robertogreco + process   250

Leonard Cohen, "How to Speak Poetry" - Acephalous
"The poem is nothing but information. It is the Constitution of the inner country. If you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. You are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. Think of the words as science, not as art. They are a report. You are speaking before a meeting of the Explorers' Club of the National Geographic Society. These people know all the risks of mountain climbing. They honour you by taking this for granted. If you rub their faces in it that is an insult to their hospitality. Tell them about the height of the mountain, the equipment you used, be specific about the surfaces and the time it took to scale it…

Avoid the flourish. Do not be afraid to be weak. Do not be ashamed to be tired. You look good when you're tired. You look like you could go on forever. Now come into my arms. You are the image of my beauty."
simplicity  modesty  expression  via:charlieloyd  language  information  science  accuracy  precision  truth  art  writing  process  leonardcohen  poetry  from delicious
11 days ago by robertogreco
The Outsourced Life - NYTimes.com
"As we outsource more of our private lives, we find it increasingly possible to outsource emotional attachment…

Focusing attention on the destination, we detach ourselves from the small — potentially meaningful — aspects of experience. Confining our sense of achievement to results, to the moment of purchase, so to speak, we unwittingly lose the pleasure of accomplishment, the joy of connecting to others and possibly, in the process, our faith in ourselves.

There is much public conversation about the balance of power between the branches of government, but we badly need to confront the larger and looming imbalance between the market and everything else.

A society in which comfort, care, companionship, “perfect” birthday parties and so much else is available to those who can pay for it?"

[via: http://randallszott.org/2012/05/06/why-relying-on-professional-artists-is-a-bad-idea-outsourcing-creativity/ ]
life  attachment  conversation  process  mindfulness  meaningmaking  meaning  leisurearts  diy  money  class  outsourcing  psychology  sociology  markets  arlierussellhochschild  2012  relationships  patience  impatience  desire  capitalism  time  slow  lifestyle  emotion  from delicious
20 days ago by robertogreco
Back to the Futurist: Anab Jain | URBNFUTR
"In our studio, we try to balance thinking about the future with making in the here-and-now, exploring the possibilities of new technologies while tinkering with laser cutters, 3D printers, and similar – getting stuck into the process of making prototypes for a wide range of projects."

"We are no longer going to be able to separate ourselves from these technologies, tools and phenomena, remaining detached – aloof – from the manufacturing and distribution processes. Where will we, as designers, makers, and futurists be best placed to situate ourselves?"

"While it may be more common for men to refer to themselves as ‘futurists’, there are many influential women whose work focuses explicitly on the future – Wendy Schultz, Heather Schlegel, and Danah Boyd, among many others. Then there are those who are exploring the edges of the future field, without necessarily calling themselves ‘futurists’, women like Fiona Raby, Natalie Jeremijenko, Paola Antonelli, and Vandana Shiva."
beamerbees  acresgreen  mutation  mutations  messyspace  drones  robotreadableworld  machinevision  biology  smart-objects  smartdevices  machineintelligence  risk  emergingtechnologies  criticaldesign  deviantglobalization  narrative  storytelling  3dprinting  futurescaping  suturism  futurists  heatherschlegel  wendyschultz  danahboyd  vandanashiva  paolaantonelli  nataliejeremijenko  fionaraby  superflux  scifi  sciencefiction  howwework  process  interviews  2012  prototyping  designfiction  futurism  design  anabjain  from delicious
4 weeks ago by robertogreco
Atlas of Transformation
"Atlas of Transformation is a book with almost 900 pages. It is a sort of global guidebook of transformation processes. With structured entries, its goal is to create a tool for the intellectual grasping of the processes of social and political change in countries that call themselves "countries of transformation" or are described by this term. The Atlas of Transformation was first published in Czech and it contains more than 200 "entries" and key terms of transformation. Several dozen authors (more than 100) from the whole world contributed to this book and also some influential period texts were republished here."
toread  exhibition  guidebooks  socialtransformation  socialchange  politicalchange  czech  process  transformation  gamechanging  change  mapping  maps  atlas  books  from delicious
7 weeks ago by robertogreco
ICON MAGAZINE ONLINE | Design Fiction | the most comprehensive archives of architecture and design content on the web
"process in which they’re working is a bit like a scientific process where you have a hypothesis & you try to experiment not knowing what the outcome is going to be."

"…how can I say anything which someone will be able to see in 20 years in the form in which it was created…serious…new contemporary problem, how do we make something work in a situation where the means of production are in a maelstrom or things are politically or financially falling apart? I don’t expect bookstores…libraries…Google, Facebook, Yahoo or Twitter…Microsoft to survive 20 years, I don’t expect NATO to survive. I don’t know about the EU. This is not like a gospel of despair or anything I just really think we could do something magnificent by just rising to the scale of the actual problem."

"Experience design is the first school of design that can actually encompass literature as a wing of itself."

"[I]t would be a shame if everything was virtual or written in a way that precludes the tangibility of things."
sciencefiction  speculative  research  future  culture  speculativedesign  ephemerality  uncertainty  process  imagination  creativity  literature  tangibility  permanence  futurism  dunne&raby;  fionaraby  anthonydunne  interviews  2012  experiencedesign  designfiction  design  brucesterling  from delicious
7 weeks ago by robertogreco
read/write | booktwo.org
"…all the way through the talk I was trying to say: this bit is about writing, and this bit is about reading.

And it didn’t make sense, at least to me, it didn’t make sense, because reading and writing, for me, are not separate activities. It’s all way-finding, orienteering through literature, and sometimes someone else has beaten down the path and sometimes you have to make it for yourself…

I started trying to write a book last year, for various reasons, and I kept getting derailed by the sheer pointlessness of the format for what I was trying to do. The only point I could identify in writing it as-a-book was to make a saleable thing, which is fine but the whole point of this not-book was/is to talk about what is not that.

Network Realism is about yoinking as much of the network as you need into the text. Something something the whole network i.e. reading and writing, flow, process."
process  flow  networkrealism  books  writingasthinking  understanding  thinking  wayfinding  writing  reading  2012  jamesbridle  from delicious
9 weeks ago by robertogreco
Synectics - Wikipedia
"Synectics is a way to approach creativity and problem-solving in a rational way. "Traditionally, the creative process has been considered after the fact... The Synectics study has attempted to research creative process in vivo, while it is going on."

According to Gordon, Synectics research has three main assumptions:

* The creative process can be described and taught;
* Invention processes in arts and sciences are analogous and are driven by the same "psychic" processes;
* Individual and group creativity are analogous.

With these assumptions in mind, Synectics believes that people can be better at being creative if they understand how creativity works."

[See alos: http://books.google.com/books/about/Synectics_the_development_of_creative_ca.html and "Making It Strange".
metaphor  williamgordon  psychology  process  problemsolving  creativity  synectics  from delicious
9 weeks ago by robertogreco
Dance the flip-flop
"the flip-flop (n.) the process of pushing a work of art or craft from the physical world to the digital world and back again—maybe more than once … When you do the flip-flop, you achieve effects that aren’t possible when you dwell in only one world, physical or digital. You also achieve effects that are less predictable. Weird things happen on the walls between worlds."
digital  physical  media  design  art  manufacturing  2012  robinsloan  flip-flop  process  transmedia 
10 weeks ago by robertogreco
Deploy / from a working library
What if you could revise a work after publishing it, and release it again, making clear the relationship between the first version and the new one. What if you could publish iteratively, bit by bit, at each step gathering feedback from your readers and refining the text. Would our writing be better?

Iteration in public is a principle of nearly all good product design; you release a version, then see how people use it, then revise and release again.…

Writing has (so far) not generally benefited from this kind of process; but now that the text has been fully liberated from the tyranny of the printing press, we are presented with an opportunity: to deploy texts, instead of merely publishing them…

where fixity enabled us to become better readers, can iteration make us better writers? If a text is never finished, does it demand our contribution?…

Perhaps it is time for the margins to swell to the same size as the text."
publishing  marginalia  readingexperience  reading  unfinished  editing  fixity  elizabetheinstein  change  permanence  impermanence  stability  metadata  revision  print  productdesign  design  deployment  contentstrategy  content  digitalpublishing  digitial  process  writing  2012  unbook  iteration  mandybrown  aworkinglibrary  from delicious
february 2012 by robertogreco
Alex Payne — On Business Madness
"We mistake dumb luck for a machine that produces success. We rely on induction when we should rely on deduction, and then, having realized our mistake, we lean on “data-driven decisions” in lieu of common sense. We chase patterns that aren’t there and miss eager markets right in front of us. All this while projecting the confidence, real or manufactured, that’s necessary to play the game.

This madness takes many forms…"

"How can we be like the successful ones and not like we are: tired, confused, scared, not-rich? Just tell us the secret. There is a secret, right? There must be. They make it look so easy.

I am not a business person. I don’t know what makes a good business. It seems like it helps to have a good idea, great people, the willingness to work hard, and an absolute shit-ton of luck. Being certain about much beyond that seems, well, a bit crazy to me."
nobodyknowswhatthey'redoing  patterns  patternrecognition  deducation  induction  2012  successworship  entrepreneurship  processcults  taylorism  processcult  process  failure  madness  startup  advice  luck  startups  success  business  alexpayne 
february 2012 by robertogreco
Mass Incarceration and Criminal Justice in America : The New Yorker
In a society where Constitution worship is still a requisite…Stuntz startlingly suggests…Bill of Rights is a terrible document w/ which to start justice system—much inferior to…French Declaration of the Rights of Man, which Jefferson…may have helped shape while…Madison was writing ours.

…trouble w/…Bill of Rights…is that it emphasizes process & procedure rather than principles…Declaration of Rights of Man says, Be just!…Bill of Rights says, Be fair! Instead of announcing general principles—no one should be accused of something that wasn’t a crime when he did it; cruel punishments are always wrong; the goal of justice is, above all, that justice be done—it talks procedurally. You can’t search someone without a reason…can’t accuse him w/out allowing him to see evidence…& so on… has led to the current mess, where accused criminals get laboriously articulated protection against procedural errors & no protection at all against outrageous & obvious violations of simple justice."
constitution  justice  process  procedure  policy  2012  criminaljusticesystem  us  jails  race  reform  legal  prisons  law  politics  crime  prison  williamjstuntz  adamgopnik 
february 2012 by robertogreco
Caterina.net » Justice, and the Problem with the Bill of Rights
"I am reading about the work of the late William J. Stuntz, a law professor at Harvard, who wrote about the criminal justice system, in The Caging of America (recommended!) and Stuntz looks for the reasons why we arrived at this impasse, finding it, ultimately, in the Constitution, particularly in the Bill of Rights. And I was hard struck by how right he was in what was wrong. The problem, as he sees it, is that the Bill of Rights is about process and procedure, rather than principles. Compare, he says, the French Declaration of the Rights of Man and the Citizen with our Bill of Rights — Bills 4-8 establish our judicial system, and are how we end up with more black men in prison than were slaves in 1850, and more than six million people under “correctional supervision”. Gopnik writes:

[citation]

I’d always been uneasy with Constitution-worship, particularly uneasy about the Bill of Rights, and certainly the justice system, but didn’t have the least idea why. This is why."
values  thingsthatarebroken  thingsthatsuck  whatswrongwithamerica  correctionalsupervision  criminaljusticesystem  2012  principles  procedure  process  justice  rights  frenchdeclarationofrightsofmanandthecitizen  adamgopnik  billofrights  france  us  constitution  williamjstuntz 
february 2012 by robertogreco
Field Report: Project Argo | Contents Magazine
"Project Argo’s Thompson is among those explaining why more open sharing of processes, code, and theory is good for everyone, for reasons both selfish and altruistic…

The gift of Project Argo’s resources and practices marks an opportunity to move more industries toward openness, but this sort of public learning and teaching doesn’t schedule or pay for itself. Genuinely helpful public resources appear when we recognize their value and set aside resources to make them happen. Whether we’re coding, editing, or running projects, that’s something each of us can work toward in the year to come."
florilegium  npr  cv  howweshouldwork  howwework  publicresources  altruism  collectivegood  2012  workinginpublic  publicteaching  publiclearning  processes  process  theory  code  opensource  sharing  journalism  mattthompson  projectargo  argo  contentsmagazine  erinkissane 
january 2012 by robertogreco
The Aporeticus - by Mills Baker · Design & Compromise [So much more within, read the whole thing and the comments too.]
"…why does compromise have its “undeservedly high reputation”?…b/c we are discomfited by philosophical implications of fact that some ideas are objectively better. We exempt science from our contemporary anxieties because its benefits are too explicit to deny, but in most creative fields we are no longer capable of accepting the superiority of some solutions to others; unable to sustain confidence in soundness of artistic problem-solving process, we will not provoke interpersonal/organizational conflict for sake of mere ideas.

This sad, mistaken epistemological cowardice turns competing hypotheses into groundless, subjective opinions, & reasonable course of action when managing conflicting, groundless opinions…is to compromise, because there is no better answer.

But the creative arts are not so subjective as we tend to think, which is why a talented, dictatorial auteur will produce better work than polls, fcus groups, or hundreds of compromising committees."
creativecontrol  dictatorship  dictators  dictatorialcreativity  violence  stevejobs  wateringdown  choice  debate  persuasion  2011  waste  stagnation  innovation  creativity  madetofail  setupforfailure  problemsolving  hypotheses  brokenbydesignprocess  democracy  control  procedure  process  inferiority  superiority  average  averages  means  politics  policy  howwework  meetings  committees  mediocrity  epistemology  philosophy  authoritarianism  cowardice  ideas  science  art  design  millsbaker  compromise 
january 2012 by robertogreco
The Studio-X NY Guide to Liberating New Forms of Conversation - Reading Room - Domus
"Studio-X is a multifunction outpost of Columbia University's Graduate School of Architecture, Planning and Preservation in lower Manhattan. Alternately a studio space for several of GSAPP's research groups (including C-Lab, Netlab, Living Architecture Lab and Urban Landscape Lab), exhibition space, and events venue, Studio-X's flexible programming makes it a uniquely unpredictable site where architectural and urban thinkers interact with a curious public. Now exporting its model to other cities around the world where GSAPP has a presence, including Rio de Janeiro, Beijing, and Amman, Studio-X marks its first publication with The Studio-X NY Guide to Liberating New Forms of Conversation. José Esparza talked to the book's editor and Studio-X NY's former programming director Gavin Browning, as well as Glen Cummings and Aliza Dzik of New York design firm MTWTF, who designed the book."
process  competition  hierarchy  typologies  transformation  documentation  tabularasa  blankslate  studio-xny  craigbuckley  markwigley  danielperlin  innovation  creativity  rapidresonse  multidisciplinary  mixed-use  classroomdesign  informality  informal  workshops  studios  schooldesign  learningspaces  glvo  openstudio  columbia  nyc  studio-x  glencummings  gavinbrowning  design  adaptability  flexibility  adaptivespaces  lcproject  interdisciplinary  books  domus  architecture 
january 2012 by robertogreco
Radical alternatives? Surely we can do better? « The Third University
"2. …Mimicking what we are railing against is comfortable but changes little. It simply gives us a new, safe space in which to rail and exclude.

3. The process of consensus is disabling where it is shackled to a perceived need to be productive or by self-imposed time constraints or by the fear of being bogged down in long discussions, and by the desperate, unquestioned desire to act now. However, we’ve seen the allegedly direct democratic process of consensus used in time-limited ways to marginalise or simply give voice to those more experienced in the process. In this way it is no different to standard institutionalised forms of governance. But what is worse is the subtext that it is more open and transparent, and that somehow at every point we don’t have to out power relationships. The network, for all our trite statements about newness, is neither new nor power free. It is just as hateful and disabling, or just as counter-hegemonic and different."
technology  principles  answers  commodities  gandhi  vinaygupta  alternativeeducation  radical  criticalpedagogy  permaculture  place  employability  pedagogy  anarchy  anarchism  education  deschooling  unschooling  lcproject  hypocrisy  organizations  capitalism  process  consensus  democracy  change  2011  thirduniversity  hierarchy  control  power  from delicious
december 2011 by robertogreco
How Anime is Made
"In mid October 2010, the Culture Japan crew went along to the headquarters of Production IG to see what goes on behind the scenes of making hit anime titles such as Ghost in the Shell, East of Eden and recently Sengoku Basara. Today we get to take a look and try some of the processes that are involved in making anime.

I remember when I could hardly speak Japanese back in the UK. Ghost in the Shell was released on video and I remembering it being such an inspiring movie. Was great to be able to visit the company responsible for the movie."
animation  ghostintheshell  productionig  srg  edg  design  art  process  japan  2011  howwework  manga  anime  from delicious
december 2011 by robertogreco
A Conversation With Anarchist David Graeber - YouTube
"Anarchists believe in direct action…Anarchism is about acting as if you are already free…Anarchism is democracy without the government…Anarchism is direct democracy…Anarchism is a commitment to the idea that it would be possible to have a society based on principles of self-organization, voluntary association, and mutual idea."
2006  davidgraeber  authority  hierarchy  academia  globalization  politics  subversion  marxism  teaching  cv  charlierose  interviews  via:chrisberthelsen  subordination  philosophy  freedom  activism  coercion  democracy  optimism  humanism  protest  voluntaryassociation  mutualaid  self-organization  deschooling  unschooling  power  worldbank  imf  process  consensus  history  war  20thcentury  policy  economics  capitalism  concensus 
december 2011 by robertogreco
PopTech : Blog : Interview: Cheryl Heller on SVA's new Design for Social Innovation MFA
"Context is critical. Paul Polak talks about this. A solution is not a solution if it doesn’t work for the people for whom it’s intended. To work within any system without causing harm to it, you must see and understand every aspect of it. There is no substitute for immersion and understanding of the context in which you are working.

Creativity is often forgotten in our world, or misjudged. It’s not the same as innovation necessarily. It is a discipline that has application throughout the process of social innovation, and it is one of the most obvious but well-kept secrets that the way to heal organizations or communities is to help them create together.

Process is a beautiful thing. Great designers know how to get stuff done, and they know that it comes after understanding context and applying creativity."
sva  cherylheller  paulpolak  socialinnovation  systems  problemsolving  process  creativity  lcproject  designthinking  organizations  solutions  immersion  understanding  empathy 
december 2011 by robertogreco
Institutional memory and reverse smuggling | wrttn
"At the end of the project someone should've been commissioned to write a book, "What This Goddamn Plant Is: And, How It Works". That book is effectively being written now, only by archaeologists."
engineering  documentation  process  archeology  knowledge  via:straup  institutionalmemory  memory  legacy  tcsnmy  lcproject  2011  via:blech  scale  scaling  bureaucracy  archaeology  reversesmuggling  institutionalarchaeology  institutions  business  reverse  culture  values  posterity  corporateespionage  reversecorporateespionage  organizations  recordkeeping  companies  management  sharing  via:tealtan 
december 2011 by robertogreco
“Sometimes the stories are the science…” – Blog – BERG
"About a decade ago – I saw Oliver Sacks speak at the Rockerfeller Institute in NYC, talk about his work.

A phrase from his address has always stuck with me since. He said of what he did – his studies and then the writing of books aimed at popular understanding of his studies that ‘…sometimes the stories are the science’.

Sometimes our film work is the design work.

Again this is a commercial act, and we are a commercial design studio.

But it’s also something that we hope unpacks the near-future – or at least the near-microfutures – into a public where we can all talk about them."
oliversacks  learning  deschooling  unschooling  education  berg  berglondon  mattjones  timoarnall  storytelling  design  understanding  newgrammars  conversation  meaning  meaningmaking  glvo  tcsnmy  classideas  art  paulklee  domains  interdisciplinarity  interdisciplinary  crossdisciplinary  multidisciplinary  crosspollination  perspective  mindset  wbrianarthur  jackschulze  mattwebb  technology  future  dansaffer  rulespace  simulation  believability  materialquality  film  video  invention  creativity  time  adamlisagor  brucesterling  vernacularvideo  victorpapanek  jasonkottke  andybaio  johnsculley  apple  stevejobs  knowledgenavigator  prototypes  prototyping  iteration  process  howwework  howwelearn  communication  from delicious
november 2011 by robertogreco
Nico Muhly » Difficult, Simple
"And surely the process of becoming an adult is one of figuring out which of ones difficulties should be sanded down in the interests of being a functioning member of the community, and which can be left as distinguishing and endearing eccentricities."
nicomuhly  2011  process  learning  self  culture  art  design  creativity  thecreativeact  opera  from delicious
november 2011 by robertogreco
Geography Department, Cambridge » The gender gap in education
"…many of the issues associated w/ 'under-achievement' are related to tensions btwn the culture of the school & images of masculinity held in the local community & wider society…

…commitment to process as well as outcome…Closely allied to this was an emphasis on relationships…The importance of time to establish trust and productive working relationships was crucial to the success of the project. Finally was the emphasis on the pupils themselves, which involved not just listening to them but engaging with them, being interested in them and helping to ensure that their perspectives were valued and taken into consideration in the schools' own evaluations of project initiatives."
via:lukeneff  teaching  education  society  gender  process  lcproject  relationships  culture  pedagogy  boys  masculinity  interested  engagement  trust  gendergap  learning  tcsnmy  schools  schooling 
october 2011 by robertogreco
Talking the Tech Walk: Teaching, Changing, Doing - by Shirley
"The following poem, written by Lee Crockett, Ian Jukes and Andrew Churches and found on Tony Gurr's All Things Learning blog has given me more food for thought…

What is a Teacher?
A guide, not a guard.
What is learning?
A journey, not a destination.
What is discovery?
Questioning the answers, not answering the questions.
What is the process?
Discovering ideas, not covering content.
What is the goal?
Open minds, not closed issues.
What is the test?
Being and becoming, not remembering and reviewing.
What is learning?
Not just doing things differently, but doing different things.
What is teaching?
Not showing them what to learn, but showing them how to learn
What is school?
Whatever we choose to make it."
teaching  education  pedagogy  learning  schools  tcsnmy  inquiry  discovery  questioning  process  from delicious
october 2011 by robertogreco
Developing Your Creative Practice: Tips from Brian Eno :: Tips :: The 99 Percent
"1. Freeform capture. Grab from a range of sources without editorializing…<br />
<br />
2. Blank state. Start with new tools, from nothing, and toy around…<br />
<br />
3. Deliberate limitations. Before a project begins, develop specific limitations…<br />
<br />
4. Opposing forces. Sometimes it’s best to generate a forced collision of ideas…<br />
<br />
5. Creative prompts. In the ‘70s Eno developed his Oblique Strategies cards, a series of prompts modeled after the I Ching to disrupt the process and encourage a new way of encountering a creative problem. On the cards are statements and questions like: “Would anybody want it?” “Try faking it!” “Only a part, not the whole.” “Work at a different speed.” “Disconnect from desire.” “Turn it upside down.” “Use an old idea."…<br />
<br />
In the end, don’t underestimate your personal feelings about a project. Eno states: “Nearly all the things I do that are of any merit at all start off as just being good fun.” Amen to that."
art  creativity  music  productivity  brain  neuroscience  via:preoccupations  brianeno  2011  jonahlehrer  ideation  classideas  innovation  noticing  limitations  constraints  making  doing  glvo  howwework  process  idleness  boredom  thinking  ideas  has:via  from delicious
september 2011 by robertogreco
You Are Solving The Wrong Problem « Aza on Design
"MacCready’s insight was that everyone working on solving human-powered flight would spend upwards of a year building an airplane on conjecture & theory w/out the grounding of empirical tests. Triumphantly, they’d complete their plane & wheel it out for a test flight. Minutes latter, a years worth of work would smash into the ground. Even in successful flights…would end with the pilot physically exhausted. W/ that single new data point, the team would work for another year…Progress was slow…<br />
The problem was the problem. Paul realized that what we needed to be solved was not, in fact, human powered flight. That was a red-herring. The problem was the process itself, and along with it the blind pursuit of a goal without a deeper understanding how to tackle deeply difficult challenges. He came up with a new problem that he set out to solve: how can you build a plane that could be rebuilt in hours not months. And he did…"
learning  design  creativity  itteration  azaraskin  gossamereagle  gossamercondor  paulmaccready  problemsolving  definingtheproblem  problems  iteration  process  innovation  research  rapidprototyping  howwework  howwelearn  from delicious
september 2011 by robertogreco
Steve Jobs and the Eureka Myth - Adrian Slywotzky - Harvard Business Review
"Apple would love us to believe it's all "Eureka." But Apple produces 10 pixel-perfect prototypes for each feature. They compete — and are winnowed down to three, then one, resulting in a highly evolved winner. Because Apple knows the more you compete inside, the less you'll have to compete outside.<br />
<br />
We are all mesmerized by Apple's beautiful design, from device to screen, to the packaging itself. We see what the magicians want us to see. What we don't see is the 18 months of negotiating with the music companies. Nor the three years of teaching the supply chain that the Macbook Air had to be really thin, really light, and really enduring (10-hour battery). When those improvements intersected with the iPhone's great screen technology, the iPad (that glorious Air/iPhone hybrid) exploded."
design  innovation  entrepreneurship  stevejobs  iteration  process  apple  prototyping  prototypes  2011  from delicious
september 2011 by robertogreco
AIGA | Video: Jonathan Harris [Cold + Bold]
"Combining elements of computer science, architecture, statistics, storytelling and design, Jonathan Harris’s online projects create large-scale living portraits of the human world—portraits that both simplify and complicate our understanding of it. Jonathan discusses his recent work and poses intriguing questions about what kind of space the digital world is becoming and what that world is doing to us as individuals."

[I find myself on a Jonathan Harris binge about one a year. This time sparked by an article: http://designmind.frogdesign.com/articles/the-never-ending-story.html . Hadn't seen this video before.]

[The passage he reads in the video was originally posted here: http://www.number27.org/today.php?d=20100319 ]
design  art  jonathanharris  storytelling  coding  coldness  2010  thewhy  purpose  meaning  meaningfulness  human  digital  life  empathy  programming  depression  glvo  relationships  feelings  emotions  rationality  determinism  problemsolving  detachment  expression  web  internet  abstraction  humanity  control  learning  resistance  resistanceofthemedium  howwework  process  cold+bold  identity  individuality  diversity  outcomes  scale  sociopaths  jaronlanier  culture  behavior  introspection  self-reflection  time  computation  from delicious
august 2011 by robertogreco
Doors of Perception weblog: xskool: breathing the same air
"…We converged, instead, on the idea that "X" means: this place, this moment, these people. Breathing the same air. Only here, only now.

Our group also embraced the idea of no curriculum, no standardised process, no teachers, and no certificates…

1 An explanation: Xskool enables people to create unique events in which change-minded people participate, interact, and reflect.

2 Xskool is not for people who see themselves as leaders, role models, experts or 'change agents'. Xskoolers might well be leaders, role models etc - but that is not for them to decide…

5 At each xskool encounter, a host venue or location will present a task or a question for the visiting group to work on. At West Lexham our task was to build this path:

6 Each xskool group will also work on a question or questions of its own. This question will not be posed in advance; rather, it will emerge from a mindfully-orqanised process [such as Open Space or World Café] when the group first assembles at the location…"
xskool  education  learning  johnthackara  2011  curriculum  uncurriculum  curriculumisdead  change  community  events  unschooling  deschooling  unconferences  openstudioproject  openstudio  open  process  doing  making  collaboration  collaborative  lcproject  from delicious
august 2011 by robertogreco
Kicker Studio: Six Questions from Kicker: Robert Brunner
"What are 5 things all designers should know?<br />
<br />
1. Perseverance. It’s hard to make great stuff. Never say die (for as long as you can).<br />
<br />
2. Responsibility. You are driving things that will affect a lot of people, from your development partners and your clients, to the people who use the things you create. Don’t let it scare you or cause you to freeze up, but always be cognizant of the impact of your decisions.<br />
<br />
3. How to communicate. Most designers do not know how to do this. Learn to write and speak well about your work. It will serve you for a long time and can be the difference maker.<br />
<br />
4. Empathy. Learn how to put yourself in other’s shoes and see the situation and opportunities you’d miss from your eyes. It will make you very valuable<br />
<br />
5. How to enjoy the journey. You have one of the best jobs in the world. It’s a long, wild ride, so have fun with it and don’t dwell too much on what went wrong. Keep your feet moving."
robertbrunner  design  designers  perseverance  responsibility  communication  writing  speaking  empathy  understanding  process  glvo  howwework  2011  from delicious
august 2011 by robertogreco
ron miriello: 100 worlds project
"US and italy -based designer ron miriello's '100 worlds project' began with a simple idea: 'to create for the sake of creating.' a series of sculptures, rendered into photographic interpretations and now on exhibition at california's jett gallery, the work became 'a unifying 'story' that invites others [to] contribute and shape a larger vision.'<br />
<br />
for the multimodal project, miriello created fifty interpreted globes, using materials that vary from antique pipewrenches and boat propellers to corrugated cardboard and bowling balls. he then gave the pieces to over forty san diego-based photographers, each of whom spent at least a week with the world and returned with their personal photographic documentation of the sculpture. fifty photographic prints thus accompany the fifty handmade 'worlds' in the gallery exhibition, and the entire project process is documented in the '100 worlds project' exhibition book…"
art  sandiego  craft  process  ronmiriello  100worldsproject  globes  epiloglaser  design  from delicious
august 2011 by robertogreco
Networked Knowledge and Combinatorial Creativity | Brain Pickings
"In May, I had the pleasure of speaking at the wonderful Creative Mornings free lecture series masterminded by my studiomate Tina of Swiss Miss fame. I spoke about Networked Knowledge and Combinatorial Creativity, something at the heart of Brain Pickings and of increasing importance as we face our present information reality. The talk is now available online — full (approximate) transcript below, enhanced with images and links to all materials referenced in the talk."

"This is what I want to talk about today, networked knowledge, like dot-connecting of the florilegium, and combinatorial creativity, which is the essence of what Picasso and Paula Scher describe. The idea that in order for us to truly create and contribute to the world, we have to be able to connect countless dots, to cross-pollinate ideas from a wealth of disciplines, to combine and recombine these pieces and build new castles."

"How can it be that you talk to someone and it’s done in a second? But it IS done in a second — it’s done in a second and 34 years. It’s done in a second and every experience, and every movie, and every thing in my life that’s in my head.” —Paula Scher
creativity  behavior  planning  process  combinatorialcreativity  combinations  lego  networkedknowledge  networks  mariapopova  florilegium  picasso  paulascher  pentagram  alberteinstein  breakthroughs  stevenjohnson  ideas  alvinlustig  rogersperry  jacquesmonod  biology  richarddawkins  science  art  design  wheregoodideascomefrom  books  designthinking  insight  information  ninapaley  oliverlaric  similarities  proximity  adjacentpossible  everythingisaremix  curiosity  choice  jimcoudal  claychristensen  intention  attention  philosophy  buddhism  work  labor  kevinkelly  gandhi  from delicious
august 2011 by robertogreco
Edwin Himself is Edwin Negado » MUJI’s Kenya Hara speaks on “Emptiness” at Wieden+Kennedy Portland
“Earth and Human Being. There is nothing, yet everything”.

“Emptiness holds the possibility of being filled”.

“To create is not just to create an object or a phenomenon. Coming up with a question is also creation. In fact, a question that has huge receptive capacity doesn’t even need a definitive answer. Questioning is emptiness”.
kenyahara  muji  emptiness  questioning  questions  learning  process  products  product  glvo  lcproject  unschooling  deschooling  simplicity  possibility  wk  wieden+kennedy  from delicious
july 2011 by robertogreco
Online and Isolated? Transcript - On The Media
"LEE RAINIE: For centuries, when new technologies come on the scene there’s almost an instinctive human reaction, particularly among those who are challenged by the new technology, to blame the technology for any social ill that happens to arise at the same time. Something has gone on with our social networks in the past 20 years. Our data matched the data that the previous researchers had collected showing the networks are shrinking. And so, now we're inviting other social scientists and researchers like ourselves to go out and find the real culprit and not just think that the Internet lies behind it just because the Internet was being adopted at the same time this harmful social trend was emerging."
leeraine  socialmedia  isolation  onthemedia  media  research  pew  internet  web  online  relationships  social  society  process  2009  via:preoccupations  from delicious
july 2011 by robertogreco
YouTube - TEDxEastsidePrep - Shawn Cornally - The Future of Education Without Coercion
[These are killing learning in schools]

No product = Failure [Product is emphasized over process]

What if they don't do anything? [Worry that they won't learn anything if given control of their learning]

3.9 ≠ 4.0 [Loss of motivation, feeling beyond recovery, no meaning]
education  learning  schools  tcsnmy  success  failure  science  teaching  process  productoverprocess  processoverproduct  time  scheduling  schedules  classschedules  2011  shawncornally  inquiry  inquiry-basedlearning  questioning  student-led  student-initiated  openstudio  unschooling  coercion  deschooling  motivation  intrinsicmotivation  extrinsicmotivation  overjustification  schooliness  schooling  creativity  absurdity  wonder  colleges  universities  admissions  gameofschool  playingschool  alfiekohn 
june 2011 by robertogreco
Graduation Speech - SLA Class of 2011 - Practical Theory
"And after you have forgotten the granular details of the periodic table of elements, continue to honor the scientific spirit of inquiry, always asking powerful questions and seeking out complex answers.

That is, we hope, what you have learned from us. That inquiry, research, collaboration, presentation and reflection are not just words in a mission statement but an iterative process of learning that can and will serve you the rest of your life if you let it. And perhaps above all else, remember that throughout that process, there are those in your life who have been there, who have cared about you, who have mentored you, and in doing so, hope that you will pay that forward. That you will care for those around you. That you will understand that the intersection of that ethic of care and that spirit of inquiry starts with asking the question, “What do you think?” caring about the answer, and then taking action."
learning  chrislehmann  inquiry  inquiry-basedlearning  education  collaboration  research  presentation  reflection  process  skepticism  ethics  care  questioning  action  actionminded  agency  legacy  persistence  tcsnmy  lcproject  unschooling  deschooling  from delicious
june 2011 by robertogreco
Presence and Perception [Xskool]
"Perceiving and re-connecting: Xskool will engage with artists in seeking ways to help us perceive the unseen, or the invisible: Ways to re-imagine the built world as a complex of interacting ecologies: energy, water, mobility, food. Ways to enrich our understanding of space, time, materiality, and process. Ways to steer our focus to open versus closed systems.

Presence and distance: It would be easier to travel less, and telecommunicate more, if the sensation of ‘being there’ were more engaging than it is now. Xskool will involve artists, theatre directors, fashion designers, psychologists, game designers – even philosophers – in effort to improve the design of remote communication.

Hosting and Coordinating: A whole-systems, transdisciplinary approach involves the need to connect and coordinate stakeholders with differing perspectives. How do we design conversations to be participative rather than directive? How to identify and organize hubs; the role of time-based events…"
xskool  ecosystems  systems  systemsthinking  ecology  networkedecologies  presence  perception  closedsystems  opensystems  open  complexity  complexsystems  energy  water  mobility  food  art  design  communication  johnthackara  process  materiality  from delicious
june 2011 by robertogreco
Olbermann's Exit: The Inside Story
"I'm difficult for management. That's why I have the reputation because nobody challenges management." He adds that his run-ins are simply out of good conscience: "I stand up to people. I do not believe that simply because I signed a contract that that gives people the right to make [unilateral] decisions. As part of the process by which you hire me, you hire me. You just don't hire an hour of me to do a performance." [More people should approach their work this way, see part of their job as challenging management, have some conviction, be willing to be fired for speaking out.]
keitholbermann  convictions  cv  management  administration  leadership  reputation  conscience  decisionmaking  process  hiring  employment  employees  challenge  2011  tcsnmy  from delicious
june 2011 by robertogreco
Chinese school defies rigid exam-focused education | Marketplace From American Public Media
"XUEQIN: We'd encourage the students to express themselves as much as possible through artwork, music, writing. It' just that because the students have been through this traditional system, they have problems doing that."<br />
<br />
[…]<br />
<br />
"Wang asked his teachers to start moving among their students, engaging them, not talking at them. And that's what chemistry teacher Qin Lei is doing today. Instead of asking students for the correct answers, Qin focuses on the process, asking students their opinions: asking why, how, challenging what they know. That teaching method is routine in the West, but in China it's a radical departure.<br />
<br />
Principal Wang made a name for himself at Shenzhen High School in the southern province of Guangdong when he gutted the school's curriculum and let students choose their own classes.<br />
<br />
"ZHENG: A lot of educators from all over the country visited our school. They all agreed the system was good, but risky."<br />
Risky paid off."
china  beijing  education  tcsnmy  unschooling  deschooling  learning  student-centered  student-led  pedagogy  gaokao  testing  standardizedtesting  process  processoverproduct  teaching  2011  risk  toshare  progressive  alternative  creativity  from delicious
june 2011 by robertogreco
Week 113 - Helsinki Design Lab
"If I had a time machine…could change one thing I would hop back to beginning of last week & remove all post-it notes from studio space…reason for this is simple: post-it notes trick people into being lazy.

…way post-it notes are commonly used in workshop settings is to capture an idea on portable piece of paper…can then be moved around at will & eventually accumulated on bigger piece of paper…rolled up & put into closet & kept forever. Ideas captured…

Post-it notes record ideas & allow them to be easily migrated & reorganized, but it's not a good medium for mutating & synthesizing ideas.

One of the reasons that we prefer large sheets of paper or whiteboards is that they encourage collaborative mutation. If you realize that something is drawn in wrong place, it must be erased & re-drawn or somehow altered to meet the new intent. By drawing & redrawing, writing & rewriting, opportunities to adjust the content & format—to literally re-present the ideas—continually emerge."
sitra  bryanboyer  helsinkidesignlab  post-its  whiteboards  process  recording  ideas  sharing  mobility  mutation  synthesis  howwework  classideas  2011  from delicious
june 2011 by robertogreco
Design design design. by David Cole - Quora
"My friend Tag recently introduced me to the concept of a Buffalo sentence. The eponymous example is:<br />
Buffalo buffalo Buffalo buffalo buffalo buffalo Buffalo buffalo.<br />
It works because the word buffalo has three meanings: buffalo the animal, Buffalo the city, and buffalo the verb (a synonym for bully). Rewording clarifies:<br />
New York buffalo (that) New York buffalo bully (also) bully New York buffalo.<br />
This sort of ambiguity pops up in a lot of places, and it's pretty delightful…<br />
<br />
Where it isn't delightful is in the design trade…We have three ways of understanding design:<br />
<br />
Designers: design as a role within an organization.<br />
Designing: design as a process.<br />
Designs: design as a deliverable.<br />
<br />
The confusion of any pair of these is destructive for both the designer and their organization."
design  language  buffalosentences  process  deliverables  words  davidcole  from delicious
may 2011 by robertogreco
YouTube - TEDxEast - Lauren Redniss - Mistakes Have Been Made
"Lauren shares her process both as a writer and and artist to create her works. Lauren also shares the unexpected benefits of trail and error throughout her journey as an artist."
laurenredniss  art  science  process  mistakes  serendipity  2011  learning  discovery  understanding  illustration  cyanotype  mariecurie  pierrecurie  history  books  from delicious
may 2011 by robertogreco
eye | feature : All you need is love: pictures, words and worship [Great piece on Sister Corita Kent]
"Corita’s cultural contribution spanned several decades. Although she described herself as an artist rather than a design professional, her 1960s work spanned both fields. Graphic strategies such as lettering and layout were central to her artistic voice. At the same time, she had no qualms about accepting commissions for magazine covers, book jackets, album sleeves, ads and posters, although even here she should be seen less as a jobbing designer than as an artist with a distinctive and easily recognisable graphic sensibility. As Harvey Cox said, “The world of signs and sales slogans and plastic containers was not, for her, an empty wasteland. It was the dough out of which she baked the bread of life.” 12 At its best, her work proposed a symbolic template that blurred the boundaries between art, design and communication, between a life of worship and the everyday life of her time."
sistercorita  art  vernacular  life  everyday  glvo  design  communication  graphicdesign  graphics  typography  advertising  signs  symbols  via:britta  teaching  printmaking  serigraphs  accessibility  urban  urbanism  decontextualization  photography  noticing  seeing  seeingtheworld  fieldtrips  unschooling  deschooling  education  immaculateheartcollege  eames  viewfinders  process  julieault  2000  1960s  martinbeck  society  perspective  activism  from delicious
may 2011 by robertogreco
Rhizome | Do Artists and Technologists Create Things the Same Way? Seven on Seven Guests Respond
"Seven on Seven participants answer the question: Do you think artists and technologists create things the same way?"
process  philosophy  newmedia  arts  collaboration  art  creation  technology  technologists  2011  artists  from delicious
may 2011 by robertogreco
Time's Inverted Index (Ftrain.com)
"I was biasing the results by using full-text search to explore my email…The pattern-seeking engine in my brain would fire on all cylinders & make a story of the searches, creating an unintentional email-chrestomathy, a greatest-hits collection of ideas I’d had around a single word or phrase…I thought I was doing history in a mirror, but because the emails were pure matches for key terms, devoid of all but a little context, I fell for the historical fallacy, which is when, as John Dewey described it, somewhat impenetrably: <br />
<br />
"A set of considerations which hold good only because of a completed process, is read into the content of the process which conditions this completed result. A state of things characterizing an outcome is regarded as a true description of the events which led up to this outcome; when, as a matter of fact, if this outcome had already been in existence, there would have been no necessity for the process." <br />
<br />
That is, I had lost sight of time…"
culture  internet  history  identity  data  email  search  change  paulford  johndewey  time  perspective  process  bias  olderself  youngerself  2011  fallacies  fallacy  future  past  present  hope  hopefulness  familiarity  forcedfamiliarity  memory  from delicious
may 2011 by robertogreco
YouTube - Taiaiake Alfred -- From Noble Savage to Righteous Warrior
"It might surprise you that introverts travel differently than extroverts, particularly because most travel magazines, guidebooks, and TV shows are produced by and for extroverts.<br />
<br />
"I don't seek people out, I am terrible at striking up conversations with strangers and I am happy exploring a strange city alone. I don't seek out political discourse with opinionated cab drivers or boozy bonding with locals over beers into the wee hours. By the time the hours get wee, I'm usually in bed in my hotel room, appreciating local color TV. (So sue me, but I contend that television is a valid reflection of a society.)"<br />
<br />
I almost broke my neck extensively nodding in agreement while reading this article. The author also has some tips for the introverted traveler. And if you haven't read it, Jonathan Rauch's Caring for Your Introvert remains one of my favorite things that I've ever featured on kottke.org."
taiaiakealfred  culture  media  anthropology  indigenous  via:steelemaley  activism  knowledge  knowledgeexchange  knowledgeecologies  governance  politics  education  criticaleducation  firstnations  indigeneity  culturalanthropology  academia  nativeamericans  change  process  2010  colonization  decolonization  teaching  learning  colonialmind  power  extrainstitutional  deschooling  unschooling  economics  leisurearts  psychology  identity  authenticity  nobelsavage  history  righteouswarrior  from delicious
may 2011 by robertogreco
Put This On • Sometimes people ask me about how I created my...
"Sometimes people ask me about how I created my little media empire. This is how.<br />
Ira spent 20 years working at NPR before he started This American Life. Twenty years making mistakes, learning from them, thinking about what he’d do with his own show. When he started This Life, NPR turned him down. After 20 years. Told him to do it on his own. So he went out and won some fucking Peabodys.<br />
The day Ira told me he enjoyed a particular episode of my stupid comedy podcast that I didn’t even know he’d every heard of much less listened to was one of the proudest days of my life. For serious.<br />
And speaking of serious: SERIOUSLY, MAKE YOUR THING."
creativity  work  inspiration  tips  howto  iraglass  jessethorn  putthison  persistence  mistakes  learning  perseverance  hardwork  glvo  lcproject  volume  process  2011  making  doing  justdo  do  taste  potential  practice  deadlines  discipline  self-discipline  from delicious
april 2011 by robertogreco
patfarenga.com — Don’t Let the Shadow of the Future Cloud Children’s Lives
"This obsession w/ The Future is, by definition, irresponsible. To be responsible is “to be able to respond” to someone or something. Since the future has yet to happen, one cannot possibly respond to it…consequences of the obsession, both for individuals & for communities, are almost entirely negative.<br />
…our future-obsessed educators misunderstand true purpose of education. Education is process by which people become responsibly mature members of their communities. If young people develop character, become familiar with their cultural inheritance and the wisdom of the past, and acquire the habits of mind that will help them think critically, they will find their way to productive adulthood. <br />
<br />
By placing the use of the energy & talents of our youth in abeyance, by separating children from their parents & thereby undermining communities, & by irresponsibly presuming to know the future, educators participate in folly, the proportions of which resemble a modern form of idolatry…"
future  ivanillich  education  deschooling  unschooling  tcsnmy  cv  presence  community  communities  human  humans  learning  people  relationships  parenting  society  process  maturation  maturity  character  habitsofmind  adulthood  responsibility  irresponsibility  2011  slow  life  living  glvo  adolescence  lcproject  teaching  pedagogy  modeling  neighbors  meaning  servicelearning  service  wendellberry  bernardknox  wisdom  from delicious
april 2011 by robertogreco
Critical pedagogy - Wikipedia
"Critical pedagogy is a philosophy of education described by Henry Giroux as an "educational movement, guided by passion and principle, to help students develop consciousness of freedom, recognize authoritarian tendencies, and connect knowledge to power and the ability to take constructive action."[1]<br />
<br />
Based in Marxist theory, critical pedagogy draws on radical democracy, anarchism, feminism, and other movements that strive for what they describe as social justice. Critical pedagogue Ira Shor defines critical pedagogy as:<br />
<br />
"Habits of thought, reading, writing, and speaking which go beneath surface meaning, first impressions, dominant myths, official pronouncements, traditional clichés, received wisdom, and mere opinions, to understand the deep meaning, root causes, social context, ideology, and personal consequences of any action, event, object, process, organization, experience, text, subject matter, policy, mass media, or discourse." (Empowering Education, 129)"
criticalpedagogy  education  pedagogy  criticaleducation  democracy  philosophy  henrygiroux  authoritarianism  authority  freedom  knowledge  teaching  learning  schools  power  control  lcproject  unschooling  deschooling  activism  marxism  anarchism  anarchy  feminism  socialjustice  justice  iraschor  habitsofmind  habitsofthought  reading  writing  literacy  depth  tcsnmy  wisdom  personalconsequences  socialcontext  empowerment  process  experience  depthoverbreadth  politics  paulofreire  michaelapple  howardzinn  jonathankozol  johnholt  johntaylorgatto  matthern  foucault  from delicious
april 2011 by robertogreco
playDUcation
"We want to find glimpses of how we will learn in the future by discovering places of playful learning. We will speak with playDUcation visionaries & practioners. We want to see what works best to engage children from different backgrounds & w/ different needs into the learning & knowledge that will make a difference in their lives. Our aim is to create an understanding about what the benefits are: for children, parents, teachers & educators, trainers & anyone who has an interest in better learning.<br />
Our first step: go out in the world, research, talk to innovative people who are already acting by principles of playDUcation, even if they do not necessarily use this notion. This blog is to present those examples to anyone who is interested.<br />
…next step will be to put together a creative team of educational experts to go into the depth of the gathered examples, & generate a methodological approach for learning that will allow, at a next stage, to create new educational products to…"
sebastianhirsch  béabeste  playducation  play  learning  education  schools  lcproject  germany  process  howwelearn  from delicious
april 2011 by robertogreco
Zettelkasten – Wikipedia [See also: http://www.delicious.com/cervus/zettelkasten AND http://www.flickr.com/people/zettel/ AND http://zettelkasten.tumblr.com/]
"Der Zettelkasten ist ein Hilfsmittel bei der Erstellung einer literarischen oder wissenschaftlichen Arbeit. Wichtig erscheinende Sachverhalte, die man z. B. in einem Buch gefunden hat, werden mit Quellenangabe…"<br />
<br />
Google translation: "The card catalog is a tool in creating a literary or scientific work. Appears important issues that we found in a book, for example, has to be the source is noted on slips of paper and kept in boxes and sorted."<br />
<br />
By using a list box or a breakdown Editors will read information is not lost. The card catalog serves as a reminder. Card indexes are shown in the qualitative text analysis were used. <br />
<br />
A major advantage of a card index with respect to a linear text, in the form of a notebook without references, is the networking of content by indexing and cross-reference is created. <br />
<br />
Using electronic media can be obtained by linking with hyperlinks virtual card indexes to create, for example in the form of a wiki or a blog."
words  german  cardcatalog  notetaking  cv  process  howwework  hypertext  hyperlinks  del.icio.us  pinboard  wikis  blogs  cross-referencing  productivity  science  web  management  tools  from delicious
april 2011 by robertogreco
Drill and Kill: Educating Zombies: The Talking Head(s)
"A friend and I are sharing a middle school classroom with sixteen kids creating a mini-documentary film based on nothing that matters. It doesn’t even matter how the films turn out, which will probably be what you would expect from a twelve year old armed with a Flip video and a YouTube file converter app. We have simply gotten out of the way of the learning. As the adults in charge, we have created the learning environment by providing technical support, a loose agenda, and a guiding hand when energies wane.

We talk about the “sage on the stage” or “the talking head” mentality that is rife in education. We talk about the teacher guilt that appears when one abandons direct instruction. We note the implicit judgment leveled by our colleagues that think that such an educational activity is not “real teaching”."
teaching  sageonthestage  guideontheside  pedagogy  filmmaking  process  processoverproduct  tcsnmy  learning  children  autodidacts  lectures  lecturing  tradition  cv  schools  unschooling  deschooling  unlearning  change  looseagendas  support  lcproject  from delicious
february 2011 by robertogreco
Curious Pages: LANE SMITH on It's a Book
"Unlike Grandpa (me), today's kids are whip smart and tech savvy. I know eventually everything will be digital and kids won't even know from a regular old book book and that's fine. Truthfully? The reason I made the book? Certainly not to "throw down the gauntlet" as one critic has stated. Naw, I just thought digital vs. traditional made for a funny premise. No heavy message, I'm only in it for the laffs. <br />
<br />
My first version featured a kid. I dummied up some ruffs showing a dummy of a kid who doesn't know what this thing called 'a book' is. "What's this?" he said. The narrator answers, "It's a book," etc."<br />
<br />
[See also http://www.youtube.com/watch?v=x4BK_2VULCU AND ªªhttp://www.lanesmithbooks.com/Home.html ]ºº
books  culture  reading  illustration  lanesmith  technology  bookfuturism  process  howwework  from delicious
february 2011 by robertogreco
Situated learning: legitimate peripheral participation ... - Google Books
"In this important theoretical treatise, Jean Lave, anthropologist, and Etienne Wenger, computer scientist, push forward the notion of situated learning--that learning is fundamentally a social process and not solely in the learner's head. The authors maintain that learning viewed as situated activity has as its central defining characteristic a process they call legitimate peripheral participation. Learners participate in communities of practitioners, moving toward full participation in the sociocultural practices of a community. Legitimate peripheral participation provides a way to speak about crucial relations between newcomers and oldtimers and about their activities, identities, artifacts, knowledge and practice. The communities discussed in the book are midwives, tailors, quartermasters, butchers, and recovering alcoholics, however, the process by which participants in those communities learn can be generalized to other social groups."
situatedlearning  learning  education  books  jeanlave  etiennewenger  society  social  community  tcsnmy  lcproject  apprenticeships  practice  relationships  situationist  participatory  participation  peripheralparticipation  process  via:leighblackall  from delicious
february 2011 by robertogreco
No disrespect intended toward Emily Dickinson, but . . . « Re-educate Seattle
"In this case—and I would argue that this principle is universal—academic content and skills serve as a means towards helping the student mature from childhood to adulthood, from a novice learner dependant on others to a self-directed one that is capable of greater independence.

We spend a lot of time in schools worrying about the product of learning, and not nearly enough on the process."
stevemiranda  processoverproduct  process  projectbasedlearning  projects  teaching  learning  schools  education  pscs  tcsnmy  self-directedlearning  maturity  dependence  interdependence  independence  self-sufficiency  pugetsoundcommunityschool  from delicious
february 2011 by robertogreco
xavier antin / Just in Time, or A Short History of Production
"A book printed through a printing chain made of four desktop printers using four different colors and technologies dated from 1880 to 1976. A production process that brings together small scale and large scale production, two sides of the same history.<br />
<br />
MAGENTA (Stencil duplicator, 1880)<br />
CYAN (Spirit duplicator, 1923)<br />
BLACK (Laser printer, 1969)<br />
YELLOW (Inkjet printer, 1976)"
design  printing  art  history  process  from delicious
january 2011 by robertogreco
The slow-photography movement asks what is the point of taking pictures? - By Tim Wu - Slate Magazine
"When you look carefully and avoid trying to label what you see, you inevitably start to notice things that you mightn't have otherwise." [See also: Seeing Is Forgetting the Name of the Thing One Sees: http://www.ucpress.edu/book.php?isbn=9780520256095 ]<br />
<br />
"After taking these two steps, taking the photo becomes irrelevant. You've already had the experience. At this stage, you could shoot with a filmless camera, and the process could retain its power. In the logic of slow photography, the only reason to take photos is to gain access to the third stage, playing around in post-production, whether in a darkroom or using photo-editing tools, an addictive pleasure."
photography  philosophy  ideas  seeing  perception  attention  slow  slowphotography  anseladams  process  from delicious
january 2011 by robertogreco
Mule Design Studio’s Blog: Giving Better Design Feedback
"In previous posts we’ve gone over how to buy design and how to sell design. Let’s take a look at how to give good feedback.<br />
<br />
For our purposes, it’s worth noting the difference between a critique (which happens between peers or from more senior professionals, such as art directors), and feedback (which comes from clients). In other words, feedback comes from people paying a designer to solve business problems—people who may not be suitably impressed that you implemented a 16 column grid across a golden mean. (I’ll be impressed FOR them.)"
design  feedback  business  process  webdesign  mikemonteiro  howto  from delicious
december 2010 by robertogreco
A Box? Or a Spaceship? What Makes Kids Creative - WSJ.com
"Researchers believe growth in time kids spend on computers & watching TV, plus a trend in schools toward rote learning & standardized testing, are crowding out the less structured activities that foster creativity. Mark Runco, a professor of creative studies & gifted education at the U of Georgia, says students have as much creative potential as ever, but he would give US elementary, middle & high schools "a 'D' at best" on encouraging them…<br />
<br />
Asking open-ended questions & showing interest in answers can help…<br />
<br />
It is best to avoid paying too much attention to the outcome of kids' creative efforts…"The more emphasis put on the final product…the greater is "the risk that the kid is going to do pictures for the praise, & not for the enjoyment." Instead, emphasize effort over results…<br />
<br />
Raising a creative child can be taxing. Such kids tend to have above-average "spontaneity, boldness, courage, freedom & expressiveness. So they sometimes behave like little anarchists."
creativity  teaching  schools  rote  education  problemsolving  process  processoverproduct  tcsnmy  lcproject  learning  us  curriculum  standardizedtesting  anarchism  anarchy  parenting  from delicious
december 2010 by robertogreco
Pasta&Vinegar » Tom Sachs' DIY Lunar Module
Quote from Buzz Aldrin: “Our space program is expensive, slow, and crappy… but that’s why it’s magic. In my studio, by building functional elements, by making systems really work, we create new problems that require even more work to solve. This compounded work process, with things built according to our strict code of love and haste, defines the look of what we do. So for us, going to the Moon is a physical armature for continuing to practice what we do.<br />
<br />
I could argue that our is just as real, although it’s maybe more theatrical and more representational (…) my sculptures are not just studies of “real things”; they are real things. Building a spaceship out of plywood creates some special problems that force unique solutions. It’s in those solutions that the work has value to me.“
art  design  history  technology  space  slow  buzzaldrin  nicolasnova  problemsolving  howwework  process  learning  spaceexploration  from delicious
december 2010 by robertogreco
:: NuVu studio
"Students register for a specific studio such as “Balloon Mapping”, “Music and the City”, or “Future of Global Warming” of which there will be approximately 10 students, one Coach and an Assistant Coach. The Coach begins by providing a general overview of a problem to the students, an ambiguous real-world problem with potentially millions of answers. With the Coach’s help each student frames the problem from his/her perspective and enters into an iterative development process supported by the studio team of students & advisors.<br />
<br />
Students are provided with access to outside resources – leading thinkers and experts – to whom they present their framework and receive feedback. Students document their process and progress, continually reviewing it with the Coach. They set parameters, synthesize, and continue refining, refining, refining. NuVu trains students to apply multiple perspectives to challenge and refine ideas over and over again until it becomes a natural way of learning."
education  engineering  highschool  lcproject  openstudio  mit  pedagogy  stem  design  make  innovation  technology  problemsolving  learning  boston  process  unschooling  deschooling  studioclassroom  designthinking  from delicious
november 2010 by robertogreco
elearnspace › Questions I’m no Longer Asking
"I’m firmly convinced of the following:<br />
1. Learners should be in control of their own learning. Autonomy is key. Educators can initiate, curate, and guide. But meaningful learning requires learner-driven activity<br />
2. Learners need to experience confusion and chaos in the learning process. Clarifying this chaos is the heart of learning.<br />
3. Openness of content and interaction increases the prospect of the random connections that drive innovation<br />
4. Learning requires time, depth of focus, critical thinking, and reflection. Ingesting new information requires time for digestion. Too many people digitally gorge without digestion time.<br />
5. Learning is network formation. Knowledge is distributed.<br />
6. Creation is vital. Learners have to create artifacts to share with others and to aid in re-centering exploration beyond the artifacts the educator has provided.<br />
7. Making sense of complexity requires social and technological systems. We do the former better than the latter." [Read on...]
georgesiemens  education  connectivism  learning  timewasted  wastedtime  do  doing  autonomy  unschooling  deschooling  theendlessdebate  lcproject  community  networks  student-centered  student-led  messiness  chaos  process  serendipity  criticalthinking  reflection  information  cv  complexity  technology  from delicious
november 2010 by robertogreco
Foxfire School - Core Practices
"1. The work teachers & learners do together is infused from beginning w/ learner choice, design, & revision…central focus of work grows out of learner's interests & concerns… 2. The role of teacher is…facilitator & collaborator… 3. The academic integrity of work teachers & learners do together is clear. Mandated skills & learning expectations are identified to the class. Through collaborative planning & implementation, students engage & accomplish mandates… 4. The work is characterized by active learning… 5. Peer teaching, small group work, & teamwork are consistent features of classroom activities… 6. Connections btwn classroom work, surrounding communities, & world beyond community are clear… 7. There is an audience beyond the teacher for learner work… 8. New activities spiral gracefully out of the old… 9. Imagination & creativity are encouraged in the completion of learning activities… 10. Reflection is an essential activity that takes place at key points throughout work…"
foxfire  education  schools  tcsnmy  lcproject  teaching  learning  learner-centered  student-centered  reflection  process  teacherasmasterlearner  teacherascollaborator  unschooling  deschooling  eliotwigginton  from delicious
october 2010 by robertogreco
jeweled platypus · pixels · Drawings and ceramics
"I loved my ceramics class, which was just hand-building, no wheel-throwing. It’s good exercise for people who read The Design of Everyday Things back in high school — turns out it’s not that easy to make a bowl that works even as well as the mass-produced one you can get for a dollar down the street, much less one that works better.<br />
<br />
You learn to make preliminary sketches and small models, because if you don’t have a strong concept before you spend hours making a mug, you get an ugly cup with an awkward handle. This happens when designing web pages and writing blog posts too, but a pile of smushed clay on your table makes a point. The same goes for close attention at every step: a rough edge, weak join, bad choice of glaze, or a dozen other lazy mistakes can ruin how the thing works and feels. So you have to make lots of pieces before you come up with anything decent, but most of the efforts along the way are nice to keep around too."
ceramics  planning  making  thedesignofeverydaythings  brittagustafson  webdev  writing  design  attention  process  clay  from delicious
october 2010 by robertogreco
Craft In America | PBS [See also: http://video.kcet.org/program/1235387271/]
"We have a deep sense of longing for the handmade. Perhaps because each of us, in our own way, has had a craft experience. Sometimes it’s an object passed down to us, or one that crosses our path, and connects us to others in traditions, heritage, and rituals.<br />
<br />
Craft gives pleasure as well as function. It is inspirational as well as useful. It is the best representation of who we are as a culture. Craft is democratic. It is broad enough to accommodate anyone who makes something or appreciates the handmade. Craft is all around us. You’ll find it wherever you look – hiding in plain sight.<br />
<br />
Craft in America offers you a place to explore these connections and to inspire your own creativity – through the PBS documentary series and this website. Join us on this voyage of discovery. View the programs online or purchase DVDs of the Peabody Award-winning series for your home library."
art  arts  craft  pbs  diy  culture  glvo  ceramics  blacksmithing  process  from delicious
september 2010 by robertogreco
Ethan Bodnar - Tonight, while working on a design project for...
"Tonight, while working on a design project for school I had crumpled up some sketches that weren’t great ideas and tossed them into the trash. I then had the idea of using a crumpled up sheet of paper as the actual logo and quickly realized that it was too detailed for that.<br />
<br />
I decided to scan it — this is the first result — after a bit of help from Photoshop.<br />
<br />
To me, the image is visually beautiful. And conceptually for me it represents the idea of play, exploration, experimentation, and of process, especially since that is how the image came to be in the first place."
ethanbodnar  process  beauty  play  exploration  iteration  experimentation  from delicious
september 2010 by robertogreco
Visiting dConstruct 2010 | Coldbrain.
"That kinda sums up the past few years of my life. I’ve been collecting all these new interests and passions and obsessions and trying to get myself beyond ‘advanced beginner’ in all of them. It’s taking time, because being a generalist means soaking up so much information from so many areas. It’s exhausting, and I wish I had this mindset 5 or 10 years ago, so I could be that much further down the line. I have to remind myself that it is as much about the journey, though."
matthewculnane  dconstruct  2010  generalists  brendandawes  tomcoates  merlinmann  davidmccandless  samanthawarren  johngruber  daringfireball  hannahdonovan  jamesbridle  nerds  learning  process  journey  journeynotdestination  constellationalthinking  timcarmody  from delicious
september 2010 by robertogreco
Near Future Laboratory » Blog Archive » Weekending 09122010
"[T]he thing you learn from good work in a good studio is how to do good work. It’s less about what gets tooled and manufactured; less about what gets built and all that. It’s learning how to do what you do better than before."
julianbleecker  design  learning  studio  glvo  tcsnmy  lcproject  practice  process  iteration  improvement  from delicious
september 2010 by robertogreco
Text Patterns: one reader's report [The quote here is from the first comment.]
"I wonder if I do this to high school students sometimes--make them stop and talk about what they are reading so constantly that I create that interrupted, hook-less reading experience. Perhaps if I just let them read the silly book we could then talk about it afterward; perhaps then they'd actually reach the end and have enjoyed the process."
teaching  reading  novels  interruption  flow  pleasure  enjoyment  process  tcsnmy  from delicious
september 2010 by robertogreco
On Wikipedia, Cultural Patrimony, and Historiography | booktwo.org
"This is historiography. This is what culture actually looks like: a process of argument, of dissenting and accreting opinion, of gradual and not always correct codification.<br />
<br />
And for the first time in history, we’re building a system that, perhaps only for a brief time but certainly for the moment, is capable of recording every single one of those infinitely valuable pieces of information. Everything should have a history button. We need to talk about historiography, to surface this process, to challenge absolutist narratives of the past, and thus, those of the present and our future." [Audio of the dConstruct10 talk is supposed to be here: http://2010.dconstruct.org/podcast or here http://huffduffer.com/dConstruct/25256]
via:preoccupations  historiography  iraq  history  jamesbridle  wikipedia  culture  books  process  argument  dissent  2010  from delicious
september 2010 by robertogreco
The k12 Lab Wiki: Process
"At the k12 lab, we are continually experimenting around ways to help kids develop as creative and empathetic people. In other words, we value processes that help develop flexible and generative mindsets. Design thinking is one such process. <br />
<br />
Like scientific methods, design thinking often presented in a linear model, but in applied practice, it is often much more organic. Kids will enjoy exploring how design thinking is similar to and different from other modes of thinking."
process  designthinking  teaching  empathy  creativity  tcsnmy  howto  methods  classideas  design  d.school  k12lab  from delicious
september 2010 by robertogreco
Asking Good Questions - Learning Historical Research
"You are interested in doing some research in environmental history, but how do you begin? It can be difficult to select a research topic. You may feel unsure of where to begin, or you may be frustrated by the process. Even though you have a specific topic ready, you could still feel lost when searching for data to support your argument. These feelings are quite normal at the beginning phase of doing research. Developing good research questions is an essential first step of every research project, because good research questions focus your work and provide direction for your next steps. The purpose of this page is to help you learn how to create research questions from general topics, and to give you useful tips for refining your questions during the research process." [Don;t miss the chart "The Iterative Flow of Questions, Documents, and Research Process"] [via: http://libraryland.tumblr.com/post/1048161893/the-iterative-flow-of-questions-documents-and]
methods  research  tcsnmy  classideas  cv  mindflow  inquiry  history  process  learning  from delicious
september 2010 by robertogreco
LIBESKIND’S MACHINES « LEBBEUS WOODS [via http://twitter.com/javierest/status/22408866350 AND http://greg.org/archive/2010/08/28/do_daniel_libeskinds_awesome_machines_mean_i_have_to_stop_hating_his_work.html
"Their use of analogy to inform the field of architecture is a potent tool for exploring much-needed new ideas of space and its human purposes than are afforded by the ordinary design process based on history and accepted building typologies. In the past, architects such as Mies found architectural inspiration in works of art (see the post Art to Architecture), while Le Corbusier produced his own paintings and sculptures to work out complex aesthetic problems in his architecture. Libeskind’s machines are in this tradition, though the problems are different. More architects today could benefit from such an analogous method, if they set for themselves problems not already solved. This method, like the machines themselves, opens architecture to a wide range of knowledge coming from different fields of thought and work, which is sorely needed in a time such as the present, characterized by increasing diversity in the human situation."
architecture  design  machines  robots  sculpture  daniellibeskind  lebbeuswoods  interdisciplinary  diversity  human  multidisciplinary  crossdisciplinary  knowledge  problemsolving  2009  reading  writing  memory  drawings  history  1979  architecture-as-text  text  post-structuralism  process  fabrication  from delicious
august 2010 by robertogreco
Doors of Perception weblog: 'Reversing the reversal' with john chris jones
"Like…Ivan Illich, John Chris Jones was decades ahead of his time…wrote about cities w/out traffic signals in 1950s…was an advocate of what today is called call ‘design thinking’…advocated user-centered design well before term was widely used…began by designing aeroplanes – but soon felt compelled to make industrial products more human…fuelled his search for design processes that would shape, rather than serve, industrial systems. As a kind of industrial gamekeeper turned poacher, Jones went on to warn about potential dangers of digital revolution unleashed by Claude Shannon…realized attempts to systematize design led, in practice, to separation of reason from intuition & embodied experience w/ design process…‘I’ve been drawn to study ancient myths and traditional theatres for decades’ he writes; ‘unless we can rid modern culture of its realisms there is no getting out of the grim realities of commercial engineering and the way of life built on it’…"
johnchrisjones  ivanillich  internet  cities  design  designthinking  designmethods  traffic  trafficsignals  urban  urbanism  user-centered  industrialdesign  claudeshannon  renaissance  greeks  ancientgreeks  process  purpose  intuition  nature  human  economics  change  industrial  anarchism  chaos  toread  from delicious
august 2010 by robertogreco
Rosecrans Baldwin, Novelist - Writers on Process
“A ton of writers I know, and I include myself in that category, if you see them at a party texting someone, they are actually not texting. They are saving a piece of overheard conversation that they want to keep. Or they are noting down an idea.”
rosecransbaldwin  writing  notetaking  via:robinsloan  ideas  howwework  classideas  srg  process  memory  texting  from delicious
august 2010 by robertogreco
Scaling startups
"People who don’t take risks generally make about two big mistakes a year. People who do take risks generally make about two big mistakes a year."<br />
<br />
"Process is an embedded reaction to prior stupidity."<br />
<br />
"If you follow process religiously, you’ll never get anything done!"<br />
<br />
"Hire well: This goes without saying, and I didn’t mention it in the panel. It’s a big topic probably best left for another post. Hiring great people makes everything else below easier.<br />
<br />
Communication: Everyone in the company uses IRC, not just engineers. Everyone, all the time, from the CEO on down. Sure, sometimes you can miss things if you’re not in IRC at the time, but the benefits far outweigh the costs, and you have a lot fewer meetings about day-to-day mundane issues. … <br />
<br />
Encourage experimentation … External transparency … Embracing failure …"
business  culture  startups  startup  entrepreneurship  scalability  risk  failure  strategy  chaddickerson  transparency  experimentation  tcsnmy  communication  process  purpose  riskassessment  riskaversion  risks  risktaking  hiring  via:stamen  from delicious
august 2010 by robertogreco
Rethinking Rubrics in Writing Assessment by Maja Wilson - Heinemann Publishing
"The conventional wisdom in English education is that rubrics are the best & easiest tools for assessment. But sometimes it's better to be unconventional. Maja Wilson offers a new perspective on rubrics & argues for a better, more responsive way to think about assessing writers' progress.<br />
<br />
Though you may sense a disconnect between student-centered teaching & rubric-based assessment, you may still use rubrics for convenience or for want of better alternatives. RRiWA gives you the impetus to make a change, demonstrating how rubrics can hurt kids & replace professional decision making with an inauthentic pigeonholing that stamps standardization onto a notably nonstandard process. With an emphasis on thoughtful planning & teaching, Wilson shows you how to reconsider writing assessment so that it aligns more closely with high-quality instruction & avoids the potentially damaging effects of rubrics."
majawilson  rubrics  assessment  writing  teaching  education  tcsnmy  evaluation  alfiekohn  standardization  process  books  pedagogy  from delicious
august 2010 by robertogreco
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