hyperliterate society, the vast majority of reading is not consciously recognized as reading.”
“What readers expect is more important than what readers want.”
Bill Buxton: “every tool is the best at something and the worst at something else”
skills, path-dependency, learning effects
“…we actually like constraints once we're in them.”"
And notes from @litherland:
"11:40: “I do things like … just obsess about weird little details. So, for instance … like, how do you do text entry in a Netflix app on the Wii? You know? I think about this a lot.” Your many other talents notwithstanding, Tim, you may have missed your calling as a designer. /
18:30: “I think it’s a tragedy that we have not been able to figure out a good interface for pen and ink on reading devices.” Holy grail. My dream for years. I would give anything. I would give anything to be smart enough to figure this out."
design
reading
writing
journalism
history
timcarmody
toc2012
via:tealtan
constraints
billbuxton
bookfuturism
ebooks
stéphanemallarmé
paper
2012
media
mediarevolutions
sentencediagramming
advertising
photography
change
books
publishing
printing
modernism
context
interface
expectations
conventions
skills
skeumorphs
skeuomorph
"unusual contexts in writing / reading text
“In a hyperliterate society, the vast majority of reading is not consciously recognized as reading.”
“What readers expect is more important than what readers want.”
Bill Buxton: “every tool is the best at something and the worst at something else”
skills, path-dependency, learning effects
“…we actually like constraints once we're in them.”"
And notes from @litherland:
"11:40: “I do things like … just obsess about weird little details. So, for instance … like, how do you do text entry in a Netflix app on the Wii? You know? I think about this a lot.” Your many other talents notwithstanding, Tim, you may have missed your calling as a designer. /
18:30: “I think it’s a tragedy that we have not been able to figure out a good interface for pen and ink on reading devices.” Holy grail. My dream for years. I would give anything. I would give anything to be smart enough to figure this out."
february 2012 by robertogreco
dy/dan » Blog Archive » It’s Called iBooks Author, Not iMathTextbooks Author, And The Trouble That Results
february 2012 by robertogreco
"Print textbooks are powerless to facilitate that moment right there. Teachers can't facilitate it, not at anywhere near the speed and ease I'm suggesting. iBooks Author can't facilitate it either, but if it could — if it had some kind of "Q&A;" widget that lived alongside its other widgets and basically copied all the options from Google Forms — I'd find the platform difficult to resist.
But iBooks Author doesn't exist for the pleasure of math education publishers or even education publishers. "This is about Apple versus Amazon for who will sell digital literature in the future," says Audrey Watters. "This isn't really about textbooks."
iBooks Author serves publishers, period. It'll help you publish your Firefly fan fiction, your autobiography, or your Nana's recipe collection. It's extremely useful, broadly speaking, which inevitably means that, narrowly speaking to math education publishers, it's much less useful."
education
teaching
math
ibooksauthor
books
publishing
danmeyer
2012
textbooks
ibooks
from delicious
But iBooks Author doesn't exist for the pleasure of math education publishers or even education publishers. "This is about Apple versus Amazon for who will sell digital literature in the future," says Audrey Watters. "This isn't really about textbooks."
iBooks Author serves publishers, period. It'll help you publish your Firefly fan fiction, your autobiography, or your Nana's recipe collection. It's extremely useful, broadly speaking, which inevitably means that, narrowly speaking to math education publishers, it's much less useful."
february 2012 by robertogreco
Texts
february 2012 by robertogreco
"Texts is a new kind of editor for creation of text structure and content. Books, articles and blog posts written once in Texts can be processed and published in many formats"
publishing
writing
osx
mac
windows
texteditor
texts
twitter
software
macosx
markdown
february 2012 by robertogreco
Flipbacks
february 2012 by robertogreco
"The flipback is a new kind of book, which opens top to bottom and has sideways-printed text, so you get a full length novel in little more than the size of a smartphone. This September, six new bestselling titles are to be given the flipback treatment - What I Loved by Siri Hustvedt, Bad Men by John Connolly, Little Face by Sophie Hannah, Mister Pip by Lloyd Jones, The Bone Collector by Jeffery Deaver and Brethren by Robin Young. See the complete list to find out more."
[See also http://nl.wikipedia.org/wiki/Dwarsligger_(boek) (via @litherland) AND http://www.guardian.co.uk/books/2011/mar/20/could-this-kill-kindle )
dwarsligger
flipback
books
publishing
flipbackbooks
flipbacks
from delicious
[See also http://nl.wikipedia.org/wiki/Dwarsligger_(boek) (via @litherland) AND http://www.guardian.co.uk/books/2011/mar/20/could-this-kill-kindle )
february 2012 by robertogreco
Books In Browsers 2011: James Bridle, "Books as Data" - YouTube
bookmarking change publishing contents longformtext text translation digitization piracy design art breadth velocity socialdata annotation commonplacebooks experience readmill information social depth ebooks hyperlinks twitter history networks bookshelves connections libraries footnotes notes marginalia context longreads digitalshorts penguin booksinbrowsers digital books jamesbridle 2011 from delicious
january 2012 by robertogreco
bookmarking change publishing contents longformtext text translation digitization piracy design art breadth velocity socialdata annotation commonplacebooks experience readmill information social depth ebooks hyperlinks twitter history networks bookshelves connections libraries footnotes notes marginalia context longreads digitalshorts penguin booksinbrowsers digital books jamesbridle 2011 from delicious
january 2012 by robertogreco
Calepin
january 2012 by robertogreco
"Calepin reads Markdown-formatted, plain-text files stored in your Dropbox and converts them into blog posts for you. You can publish, edit, re-edit, and delete posts just by editing these files and then re-publishing your blog. Calepin does the work of converting these plain-text files into a useable blog, and even generates an Atom feed to allow people to subscribe to your blog in their favourite feed-reader, leaving your free to concentrate on writing.
By combining a service you already have with a syntax that’s easy to learn, Calepin is the easiest way to self-publish online."
[See also: http://jokull.calepin.co/calepin-guide.html AND [via] http://twitter.com/calepinapp/status/161382375832551424 AND "Moving to Calepin [from Tumblr]" http://aadm.calepin.co/moving-to-calepin.html ]
tumblr
onlinetoolkit
tools
web
calepin
writing
publishing
blogging
dropbox
markdown
from delicious
By combining a service you already have with a syntax that’s easy to learn, Calepin is the easiest way to self-publish online."
[See also: http://jokull.calepin.co/calepin-guide.html AND [via] http://twitter.com/calepinapp/status/161382375832551424 AND "Moving to Calepin [from Tumblr]" http://aadm.calepin.co/moving-to-calepin.html ]
january 2012 by robertogreco
iBooks Author, a nice tool but.. -
january 2012 by robertogreco
"When a piece of software is so well designed from a UI point of view and could become such an attractor in terms of usage, I feel this is a totally wrong strategy. Opening up everything and using only carefully chosen standards and matching the version of WebKit used by Safari would have given an immense and almost unbeatable competitive advantage to Apple, would have attracted even more people to the Mac platform and would have turned the iBooks Store into the primary online choice of publication for all new books. Starting with full conformance with EPUB3 and pushing for a fast update of EPUB3 or release of EPUB4 including all new CSS cool kids was a much better, and much more secure way of doing things.
That's like having a new hyper-cool appliance with a US power socket and traveling to Europe without adapter, and no possibility to buy such an adapter there. It's still a hyper-cool appliance but it will remain in the bag."
apple
ipad
publishing
2012
ibooksauthor
from delicious
That's like having a new hyper-cool appliance with a US power socket and traveling to Europe without adapter, and no possibility to buy such an adapter there. It's still a hyper-cool appliance but it will remain in the bag."
january 2012 by robertogreco
Matthew Battles: It doesn’t take Cupertino to make textbooks interactive » Nieman Journalism Lab
january 2012 by robertogreco
"Schiller made a sentimental play to this constituency, opening his presentation with a series of excerpted interviews in which teachers sang the sad litany of challenges they face: cratering budgets, overcrowded classrooms, unprepared, disengaged students. The argument that Apple — founded by dropouts and autodidacts — is fundamentally motivated to change this set of conditions is as ludicrous as the notion that the company could ever hope actually to do any such thing…
We can never count Apple out — the company’s visions have an implacable way of turning into givens — but the future is undoubtedly more complex. There will still be overcrowded classrooms, overworked teachers, and shrinking budgets in an education world animated by Apple. But I prefer to think of teachers and students finding ways to hack knowledge and make their own beautiful stories to envisioning ranks of studens spellbound by magical tablets."
ibooksauthor
ibooks
technology
schooliness
rubrics
standardization
autodidacts
pearson
timcarmody
matthewbattles
publishing
tablets
knwoledgebowl
knowledge
interactive
textbooks
books
schools
learning
storytelling
teaching
education
2012
ipad
apple
from delicious
We can never count Apple out — the company’s visions have an implacable way of turning into givens — but the future is undoubtedly more complex. There will still be overcrowded classrooms, overworked teachers, and shrinking budgets in an education world animated by Apple. But I prefer to think of teachers and students finding ways to hack knowledge and make their own beautiful stories to envisioning ranks of studens spellbound by magical tablets."
january 2012 by robertogreco
button-down bird
january 2012 by robertogreco
"A picture book company. That’s the place to start. We make books that are at once challenging and beautiful, books that appeal at once to both children and adults, and ultimately that challenge the notion of just what a picture book is and can be. New ways to tell stories and to enter into old ones:
Works that engage the eye, the ear, the heart and the mind: the kind of works that open up within you and remain long after you've left them, the kind of works that are themselves like dwelling places, the kind of works that, even if they first startle us, feel like Home."
picturebooks
epub
ios
application
ipad
publishing
benrubin
books
from delicious
Works that engage the eye, the ear, the heart and the mind: the kind of works that open up within you and remain long after you've left them, the kind of works that are themselves like dwelling places, the kind of works that, even if they first startle us, feel like Home."
january 2012 by robertogreco
Making Sense of the Data — Imprint-The Online Community for Graphic Designers
january 2012 by robertogreco
"Dysfunctional measurement has the following characteristics:
1. It's outsourced. You're paying someone else to do it for you because, for whatever reason, you believe you can't do it for yourself. As a result...
2. It's irregular. When you rely upon someone to do something else for you, it typically doesn't get done the way it should. And when you're paying for it, it probably isn't getting done as often as it should. But when it does get done...
3. It's too quantitative. Think about it. A third party cannot know enough about your business to ask the right questions—the questions you probably already are asking. They can give you stats, but stats aren't always answers."
"Functional measurement isn't occasionally paying someone else to gather numbers for you. It's regularly gathering data that provides enlightening, qualitative insights."
"Thing #1: There are no independently meaningful metrics. It's about combining them to answer questions.
Thing #2: Anything can be a source of data."
data
waggledance
publishing
web
measurement
metrics
dataanalysis
graphicdesign
via:tealtan
1. It's outsourced. You're paying someone else to do it for you because, for whatever reason, you believe you can't do it for yourself. As a result...
2. It's irregular. When you rely upon someone to do something else for you, it typically doesn't get done the way it should. And when you're paying for it, it probably isn't getting done as often as it should. But when it does get done...
3. It's too quantitative. Think about it. A third party cannot know enough about your business to ask the right questions—the questions you probably already are asking. They can give you stats, but stats aren't always answers."
"Functional measurement isn't occasionally paying someone else to gather numbers for you. It's regularly gathering data that provides enlightening, qualitative insights."
"Thing #1: There are no independently meaningful metrics. It's about combining them to answer questions.
Thing #2: Anything can be a source of data."
january 2012 by robertogreco
Lifespan of Content · tealtan · Storify
december 2011 by robertogreco
Allen pulled together a great Twitter chat between all the people named in the tags and covering all the topics listed in the tags.
rediscoverability
rediscovery
discovery
reading
internet
web
aspirationalreading
oppression
anticipation
sorting
publishing
persistence
metadata
resurfacing
webclippings
bookmarking
archives
searching
search
serendipity
instapaper
singly
mattbrown
markllobrera
maxfenton
nickdisabato
2011
orbitalcontent
memory
personaldigitalarchives
digitalarchiving
conversation
twitter
comments
frankchimero
davidsleight
erinkissane
mandybrown
joshclark
allentan
storify
from delicious
december 2011 by robertogreco
Our Internet intellectuals lack the intellectual... | Final Boss Form
december 2011 by robertogreco
"who wants to bother submitting papers to conferences, hoping that it gets accepted and published so that you can talk about your ideas twelve months from now when you can affect tangible change by posting them to the fucking internet right fucking now?
Would we even have half of the internet we have now if people like danah and clay waited years to publish their work on online social behavior and community? And, by the way, if you spend any time in a half decent web community, you soon learn that’s it’s nothing but a giant critique machine.
The other, smaller problem with this “critique” is that Jeff Jarvis wrote a fucking business book. Faulting him for not wasting hundreds of pages on theory is like faulting Dr. Phil for not citing Abraham Maslow."
change
time
criticism
via:preoccupations
community
webcommunities
jeffjarvis
academia
publishing
online
web
internet
clayshirky
danahboyd
evgenymorozov
kenyattacheese
_online
from delicious
Would we even have half of the internet we have now if people like danah and clay waited years to publish their work on online social behavior and community? And, by the way, if you spend any time in a half decent web community, you soon learn that’s it’s nothing but a giant critique machine.
The other, smaller problem with this “critique” is that Jeff Jarvis wrote a fucking business book. Faulting him for not wasting hundreds of pages on theory is like faulting Dr. Phil for not citing Abraham Maslow."
december 2011 by robertogreco
Represent / from a working library
december 2011 by robertogreco
"But there’s a point just a few steps beyond belonging that is perhaps even more important: advocating. Belonging to a community means participating, observing, and generally being in attendance (either physically or virtually). But being an advocate requires stepping forward and helping to articulate that community’s needs, or advance their interests, or—when necessary—protect their rights. You need to both amplify and clarify the values of a community, not merely share them.
In practice, this means identifying what your community needs to prosper, and either providing that directly or advocating for its provisioning. There are many ways to do this. You can lobby for changes the community needs (…); you can facilitate discussions (e.g., by hosting and supporting safe, productive forums); you can challenge the status quo (e.g., by bringing in ideas from outside the community and fostering discussion); and so on."
advocacy
community
belonging
tcsnmy
presence
commitment
participation
observation
understanding
lcproject
organizations
leadership
administration
publishing
mandybrown
audience
internet
In practice, this means identifying what your community needs to prosper, and either providing that directly or advocating for its provisioning. There are many ways to do this. You can lobby for changes the community needs (…); you can facilitate discussions (e.g., by hosting and supporting safe, productive forums); you can challenge the status quo (e.g., by bringing in ideas from outside the community and fostering discussion); and so on."
december 2011 by robertogreco
inessential.com: The Readable Future
november 2011 by robertogreco
"This trend means that their medley-of-madness designs will increasingly be routed-around, starting with presumably their most-favored readers, the more affluent and technical, but extending to the less-affluent and less-technical until it includes just about everybody.
The future is, one way or another, readable.
Because that’s what readers want, and because the technology is easier to find and use and learn than ever. That trend will continue because developers live to give people technologies that make life better.
This means that ads will go-unviewed. Analytics will be less and less accurate. (They’re already inaccurate.)"
web
reading
design
content
readability
instapaper
flipboard
zite
2011
brentsimmons
advertising
clutter
technology
publishing
from delicious
The future is, one way or another, readable.
Because that’s what readers want, and because the technology is easier to find and use and learn than ever. That trend will continue because developers live to give people technologies that make life better.
This means that ads will go-unviewed. Analytics will be less and less accurate. (They’re already inaccurate.)"
november 2011 by robertogreco
Frieze Magazine | Archive | Twenty Years Fore & Aft
november 2011 by robertogreco
"People are never scared by the commonplaces of daily life, no matter how risky they are; in 2031, people choose to be alarmed by exotic, eye-catching stuff, like rare diseases and psycho serial killers…
There are no political parties. They were entirely hollowed-out and disrupted by social networks. That happened fast.…
Suburbs are the new favelas, while the prosperous live cheek-by-jowl in repurposed downtowns. Architecture guts entire city blocks, preserving the historicized skins around flats packed to Hong Kong densities. Cars are rental-shared. Furniture is mobile. Most objects have IDs…
Nothing can be ‘innovative’ unless you are convinced that change makes a difference. Without the magic patter, the semantic context that sets expectations, a rabbit in a hat is not a wonder, it’s just a weird accident. A true network society cannot progress, because it reticulates; it’s all snakes and ladders, rockets and potholes, mash-ups and short circuits."
brucesterling
2031
futurism
favelachic
cities
risk
commonplace
magic
mystery
technology
future
fiction
speculativerealism
designfiction
scifi
sciencefiction
2011
nostalgia
atemporality
books
publishing
film
reality
chernobyl
fear
life
art
glvo
classideas
projectideas
from delicious
There are no political parties. They were entirely hollowed-out and disrupted by social networks. That happened fast.…
Suburbs are the new favelas, while the prosperous live cheek-by-jowl in repurposed downtowns. Architecture guts entire city blocks, preserving the historicized skins around flats packed to Hong Kong densities. Cars are rental-shared. Furniture is mobile. Most objects have IDs…
Nothing can be ‘innovative’ unless you are convinced that change makes a difference. Without the magic patter, the semantic context that sets expectations, a rabbit in a hat is not a wonder, it’s just a weird accident. A true network society cannot progress, because it reticulates; it’s all snakes and ladders, rockets and potholes, mash-ups and short circuits."
november 2011 by robertogreco
OFF MY LAWN! – Jeffrey Zeldman Presents The Daily Report
november 2011 by robertogreco
"It is publishing. It is humanity. It is the vanguard of ideas clashing against the rearguard of commerce. This is not new. This is all to be expected. We must stop raising our eyebrows and chuckling at it. We must decide to accept the world as it is, or to roll up our sleeves and help."
web
webdev
publishing
design
irony
responsivedesign
webpublishing
change
changemaking
html5
standards
2011
november 2011 by robertogreco
The New Value of Text | booktwo.org
october 2011 by robertogreco
"Text lasts. It’s not platform-dependant, you don’t just get it from one source, read it in one place, understand it in one way. It is not dependent on technology: it is what we make technology out of. Code is text, it is the fundamental nature of technology. We’ve been trying for decades, since the advent of hypertext fiction, of media-rich CD-ROMs, to enhance the experience of literature with multimedia. And it has failed, every time.
Yet we are terrified that in the digital age, people are constantly distracted. That they’re shallower, lazier, more dazzled. If they are, then the text is not speaking clearly enough. We are not speaking clearly enough. Like over-stuffed attendees at a dull banquet, the mind wanders. We are terrified that people are dumbing down, and so we provide them with ever dumber entertainment. We sell them ever greater distractions, hoping to dazzle them further."
reading
writing
distraction
text
books
jamesbridle
publishing
content
technology
2011
bookfuturism
multimedia
fear
efficiency
storytelling
complexity
simplicity
digitaltext
from delicious
Yet we are terrified that in the digital age, people are constantly distracted. That they’re shallower, lazier, more dazzled. If they are, then the text is not speaking clearly enough. We are not speaking clearly enough. Like over-stuffed attendees at a dull banquet, the mind wanders. We are terrified that people are dumbing down, and so we provide them with ever dumber entertainment. We sell them ever greater distractions, hoping to dazzle them further."
october 2011 by robertogreco
Boston Review — Richard Nash and Matt Runkle: Revaluing the Book [Bit about preferences, maligning, and extrapolations applies broadly]
september 2011 by robertogreco
"It has been a fascinating phenomenon in the discussion around publishing how adversarial people get around other people’s choices. So if someone says “I like an ebook,” a person will respond “Ohhh, I can’t believe—how can you do that?” It’s like that obnoxious person who you don’t want to go out to dinner with anymore because they can’t just order what they want, they have to comment on what you’re eating as well. What’s been epidemic in this discussion is that when both camps talk about their own preferences, they have to malign other people’s preferences too, and make grandiose extrapolations about the consequences of other people’s preferences for their own. If they like printed books, they should be buying the damn things instead of whining about other people’s preferred mode of reading. So I’m tremendously optimistic about the future of the book as an object. I think the worst years of the book as an object have been the last 50 years."
future
books
literature
publishing
vision
perspective
via:frankchimero
richardnash
mattrunkle
via:ayjay
preferences
defensiveness
offense
attack
discussion
politics
2011
has:via
from delicious
september 2011 by robertogreco
Knee High Media
september 2011 by robertogreco
"Knee High Media was founded in 1996 by Lucas Badtke-Berkow. The company has been the brain and creative mechanism behind some of Japan’s most innovative and influential magazines: culture magazine TOKION (1996), kids magazine MAMMOTH (2000), travel magazine PAPER SKY (2002), free paper METRO MIN (2002) and botanical magazine PLANTED (2006). Besides creating unique magazines Knee High Creative also edits and produces websites, shops, clothing, events, advertising and branding."
design
web
japan
advertising
publishing
kneehighmedia
tokyo
from delicious
september 2011 by robertogreco
Political essay by 93-year-old tops Christmas bestseller list in France | World news | The Guardian
august 2011 by robertogreco
"Proving that age is no boundary to publishing success, the French book world has been taken by storm by a surprise Christmas bestseller: a political call to arms by Stéphane Hessel, 93.<br />
<br />
The unlikely publishing sensation is a former resistance hero whose 30-page essay, Indignez-vous!, calls on readers to get angry about the state of modern society.<br />
<br />
Launched in October by Indigène…tiny first print-run, 6,000…sold for €3, unprecedentedly cheap in a country where book prices are regulated & kept high by the law.<br />
<br />
Hessel's success has stunned France. After two months on the bestseller lists, the book has spent five weeks at number one…has sold 600,000 copies & – publishers predict it will reach a million…<br />
<br />
argues that French people should re-embrace the values of the French resistance, which have been lost, which was driven by indignation, and French people need to get outraged again…calls for peaceful and non-violent insurrection…"
stéphanehessel
books
publishing
longform
writing
culture
society
politics
2010
insurrection
resistance
life
qualityoflife
france
immigration
outrage
indignation
frencresistance
inequality
disparity
wealthdistribution
from delicious
<br />
The unlikely publishing sensation is a former resistance hero whose 30-page essay, Indignez-vous!, calls on readers to get angry about the state of modern society.<br />
<br />
Launched in October by Indigène…tiny first print-run, 6,000…sold for €3, unprecedentedly cheap in a country where book prices are regulated & kept high by the law.<br />
<br />
Hessel's success has stunned France. After two months on the bestseller lists, the book has spent five weeks at number one…has sold 600,000 copies & – publishers predict it will reach a million…<br />
<br />
argues that French people should re-embrace the values of the French resistance, which have been lost, which was driven by indignation, and French people need to get outraged again…calls for peaceful and non-violent insurrection…"
august 2011 by robertogreco
Baker Ebook Framework 2.0
august 2011 by robertogreco
"Baker is an HTML5 ebook framework to publish on the iPad using open web standards"
books
mobile
iphone
webstandards
web
html5
ios
ipad
publishing
baker
epublishing
ebooks
from delicious
august 2011 by robertogreco
SMITHTeens
july 2011 by robertogreco
"Can you tell the story of your life in just six words? Join thousands of storytellers on SMITHTeens, and have a chance to be in a future book of Six-Word Memoirs."
writing
media
teens
socialmedia
storytelling
sixwords
sixwordproject
smithmagazine
classideas
publishing
from delicious
july 2011 by robertogreco
Larry Smith's Six Word Project on Vimeo
july 2011 by robertogreco
"Larry Smith wants to know your story. Since 2006, Smith has undertaken the Six-Word Memoir Project inviting his Smith Magazine readers to tell their stories in just a handful of words. His project can now be found in classrooms, boardrooms, hospitals, churches, speed-dating sessions, and at live six-word “slams” across the world."
smithmagazine
sixwordproject
twitter
2006
via:cervus
classideas
larrysmith
simplicity
sixwords
storytelling
identity
biography
publishing
viral
books
efficiency
expression
writingprompts
hemingway
2010
from delicious
july 2011 by robertogreco
The difference between Google and Aaron Swartz | MediaFile
july 2011 by robertogreco
"Aaron’s arrest should be a wake up call to universities–evidence of how fundamentally broken this core piece of their architecture remains despite d ecades of progress in advancing communication and collaboration.
The MIT staff who called the FBI would have been served better by calling the chancellor to ask, “How have we created a system that forces 25 year-olds to sneak around in the basement, hiding hard-drives in closets in order ask basic and important questions about our work? Can’t we do better?”"
academia
publishing
openaccess
aaronswartz
datascraping
law
legal
mit
jstor
technology
2011
from delicious
The MIT staff who called the FBI would have been served better by calling the chancellor to ask, “How have we created a system that forces 25 year-olds to sneak around in the basement, hiding hard-drives in closets in order ask basic and important questions about our work? Can’t we do better?”"
july 2011 by robertogreco
The Mixbook: A Print-on-Demand Compilation of Web Content [via: http://booktwo.org/notebook/items-received-by-post/ ]
july 2011 by robertogreco
"Its 254 pages contain 29 articles I bookmarked over the past year, as well as a brief introduction I wrote, making 30 entries total. It also includes many improvements that I wish I could have made to the 2009 version, like a table of contents, better image quality, much better typography, and a very nice detail suggested by Mark—tinyurl's for each article (much easier for readers to type in). I also am pleased with the cover, which I created by scanning in my idea book—the composition book I use every day (see image below). Of course, I had to clean it up considerably as mine is getting pretty beat up.<br />
<br />
At some point I realized that "mixbook" is the perfect word to describe what this is. I used to make mixtapes for friends in middle school and high school, and would spend tons of time hand-making covers and liner notes. I loved the idea of making each tape a unique object. Making books like this is similar."
mixbooks
papernet
instapaper
ebooks
books
paper
print
publishing
christopherbutler
2011
longreads
lulu
mixtapes
from delicious
<br />
At some point I realized that "mixbook" is the perfect word to describe what this is. I used to make mixtapes for friends in middle school and high school, and would spend tons of time hand-making covers and liner notes. I loved the idea of making each tape a unique object. Making books like this is similar."
july 2011 by robertogreco
Post by Robin Sloan; "the Borders bankruptcy isn't essentially about the book business"
july 2011 by robertogreco
"I think it might have something to do w/ the franchises you cite, +Tim Carmody. I think the real locus of love & engagement today is not books (e- or otherwise) but rather fandoms. You know this is the case when you don't ever cite a particular volume. Instead it's just: Twilight. Harry Potter. Middle Earth. Game of Thrones. (And there's an interesting cross-media dynamic in that last example: the TV incarnation has essentially usurped the naming rights for the whole fandom. I call the book series "Game of Thrones" now—not "A Song of Ice and Fire.")<br />
<br />
Now, as it turns out, books are a great way to kick off sprawling cross-media stories, and manga are even better; words are still a world-builder's best tools. But importantly, the thing people get wrapped up in, the thing they feel this crazy allegiance for, isn't the words, or the paper, or the E-Ink. It's the fictional world."
robinsloan
timcarmody
bordersbooks
books
booksellers
print
publishing
retail
bankruptcy
2011
genre
franchises
fiction
literature
from delicious
<br />
Now, as it turns out, books are a great way to kick off sprawling cross-media stories, and manga are even better; words are still a world-builder's best tools. But importantly, the thing people get wrapped up in, the thing they feel this crazy allegiance for, isn't the words, or the paper, or the E-Ink. It's the fictional world."
july 2011 by robertogreco
(party) per bend sinister ["Dexter Sinister is the compound name of David Reinfurt and Stuart Bailey."]
july 2011 by robertogreco
"David graduated from the UNC in 1993, Yale in 1999, & went on to form O-R-G, a design studio in New York City. Stuart graduated from the University of Reading in 1994, the Werkplaats Typografie in 2000, and co-founded the arts journal Dot Dot Dot the same year. David currently teaches at Columbia University and Rhode Island School of Design. Stuart is currently involved in diverse projects at Parsons School of Design (NYC) and Pasadena Art Center (LA).<br />
<br />
Dexter Sinister recently established a workshop in the basement at 38 Ludlow Street, on the Lower East Side in New York City. The workshop is intended to model a ‘Just-In-Time’ economy of print production, running counter to the contemporary assembly-line realities of large-scale publishing. This involves avoiding waste by working on-demand, utilizing local cheap machinery, considering alternate distribution strategies, and collapsing distinctions of editing, design, production and distribution into one efficient activity."
dextersinister
davidreinfurt
stuartbailey
design
art
architecture
books
justintime
nyc
performance
production
booksellers
libraries
workshops
printing
publishing
bookstores
distribution
bookfuturism
efficiency
future
from delicious
<br />
Dexter Sinister recently established a workshop in the basement at 38 Ludlow Street, on the Lower East Side in New York City. The workshop is intended to model a ‘Just-In-Time’ economy of print production, running counter to the contemporary assembly-line realities of large-scale publishing. This involves avoiding waste by working on-demand, utilizing local cheap machinery, considering alternate distribution strategies, and collapsing distinctions of editing, design, production and distribution into one efficient activity."
july 2011 by robertogreco
17 Dexter Sinister: From the Toolbox of a Serving Library — Program Information — The Banff Centre
july 2011 by robertogreco
"In 2006 Dexter Sinister (David Reinfurt & Stuart Bailey) established a workshop & bookstore of same name in NY, & have since explored aspects of contemporary publishing in diverse contexts. As well as designing, editing, producing & distributing both printed & digital media, they have also worked w/ ambiguous roles & formats, usually in live contexts of galleries & museums. These projects generally play to some form of site-specificity, where a publication or series of events are worked out in public over a set period of time.<br />
<br />
Dexter Sinister intend to slowly dissolve all such activities into one single institution, The Serving Library. This overarching project is founded on a consideration of how the role of the library has changed over time—from fixed archive, through circulating collection, to point of distribution. As much about The Library as social furniture as it is a specific model, the project ultimately returns to its point of departure: as a place for learning…"
dextersinister
davidreinfurt
stuartbailey
libraries
residency
exhibitions
bookstores
booksellers
nyc
publishing
art
galleries
museums
situatedart
situated
theservinglibrary
distribution
collections
circulation
archives
change
evolution
lcproject
learning
museusm
performance
from delicious
<br />
Dexter Sinister intend to slowly dissolve all such activities into one single institution, The Serving Library. This overarching project is founded on a consideration of how the role of the library has changed over time—from fixed archive, through circulating collection, to point of distribution. As much about The Library as social furniture as it is a specific model, the project ultimately returns to its point of departure: as a place for learning…"
july 2011 by robertogreco
Social contagions debunked: Reports of infectious obesity and divorce were grossly overstated. - By Dave Johns - Slate Magazine [Previously: http://www.slate.com/id/2250102/pagenum/all/ ]
july 2011 by robertogreco
"But just because contagion is important in one context doesn't mean something like obesity spreads like a virus—much less one that can infect someone as remote from you as your son's best friend's mother. (For the record, I & my best friend's mother will eat our hats if it turns out to be true, as Christakis & Fowler claim, that loneliness is infectious, too.) Yes, we influence each other all the time, in how we talk & how we dress & what kinds of screwball videos we watch on the Internet. But careful studies of our social networks reveal what may be a more powerful & pervasive effect: We tend to form ties w/ the people who are most like us to begin with. The mother who blames her son's boozebag friends for his wild behavior must face up to the fact that he prefers the fast crowd in the first place. We are all connected, yes, but the way those links get made could be the most important part of the story." [via: http://mindhacks.com/2011/07/05/doubts-about-social-contagion/ ]
contagion
socialcontagion
jamesfowler
nicholaschristakis
rosemcdermott
statistics
mathematics
research
publishing
socialscience
socialnetworking
socialnetworks
evidence
sciencejournalism
journalism
politics
policy
science
peerreview
media
2011
obesity
behavior
divorce
davejohns
from delicious
july 2011 by robertogreco
The Seven Spaces of Technology in School Environments on Vimeo
july 2011 by robertogreco
"Matt Locke originally came up with the concept of the Six Spaces of technology (http://test.org.uk/2007/08/10/six-spaces-of-social-media/ ). I added a seventh earlier this year, Data Spaces, and have played around with how education could harness these spaces, and the various transgressions between them, for learning.
This short presentation tackles the potential of adjusting our physical school environments to harness technology even better. What happens when we map technological spaces to physical ones?
You can see more of the detail behind these thoughts over on the blog:
http://edu.blogs.com/edublogs/2010/10/-cefpi-clicks-bricks-when-digital-learning-and-space-met.html "
[via: http://twitter.com/irasocol/status/86712955856629760 See also: http://www.notosh.com/2011/01/consultancy-new-schools/ via http://twitter.com/ewanmcintosh/status/86721281147404288 ]
ewanmcintosh
2010
classroom
classroomdesign
gevertulley
tinkering
tinkeringschool
teaching
pedagogy
adaptability
digital
physical
learning
unschooling
deschooling
fidgeting
privatespaces
groupspaces
dataspaces
technology
fujikindergarten
mattlocke
blogging
flickr
blogs
watchingspaces
participatory
participationspaces
thirdteacher
performingspaces
space
publishing
twitter
stephenheppell
design
place
lcproject
classideas
tcsnmy
reggioemilia
from delicious
This short presentation tackles the potential of adjusting our physical school environments to harness technology even better. What happens when we map technological spaces to physical ones?
You can see more of the detail behind these thoughts over on the blog:
http://edu.blogs.com/edublogs/2010/10/-cefpi-clicks-bricks-when-digital-learning-and-space-met.html "
[via: http://twitter.com/irasocol/status/86712955856629760 See also: http://www.notosh.com/2011/01/consultancy-new-schools/ via http://twitter.com/ewanmcintosh/status/86721281147404288 ]
july 2011 by robertogreco
How To Run A News Site And Newspaper Using WordPress And Google Docs - 10,000 Words
june 2011 by robertogreco
"A former colleague of mine, William Davis, understands what a “web first” workflow is, and has made it happen through software at his newspaper in Maine. The Bangor Daily News announced this week that it completed its full transition to open source blogging software, WordPress. And get this: The workflow integrates seamlessly with InDesign, meaning the paper now has one content management system for both its web and print operations. And if you’re auspicious enough, you can do it too — he’s open-sourced all the code!"<br />
<br />
[See also: http://publisherblog.automattic.com/2011/06/20/bangor-daily-news-a-complete-publishing-system-on-wordpress/ ]
wordpress
googledocs
workflow
cloud
journalism
editing
classideas
publishing
news
newspapers
howto
opensource
open
maine
blogging
indesign
print
digital
2011
tutorials
williamdavis
from delicious
<br />
[See also: http://publisherblog.automattic.com/2011/06/20/bangor-daily-news-a-complete-publishing-system-on-wordpress/ ]
june 2011 by robertogreco
Penumbra has a posse > Robin Sloan
june 2011 by robertogreco
"…another character in this story…Sean McDonald.
…an editor at Farrar, Straus & Giroux. He’s worked with writers as diverse as Junot Díaz (n.b.), John Hodgman, and the RZA…also a Snarkmarket reader (!) & he’s been an important vector of enthusiasm & encouragement…because his messages have always been two-fold. First: this is so cool. Then: it can be even better.
& that gets exactly to the heart of why I’m working with Sarah & Sean to publish Penumbra. You know me: I am a champion of new modes & methods. I love Kickstarter projects & remix contests…not going to stop doing any of that stuff.
…when…shopping the Penumbra manuscript around…I told [publishers] all the same thing: I’m looking for a posse…a smart, creative crew who will help me make this book better than I could make it on my own.
…isn’t just text on a scree…It’s the design, the physical artifact…press…events we’ll dream up…real books in real bookstores…"
robinsloan
mrpenumbra
publishing
2011
farrarstraus&giroux
seanmcdonald
sarahburnes
posses
books
events
kickstarter
kindle
gernertcompany
remixing
teamwork
snarkmarket
creativity
collaboration
tcsnmy
classideas
…an editor at Farrar, Straus & Giroux. He’s worked with writers as diverse as Junot Díaz (n.b.), John Hodgman, and the RZA…also a Snarkmarket reader (!) & he’s been an important vector of enthusiasm & encouragement…because his messages have always been two-fold. First: this is so cool. Then: it can be even better.
& that gets exactly to the heart of why I’m working with Sarah & Sean to publish Penumbra. You know me: I am a champion of new modes & methods. I love Kickstarter projects & remix contests…not going to stop doing any of that stuff.
…when…shopping the Penumbra manuscript around…I told [publishers] all the same thing: I’m looking for a posse…a smart, creative crew who will help me make this book better than I could make it on my own.
…isn’t just text on a scree…It’s the design, the physical artifact…press…events we’ll dream up…real books in real bookstores…"
june 2011 by robertogreco
Toolbox for Education & Social Action « Learn Together • Work Together • Struggle Together
june 2011 by robertogreco
"The Toolbox for Education and Social Action (TESA) is a worker-owned, next-generation publisher of participatory resources for social and economic change. TESA also provides services to support individuals and organizations developing and implementing their own educational materials, programs, and digital resources."
publishing
participatory
socialaction
change
gamechanging
economics
brianvanslyke
activism
networkedlearning
education
learning
unschooling
deschooling
lcproject
from delicious
june 2011 by robertogreco
Free Science, One Paper at a Time | Wired Science | Wired.com
may 2011 by robertogreco
"For the past three centuries, he noted, technology has prevented us from fulfilling Panizzi’s dream of fast, free science. But the technology is there now, and so are the business models, as PLoS has shown. So what is the revolution waiting for."
history
science
research
collaboration
opensource
publishing
2011
daviddobbs
jonathaneisen
howardeisen
legacy
revolution
change
culture
academia
from delicious
may 2011 by robertogreco
Relevant History: Robert Darnton on "a font of proverbial nonwisdom"
april 2011 by robertogreco
"Robert Darnton challenges "five myths about the information age" that, taken together, "constitute a font of proverbial nonwisdom."<br />
<br />
1. "The book is dead." Wrong: More books are produced in print each year than in the previous year.<br />
<br />
2. "We have entered the information age."... [E]very age is an age of information, each in its own way and according to the media available at the time.<br />
<br />
3. "All information is now available online." The absurdity of this claim is obvious to anyone who has ever done research in archives.<br />
<br />
4. "Libraries are obsolete." Everywhere in the country librarians report that they have never had so many patrons.<br />
<br />
5. "The future is digital." True enough, but misleading.<br />
<br />
It used to be said that the difference between God and Robert Darnton was that God was everywhere, while Darnton was everywhere but Princeton. Now that he's Harvard's university librarian, I wonder if the joke has migrated and updated?"
robertdarnton
libraries
books
ebooks
digitalage
informationage
information
publishing
online
internet
accessibility
archives
2011
future
from delicious
<br />
1. "The book is dead." Wrong: More books are produced in print each year than in the previous year.<br />
<br />
2. "We have entered the information age."... [E]very age is an age of information, each in its own way and according to the media available at the time.<br />
<br />
3. "All information is now available online." The absurdity of this claim is obvious to anyone who has ever done research in archives.<br />
<br />
4. "Libraries are obsolete." Everywhere in the country librarians report that they have never had so many patrons.<br />
<br />
5. "The future is digital." True enough, but misleading.<br />
<br />
It used to be said that the difference between God and Robert Darnton was that God was everywhere, while Darnton was everywhere but Princeton. Now that he's Harvard's university librarian, I wonder if the joke has migrated and updated?"
april 2011 by robertogreco
The Technium: What Books Will Become
april 2011 by robertogreco
"In the long run (next 10-20 years) we won't pay for individual books any more than we'll pay for individual songs or movies. All will be streamed in paid subscription services; you'll just "borrow" what you want. That defuses the current anxiety to produce a container for ebooks that can be owned. Ebooks won't be owned. They'll be accessed. The real challenge ahead is finding a display device that will focus the attention a book needs. An invention that encourages you onward to the next paragraph before the next distraction. I guess that this will be a combination of software prompts, highly evolved reader interfaces, and hardware optimized for reading. And books written with these devices in mind."
books
ebooks
future
publishing
technology
subscriptions
2011
kevinkelly
kevinkelly2
from delicious
april 2011 by robertogreco
A List Apart: Articles: Orbital Content [via: http://tumblr.quisby.net/post/4835196927 ]
april 2011 by robertogreco
"Attribution is authorship metadata that is bound to content. No matter how far and wide a piece of content spreads, it never forgets who created it and where it’s from. Despite its importance, web attribution is already in shambles. A quick review of Tumblr blogs or the image stream at FFFFound! will show just how difficult it is to find the original sources for most content. This lack of attribution means that content creators receive neither financial nor reputational gains when others spread their work. As good citizens of the web, we have to be vigilant in retaining authorship as we liberate and share content.<br />
If we can keep attribution firmly in place, content collections and orbital content offer publishers new opportunities for both financial and reputational gain. Traditionally, site owners monetize their content by generating traffic to get as many “eyeballs” in front of their advertisements as possible…"
content
web
publishing
online
internet
alistapart
attribution
orbitalcontent
ffffound
tumblr
onlinepublishing
monetization
reputation
sharing
open
api
instapaper
from delicious
If we can keep attribution firmly in place, content collections and orbital content offer publishers new opportunities for both financial and reputational gain. Traditionally, site owners monetize their content by generating traffic to get as many “eyeballs” in front of their advertisements as possible…"
april 2011 by robertogreco
Omeka
april 2011 by robertogreco
"Omeka is a free, flexible, and open source web-publishing platform for the display of library, museum, archives, and scholarly collections and exhibitions. Its “five-minute setup” makes launching an online exhibition as easy as launching a blog.<br />
Omeka falls at a crossroads of Web Content Management, Collections Management, and Archival Digital Collections Systems"<br />
<br />
[Via: http://learningthroughdigitalmedia.net/teaching-and-learning-with-omeka-discomfort-play-and-creating-public-online-digital-collections ]
opensource
omeka
publishing
online
web
software
cms
web-publishing
exhibitions
museums
education
libraries
webdev
contentmanagement
archives
archiving
digitalcollections
from delicious
Omeka falls at a crossroads of Web Content Management, Collections Management, and Archival Digital Collections Systems"<br />
<br />
[Via: http://learningthroughdigitalmedia.net/teaching-and-learning-with-omeka-discomfort-play-and-creating-public-online-digital-collections ]
april 2011 by robertogreco
How the Paperback Novel Changed Popular Literature | Arts & Culture | Smithsonian Magazine
april 2011 by robertogreco
"Classic writers reached the masses when Penguin paperbacks began publishing great novels for the cost of a pack of cigarettes"
books
history
literature
publishing
penguin
via:robinsloan
novels
from delicious
april 2011 by robertogreco
The Mavenist | I also have this tremendous sense of urgency, like...
march 2011 by robertogreco
"I also have this tremendous sense of urgency, like if I don’t get everything out now and do everything now, while the iron is hot, everything I’ve worked for will just fall away. For the first time, I truly understand why workaholics are workaholics. You can’t stop working, because if you do, it unravels all the work you’ve already done. You have to keep going, or you’ll die."<br />
<br />
—Amanda Hocking’s Blog: Some Things That Need to Be Said [http://amandahocking.blogspot.com/2011/03/some-things-that-need-to-be-said.html ]
work
urgency
despair
cv
howwework
momentum
workaholics
writing
creating
glvo
creativity
publishing
from delicious
<br />
—Amanda Hocking’s Blog: Some Things That Need to Be Said [http://amandahocking.blogspot.com/2011/03/some-things-that-need-to-be-said.html ]
march 2011 by robertogreco
The Very Rich Indie Writer – Novelr - Making People Read
february 2011 by robertogreco
"Amanda Hocking is 27 years old. She has 9 self-published books to her name, and sells 100,000+ copies of those ebooks per month. She has never been traditionally published. This is her blog. And it’s no stretch to say – at $9 per book/70% per sale for the Kindle store – that she makes a lot of money from her monthly book sales. (Perhaps more importantly: a publisher on the private Reading2.0 mailing list has said, to effect: there is no traditional publisher in the world right now that can offer Amanda Hocking terms that are better than what she’s currently getting, right now on the Kindle store, all on her own.)<br />
<br />
And that is stunning news."
books
ebooks
selfpublishing
indie
writing
publishing
kindle
amazon
from delicious
<br />
And that is stunning news."
february 2011 by robertogreco
Notice of an Advisory Relationship (Ftrain.com)
february 2011 by robertogreco
"I'm 36 now, and I've been writing for the web since I was 21. I've written for other media, but this right here is my medium of choice and I love it the most, even if I've been pretty lousy at updating Ftrain over the last few years.<br />
<br />
In those 15 years I've learned that the web has countless ways to say “no,” or to say “meh.” It has fewer ways to say “yes.” Readability looks like a way to say “yes” to people doing hard work—whether they're journalists, essay and fiction writers, publishers, editors, fact-checkers, illustrators, photographers, proofreaders, circulation specialists—or the people who write the checks. The web needs more “yes.” That is why I've thrown my hat into the ring."<br />
<br />
[via: http://blog.frankchimero.com/post/3526362273/in-those-15-years-ive-learned-that-the-web-has ]
paulford
readability
kickstarter
postive
meh
yes
support
writing
creativity
instapaper
funding
micropayments
moneyforcontent
money
publishing
from delicious
<br />
In those 15 years I've learned that the web has countless ways to say “no,” or to say “meh.” It has fewer ways to say “yes.” Readability looks like a way to say “yes” to people doing hard work—whether they're journalists, essay and fiction writers, publishers, editors, fact-checkers, illustrators, photographers, proofreaders, circulation specialists—or the people who write the checks. The web needs more “yes.” That is why I've thrown my hat into the ring."<br />
<br />
[via: http://blog.frankchimero.com/post/3526362273/in-those-15-years-ive-learned-that-the-web-has ]
february 2011 by robertogreco
SVK
february 2011 by robertogreco
Website for the BERG London + Warren Ellis publication experiment.
berg
berglondon
warrenellis
comics
publishing
experimentalpublication
from delicious
february 2011 by robertogreco
Kicker Studio: The Behavior of Magazines
february 2011 by robertogreco
"[with] Digital magazines … I should be able to do all those things I do with my current magazines, only better, faster, and with way more ease. … instantly tag, share/email, bookmark, rip out and organize my tear sheets … look only at the things I’ve saved, regardless of their source. … magazines are appealing because they are curated. The fact that the reader can rely on a trusted advisor (read: editor) to compile and deliver information on a given topic is a relief. They don’t have to go out and gather the sources, someone else did. Also, they like to see content presented in an orchestrated order. This method of delivery is innately satisfying. Additionally, readers appreciate that the content is not going to change from when they first sit down to read the magazine til they finally finish with it. The fact that in our rapidly-moving society something stays inert is reassuring and comfortable. People rely on magazines as an opportunity to tune out, as Bonnier calls it “Quiet mode.”
sharing
publishing
via:preoccupations
magazines
2011
kicker
bonnier
functionality
reading
howwework
attention
content
commonplacebooks
from delicious
february 2011 by robertogreco
Pen - Simple Online Publishing
february 2011 by robertogreco
"Create beautiful text based pages in seconds and share them with the world. Pen.io is the fastest way to publish. Period. View an Example Page or get some Page Ideas"<br />
<br />
"Pen.io is a super fast way to publish content online - this page was built using Pen.io<br />
It takes just seconds to create a page and start adding content. Pen.io has been designed as a more permanent alternative to blogs. Blogs are great for posting regular content - with Pen.io, you can create a page and set and forget. "
publishing
writing
text
free
web
onlinetoolkit
classideas
simplicity
simple
from delicious
<br />
"Pen.io is a super fast way to publish content online - this page was built using Pen.io<br />
It takes just seconds to create a page and start adding content. Pen.io has been designed as a more permanent alternative to blogs. Blogs are great for posting regular content - with Pen.io, you can create a page and set and forget. "
february 2011 by robertogreco
City Works Press
february 2011 by robertogreco
"The San Diego Writers Collective is a group of San Diego writers, poets, artists, and patrons dedicated to the publication and promotion of the work of San Diego area artists of all sorts. Our specific interests include local, ethnic, and border writing as well as formal innovation and progressive politics.<br />
The collective’s main focus is local, but we are open to occasional collaborations with writers from around the world. City Works Press is a non-profit press, funded by local writers and friends of the arts, committed to the publication of fiction, poetry, creative non-fiction, and art by members of the San Diego City College community and the community at large. While our institutional home is San Diego City College, the collective is not limited to City College faculty and students but rather is comprised of members from all over the region."
sandiego
publishing
sandiegocitycollege
writing
collective
progressive
politics
borders
poetry
art
from delicious
The collective’s main focus is local, but we are open to occasional collaborations with writers from around the world. City Works Press is a non-profit press, funded by local writers and friends of the arts, committed to the publication of fiction, poetry, creative non-fiction, and art by members of the San Diego City College community and the community at large. While our institutional home is San Diego City College, the collective is not limited to City College faculty and students but rather is comprised of members from all over the region."
february 2011 by robertogreco
Marco.org - Readability's new service
february 2011 by robertogreco
"new Readability service: you pay a small fee each month, & they give most of the proceeds to the authors of the pages you choose (by using Readability bookmarklet on them, or adding them in other ways). It’s a great way for readers to support web publishers, big & small, directly & automatically…<br />
<br />
Instapaper will soon provide an option to send logs of your reading activity to your Readability account if you have one, so pages you read in Instapaper will give “credit” to the publishers.<br />
<br />
I’ve created a special Readability edition of the Instapaper iPhone & iPad app to serve as Readability’s official mobile app, due out in the near future.<br />
<br />
I’m an advisor to the company.<br />
<br />
Trust me, these guys really know their stuff, & their heads are in the right place: there are no sinister motives or shady practices. It works exactly the way you’d expect, & is one of the most positive, constructive efforts I’ve seen in the online publishing world in a long time."
instapaper
readability
media
publishing
micropayments
longform
marcoarment
from delicious
<br />
Instapaper will soon provide an option to send logs of your reading activity to your Readability account if you have one, so pages you read in Instapaper will give “credit” to the publishers.<br />
<br />
I’ve created a special Readability edition of the Instapaper iPhone & iPad app to serve as Readability’s official mobile app, due out in the near future.<br />
<br />
I’m an advisor to the company.<br />
<br />
Trust me, these guys really know their stuff, & their heads are in the right place: there are no sinister motives or shady practices. It works exactly the way you’d expect, & is one of the most positive, constructive efforts I’ve seen in the online publishing world in a long time."
february 2011 by robertogreco
The Atavist
january 2011 by robertogreco
"The Atavist is a boutique publishing house producing original nonfiction stories for digital, mobile reading devices. We like to think of Atavist pieces as a new genre of nonfiction, a digital form that lies in the space between long narrative magazine articles and traditional books and e-books. Publishing them digitally and offering them individually — a bit like music singles in iTunes — allows us to present stories longer and in more depth than typical magazines, less expensive and more dynamic than traditional books.<br />
Most importantly, it gives us new ways to tell some inventive, captivating, cinematic journalism — and new ways for you to experience it."
journalism
media
storytelling
publishing
kindle
ipad
books
ebooks
theatavist
nonfiction
from delicious
Most importantly, it gives us new ways to tell some inventive, captivating, cinematic journalism — and new ways for you to experience it."
january 2011 by robertogreco
YouTube - Rethinking Education
january 2011 by robertogreco
"This video was produced as a contribution to the EDUCAUSE book, The Tower and the Cloud: Higher Education in the Age of Cloud Computing, edited by Richard Katz and available as an e-Book at http://www.educause.edu/thetowerandth... or commercially at http://www.amazon.com/gp/product/0967... Produced in 2007 as a conversation starter in small groups. Released in 2011 as a conversation starter online."
education
digital
learning
teaching
universities
colleges
michaelwesch
internet
technology
web
online
highereducation
highered
web2.0
yochaibenkler
peer-production
software
publishing
textbooks
wikipedia
marshallmcluhan
knowledge
google
books
accessibility
agitpropproject
the2837university
access
from delicious
january 2011 by robertogreco
Harry Potter and the Farmer’s Market « Snarkmarket
january 2011 by robertogreco
"So what if you set up a stand next to the radish-monger & sold books at the farmer’s market? …an inventory specifically concocted to tickle the brains & tug the heart-strings of farmer’s market true believers?<br />
<br />
Then, what about selling books at fancy food stores, wineries, & (yes) mysterious cheese shops? Don’t people have enough cook books already? Couldn’t those stores stock a little rack of cheap Food Cart Boys thrillers & sell them as impulse buys?<br />
<br />
Maybe there’s another format that would work even better. Maybe it’s actually a rack of audio books, & you can play one in the kitchen while you make something great out of that dino kale & mysterious cheese.<br />
<br />
I think the market is ripe. Everybody’s wondering: okay, first vampires, then zombies…what’s next?…I think it’s food: tales of weird sci-fi food, tales of illicit criminal food, tales of food & love.<br />
<br />
I want the next wave to be food, because I think those could be amazing stories, & because I think they’re worth telling."
robinsloan
comments
snarkmarket
food
books
publishing
booksellers
farmersmarkets
cooking
literature
fiction
2011
from delicious
<br />
Then, what about selling books at fancy food stores, wineries, & (yes) mysterious cheese shops? Don’t people have enough cook books already? Couldn’t those stores stock a little rack of cheap Food Cart Boys thrillers & sell them as impulse buys?<br />
<br />
Maybe there’s another format that would work even better. Maybe it’s actually a rack of audio books, & you can play one in the kitchen while you make something great out of that dino kale & mysterious cheese.<br />
<br />
I think the market is ripe. Everybody’s wondering: okay, first vampires, then zombies…what’s next?…I think it’s food: tales of weird sci-fi food, tales of illicit criminal food, tales of food & love.<br />
<br />
I want the next wave to be food, because I think those could be amazing stories, & because I think they’re worth telling."
january 2011 by robertogreco
YouTube - No Digital Facelifts: Thinking the Unthinkable About Open Educational Experiences
discovery instruction jimgroom gardnercampbell computing edupunk openeducation education learning snark lcproject highereducation highered history teaching unschooling deschooling change gamechanging fear excuses future transformation disruption literacy internet web communication reading neuroscience speech clayshirky publishing journalism patternrecognition digitalfacelifts scaling scalability sustainability lms narration narrative blogging transparency curation curating sharing conversation meaning connectivism from delicious
january 2011 by robertogreco
discovery instruction jimgroom gardnercampbell computing edupunk openeducation education learning snark lcproject highereducation highered history teaching unschooling deschooling change gamechanging fear excuses future transformation disruption literacy internet web communication reading neuroscience speech clayshirky publishing journalism patternrecognition digitalfacelifts scaling scalability sustainability lms narration narrative blogging transparency curation curating sharing conversation meaning connectivism from delicious
january 2011 by robertogreco
So Long 2010, and Thanks for All the Pageviews — Satellite — Craig Mod
january 2011 by robertogreco
"Make no mistake, there is nothing easy about writing. It requires a tremendous amount of time &, often, blind belief in the output. The larger essays can take upwards of 50-100 hours to complete — write, edit, design, rewrite, whiskey, redesign, self-doubt, layout, cry, publish, promote, correct embarrassing invariable spelling mistakes.<br />
<br />
But the act of writing each of these essays has led to a deeper insight into the subject…this is something many creatives simply choose not to engage. & it's a shame. Reflection through writing can illuminate the next step in a creative process which all too often feels like flailing aimlessly in the dark.<br />
<br />
…I'd go so far as to say an unarticulated experience or creative process is one left unresolved. By writing about your experience you close the loop…When you publish, both the output of the experience (book, software, photographs, etc) & now the ability to replicate that experience is in the hands of your audience. That's a powerful thing…"
craigmod
writing
internet
web
photography
kickstarter
speaking
freelancing
creativity
2010
relection
reflection
execution
articulation
doing
making
make
glvo
balance
understanding
learning
tcsnmy
publishing
blogs
blogging
ipad
experience
from delicious
<br />
But the act of writing each of these essays has led to a deeper insight into the subject…this is something many creatives simply choose not to engage. & it's a shame. Reflection through writing can illuminate the next step in a creative process which all too often feels like flailing aimlessly in the dark.<br />
<br />
…I'd go so far as to say an unarticulated experience or creative process is one left unresolved. By writing about your experience you close the loop…When you publish, both the output of the experience (book, software, photographs, etc) & now the ability to replicate that experience is in the hands of your audience. That's a powerful thing…"
january 2011 by robertogreco
Qué es alias | alias
december 2010 by robertogreco
"El propósito de Alias es la difusión de la obra y el pensamiento de autores particularmente significativos para el arte contemporáneo. Creaciones que, por razones y circunstancias difíciles de enumerar en este espacio, no han sido traducidas, impresas y difundidas en habla hispana; o bien, cuyas ediciones anteriores están descontinuadas o nunca han sido distribuidas en México.<br />
<br />
Alias es una editorial independiente sin fines de lucro económico."
art
mexico
mexicodf
publishing
books
damiánortega
contemporary
alias
df
from delicious
<br />
Alias es una editorial independiente sin fines de lucro económico."
december 2010 by robertogreco
Announcing SVK: an experimental publication by Warren Ellis, D’Israeli & BERG – Blog – BERG
december 2010 by robertogreco
"What is SVK?<br />
It’s going to be a very beautifully-printed object – a graphic novella, drawn by one of our very favourite artists – Matt “D’Israeli” Brooker – who Warren collaborated with on “Lazarus Churchyard” back in 1991. I think I’m right in saying it’s their first major collaboration since then…<br />
<br />
We can’t tell you too much more just yet, as they are both currently hard at work on it, but Warren describes SVK as “Franz Kafka’s Bourne Identity”.<br />
<br />
Brilliant.<br />
<br />
It’s also a story about looking, and it’s an investigation into perception, storytelling and optical experimentation that inherits some of the curiosities behind previous work of the studio such as our Here & There maps of Manhattan.<br />
<br />
For us – it’s also an investigation into new ways to get things out in the world, and as a result we’re talking about SVK now because we’re looking for people, brands and companies who would like to be in the SVK project… "
berg
warrenellis
design
comics
graphicnovels
berglondon
mattjones
hereandthere
kafka
bourne
bourneidentity
looking
observation
towatch
storytelling
perception
noticing
communication
publishing
svk
from delicious
It’s going to be a very beautifully-printed object – a graphic novella, drawn by one of our very favourite artists – Matt “D’Israeli” Brooker – who Warren collaborated with on “Lazarus Churchyard” back in 1991. I think I’m right in saying it’s their first major collaboration since then…<br />
<br />
We can’t tell you too much more just yet, as they are both currently hard at work on it, but Warren describes SVK as “Franz Kafka’s Bourne Identity”.<br />
<br />
Brilliant.<br />
<br />
It’s also a story about looking, and it’s an investigation into perception, storytelling and optical experimentation that inherits some of the curiosities behind previous work of the studio such as our Here & There maps of Manhattan.<br />
<br />
For us – it’s also an investigation into new ways to get things out in the world, and as a result we’re talking about SVK now because we’re looking for people, brands and companies who would like to be in the SVK project… "
december 2010 by robertogreco
The Gutenberg parenthesis – print, book and cognition
december 2010 by robertogreco
"Emerging at the intersection of the research interests of several scholars of this Institute working in literary and cultural studies from international perspectives, the Forum is constructed around the growing awareness that the dominance in cultural production of the printed text, not least in the form of the book, is merely a historical phase, and one which is now coming to an end under the impact of digital technology and the internet. It can be appropriately designated the “Gutenberg Parenthesis”, an image which usefully identifies a common framework for research on a variety of topics: contrastive analyis of the parenthetical phase in relation to what came before and/or after, with regard say to cognition, or under the auspices of a “contextual formalism”; the intriguing compatibilities, despite the technological differences, between oral, “pre-parenthetical” culture and digital, “post-parenthetical”…"
gutenberg
history
attention
publishing
literacy
reading
writing
text
print
digital
gutenbergparenthesis
cognition
books
unschooling
deschooling
lcproject
from delicious
december 2010 by robertogreco
Adactio: Journal—Drafty
november 2010 by robertogreco
"I think keeping drafts can be counterproductive. The problem is that, once something is a draft rather than a blog post, it’s likely to stay a draft and never become a blog post. And the longer something stays in draft, the less likely it is to ever see the light of day. Or, as I posted to Twitter as The First Law of Blogodynamics:<br />
A blog post in draft tends to stay in draft.<br />
I have the functionality for draft posts in my DIY blogging software, but I’ve only used it once or twice. But maybe that’s just me. I still don’t really consider this a blog. I find the label “journal” to be more appropriate. And having a draft journal entry just doesn’t seem right.<br />
So I write, and I hit submit. I can always go back and edit it afterwards."
writing
blogging
blogs
publishing
jeremykeith
via:preoccupations
classideas
howwework
sharing
editing
drafting
flow
2010
from delicious
A blog post in draft tends to stay in draft.<br />
I have the functionality for draft posts in my DIY blogging software, but I’ve only used it once or twice. But maybe that’s just me. I still don’t really consider this a blog. I find the label “journal” to be more appropriate. And having a draft journal entry just doesn’t seem right.<br />
So I write, and I hit submit. I can always go back and edit it afterwards."
november 2010 by robertogreco
Blogger, Reporter, Author « Snarkmarket [One of three Snarkmarket posts on Marc Ambinder's "I Am a Blogger No Longer", links to them all here: http://snarkmarket.com/2010/6396]
november 2010 by robertogreco
"So far, we have lived in a world where most the bloggers who have been successful have done so by being authors — by being taken seriously as distinct voices and personalities with particular obsessions and expertise about the world. And that colors — I won’t say distorts, but I almost mean that — our perception of what blogging is.<br />
<br />
There are plenty of professional bloggers who don’t have that. (I read tech blogs every day, and couldn’t name you a single person who writes for Engadget right now.) They might conform to a different stereotype about bloggers. But that’s okay. I really did write snarky things about obscure gadgets in my basement while wearing pajama pants this morning. But I don’t act, write, think, or dress like that every day."
blogging
journalism
timcarmody
snarkmarket
blogs
marcambinder
authors
athorship
writing
writers
identity
voice
publishing
newspapers
magazines
from delicious
<br />
There are plenty of professional bloggers who don’t have that. (I read tech blogs every day, and couldn’t name you a single person who writes for Engadget right now.) They might conform to a different stereotype about bloggers. But that’s okay. I really did write snarky things about obscure gadgets in my basement while wearing pajama pants this morning. But I don’t act, write, think, or dress like that every day."
november 2010 by robertogreco
Blurb: Make your own book. Make it great. [Related: http://www.magcloud.com and http://www.lulu.com]
november 2010 by robertogreco
"With Blurb, you’ll find all the tools you need to make your own photo book, whether you’re making a personalized wedding album, cookbook, baby book, travel photo book, or fundraising book. Count on bookstore-quality printing and binding, and a range of choices from Hardcover photobooks to Softcover paperbacks in an array of trim sizes. Use any of our free online bookmaking tools. Learn how to publish a book and much more with our free how-to tips and tutorials or watch our two-minute BookSmart video and see how easy it is to make a coffee table photo book. Be sure to register and subscribe to Blurb emails to get the news first on Blurb events and promo code coupon offers."
publishing
self-publishing
blurb
books
howto
print
portfolio
photography
flickr
printing
writing
classideas
from delicious
november 2010 by robertogreco
Ten Things to Know About the Future of Comics - comiXology
october 2010 by robertogreco
"1. Newspaper comics are dead… 2. Monthly comic books are dead… 3. Format is infinitely mutable… 4. The audience is infinitely fragmented… 5. But there is a canon… 6. Superheroes are not comic-book characters… 7. Manga has changed the game… 8. The line between fans and creators is razor-thin… 9.They are mostly girls… 10. They are very good at making comics."
2010
comics
publishing
books
via:preoccupations
from delicious
october 2010 by robertogreco
Foxfire (magazine) - Wikipedia ["began as a quarterly American magazine written and published by students at Rabun Gap-Nacoochee School, a secondary education institution located in the U.S. state of Georgia, since 1966"]
october 2010 by robertogreco
"Despite a series of setbacks involving founder Wigginton during the 1990's, Foxfire continues to train educators in its constructivist methods, which supposes that students must construct meaning for themselves, rather than having to simply memorize information a teacher deems important. In essence, Foxfire and other constructivist approaches to teaching say that by constructing their own meaning, establishing relationships, and seeing the connection of what they do in the classroom to "the real world," students are better able to learn. As a result of shifting tides in the educational system, Rabun County High School no longer classifies the Foxfire class as an English class, but rather as a business class, and students are no longer as involved at the museum as they once were."
foxfire
constructivism
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eliotwigginton
unschooling
deschooling
from delicious
october 2010 by robertogreco
Walter Benjamin’s Aura: Open Bookmarks and the future eBook | booktwo.org
october 2010 by robertogreco
"Everyone is going to be bookmarking & annotating more…your bookmarks, your reading experience should – must – belong to you & not to Apple or Amazon or whoever. This information should be open & available so we can create…ecosystems…Benjamin writes about the aura of a work, & how that aura is diminished by the process of copying, because the highest quality of art is its place in the here and now. But I think that, 80 years on, we are building the tools to reclaim that aura and make it more valuable again. Business models, even social models, get broken all the time, and they get broken before we figure out how to replace them. Likewise, the aura model of art got broken 80 years ago, but we just might be figuring out how to fix it. What kills industries now is the same storm out of paradise that broke businesses before – but might just fix them in the future…The long-form text is not dead, but the physical book is, and the digital copy does not have value in the same way."
bookmarks
books
ebooks
history
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publishing
openbookmarks
reading
social
ipad
iphone
walterbenjamin
etexts
bookmarking
annotation
notetaking
amazon
kindle
apple
via:preoccupations
from delicious
october 2010 by robertogreco
The Future of the Book. on Vimeo
october 2010 by robertogreco
"Meet Nelson, Coupland, and Alice — the faces of tomorrow’s book. Watch global design and innovation consultancy IDEO’s vision for the future of the book. What new experiences might be created by linking diverse discussions, what additional value could be created by connected readers to one another, and what innovative ways we might use to tell our favorite stories and build community around books?"
ideo
future
ebooks
books
design
ipad
ixd
publishing
bookfuturism
from delicious
october 2010 by robertogreco
The ereader incompetence checklist (for discerning consumers, editors, publishers and designers) — Satellite — Craig Mod
october 2010 by robertogreco
"Many of these metrics are accessibility related. It's scary that most of the highly-praised ereaders (such as Wired / New Yorker / Time magazine's apps) eliminate the inherent accessibility of digital text. Of course, this is a transition period, but why not start off on the right foot? Digital text isn't the same artifact that printed text is. Let's not treat it like it is.
Until things improve, I'll be reading those excellent long-form New Yorker pieces in Instapaper,[7] thanks.
What do you look for in an ereader?"
ebooks
ereaders
incompetence
ipad
publishing
reading
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craigmod
digitaltext
Until things improve, I'll be reading those excellent long-form New Yorker pieces in Instapaper,[7] thanks.
What do you look for in an ereader?"
october 2010 by robertogreco
The Fisch Flip, or why upside down thinking can drive innovation « Re-educate Seattle
september 2010 by robertogreco
"Karl Fisch…upended typical way we think about teaching: videotaped his lectures, uploaded them to YouTube, & assigned them as homework. Then had students do what used to be homework—practice problems—in class where he walks around & gives students one-on-one help.
…Pink explains how Seth Godin proposed a Fisch Flip for book publishing industry: publishers launch new book by releasing cheap paperback, & then introduce pricey hardcover once it catches on.
Or what if movie studio released film on DVD, let word of mouth spread, then invite early adopters to watch it on big screen as communal experience?
…another: one software company has decided to throw huge party for employees on first day on job, rather than waiting for a going-away party on their last day.
This is just a start. The most forward thinking people in business are refusing to accept the rules of the previous generation. They’re challenging every assumption, & sometimes completely flipping the script."
karlfisch
danielpink
stevemiranda
sethgodin
fischflip
andysmallman
pscs
happiness
education
learning
homework
publishing
books
dvd
film
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business
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from delicious
…Pink explains how Seth Godin proposed a Fisch Flip for book publishing industry: publishers launch new book by releasing cheap paperback, & then introduce pricey hardcover once it catches on.
Or what if movie studio released film on DVD, let word of mouth spread, then invite early adopters to watch it on big screen as communal experience?
…another: one software company has decided to throw huge party for employees on first day on job, rather than waiting for a going-away party on their last day.
This is just a start. The most forward thinking people in business are refusing to accept the rules of the previous generation. They’re challenging every assumption, & sometimes completely flipping the script."
september 2010 by robertogreco
10 Reading Revolutions Before E-Books - Science and Tech - The Atlantic [Great question: http://snarkmarket.com/2010/6155/comment-page-1#comment-13172]
august 2010 by robertogreco
"1. The phrase "reading revolution" was probably coined by German historian Rolf Engelsing. He certainly made it popular. Engelsing was trying to describe something he saw in the 18th century: a shift from "intensive" reading and re-reading of very few texts to "extensive" reading of many, often only once. Think of reading the Bible vs reading the newspaper. Engelsing called this shift a "Lesenrevolution," lesen being the German equivalent of reading. He thought he had found when modern reading emerged, as we'd recognize it today, and that it was this shift that effectively made us modern readers. …" [More here http://snarkmarket.com/2010/6155 and, on the images, here: http://snarkmarket.com/2010/6161]
books
ebooks
history
literacy
media
print
publishing
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alexismadrigal
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gamechanging
from delicious
august 2010 by robertogreco
Zhook is a simple ebook format. - Ochook.org
august 2010 by robertogreco
"Perhaps you want to craft beautiful ebooks. The open industry-standard format, EPUB, is pretty good and very comprehensive, but it’s not really intended for making books by hand.<br />
*Zhook keeps it simple. Just create a webpage (yes, probably a very long webpage) and zip it up.<br />
*Zhook is really easy to test. You can do most of your testing in Firefox and Safari or Chrome. If you zip and upload it here, you can do further testing and tweaking quite quickly with Ochook.org tools.<br />
*Zhook has higher-fidelity semantics. This is because Zhook uses HTML5, which has more useful semantic elements (like grouping headings together with hgroup, or captioning an image with figure). We have good uses for all that semantic richness, as you’ll see.<br />
<br />
And perhaps most importantly: * Zhook makes a best-of-breed EPUB."
publishing
epub
ebooks
writing
books
development
via:robinsloan
zhook
html5
zip
from delicious
*Zhook keeps it simple. Just create a webpage (yes, probably a very long webpage) and zip it up.<br />
*Zhook is really easy to test. You can do most of your testing in Firefox and Safari or Chrome. If you zip and upload it here, you can do further testing and tweaking quite quickly with Ochook.org tools.<br />
*Zhook has higher-fidelity semantics. This is because Zhook uses HTML5, which has more useful semantic elements (like grouping headings together with hgroup, or captioning an image with figure). We have good uses for all that semantic richness, as you’ll see.<br />
<br />
And perhaps most importantly: * Zhook makes a best-of-breed EPUB."
august 2010 by robertogreco
The best five books on everything | FiveBooks [via: http://www.septivium.com/b/2010/08/13/five-books/]
august 2010 by robertogreco
"Become an instant expert. Every day an eminent writer, thinker, commentator, politician, academic chooses five books on their specialist subject. From Einstein to Keynes, Iraq to the Andes, Communism to Empire. Share in the knowledge and buy the books."
aggregator
recommendations
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economics
education
information
literature
toread
reading
publishing
politics
learning
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from delicious
august 2010 by robertogreco
A Bookfuturist Manifesto - Science and Tech - The Atlantic
august 2010 by robertogreco
"Bookfuturists refuse to endorse either fantasy of "the end of the book" [bookservativism and technofuturism] -- "the end as destruction" or "the end as telos or achievement" as Jacques Derrida would have it. We are trying to map an alternative position that is both more self-critical and more engaged with how technological change is actively affecting our culture.<br />
<br />
We're usually more interested in figuring out a piece of technology than either denouncing or promoting it. And we want to make every piece of tech work better. We're tinkerers. We look to history for analogies and counter-analogies, but we know that analogies aren't destiny. We try to look for the technological sophistication of traditional humanism and the humanist possibilities of new tech."
bookfuturism
timcarmody
future
futures
ebooks
fiction
books
publishing
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futurism
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technofuturism
clayshirky
nicholascarr
reading
technology
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thinking
humanism
complexity
from delicious
<br />
We're usually more interested in figuring out a piece of technology than either denouncing or promoting it. And we want to make every piece of tech work better. We're tinkerers. We look to history for analogies and counter-analogies, but we know that analogies aren't destiny. We try to look for the technological sophistication of traditional humanism and the humanist possibilities of new tech."
august 2010 by robertogreco
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