robertogreco + process 250
Leonard Cohen, "How to Speak Poetry" - Acephalous
11 days ago by robertogreco
"The poem is nothing but information. It is the Constitution of the inner country. If you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. You are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. Think of the words as science, not as art. They are a report. You are speaking before a meeting of the Explorers' Club of the National Geographic Society. These people know all the risks of mountain climbing. They honour you by taking this for granted. If you rub their faces in it that is an insult to their hospitality. Tell them about the height of the mountain, the equipment you used, be specific about the surfaces and the time it took to scale it…
Avoid the flourish. Do not be afraid to be weak. Do not be ashamed to be tired. You look good when you're tired. You look like you could go on forever. Now come into my arms. You are the image of my beauty."
simplicity
modesty
expression
via:charlieloyd
language
information
science
accuracy
precision
truth
art
writing
process
leonardcohen
poetry
from delicious
Avoid the flourish. Do not be afraid to be weak. Do not be ashamed to be tired. You look good when you're tired. You look like you could go on forever. Now come into my arms. You are the image of my beauty."
11 days ago by robertogreco
The Outsourced Life - NYTimes.com
20 days ago by robertogreco
"As we outsource more of our private lives, we find it increasingly possible to outsource emotional attachment…
Focusing attention on the destination, we detach ourselves from the small — potentially meaningful — aspects of experience. Confining our sense of achievement to results, to the moment of purchase, so to speak, we unwittingly lose the pleasure of accomplishment, the joy of connecting to others and possibly, in the process, our faith in ourselves.
There is much public conversation about the balance of power between the branches of government, but we badly need to confront the larger and looming imbalance between the market and everything else.
A society in which comfort, care, companionship, “perfect” birthday parties and so much else is available to those who can pay for it?"
[via: http://randallszott.org/2012/05/06/why-relying-on-professional-artists-is-a-bad-idea-outsourcing-creativity/ ]
life
attachment
conversation
process
mindfulness
meaningmaking
meaning
leisurearts
diy
money
class
outsourcing
psychology
sociology
markets
arlierussellhochschild
2012
relationships
patience
impatience
desire
capitalism
time
slow
lifestyle
emotion
from delicious
Focusing attention on the destination, we detach ourselves from the small — potentially meaningful — aspects of experience. Confining our sense of achievement to results, to the moment of purchase, so to speak, we unwittingly lose the pleasure of accomplishment, the joy of connecting to others and possibly, in the process, our faith in ourselves.
There is much public conversation about the balance of power between the branches of government, but we badly need to confront the larger and looming imbalance between the market and everything else.
A society in which comfort, care, companionship, “perfect” birthday parties and so much else is available to those who can pay for it?"
[via: http://randallszott.org/2012/05/06/why-relying-on-professional-artists-is-a-bad-idea-outsourcing-creativity/ ]
20 days ago by robertogreco
Back to the Futurist: Anab Jain | URBNFUTR
4 weeks ago by robertogreco
"In our studio, we try to balance thinking about the future with making in the here-and-now, exploring the possibilities of new technologies while tinkering with laser cutters, 3D printers, and similar – getting stuck into the process of making prototypes for a wide range of projects."
"We are no longer going to be able to separate ourselves from these technologies, tools and phenomena, remaining detached – aloof – from the manufacturing and distribution processes. Where will we, as designers, makers, and futurists be best placed to situate ourselves?"
"While it may be more common for men to refer to themselves as ‘futurists’, there are many influential women whose work focuses explicitly on the future – Wendy Schultz, Heather Schlegel, and Danah Boyd, among many others. Then there are those who are exploring the edges of the future field, without necessarily calling themselves ‘futurists’, women like Fiona Raby, Natalie Jeremijenko, Paola Antonelli, and Vandana Shiva."
beamerbees
acresgreen
mutation
mutations
messyspace
drones
robotreadableworld
machinevision
biology
smart-objects
smartdevices
machineintelligence
risk
emergingtechnologies
criticaldesign
deviantglobalization
narrative
storytelling
3dprinting
futurescaping
suturism
futurists
heatherschlegel
wendyschultz
danahboyd
vandanashiva
paolaantonelli
nataliejeremijenko
fionaraby
superflux
scifi
sciencefiction
howwework
process
interviews
2012
prototyping
designfiction
futurism
design
anabjain
from delicious
"We are no longer going to be able to separate ourselves from these technologies, tools and phenomena, remaining detached – aloof – from the manufacturing and distribution processes. Where will we, as designers, makers, and futurists be best placed to situate ourselves?"
"While it may be more common for men to refer to themselves as ‘futurists’, there are many influential women whose work focuses explicitly on the future – Wendy Schultz, Heather Schlegel, and Danah Boyd, among many others. Then there are those who are exploring the edges of the future field, without necessarily calling themselves ‘futurists’, women like Fiona Raby, Natalie Jeremijenko, Paola Antonelli, and Vandana Shiva."
4 weeks ago by robertogreco
Atlas of Transformation
7 weeks ago by robertogreco
"Atlas of Transformation is a book with almost 900 pages. It is a sort of global guidebook of transformation processes. With structured entries, its goal is to create a tool for the intellectual grasping of the processes of social and political change in countries that call themselves "countries of transformation" or are described by this term. The Atlas of Transformation was first published in Czech and it contains more than 200 "entries" and key terms of transformation. Several dozen authors (more than 100) from the whole world contributed to this book and also some influential period texts were republished here."
toread
exhibition
guidebooks
socialtransformation
socialchange
politicalchange
czech
process
transformation
gamechanging
change
mapping
maps
atlas
books
from delicious
7 weeks ago by robertogreco
ICON MAGAZINE ONLINE | Design Fiction | the most comprehensive archives of architecture and design content on the web
7 weeks ago by robertogreco
"process in which they’re working is a bit like a scientific process where you have a hypothesis & you try to experiment not knowing what the outcome is going to be."
"…how can I say anything which someone will be able to see in 20 years in the form in which it was created…serious…new contemporary problem, how do we make something work in a situation where the means of production are in a maelstrom or things are politically or financially falling apart? I don’t expect bookstores…libraries…Google, Facebook, Yahoo or Twitter…Microsoft to survive 20 years, I don’t expect NATO to survive. I don’t know about the EU. This is not like a gospel of despair or anything I just really think we could do something magnificent by just rising to the scale of the actual problem."
"Experience design is the first school of design that can actually encompass literature as a wing of itself."
"[I]t would be a shame if everything was virtual or written in a way that precludes the tangibility of things."
sciencefiction
speculative
research
future
culture
speculativedesign
ephemerality
uncertainty
process
imagination
creativity
literature
tangibility
permanence
futurism
dunne&raby;
fionaraby
anthonydunne
interviews
2012
experiencedesign
designfiction
design
brucesterling
from delicious
"…how can I say anything which someone will be able to see in 20 years in the form in which it was created…serious…new contemporary problem, how do we make something work in a situation where the means of production are in a maelstrom or things are politically or financially falling apart? I don’t expect bookstores…libraries…Google, Facebook, Yahoo or Twitter…Microsoft to survive 20 years, I don’t expect NATO to survive. I don’t know about the EU. This is not like a gospel of despair or anything I just really think we could do something magnificent by just rising to the scale of the actual problem."
"Experience design is the first school of design that can actually encompass literature as a wing of itself."
"[I]t would be a shame if everything was virtual or written in a way that precludes the tangibility of things."
7 weeks ago by robertogreco
read/write | booktwo.org
9 weeks ago by robertogreco
"…all the way through the talk I was trying to say: this bit is about writing, and this bit is about reading.
And it didn’t make sense, at least to me, it didn’t make sense, because reading and writing, for me, are not separate activities. It’s all way-finding, orienteering through literature, and sometimes someone else has beaten down the path and sometimes you have to make it for yourself…
I started trying to write a book last year, for various reasons, and I kept getting derailed by the sheer pointlessness of the format for what I was trying to do. The only point I could identify in writing it as-a-book was to make a saleable thing, which is fine but the whole point of this not-book was/is to talk about what is not that.
Network Realism is about yoinking as much of the network as you need into the text. Something something the whole network i.e. reading and writing, flow, process."
process
flow
networkrealism
books
writingasthinking
understanding
thinking
wayfinding
writing
reading
2012
jamesbridle
from delicious
And it didn’t make sense, at least to me, it didn’t make sense, because reading and writing, for me, are not separate activities. It’s all way-finding, orienteering through literature, and sometimes someone else has beaten down the path and sometimes you have to make it for yourself…
I started trying to write a book last year, for various reasons, and I kept getting derailed by the sheer pointlessness of the format for what I was trying to do. The only point I could identify in writing it as-a-book was to make a saleable thing, which is fine but the whole point of this not-book was/is to talk about what is not that.
Network Realism is about yoinking as much of the network as you need into the text. Something something the whole network i.e. reading and writing, flow, process."
9 weeks ago by robertogreco
Synectics - Wikipedia
9 weeks ago by robertogreco
"Synectics is a way to approach creativity and problem-solving in a rational way. "Traditionally, the creative process has been considered after the fact... The Synectics study has attempted to research creative process in vivo, while it is going on."
According to Gordon, Synectics research has three main assumptions:
* The creative process can be described and taught;
* Invention processes in arts and sciences are analogous and are driven by the same "psychic" processes;
* Individual and group creativity are analogous.
With these assumptions in mind, Synectics believes that people can be better at being creative if they understand how creativity works."
[See alos: http://books.google.com/books/about/Synectics_the_development_of_creative_ca.html and "Making It Strange".
metaphor
williamgordon
psychology
process
problemsolving
creativity
synectics
from delicious
According to Gordon, Synectics research has three main assumptions:
* The creative process can be described and taught;
* Invention processes in arts and sciences are analogous and are driven by the same "psychic" processes;
* Individual and group creativity are analogous.
With these assumptions in mind, Synectics believes that people can be better at being creative if they understand how creativity works."
[See alos: http://books.google.com/books/about/Synectics_the_development_of_creative_ca.html and "Making It Strange".
9 weeks ago by robertogreco
Dance the flip-flop
10 weeks ago by robertogreco
"the flip-flop (n.) the process of pushing a work of art or craft from the physical world to the digital world and back again—maybe more than once … When you do the flip-flop, you achieve effects that aren’t possible when you dwell in only one world, physical or digital. You also achieve effects that are less predictable. Weird things happen on the walls between worlds."
digital
physical
media
design
art
manufacturing
2012
robinsloan
flip-flop
process
transmedia
10 weeks ago by robertogreco
Deploy / from a working library
february 2012 by robertogreco
What if you could revise a work after publishing it, and release it again, making clear the relationship between the first version and the new one. What if you could publish iteratively, bit by bit, at each step gathering feedback from your readers and refining the text. Would our writing be better?
Iteration in public is a principle of nearly all good product design; you release a version, then see how people use it, then revise and release again.…
Writing has (so far) not generally benefited from this kind of process; but now that the text has been fully liberated from the tyranny of the printing press, we are presented with an opportunity: to deploy texts, instead of merely publishing them…
where fixity enabled us to become better readers, can iteration make us better writers? If a text is never finished, does it demand our contribution?…
Perhaps it is time for the margins to swell to the same size as the text."
publishing
marginalia
readingexperience
reading
unfinished
editing
fixity
elizabetheinstein
change
permanence
impermanence
stability
metadata
revision
print
productdesign
design
deployment
contentstrategy
content
digitalpublishing
digitial
process
writing
2012
unbook
iteration
mandybrown
aworkinglibrary
from delicious
Iteration in public is a principle of nearly all good product design; you release a version, then see how people use it, then revise and release again.…
Writing has (so far) not generally benefited from this kind of process; but now that the text has been fully liberated from the tyranny of the printing press, we are presented with an opportunity: to deploy texts, instead of merely publishing them…
where fixity enabled us to become better readers, can iteration make us better writers? If a text is never finished, does it demand our contribution?…
Perhaps it is time for the margins to swell to the same size as the text."
february 2012 by robertogreco
Alex Payne — On Business Madness
february 2012 by robertogreco
"We mistake dumb luck for a machine that produces success. We rely on induction when we should rely on deduction, and then, having realized our mistake, we lean on “data-driven decisions” in lieu of common sense. We chase patterns that aren’t there and miss eager markets right in front of us. All this while projecting the confidence, real or manufactured, that’s necessary to play the game.
This madness takes many forms…"
"How can we be like the successful ones and not like we are: tired, confused, scared, not-rich? Just tell us the secret. There is a secret, right? There must be. They make it look so easy.
I am not a business person. I don’t know what makes a good business. It seems like it helps to have a good idea, great people, the willingness to work hard, and an absolute shit-ton of luck. Being certain about much beyond that seems, well, a bit crazy to me."
nobodyknowswhatthey'redoing
patterns
patternrecognition
deducation
induction
2012
successworship
entrepreneurship
processcults
taylorism
processcult
process
failure
madness
startup
advice
luck
startups
success
business
alexpayne
This madness takes many forms…"
"How can we be like the successful ones and not like we are: tired, confused, scared, not-rich? Just tell us the secret. There is a secret, right? There must be. They make it look so easy.
I am not a business person. I don’t know what makes a good business. It seems like it helps to have a good idea, great people, the willingness to work hard, and an absolute shit-ton of luck. Being certain about much beyond that seems, well, a bit crazy to me."
february 2012 by robertogreco
Mass Incarceration and Criminal Justice in America : The New Yorker
february 2012 by robertogreco
In a society where Constitution worship is still a requisite…Stuntz startlingly suggests…Bill of Rights is a terrible document w/ which to start justice system—much inferior to…French Declaration of the Rights of Man, which Jefferson…may have helped shape while…Madison was writing ours.
…trouble w/…Bill of Rights…is that it emphasizes process & procedure rather than principles…Declaration of Rights of Man says, Be just!…Bill of Rights says, Be fair! Instead of announcing general principles—no one should be accused of something that wasn’t a crime when he did it; cruel punishments are always wrong; the goal of justice is, above all, that justice be done—it talks procedurally. You can’t search someone without a reason…can’t accuse him w/out allowing him to see evidence…& so on… has led to the current mess, where accused criminals get laboriously articulated protection against procedural errors & no protection at all against outrageous & obvious violations of simple justice."
constitution
justice
process
procedure
policy
2012
criminaljusticesystem
us
jails
race
reform
legal
prisons
law
politics
crime
prison
williamjstuntz
adamgopnik
…trouble w/…Bill of Rights…is that it emphasizes process & procedure rather than principles…Declaration of Rights of Man says, Be just!…Bill of Rights says, Be fair! Instead of announcing general principles—no one should be accused of something that wasn’t a crime when he did it; cruel punishments are always wrong; the goal of justice is, above all, that justice be done—it talks procedurally. You can’t search someone without a reason…can’t accuse him w/out allowing him to see evidence…& so on… has led to the current mess, where accused criminals get laboriously articulated protection against procedural errors & no protection at all against outrageous & obvious violations of simple justice."
february 2012 by robertogreco
Caterina.net » Justice, and the Problem with the Bill of Rights
february 2012 by robertogreco
"I am reading about the work of the late William J. Stuntz, a law professor at Harvard, who wrote about the criminal justice system, in The Caging of America (recommended!) and Stuntz looks for the reasons why we arrived at this impasse, finding it, ultimately, in the Constitution, particularly in the Bill of Rights. And I was hard struck by how right he was in what was wrong. The problem, as he sees it, is that the Bill of Rights is about process and procedure, rather than principles. Compare, he says, the French Declaration of the Rights of Man and the Citizen with our Bill of Rights — Bills 4-8 establish our judicial system, and are how we end up with more black men in prison than were slaves in 1850, and more than six million people under “correctional supervision”. Gopnik writes:
[citation]
I’d always been uneasy with Constitution-worship, particularly uneasy about the Bill of Rights, and certainly the justice system, but didn’t have the least idea why. This is why."
values
thingsthatarebroken
thingsthatsuck
whatswrongwithamerica
correctionalsupervision
criminaljusticesystem
2012
principles
procedure
process
justice
rights
frenchdeclarationofrightsofmanandthecitizen
adamgopnik
billofrights
france
us
constitution
williamjstuntz
[citation]
I’d always been uneasy with Constitution-worship, particularly uneasy about the Bill of Rights, and certainly the justice system, but didn’t have the least idea why. This is why."
february 2012 by robertogreco
Field Report: Project Argo | Contents Magazine
january 2012 by robertogreco
"Project Argo’s Thompson is among those explaining why more open sharing of processes, code, and theory is good for everyone, for reasons both selfish and altruistic…
The gift of Project Argo’s resources and practices marks an opportunity to move more industries toward openness, but this sort of public learning and teaching doesn’t schedule or pay for itself. Genuinely helpful public resources appear when we recognize their value and set aside resources to make them happen. Whether we’re coding, editing, or running projects, that’s something each of us can work toward in the year to come."
florilegium
npr
cv
howweshouldwork
howwework
publicresources
altruism
collectivegood
2012
workinginpublic
publicteaching
publiclearning
processes
process
theory
code
opensource
sharing
journalism
mattthompson
projectargo
argo
contentsmagazine
erinkissane
The gift of Project Argo’s resources and practices marks an opportunity to move more industries toward openness, but this sort of public learning and teaching doesn’t schedule or pay for itself. Genuinely helpful public resources appear when we recognize their value and set aside resources to make them happen. Whether we’re coding, editing, or running projects, that’s something each of us can work toward in the year to come."
january 2012 by robertogreco
The Aporeticus - by Mills Baker · Design & Compromise [So much more within, read the whole thing and the comments too.]
january 2012 by robertogreco
"…why does compromise have its “undeservedly high reputation”?…b/c we are discomfited by philosophical implications of fact that some ideas are objectively better. We exempt science from our contemporary anxieties because its benefits are too explicit to deny, but in most creative fields we are no longer capable of accepting the superiority of some solutions to others; unable to sustain confidence in soundness of artistic problem-solving process, we will not provoke interpersonal/organizational conflict for sake of mere ideas.
This sad, mistaken epistemological cowardice turns competing hypotheses into groundless, subjective opinions, & reasonable course of action when managing conflicting, groundless opinions…is to compromise, because there is no better answer.
But the creative arts are not so subjective as we tend to think, which is why a talented, dictatorial auteur will produce better work than polls, fcus groups, or hundreds of compromising committees."
creativecontrol
dictatorship
dictators
dictatorialcreativity
violence
stevejobs
wateringdown
choice
debate
persuasion
2011
waste
stagnation
innovation
creativity
madetofail
setupforfailure
problemsolving
hypotheses
brokenbydesignprocess
democracy
control
procedure
process
inferiority
superiority
average
averages
means
politics
policy
howwework
meetings
committees
mediocrity
epistemology
philosophy
authoritarianism
cowardice
ideas
science
art
design
millsbaker
compromise
This sad, mistaken epistemological cowardice turns competing hypotheses into groundless, subjective opinions, & reasonable course of action when managing conflicting, groundless opinions…is to compromise, because there is no better answer.
But the creative arts are not so subjective as we tend to think, which is why a talented, dictatorial auteur will produce better work than polls, fcus groups, or hundreds of compromising committees."
january 2012 by robertogreco
The Studio-X NY Guide to Liberating New Forms of Conversation - Reading Room - Domus
january 2012 by robertogreco
"Studio-X is a multifunction outpost of Columbia University's Graduate School of Architecture, Planning and Preservation in lower Manhattan. Alternately a studio space for several of GSAPP's research groups (including C-Lab, Netlab, Living Architecture Lab and Urban Landscape Lab), exhibition space, and events venue, Studio-X's flexible programming makes it a uniquely unpredictable site where architectural and urban thinkers interact with a curious public. Now exporting its model to other cities around the world where GSAPP has a presence, including Rio de Janeiro, Beijing, and Amman, Studio-X marks its first publication with The Studio-X NY Guide to Liberating New Forms of Conversation. José Esparza talked to the book's editor and Studio-X NY's former programming director Gavin Browning, as well as Glen Cummings and Aliza Dzik of New York design firm MTWTF, who designed the book."
process
competition
hierarchy
typologies
transformation
documentation
tabularasa
blankslate
studio-xny
craigbuckley
markwigley
danielperlin
innovation
creativity
rapidresonse
multidisciplinary
mixed-use
classroomdesign
informality
informal
workshops
studios
schooldesign
learningspaces
glvo
openstudio
columbia
nyc
studio-x
glencummings
gavinbrowning
design
adaptability
flexibility
adaptivespaces
lcproject
interdisciplinary
books
domus
architecture
january 2012 by robertogreco
Radical alternatives? Surely we can do better? « The Third University
december 2011 by robertogreco
"2. …Mimicking what we are railing against is comfortable but changes little. It simply gives us a new, safe space in which to rail and exclude.
3. The process of consensus is disabling where it is shackled to a perceived need to be productive or by self-imposed time constraints or by the fear of being bogged down in long discussions, and by the desperate, unquestioned desire to act now. However, we’ve seen the allegedly direct democratic process of consensus used in time-limited ways to marginalise or simply give voice to those more experienced in the process. In this way it is no different to standard institutionalised forms of governance. But what is worse is the subtext that it is more open and transparent, and that somehow at every point we don’t have to out power relationships. The network, for all our trite statements about newness, is neither new nor power free. It is just as hateful and disabling, or just as counter-hegemonic and different."
technology
principles
answers
commodities
gandhi
vinaygupta
alternativeeducation
radical
criticalpedagogy
permaculture
place
employability
pedagogy
anarchy
anarchism
education
deschooling
unschooling
lcproject
hypocrisy
organizations
capitalism
process
consensus
democracy
change
2011
thirduniversity
hierarchy
control
power
from delicious
3. The process of consensus is disabling where it is shackled to a perceived need to be productive or by self-imposed time constraints or by the fear of being bogged down in long discussions, and by the desperate, unquestioned desire to act now. However, we’ve seen the allegedly direct democratic process of consensus used in time-limited ways to marginalise or simply give voice to those more experienced in the process. In this way it is no different to standard institutionalised forms of governance. But what is worse is the subtext that it is more open and transparent, and that somehow at every point we don’t have to out power relationships. The network, for all our trite statements about newness, is neither new nor power free. It is just as hateful and disabling, or just as counter-hegemonic and different."
december 2011 by robertogreco
How Anime is Made
december 2011 by robertogreco
"In mid October 2010, the Culture Japan crew went along to the headquarters of Production IG to see what goes on behind the scenes of making hit anime titles such as Ghost in the Shell, East of Eden and recently Sengoku Basara. Today we get to take a look and try some of the processes that are involved in making anime.
I remember when I could hardly speak Japanese back in the UK. Ghost in the Shell was released on video and I remembering it being such an inspiring movie. Was great to be able to visit the company responsible for the movie."
animation
ghostintheshell
productionig
srg
edg
design
art
process
japan
2011
howwework
manga
anime
from delicious
I remember when I could hardly speak Japanese back in the UK. Ghost in the Shell was released on video and I remembering it being such an inspiring movie. Was great to be able to visit the company responsible for the movie."
december 2011 by robertogreco
A Conversation With Anarchist David Graeber - YouTube
december 2011 by robertogreco
"Anarchists believe in direct action…Anarchism is about acting as if you are already free…Anarchism is democracy without the government…Anarchism is direct democracy…Anarchism is a commitment to the idea that it would be possible to have a society based on principles of self-organization, voluntary association, and mutual idea."
2006
davidgraeber
authority
hierarchy
academia
globalization
politics
subversion
marxism
teaching
cv
charlierose
interviews
via:chrisberthelsen
subordination
philosophy
freedom
activism
coercion
democracy
optimism
humanism
protest
voluntaryassociation
mutualaid
self-organization
deschooling
unschooling
power
worldbank
imf
process
consensus
history
war
20thcentury
policy
economics
capitalism
concensus
december 2011 by robertogreco
PopTech : Blog : Interview: Cheryl Heller on SVA's new Design for Social Innovation MFA
december 2011 by robertogreco
"Context is critical. Paul Polak talks about this. A solution is not a solution if it doesn’t work for the people for whom it’s intended. To work within any system without causing harm to it, you must see and understand every aspect of it. There is no substitute for immersion and understanding of the context in which you are working.
Creativity is often forgotten in our world, or misjudged. It’s not the same as innovation necessarily. It is a discipline that has application throughout the process of social innovation, and it is one of the most obvious but well-kept secrets that the way to heal organizations or communities is to help them create together.
Process is a beautiful thing. Great designers know how to get stuff done, and they know that it comes after understanding context and applying creativity."
sva
cherylheller
paulpolak
socialinnovation
systems
problemsolving
process
creativity
lcproject
designthinking
organizations
solutions
immersion
understanding
empathy
Creativity is often forgotten in our world, or misjudged. It’s not the same as innovation necessarily. It is a discipline that has application throughout the process of social innovation, and it is one of the most obvious but well-kept secrets that the way to heal organizations or communities is to help them create together.
Process is a beautiful thing. Great designers know how to get stuff done, and they know that it comes after understanding context and applying creativity."
december 2011 by robertogreco
Institutional memory and reverse smuggling | wrttn
december 2011 by robertogreco
"At the end of the project someone should've been commissioned to write a book, "What This Goddamn Plant Is: And, How It Works". That book is effectively being written now, only by archaeologists."
engineering
documentation
process
archeology
knowledge
via:straup
institutionalmemory
memory
legacy
tcsnmy
lcproject
2011
via:blech
scale
scaling
bureaucracy
archaeology
reversesmuggling
institutionalarchaeology
institutions
business
reverse
culture
values
posterity
corporateespionage
reversecorporateespionage
organizations
recordkeeping
companies
management
sharing
via:tealtan
december 2011 by robertogreco
“Sometimes the stories are the science…” – Blog – BERG
november 2011 by robertogreco
"About a decade ago – I saw Oliver Sacks speak at the Rockerfeller Institute in NYC, talk about his work.
A phrase from his address has always stuck with me since. He said of what he did – his studies and then the writing of books aimed at popular understanding of his studies that ‘…sometimes the stories are the science’.
Sometimes our film work is the design work.
Again this is a commercial act, and we are a commercial design studio.
But it’s also something that we hope unpacks the near-future – or at least the near-microfutures – into a public where we can all talk about them."
oliversacks
learning
deschooling
unschooling
education
berg
berglondon
mattjones
timoarnall
storytelling
design
understanding
newgrammars
conversation
meaning
meaningmaking
glvo
tcsnmy
classideas
art
paulklee
domains
interdisciplinarity
interdisciplinary
crossdisciplinary
multidisciplinary
crosspollination
perspective
mindset
wbrianarthur
jackschulze
mattwebb
technology
future
dansaffer
rulespace
simulation
believability
materialquality
film
video
invention
creativity
time
adamlisagor
brucesterling
vernacularvideo
victorpapanek
jasonkottke
andybaio
johnsculley
apple
stevejobs
knowledgenavigator
prototypes
prototyping
iteration
process
howwework
howwelearn
communication
from delicious
A phrase from his address has always stuck with me since. He said of what he did – his studies and then the writing of books aimed at popular understanding of his studies that ‘…sometimes the stories are the science’.
Sometimes our film work is the design work.
Again this is a commercial act, and we are a commercial design studio.
But it’s also something that we hope unpacks the near-future – or at least the near-microfutures – into a public where we can all talk about them."
november 2011 by robertogreco
Nico Muhly » Difficult, Simple
november 2011 by robertogreco
"And surely the process of becoming an adult is one of figuring out which of ones difficulties should be sanded down in the interests of being a functioning member of the community, and which can be left as distinguishing and endearing eccentricities."
nicomuhly
2011
process
learning
self
culture
art
design
creativity
thecreativeact
opera
from delicious
november 2011 by robertogreco
Geography Department, Cambridge » The gender gap in education
october 2011 by robertogreco
"…many of the issues associated w/ 'under-achievement' are related to tensions btwn the culture of the school & images of masculinity held in the local community & wider society…
…commitment to process as well as outcome…Closely allied to this was an emphasis on relationships…The importance of time to establish trust and productive working relationships was crucial to the success of the project. Finally was the emphasis on the pupils themselves, which involved not just listening to them but engaging with them, being interested in them and helping to ensure that their perspectives were valued and taken into consideration in the schools' own evaluations of project initiatives."
via:lukeneff
teaching
education
society
gender
process
lcproject
relationships
culture
pedagogy
boys
masculinity
interested
engagement
trust
gendergap
learning
tcsnmy
schools
schooling
…commitment to process as well as outcome…Closely allied to this was an emphasis on relationships…The importance of time to establish trust and productive working relationships was crucial to the success of the project. Finally was the emphasis on the pupils themselves, which involved not just listening to them but engaging with them, being interested in them and helping to ensure that their perspectives were valued and taken into consideration in the schools' own evaluations of project initiatives."
october 2011 by robertogreco
Talking the Tech Walk: Teaching, Changing, Doing - by Shirley
october 2011 by robertogreco
"The following poem, written by Lee Crockett, Ian Jukes and Andrew Churches and found on Tony Gurr's All Things Learning blog has given me more food for thought…
What is a Teacher?
A guide, not a guard.
What is learning?
A journey, not a destination.
What is discovery?
Questioning the answers, not answering the questions.
What is the process?
Discovering ideas, not covering content.
What is the goal?
Open minds, not closed issues.
What is the test?
Being and becoming, not remembering and reviewing.
What is learning?
Not just doing things differently, but doing different things.
What is teaching?
Not showing them what to learn, but showing them how to learn
What is school?
Whatever we choose to make it."
teaching
education
pedagogy
learning
schools
tcsnmy
inquiry
discovery
questioning
process
from delicious
What is a Teacher?
A guide, not a guard.
What is learning?
A journey, not a destination.
What is discovery?
Questioning the answers, not answering the questions.
What is the process?
Discovering ideas, not covering content.
What is the goal?
Open minds, not closed issues.
What is the test?
Being and becoming, not remembering and reviewing.
What is learning?
Not just doing things differently, but doing different things.
What is teaching?
Not showing them what to learn, but showing them how to learn
What is school?
Whatever we choose to make it."
october 2011 by robertogreco
Patterns of Creativity in Japan
september 2011 by robertogreco
"Lessons from Successful Japanese Companies – A Resource"
creativity
japan
chrisberthelsen
ideas
patterns
management
tokyo
howwework
culture
process
a-small-lab
from delicious
september 2011 by robertogreco
Developing Your Creative Practice: Tips from Brian Eno :: Tips :: The 99 Percent
september 2011 by robertogreco
"1. Freeform capture. Grab from a range of sources without editorializing…<br />
<br />
2. Blank state. Start with new tools, from nothing, and toy around…<br />
<br />
3. Deliberate limitations. Before a project begins, develop specific limitations…<br />
<br />
4. Opposing forces. Sometimes it’s best to generate a forced collision of ideas…<br />
<br />
5. Creative prompts. In the ‘70s Eno developed his Oblique Strategies cards, a series of prompts modeled after the I Ching to disrupt the process and encourage a new way of encountering a creative problem. On the cards are statements and questions like: “Would anybody want it?” “Try faking it!” “Only a part, not the whole.” “Work at a different speed.” “Disconnect from desire.” “Turn it upside down.” “Use an old idea."…<br />
<br />
In the end, don’t underestimate your personal feelings about a project. Eno states: “Nearly all the things I do that are of any merit at all start off as just being good fun.” Amen to that."
art
creativity
music
productivity
brain
neuroscience
via:preoccupations
brianeno
2011
jonahlehrer
ideation
classideas
innovation
noticing
limitations
constraints
making
doing
glvo
howwework
process
idleness
boredom
thinking
ideas
has:via
from delicious
<br />
2. Blank state. Start with new tools, from nothing, and toy around…<br />
<br />
3. Deliberate limitations. Before a project begins, develop specific limitations…<br />
<br />
4. Opposing forces. Sometimes it’s best to generate a forced collision of ideas…<br />
<br />
5. Creative prompts. In the ‘70s Eno developed his Oblique Strategies cards, a series of prompts modeled after the I Ching to disrupt the process and encourage a new way of encountering a creative problem. On the cards are statements and questions like: “Would anybody want it?” “Try faking it!” “Only a part, not the whole.” “Work at a different speed.” “Disconnect from desire.” “Turn it upside down.” “Use an old idea."…<br />
<br />
In the end, don’t underestimate your personal feelings about a project. Eno states: “Nearly all the things I do that are of any merit at all start off as just being good fun.” Amen to that."
september 2011 by robertogreco
You Are Solving The Wrong Problem « Aza on Design
september 2011 by robertogreco
"MacCready’s insight was that everyone working on solving human-powered flight would spend upwards of a year building an airplane on conjecture & theory w/out the grounding of empirical tests. Triumphantly, they’d complete their plane & wheel it out for a test flight. Minutes latter, a years worth of work would smash into the ground. Even in successful flights…would end with the pilot physically exhausted. W/ that single new data point, the team would work for another year…Progress was slow…<br />
The problem was the problem. Paul realized that what we needed to be solved was not, in fact, human powered flight. That was a red-herring. The problem was the process itself, and along with it the blind pursuit of a goal without a deeper understanding how to tackle deeply difficult challenges. He came up with a new problem that he set out to solve: how can you build a plane that could be rebuilt in hours not months. And he did…"
learning
design
creativity
itteration
azaraskin
gossamereagle
gossamercondor
paulmaccready
problemsolving
definingtheproblem
problems
iteration
process
innovation
research
rapidprototyping
howwework
howwelearn
from delicious
The problem was the problem. Paul realized that what we needed to be solved was not, in fact, human powered flight. That was a red-herring. The problem was the process itself, and along with it the blind pursuit of a goal without a deeper understanding how to tackle deeply difficult challenges. He came up with a new problem that he set out to solve: how can you build a plane that could be rebuilt in hours not months. And he did…"
september 2011 by robertogreco
Steve Jobs and the Eureka Myth - Adrian Slywotzky - Harvard Business Review
september 2011 by robertogreco
"Apple would love us to believe it's all "Eureka." But Apple produces 10 pixel-perfect prototypes for each feature. They compete — and are winnowed down to three, then one, resulting in a highly evolved winner. Because Apple knows the more you compete inside, the less you'll have to compete outside.<br />
<br />
We are all mesmerized by Apple's beautiful design, from device to screen, to the packaging itself. We see what the magicians want us to see. What we don't see is the 18 months of negotiating with the music companies. Nor the three years of teaching the supply chain that the Macbook Air had to be really thin, really light, and really enduring (10-hour battery). When those improvements intersected with the iPhone's great screen technology, the iPad (that glorious Air/iPhone hybrid) exploded."
design
innovation
entrepreneurship
stevejobs
iteration
process
apple
prototyping
prototypes
2011
from delicious
<br />
We are all mesmerized by Apple's beautiful design, from device to screen, to the packaging itself. We see what the magicians want us to see. What we don't see is the 18 months of negotiating with the music companies. Nor the three years of teaching the supply chain that the Macbook Air had to be really thin, really light, and really enduring (10-hour battery). When those improvements intersected with the iPhone's great screen technology, the iPad (that glorious Air/iPhone hybrid) exploded."
september 2011 by robertogreco
AIGA | Video: Jonathan Harris [Cold + Bold]
august 2011 by robertogreco
"Combining elements of computer science, architecture, statistics, storytelling and design, Jonathan Harris’s online projects create large-scale living portraits of the human world—portraits that both simplify and complicate our understanding of it. Jonathan discusses his recent work and poses intriguing questions about what kind of space the digital world is becoming and what that world is doing to us as individuals."
[I find myself on a Jonathan Harris binge about one a year. This time sparked by an article: http://designmind.frogdesign.com/articles/the-never-ending-story.html . Hadn't seen this video before.]
[The passage he reads in the video was originally posted here: http://www.number27.org/today.php?d=20100319 ]
design
art
jonathanharris
storytelling
coding
coldness
2010
thewhy
purpose
meaning
meaningfulness
human
digital
life
empathy
programming
depression
glvo
relationships
feelings
emotions
rationality
determinism
problemsolving
detachment
expression
web
internet
abstraction
humanity
control
learning
resistance
resistanceofthemedium
howwework
process
cold+bold
identity
individuality
diversity
outcomes
scale
sociopaths
jaronlanier
culture
behavior
introspection
self-reflection
time
computation
from delicious
[I find myself on a Jonathan Harris binge about one a year. This time sparked by an article: http://designmind.frogdesign.com/articles/the-never-ending-story.html . Hadn't seen this video before.]
[The passage he reads in the video was originally posted here: http://www.number27.org/today.php?d=20100319 ]
august 2011 by robertogreco
Doors of Perception weblog: xskool: breathing the same air
august 2011 by robertogreco
"…We converged, instead, on the idea that "X" means: this place, this moment, these people. Breathing the same air. Only here, only now.
Our group also embraced the idea of no curriculum, no standardised process, no teachers, and no certificates…
1 An explanation: Xskool enables people to create unique events in which change-minded people participate, interact, and reflect.
2 Xskool is not for people who see themselves as leaders, role models, experts or 'change agents'. Xskoolers might well be leaders, role models etc - but that is not for them to decide…
5 At each xskool encounter, a host venue or location will present a task or a question for the visiting group to work on. At West Lexham our task was to build this path:
6 Each xskool group will also work on a question or questions of its own. This question will not be posed in advance; rather, it will emerge from a mindfully-orqanised process [such as Open Space or World Café] when the group first assembles at the location…"
xskool
education
learning
johnthackara
2011
curriculum
uncurriculum
curriculumisdead
change
community
events
unschooling
deschooling
unconferences
openstudioproject
openstudio
open
process
doing
making
collaboration
collaborative
lcproject
from delicious
Our group also embraced the idea of no curriculum, no standardised process, no teachers, and no certificates…
1 An explanation: Xskool enables people to create unique events in which change-minded people participate, interact, and reflect.
2 Xskool is not for people who see themselves as leaders, role models, experts or 'change agents'. Xskoolers might well be leaders, role models etc - but that is not for them to decide…
5 At each xskool encounter, a host venue or location will present a task or a question for the visiting group to work on. At West Lexham our task was to build this path:
6 Each xskool group will also work on a question or questions of its own. This question will not be posed in advance; rather, it will emerge from a mindfully-orqanised process [such as Open Space or World Café] when the group first assembles at the location…"
august 2011 by robertogreco
Kicker Studio: Six Questions from Kicker: Robert Brunner
august 2011 by robertogreco
"What are 5 things all designers should know?<br />
<br />
1. Perseverance. It’s hard to make great stuff. Never say die (for as long as you can).<br />
<br />
2. Responsibility. You are driving things that will affect a lot of people, from your development partners and your clients, to the people who use the things you create. Don’t let it scare you or cause you to freeze up, but always be cognizant of the impact of your decisions.<br />
<br />
3. How to communicate. Most designers do not know how to do this. Learn to write and speak well about your work. It will serve you for a long time and can be the difference maker.<br />
<br />
4. Empathy. Learn how to put yourself in other’s shoes and see the situation and opportunities you’d miss from your eyes. It will make you very valuable<br />
<br />
5. How to enjoy the journey. You have one of the best jobs in the world. It’s a long, wild ride, so have fun with it and don’t dwell too much on what went wrong. Keep your feet moving."
robertbrunner
design
designers
perseverance
responsibility
communication
writing
speaking
empathy
understanding
process
glvo
howwework
2011
from delicious
<br />
1. Perseverance. It’s hard to make great stuff. Never say die (for as long as you can).<br />
<br />
2. Responsibility. You are driving things that will affect a lot of people, from your development partners and your clients, to the people who use the things you create. Don’t let it scare you or cause you to freeze up, but always be cognizant of the impact of your decisions.<br />
<br />
3. How to communicate. Most designers do not know how to do this. Learn to write and speak well about your work. It will serve you for a long time and can be the difference maker.<br />
<br />
4. Empathy. Learn how to put yourself in other’s shoes and see the situation and opportunities you’d miss from your eyes. It will make you very valuable<br />
<br />
5. How to enjoy the journey. You have one of the best jobs in the world. It’s a long, wild ride, so have fun with it and don’t dwell too much on what went wrong. Keep your feet moving."
august 2011 by robertogreco
ron miriello: 100 worlds project
august 2011 by robertogreco
"US and italy -based designer ron miriello's '100 worlds project' began with a simple idea: 'to create for the sake of creating.' a series of sculptures, rendered into photographic interpretations and now on exhibition at california's jett gallery, the work became 'a unifying 'story' that invites others [to] contribute and shape a larger vision.'<br />
<br />
for the multimodal project, miriello created fifty interpreted globes, using materials that vary from antique pipewrenches and boat propellers to corrugated cardboard and bowling balls. he then gave the pieces to over forty san diego-based photographers, each of whom spent at least a week with the world and returned with their personal photographic documentation of the sculpture. fifty photographic prints thus accompany the fifty handmade 'worlds' in the gallery exhibition, and the entire project process is documented in the '100 worlds project' exhibition book…"
art
sandiego
craft
process
ronmiriello
100worldsproject
globes
epiloglaser
design
from delicious
<br />
for the multimodal project, miriello created fifty interpreted globes, using materials that vary from antique pipewrenches and boat propellers to corrugated cardboard and bowling balls. he then gave the pieces to over forty san diego-based photographers, each of whom spent at least a week with the world and returned with their personal photographic documentation of the sculpture. fifty photographic prints thus accompany the fifty handmade 'worlds' in the gallery exhibition, and the entire project process is documented in the '100 worlds project' exhibition book…"
august 2011 by robertogreco
Networked Knowledge and Combinatorial Creativity | Brain Pickings
august 2011 by robertogreco
"In May, I had the pleasure of speaking at the wonderful Creative Mornings free lecture series masterminded by my studiomate Tina of Swiss Miss fame. I spoke about Networked Knowledge and Combinatorial Creativity, something at the heart of Brain Pickings and of increasing importance as we face our present information reality. The talk is now available online — full (approximate) transcript below, enhanced with images and links to all materials referenced in the talk."
"This is what I want to talk about today, networked knowledge, like dot-connecting of the florilegium, and combinatorial creativity, which is the essence of what Picasso and Paula Scher describe. The idea that in order for us to truly create and contribute to the world, we have to be able to connect countless dots, to cross-pollinate ideas from a wealth of disciplines, to combine and recombine these pieces and build new castles."
"How can it be that you talk to someone and it’s done in a second? But it IS done in a second — it’s done in a second and 34 years. It’s done in a second and every experience, and every movie, and every thing in my life that’s in my head.” —Paula Scher
creativity
behavior
planning
process
combinatorialcreativity
combinations
lego
networkedknowledge
networks
mariapopova
florilegium
picasso
paulascher
pentagram
alberteinstein
breakthroughs
stevenjohnson
ideas
alvinlustig
rogersperry
jacquesmonod
biology
richarddawkins
science
art
design
wheregoodideascomefrom
books
designthinking
insight
information
ninapaley
oliverlaric
similarities
proximity
adjacentpossible
everythingisaremix
curiosity
choice
jimcoudal
claychristensen
intention
attention
philosophy
buddhism
work
labor
kevinkelly
gandhi
from delicious
"This is what I want to talk about today, networked knowledge, like dot-connecting of the florilegium, and combinatorial creativity, which is the essence of what Picasso and Paula Scher describe. The idea that in order for us to truly create and contribute to the world, we have to be able to connect countless dots, to cross-pollinate ideas from a wealth of disciplines, to combine and recombine these pieces and build new castles."
"How can it be that you talk to someone and it’s done in a second? But it IS done in a second — it’s done in a second and 34 years. It’s done in a second and every experience, and every movie, and every thing in my life that’s in my head.” —Paula Scher
august 2011 by robertogreco
Edwin Himself is Edwin Negado » MUJI’s Kenya Hara speaks on “Emptiness” at Wieden+Kennedy Portland
july 2011 by robertogreco
“Earth and Human Being. There is nothing, yet everything”.
“Emptiness holds the possibility of being filled”.
“To create is not just to create an object or a phenomenon. Coming up with a question is also creation. In fact, a question that has huge receptive capacity doesn’t even need a definitive answer. Questioning is emptiness”.
kenyahara
muji
emptiness
questioning
questions
learning
process
products
product
glvo
lcproject
unschooling
deschooling
simplicity
possibility
wk
wieden+kennedy
from delicious
“Emptiness holds the possibility of being filled”.
“To create is not just to create an object or a phenomenon. Coming up with a question is also creation. In fact, a question that has huge receptive capacity doesn’t even need a definitive answer. Questioning is emptiness”.
july 2011 by robertogreco
Online and Isolated? Transcript - On The Media
july 2011 by robertogreco
"LEE RAINIE: For centuries, when new technologies come on the scene there’s almost an instinctive human reaction, particularly among those who are challenged by the new technology, to blame the technology for any social ill that happens to arise at the same time. Something has gone on with our social networks in the past 20 years. Our data matched the data that the previous researchers had collected showing the networks are shrinking. And so, now we're inviting other social scientists and researchers like ourselves to go out and find the real culprit and not just think that the Internet lies behind it just because the Internet was being adopted at the same time this harmful social trend was emerging."
leeraine
socialmedia
isolation
onthemedia
media
research
pew
internet
web
online
relationships
social
society
process
2009
via:preoccupations
from delicious
july 2011 by robertogreco
YouTube - TEDxEastsidePrep - Shawn Cornally - The Future of Education Without Coercion
june 2011 by robertogreco
[These are killing learning in schools]
No product = Failure [Product is emphasized over process]
What if they don't do anything? [Worry that they won't learn anything if given control of their learning]
3.9 ≠ 4.0 [Loss of motivation, feeling beyond recovery, no meaning]
education
learning
schools
tcsnmy
success
failure
science
teaching
process
productoverprocess
processoverproduct
time
scheduling
schedules
classschedules
2011
shawncornally
inquiry
inquiry-basedlearning
questioning
student-led
student-initiated
openstudio
unschooling
coercion
deschooling
motivation
intrinsicmotivation
extrinsicmotivation
overjustification
schooliness
schooling
creativity
absurdity
wonder
colleges
universities
admissions
gameofschool
playingschool
alfiekohn
No product = Failure [Product is emphasized over process]
What if they don't do anything? [Worry that they won't learn anything if given control of their learning]
3.9 ≠ 4.0 [Loss of motivation, feeling beyond recovery, no meaning]
june 2011 by robertogreco
Graduation Speech - SLA Class of 2011 - Practical Theory
june 2011 by robertogreco
"And after you have forgotten the granular details of the periodic table of elements, continue to honor the scientific spirit of inquiry, always asking powerful questions and seeking out complex answers.
That is, we hope, what you have learned from us. That inquiry, research, collaboration, presentation and reflection are not just words in a mission statement but an iterative process of learning that can and will serve you the rest of your life if you let it. And perhaps above all else, remember that throughout that process, there are those in your life who have been there, who have cared about you, who have mentored you, and in doing so, hope that you will pay that forward. That you will care for those around you. That you will understand that the intersection of that ethic of care and that spirit of inquiry starts with asking the question, “What do you think?” caring about the answer, and then taking action."
learning
chrislehmann
inquiry
inquiry-basedlearning
education
collaboration
research
presentation
reflection
process
skepticism
ethics
care
questioning
action
actionminded
agency
legacy
persistence
tcsnmy
lcproject
unschooling
deschooling
from delicious
That is, we hope, what you have learned from us. That inquiry, research, collaboration, presentation and reflection are not just words in a mission statement but an iterative process of learning that can and will serve you the rest of your life if you let it. And perhaps above all else, remember that throughout that process, there are those in your life who have been there, who have cared about you, who have mentored you, and in doing so, hope that you will pay that forward. That you will care for those around you. That you will understand that the intersection of that ethic of care and that spirit of inquiry starts with asking the question, “What do you think?” caring about the answer, and then taking action."
june 2011 by robertogreco
Presence and Perception [Xskool]
june 2011 by robertogreco
"Perceiving and re-connecting: Xskool will engage with artists in seeking ways to help us perceive the unseen, or the invisible: Ways to re-imagine the built world as a complex of interacting ecologies: energy, water, mobility, food. Ways to enrich our understanding of space, time, materiality, and process. Ways to steer our focus to open versus closed systems.
Presence and distance: It would be easier to travel less, and telecommunicate more, if the sensation of ‘being there’ were more engaging than it is now. Xskool will involve artists, theatre directors, fashion designers, psychologists, game designers – even philosophers – in effort to improve the design of remote communication.
Hosting and Coordinating: A whole-systems, transdisciplinary approach involves the need to connect and coordinate stakeholders with differing perspectives. How do we design conversations to be participative rather than directive? How to identify and organize hubs; the role of time-based events…"
xskool
ecosystems
systems
systemsthinking
ecology
networkedecologies
presence
perception
closedsystems
opensystems
open
complexity
complexsystems
energy
water
mobility
food
art
design
communication
johnthackara
process
materiality
from delicious
Presence and distance: It would be easier to travel less, and telecommunicate more, if the sensation of ‘being there’ were more engaging than it is now. Xskool will involve artists, theatre directors, fashion designers, psychologists, game designers – even philosophers – in effort to improve the design of remote communication.
Hosting and Coordinating: A whole-systems, transdisciplinary approach involves the need to connect and coordinate stakeholders with differing perspectives. How do we design conversations to be participative rather than directive? How to identify and organize hubs; the role of time-based events…"
june 2011 by robertogreco
Olbermann's Exit: The Inside Story
june 2011 by robertogreco
"I'm difficult for management. That's why I have the reputation because nobody challenges management." He adds that his run-ins are simply out of good conscience: "I stand up to people. I do not believe that simply because I signed a contract that that gives people the right to make [unilateral] decisions. As part of the process by which you hire me, you hire me. You just don't hire an hour of me to do a performance." [More people should approach their work this way, see part of their job as challenging management, have some conviction, be willing to be fired for speaking out.]
keitholbermann
convictions
cv
management
administration
leadership
reputation
conscience
decisionmaking
process
hiring
employment
employees
challenge
2011
tcsnmy
from delicious
june 2011 by robertogreco
Chinese school defies rigid exam-focused education | Marketplace From American Public Media
june 2011 by robertogreco
"XUEQIN: We'd encourage the students to express themselves as much as possible through artwork, music, writing. It' just that because the students have been through this traditional system, they have problems doing that."<br />
<br />
[…]<br />
<br />
"Wang asked his teachers to start moving among their students, engaging them, not talking at them. And that's what chemistry teacher Qin Lei is doing today. Instead of asking students for the correct answers, Qin focuses on the process, asking students their opinions: asking why, how, challenging what they know. That teaching method is routine in the West, but in China it's a radical departure.<br />
<br />
Principal Wang made a name for himself at Shenzhen High School in the southern province of Guangdong when he gutted the school's curriculum and let students choose their own classes.<br />
<br />
"ZHENG: A lot of educators from all over the country visited our school. They all agreed the system was good, but risky."<br />
Risky paid off."
china
beijing
education
tcsnmy
unschooling
deschooling
learning
student-centered
student-led
pedagogy
gaokao
testing
standardizedtesting
process
processoverproduct
teaching
2011
risk
toshare
progressive
alternative
creativity
from delicious
<br />
[…]<br />
<br />
"Wang asked his teachers to start moving among their students, engaging them, not talking at them. And that's what chemistry teacher Qin Lei is doing today. Instead of asking students for the correct answers, Qin focuses on the process, asking students their opinions: asking why, how, challenging what they know. That teaching method is routine in the West, but in China it's a radical departure.<br />
<br />
Principal Wang made a name for himself at Shenzhen High School in the southern province of Guangdong when he gutted the school's curriculum and let students choose their own classes.<br />
<br />
"ZHENG: A lot of educators from all over the country visited our school. They all agreed the system was good, but risky."<br />
Risky paid off."
june 2011 by robertogreco
Week 113 - Helsinki Design Lab
june 2011 by robertogreco
"If I had a time machine…could change one thing I would hop back to beginning of last week & remove all post-it notes from studio space…reason for this is simple: post-it notes trick people into being lazy.
…way post-it notes are commonly used in workshop settings is to capture an idea on portable piece of paper…can then be moved around at will & eventually accumulated on bigger piece of paper…rolled up & put into closet & kept forever. Ideas captured…
Post-it notes record ideas & allow them to be easily migrated & reorganized, but it's not a good medium for mutating & synthesizing ideas.
One of the reasons that we prefer large sheets of paper or whiteboards is that they encourage collaborative mutation. If you realize that something is drawn in wrong place, it must be erased & re-drawn or somehow altered to meet the new intent. By drawing & redrawing, writing & rewriting, opportunities to adjust the content & format—to literally re-present the ideas—continually emerge."
sitra
bryanboyer
helsinkidesignlab
post-its
whiteboards
process
recording
ideas
sharing
mobility
mutation
synthesis
howwework
classideas
2011
from delicious
…way post-it notes are commonly used in workshop settings is to capture an idea on portable piece of paper…can then be moved around at will & eventually accumulated on bigger piece of paper…rolled up & put into closet & kept forever. Ideas captured…
Post-it notes record ideas & allow them to be easily migrated & reorganized, but it's not a good medium for mutating & synthesizing ideas.
One of the reasons that we prefer large sheets of paper or whiteboards is that they encourage collaborative mutation. If you realize that something is drawn in wrong place, it must be erased & re-drawn or somehow altered to meet the new intent. By drawing & redrawing, writing & rewriting, opportunities to adjust the content & format—to literally re-present the ideas—continually emerge."
june 2011 by robertogreco
Design design design. by David Cole - Quora
may 2011 by robertogreco
"My friend Tag recently introduced me to the concept of a Buffalo sentence. The eponymous example is:<br />
Buffalo buffalo Buffalo buffalo buffalo buffalo Buffalo buffalo.<br />
It works because the word buffalo has three meanings: buffalo the animal, Buffalo the city, and buffalo the verb (a synonym for bully). Rewording clarifies:<br />
New York buffalo (that) New York buffalo bully (also) bully New York buffalo.<br />
This sort of ambiguity pops up in a lot of places, and it's pretty delightful…<br />
<br />
Where it isn't delightful is in the design trade…We have three ways of understanding design:<br />
<br />
Designers: design as a role within an organization.<br />
Designing: design as a process.<br />
Designs: design as a deliverable.<br />
<br />
The confusion of any pair of these is destructive for both the designer and their organization."
design
language
buffalosentences
process
deliverables
words
davidcole
from delicious
Buffalo buffalo Buffalo buffalo buffalo buffalo Buffalo buffalo.<br />
It works because the word buffalo has three meanings: buffalo the animal, Buffalo the city, and buffalo the verb (a synonym for bully). Rewording clarifies:<br />
New York buffalo (that) New York buffalo bully (also) bully New York buffalo.<br />
This sort of ambiguity pops up in a lot of places, and it's pretty delightful…<br />
<br />
Where it isn't delightful is in the design trade…We have three ways of understanding design:<br />
<br />
Designers: design as a role within an organization.<br />
Designing: design as a process.<br />
Designs: design as a deliverable.<br />
<br />
The confusion of any pair of these is destructive for both the designer and their organization."
may 2011 by robertogreco
YouTube - TEDxEast - Lauren Redniss - Mistakes Have Been Made
may 2011 by robertogreco
"Lauren shares her process both as a writer and and artist to create her works. Lauren also shares the unexpected benefits of trail and error throughout her journey as an artist."
laurenredniss
art
science
process
mistakes
serendipity
2011
learning
discovery
understanding
illustration
cyanotype
mariecurie
pierrecurie
history
books
from delicious
may 2011 by robertogreco
eye | feature : All you need is love: pictures, words and worship [Great piece on Sister Corita Kent]
may 2011 by robertogreco
"Corita’s cultural contribution spanned several decades. Although she described herself as an artist rather than a design professional, her 1960s work spanned both fields. Graphic strategies such as lettering and layout were central to her artistic voice. At the same time, she had no qualms about accepting commissions for magazine covers, book jackets, album sleeves, ads and posters, although even here she should be seen less as a jobbing designer than as an artist with a distinctive and easily recognisable graphic sensibility. As Harvey Cox said, “The world of signs and sales slogans and plastic containers was not, for her, an empty wasteland. It was the dough out of which she baked the bread of life.” 12 At its best, her work proposed a symbolic template that blurred the boundaries between art, design and communication, between a life of worship and the everyday life of her time."
sistercorita
art
vernacular
life
everyday
glvo
design
communication
graphicdesign
graphics
typography
advertising
signs
symbols
via:britta
teaching
printmaking
serigraphs
accessibility
urban
urbanism
decontextualization
photography
noticing
seeing
seeingtheworld
fieldtrips
unschooling
deschooling
education
immaculateheartcollege
eames
viewfinders
process
julieault
2000
1960s
martinbeck
society
perspective
activism
from delicious
may 2011 by robertogreco
Rhizome | Do Artists and Technologists Create Things the Same Way? Seven on Seven Guests Respond
may 2011 by robertogreco
"Seven on Seven participants answer the question: Do you think artists and technologists create things the same way?"
process
philosophy
newmedia
arts
collaboration
art
creation
technology
technologists
2011
artists
from delicious
may 2011 by robertogreco
Time's Inverted Index (Ftrain.com)
may 2011 by robertogreco
"I was biasing the results by using full-text search to explore my email…The pattern-seeking engine in my brain would fire on all cylinders & make a story of the searches, creating an unintentional email-chrestomathy, a greatest-hits collection of ideas I’d had around a single word or phrase…I thought I was doing history in a mirror, but because the emails were pure matches for key terms, devoid of all but a little context, I fell for the historical fallacy, which is when, as John Dewey described it, somewhat impenetrably: <br />
<br />
"A set of considerations which hold good only because of a completed process, is read into the content of the process which conditions this completed result. A state of things characterizing an outcome is regarded as a true description of the events which led up to this outcome; when, as a matter of fact, if this outcome had already been in existence, there would have been no necessity for the process." <br />
<br />
That is, I had lost sight of time…"
culture
internet
history
identity
data
email
search
change
paulford
johndewey
time
perspective
process
bias
olderself
youngerself
2011
fallacies
fallacy
future
past
present
hope
hopefulness
familiarity
forcedfamiliarity
memory
from delicious
<br />
"A set of considerations which hold good only because of a completed process, is read into the content of the process which conditions this completed result. A state of things characterizing an outcome is regarded as a true description of the events which led up to this outcome; when, as a matter of fact, if this outcome had already been in existence, there would have been no necessity for the process." <br />
<br />
That is, I had lost sight of time…"
may 2011 by robertogreco
YouTube - Taiaiake Alfred -- From Noble Savage to Righteous Warrior
may 2011 by robertogreco
"It might surprise you that introverts travel differently than extroverts, particularly because most travel magazines, guidebooks, and TV shows are produced by and for extroverts.<br />
<br />
"I don't seek people out, I am terrible at striking up conversations with strangers and I am happy exploring a strange city alone. I don't seek out political discourse with opinionated cab drivers or boozy bonding with locals over beers into the wee hours. By the time the hours get wee, I'm usually in bed in my hotel room, appreciating local color TV. (So sue me, but I contend that television is a valid reflection of a society.)"<br />
<br />
I almost broke my neck extensively nodding in agreement while reading this article. The author also has some tips for the introverted traveler. And if you haven't read it, Jonathan Rauch's Caring for Your Introvert remains one of my favorite things that I've ever featured on kottke.org."
taiaiakealfred
culture
media
anthropology
indigenous
via:steelemaley
activism
knowledge
knowledgeexchange
knowledgeecologies
governance
politics
education
criticaleducation
firstnations
indigeneity
culturalanthropology
academia
nativeamericans
change
process
2010
colonization
decolonization
teaching
learning
colonialmind
power
extrainstitutional
deschooling
unschooling
economics
leisurearts
psychology
identity
authenticity
nobelsavage
history
righteouswarrior
from delicious
<br />
"I don't seek people out, I am terrible at striking up conversations with strangers and I am happy exploring a strange city alone. I don't seek out political discourse with opinionated cab drivers or boozy bonding with locals over beers into the wee hours. By the time the hours get wee, I'm usually in bed in my hotel room, appreciating local color TV. (So sue me, but I contend that television is a valid reflection of a society.)"<br />
<br />
I almost broke my neck extensively nodding in agreement while reading this article. The author also has some tips for the introverted traveler. And if you haven't read it, Jonathan Rauch's Caring for Your Introvert remains one of my favorite things that I've ever featured on kottke.org."
may 2011 by robertogreco
Put This On • Sometimes people ask me about how I created my...
april 2011 by robertogreco
"Sometimes people ask me about how I created my little media empire. This is how.<br />
Ira spent 20 years working at NPR before he started This American Life. Twenty years making mistakes, learning from them, thinking about what he’d do with his own show. When he started This Life, NPR turned him down. After 20 years. Told him to do it on his own. So he went out and won some fucking Peabodys.<br />
The day Ira told me he enjoyed a particular episode of my stupid comedy podcast that I didn’t even know he’d every heard of much less listened to was one of the proudest days of my life. For serious.<br />
And speaking of serious: SERIOUSLY, MAKE YOUR THING."
creativity
work
inspiration
tips
howto
iraglass
jessethorn
putthison
persistence
mistakes
learning
perseverance
hardwork
glvo
lcproject
volume
process
2011
making
doing
justdo
do
taste
potential
practice
deadlines
discipline
self-discipline
from delicious
Ira spent 20 years working at NPR before he started This American Life. Twenty years making mistakes, learning from them, thinking about what he’d do with his own show. When he started This Life, NPR turned him down. After 20 years. Told him to do it on his own. So he went out and won some fucking Peabodys.<br />
The day Ira told me he enjoyed a particular episode of my stupid comedy podcast that I didn’t even know he’d every heard of much less listened to was one of the proudest days of my life. For serious.<br />
And speaking of serious: SERIOUSLY, MAKE YOUR THING."
april 2011 by robertogreco
patfarenga.com — Don’t Let the Shadow of the Future Cloud Children’s Lives
april 2011 by robertogreco
"This obsession w/ The Future is, by definition, irresponsible. To be responsible is “to be able to respond” to someone or something. Since the future has yet to happen, one cannot possibly respond to it…consequences of the obsession, both for individuals & for communities, are almost entirely negative.<br />
…our future-obsessed educators misunderstand true purpose of education. Education is process by which people become responsibly mature members of their communities. If young people develop character, become familiar with their cultural inheritance and the wisdom of the past, and acquire the habits of mind that will help them think critically, they will find their way to productive adulthood. <br />
<br />
By placing the use of the energy & talents of our youth in abeyance, by separating children from their parents & thereby undermining communities, & by irresponsibly presuming to know the future, educators participate in folly, the proportions of which resemble a modern form of idolatry…"
future
ivanillich
education
deschooling
unschooling
tcsnmy
cv
presence
community
communities
human
humans
learning
people
relationships
parenting
society
process
maturation
maturity
character
habitsofmind
adulthood
responsibility
irresponsibility
2011
slow
life
living
glvo
adolescence
lcproject
teaching
pedagogy
modeling
neighbors
meaning
servicelearning
service
wendellberry
bernardknox
wisdom
from delicious
…our future-obsessed educators misunderstand true purpose of education. Education is process by which people become responsibly mature members of their communities. If young people develop character, become familiar with their cultural inheritance and the wisdom of the past, and acquire the habits of mind that will help them think critically, they will find their way to productive adulthood. <br />
<br />
By placing the use of the energy & talents of our youth in abeyance, by separating children from their parents & thereby undermining communities, & by irresponsibly presuming to know the future, educators participate in folly, the proportions of which resemble a modern form of idolatry…"
april 2011 by robertogreco
Critical pedagogy - Wikipedia
april 2011 by robertogreco
"Critical pedagogy is a philosophy of education described by Henry Giroux as an "educational movement, guided by passion and principle, to help students develop consciousness of freedom, recognize authoritarian tendencies, and connect knowledge to power and the ability to take constructive action."[1]<br />
<br />
Based in Marxist theory, critical pedagogy draws on radical democracy, anarchism, feminism, and other movements that strive for what they describe as social justice. Critical pedagogue Ira Shor defines critical pedagogy as:<br />
<br />
"Habits of thought, reading, writing, and speaking which go beneath surface meaning, first impressions, dominant myths, official pronouncements, traditional clichés, received wisdom, and mere opinions, to understand the deep meaning, root causes, social context, ideology, and personal consequences of any action, event, object, process, organization, experience, text, subject matter, policy, mass media, or discourse." (Empowering Education, 129)"
criticalpedagogy
education
pedagogy
criticaleducation
democracy
philosophy
henrygiroux
authoritarianism
authority
freedom
knowledge
teaching
learning
schools
power
control
lcproject
unschooling
deschooling
activism
marxism
anarchism
anarchy
feminism
socialjustice
justice
iraschor
habitsofmind
habitsofthought
reading
writing
literacy
depth
tcsnmy
wisdom
personalconsequences
socialcontext
empowerment
process
experience
depthoverbreadth
politics
paulofreire
michaelapple
howardzinn
jonathankozol
johnholt
johntaylorgatto
matthern
foucault
from delicious
<br />
Based in Marxist theory, critical pedagogy draws on radical democracy, anarchism, feminism, and other movements that strive for what they describe as social justice. Critical pedagogue Ira Shor defines critical pedagogy as:<br />
<br />
"Habits of thought, reading, writing, and speaking which go beneath surface meaning, first impressions, dominant myths, official pronouncements, traditional clichés, received wisdom, and mere opinions, to understand the deep meaning, root causes, social context, ideology, and personal consequences of any action, event, object, process, organization, experience, text, subject matter, policy, mass media, or discourse." (Empowering Education, 129)"
april 2011 by robertogreco
Plikums Sarunas / 010 – Eike König on Vimeo
april 2011 by robertogreco
"An interview by plikums.lv with Eike König, the creator of a multi-disciplinary creative hub & playground named HORT." [http://www.hort.org.uk/ ]
hort
eikekönig
sharing
creativity
play
learning
lcproject
dropouts
schools
schooliness
studio
studios
studioclassroom
education
highereducation
designeducation
social
socializing
failure
risk
risktaking
messiness
anarchism
anarchy
design
graphics
graphicdesign
chaos
curiosity
tcsnmy
openstudio
ideas
conversation
process
hierarchy
administration
leadership
safety
schooldesign
from delicious
april 2011 by robertogreco
playDUcation
april 2011 by robertogreco
"We want to find glimpses of how we will learn in the future by discovering places of playful learning. We will speak with playDUcation visionaries & practioners. We want to see what works best to engage children from different backgrounds & w/ different needs into the learning & knowledge that will make a difference in their lives. Our aim is to create an understanding about what the benefits are: for children, parents, teachers & educators, trainers & anyone who has an interest in better learning.<br />
Our first step: go out in the world, research, talk to innovative people who are already acting by principles of playDUcation, even if they do not necessarily use this notion. This blog is to present those examples to anyone who is interested.<br />
…next step will be to put together a creative team of educational experts to go into the depth of the gathered examples, & generate a methodological approach for learning that will allow, at a next stage, to create new educational products to…"
sebastianhirsch
béabeste
playducation
play
learning
education
schools
lcproject
germany
process
howwelearn
from delicious
Our first step: go out in the world, research, talk to innovative people who are already acting by principles of playDUcation, even if they do not necessarily use this notion. This blog is to present those examples to anyone who is interested.<br />
…next step will be to put together a creative team of educational experts to go into the depth of the gathered examples, & generate a methodological approach for learning that will allow, at a next stage, to create new educational products to…"
april 2011 by robertogreco
Zettelkasten – Wikipedia [See also: http://www.delicious.com/cervus/zettelkasten AND http://www.flickr.com/people/zettel/ AND http://zettelkasten.tumblr.com/]
april 2011 by robertogreco
"Der Zettelkasten ist ein Hilfsmittel bei der Erstellung einer literarischen oder wissenschaftlichen Arbeit. Wichtig erscheinende Sachverhalte, die man z. B. in einem Buch gefunden hat, werden mit Quellenangabe…"<br />
<br />
Google translation: "The card catalog is a tool in creating a literary or scientific work. Appears important issues that we found in a book, for example, has to be the source is noted on slips of paper and kept in boxes and sorted."<br />
<br />
By using a list box or a breakdown Editors will read information is not lost. The card catalog serves as a reminder. Card indexes are shown in the qualitative text analysis were used. <br />
<br />
A major advantage of a card index with respect to a linear text, in the form of a notebook without references, is the networking of content by indexing and cross-reference is created. <br />
<br />
Using electronic media can be obtained by linking with hyperlinks virtual card indexes to create, for example in the form of a wiki or a blog."
words
german
cardcatalog
notetaking
cv
process
howwework
hypertext
hyperlinks
del.icio.us
pinboard
wikis
blogs
cross-referencing
productivity
science
web
management
tools
from delicious
<br />
Google translation: "The card catalog is a tool in creating a literary or scientific work. Appears important issues that we found in a book, for example, has to be the source is noted on slips of paper and kept in boxes and sorted."<br />
<br />
By using a list box or a breakdown Editors will read information is not lost. The card catalog serves as a reminder. Card indexes are shown in the qualitative text analysis were used. <br />
<br />
A major advantage of a card index with respect to a linear text, in the form of a notebook without references, is the networking of content by indexing and cross-reference is created. <br />
<br />
Using electronic media can be obtained by linking with hyperlinks virtual card indexes to create, for example in the form of a wiki or a blog."
april 2011 by robertogreco
Twitter / @Jay Rosen : My way of blogging: Essay: ...
february 2011 by robertogreco
"My way of blogging: Essay: http://jr.ly/87kq Curation after: http://jr.ly/6vxv Search: http://jr.ly/6yyf "<br />
<br />
[The example he uses: http://pressthink.org/2011/02/the-twitter-cant-topple-dictators-article/ ]
jayrosen
methods
howwework
blogs
blogging
curation
essays
search
process
writing
classideas
journalism
from delicious
<br />
[The example he uses: http://pressthink.org/2011/02/the-twitter-cant-topple-dictators-article/ ]
february 2011 by robertogreco
Drill and Kill: Educating Zombies: The Talking Head(s)
february 2011 by robertogreco
"A friend and I are sharing a middle school classroom with sixteen kids creating a mini-documentary film based on nothing that matters. It doesn’t even matter how the films turn out, which will probably be what you would expect from a twelve year old armed with a Flip video and a YouTube file converter app. We have simply gotten out of the way of the learning. As the adults in charge, we have created the learning environment by providing technical support, a loose agenda, and a guiding hand when energies wane.
We talk about the “sage on the stage” or “the talking head” mentality that is rife in education. We talk about the teacher guilt that appears when one abandons direct instruction. We note the implicit judgment leveled by our colleagues that think that such an educational activity is not “real teaching”."
teaching
sageonthestage
guideontheside
pedagogy
filmmaking
process
processoverproduct
tcsnmy
learning
children
autodidacts
lectures
lecturing
tradition
cv
schools
unschooling
deschooling
unlearning
change
looseagendas
support
lcproject
from delicious
We talk about the “sage on the stage” or “the talking head” mentality that is rife in education. We talk about the teacher guilt that appears when one abandons direct instruction. We note the implicit judgment leveled by our colleagues that think that such an educational activity is not “real teaching”."
february 2011 by robertogreco
Curious Pages: LANE SMITH on It's a Book
february 2011 by robertogreco
"Unlike Grandpa (me), today's kids are whip smart and tech savvy. I know eventually everything will be digital and kids won't even know from a regular old book book and that's fine. Truthfully? The reason I made the book? Certainly not to "throw down the gauntlet" as one critic has stated. Naw, I just thought digital vs. traditional made for a funny premise. No heavy message, I'm only in it for the laffs. <br />
<br />
My first version featured a kid. I dummied up some ruffs showing a dummy of a kid who doesn't know what this thing called 'a book' is. "What's this?" he said. The narrator answers, "It's a book," etc."<br />
<br />
[See also http://www.youtube.com/watch?v=x4BK_2VULCU AND ªªhttp://www.lanesmithbooks.com/Home.html ]ºº
books
culture
reading
illustration
lanesmith
technology
bookfuturism
process
howwework
from delicious
<br />
My first version featured a kid. I dummied up some ruffs showing a dummy of a kid who doesn't know what this thing called 'a book' is. "What's this?" he said. The narrator answers, "It's a book," etc."<br />
<br />
[See also http://www.youtube.com/watch?v=x4BK_2VULCU AND ªªhttp://www.lanesmithbooks.com/Home.html ]ºº
february 2011 by robertogreco
Situated learning: legitimate peripheral participation ... - Google Books
february 2011 by robertogreco
"In this important theoretical treatise, Jean Lave, anthropologist, and Etienne Wenger, computer scientist, push forward the notion of situated learning--that learning is fundamentally a social process and not solely in the learner's head. The authors maintain that learning viewed as situated activity has as its central defining characteristic a process they call legitimate peripheral participation. Learners participate in communities of practitioners, moving toward full participation in the sociocultural practices of a community. Legitimate peripheral participation provides a way to speak about crucial relations between newcomers and oldtimers and about their activities, identities, artifacts, knowledge and practice. The communities discussed in the book are midwives, tailors, quartermasters, butchers, and recovering alcoholics, however, the process by which participants in those communities learn can be generalized to other social groups."
situatedlearning
learning
education
books
jeanlave
etiennewenger
society
social
community
tcsnmy
lcproject
apprenticeships
practice
relationships
situationist
participatory
participation
peripheralparticipation
process
via:leighblackall
from delicious
february 2011 by robertogreco
No disrespect intended toward Emily Dickinson, but . . . « Re-educate Seattle
february 2011 by robertogreco
"In this case—and I would argue that this principle is universal—academic content and skills serve as a means towards helping the student mature from childhood to adulthood, from a novice learner dependant on others to a self-directed one that is capable of greater independence.
We spend a lot of time in schools worrying about the product of learning, and not nearly enough on the process."
stevemiranda
processoverproduct
process
projectbasedlearning
projects
teaching
learning
schools
education
pscs
tcsnmy
self-directedlearning
maturity
dependence
interdependence
independence
self-sufficiency
pugetsoundcommunityschool
from delicious
We spend a lot of time in schools worrying about the product of learning, and not nearly enough on the process."
february 2011 by robertogreco
xavier antin / Just in Time, or A Short History of Production
january 2011 by robertogreco
"A book printed through a printing chain made of four desktop printers using four different colors and technologies dated from 1880 to 1976. A production process that brings together small scale and large scale production, two sides of the same history.<br />
<br />
MAGENTA (Stencil duplicator, 1880)<br />
CYAN (Spirit duplicator, 1923)<br />
BLACK (Laser printer, 1969)<br />
YELLOW (Inkjet printer, 1976)"
design
printing
art
history
process
from delicious
<br />
MAGENTA (Stencil duplicator, 1880)<br />
CYAN (Spirit duplicator, 1923)<br />
BLACK (Laser printer, 1969)<br />
YELLOW (Inkjet printer, 1976)"
january 2011 by robertogreco
The slow-photography movement asks what is the point of taking pictures? - By Tim Wu - Slate Magazine
january 2011 by robertogreco
"When you look carefully and avoid trying to label what you see, you inevitably start to notice things that you mightn't have otherwise." [See also: Seeing Is Forgetting the Name of the Thing One Sees: http://www.ucpress.edu/book.php?isbn=9780520256095 ]<br />
<br />
"After taking these two steps, taking the photo becomes irrelevant. You've already had the experience. At this stage, you could shoot with a filmless camera, and the process could retain its power. In the logic of slow photography, the only reason to take photos is to gain access to the third stage, playing around in post-production, whether in a darkroom or using photo-editing tools, an addictive pleasure."
photography
philosophy
ideas
seeing
perception
attention
slow
slowphotography
anseladams
process
from delicious
<br />
"After taking these two steps, taking the photo becomes irrelevant. You've already had the experience. At this stage, you could shoot with a filmless camera, and the process could retain its power. In the logic of slow photography, the only reason to take photos is to gain access to the third stage, playing around in post-production, whether in a darkroom or using photo-editing tools, an addictive pleasure."
january 2011 by robertogreco
Mule Design Studio’s Blog: Giving Better Design Feedback
december 2010 by robertogreco
"In previous posts we’ve gone over how to buy design and how to sell design. Let’s take a look at how to give good feedback.<br />
<br />
For our purposes, it’s worth noting the difference between a critique (which happens between peers or from more senior professionals, such as art directors), and feedback (which comes from clients). In other words, feedback comes from people paying a designer to solve business problems—people who may not be suitably impressed that you implemented a 16 column grid across a golden mean. (I’ll be impressed FOR them.)"
design
feedback
business
process
webdesign
mikemonteiro
howto
from delicious
<br />
For our purposes, it’s worth noting the difference between a critique (which happens between peers or from more senior professionals, such as art directors), and feedback (which comes from clients). In other words, feedback comes from people paying a designer to solve business problems—people who may not be suitably impressed that you implemented a 16 column grid across a golden mean. (I’ll be impressed FOR them.)"
december 2010 by robertogreco
A Box? Or a Spaceship? What Makes Kids Creative - WSJ.com
december 2010 by robertogreco
"Researchers believe growth in time kids spend on computers & watching TV, plus a trend in schools toward rote learning & standardized testing, are crowding out the less structured activities that foster creativity. Mark Runco, a professor of creative studies & gifted education at the U of Georgia, says students have as much creative potential as ever, but he would give US elementary, middle & high schools "a 'D' at best" on encouraging them…<br />
<br />
Asking open-ended questions & showing interest in answers can help…<br />
<br />
It is best to avoid paying too much attention to the outcome of kids' creative efforts…"The more emphasis put on the final product…the greater is "the risk that the kid is going to do pictures for the praise, & not for the enjoyment." Instead, emphasize effort over results…<br />
<br />
Raising a creative child can be taxing. Such kids tend to have above-average "spontaneity, boldness, courage, freedom & expressiveness. So they sometimes behave like little anarchists."
creativity
teaching
schools
rote
education
problemsolving
process
processoverproduct
tcsnmy
lcproject
learning
us
curriculum
standardizedtesting
anarchism
anarchy
parenting
from delicious
<br />
Asking open-ended questions & showing interest in answers can help…<br />
<br />
It is best to avoid paying too much attention to the outcome of kids' creative efforts…"The more emphasis put on the final product…the greater is "the risk that the kid is going to do pictures for the praise, & not for the enjoyment." Instead, emphasize effort over results…<br />
<br />
Raising a creative child can be taxing. Such kids tend to have above-average "spontaneity, boldness, courage, freedom & expressiveness. So they sometimes behave like little anarchists."
december 2010 by robertogreco
Pasta&Vinegar » Tom Sachs' DIY Lunar Module
december 2010 by robertogreco
Quote from Buzz Aldrin: “Our space program is expensive, slow, and crappy… but that’s why it’s magic. In my studio, by building functional elements, by making systems really work, we create new problems that require even more work to solve. This compounded work process, with things built according to our strict code of love and haste, defines the look of what we do. So for us, going to the Moon is a physical armature for continuing to practice what we do.<br />
<br />
I could argue that our is just as real, although it’s maybe more theatrical and more representational (…) my sculptures are not just studies of “real things”; they are real things. Building a spaceship out of plywood creates some special problems that force unique solutions. It’s in those solutions that the work has value to me.“
art
design
history
technology
space
slow
buzzaldrin
nicolasnova
problemsolving
howwework
process
learning
spaceexploration
from delicious
<br />
I could argue that our is just as real, although it’s maybe more theatrical and more representational (…) my sculptures are not just studies of “real things”; they are real things. Building a spaceship out of plywood creates some special problems that force unique solutions. It’s in those solutions that the work has value to me.“
december 2010 by robertogreco
:: NuVu studio
november 2010 by robertogreco
"Students register for a specific studio such as “Balloon Mapping”, “Music and the City”, or “Future of Global Warming” of which there will be approximately 10 students, one Coach and an Assistant Coach. The Coach begins by providing a general overview of a problem to the students, an ambiguous real-world problem with potentially millions of answers. With the Coach’s help each student frames the problem from his/her perspective and enters into an iterative development process supported by the studio team of students & advisors.<br />
<br />
Students are provided with access to outside resources – leading thinkers and experts – to whom they present their framework and receive feedback. Students document their process and progress, continually reviewing it with the Coach. They set parameters, synthesize, and continue refining, refining, refining. NuVu trains students to apply multiple perspectives to challenge and refine ideas over and over again until it becomes a natural way of learning."
education
engineering
highschool
lcproject
openstudio
mit
pedagogy
stem
design
make
innovation
technology
problemsolving
learning
boston
process
unschooling
deschooling
studioclassroom
designthinking
from delicious
<br />
Students are provided with access to outside resources – leading thinkers and experts – to whom they present their framework and receive feedback. Students document their process and progress, continually reviewing it with the Coach. They set parameters, synthesize, and continue refining, refining, refining. NuVu trains students to apply multiple perspectives to challenge and refine ideas over and over again until it becomes a natural way of learning."
november 2010 by robertogreco
elearnspace › Questions I’m no Longer Asking
november 2010 by robertogreco
"I’m firmly convinced of the following:<br />
1. Learners should be in control of their own learning. Autonomy is key. Educators can initiate, curate, and guide. But meaningful learning requires learner-driven activity<br />
2. Learners need to experience confusion and chaos in the learning process. Clarifying this chaos is the heart of learning.<br />
3. Openness of content and interaction increases the prospect of the random connections that drive innovation<br />
4. Learning requires time, depth of focus, critical thinking, and reflection. Ingesting new information requires time for digestion. Too many people digitally gorge without digestion time.<br />
5. Learning is network formation. Knowledge is distributed.<br />
6. Creation is vital. Learners have to create artifacts to share with others and to aid in re-centering exploration beyond the artifacts the educator has provided.<br />
7. Making sense of complexity requires social and technological systems. We do the former better than the latter." [Read on...]
georgesiemens
education
connectivism
learning
timewasted
wastedtime
do
doing
autonomy
unschooling
deschooling
theendlessdebate
lcproject
community
networks
student-centered
student-led
messiness
chaos
process
serendipity
criticalthinking
reflection
information
cv
complexity
technology
from delicious
1. Learners should be in control of their own learning. Autonomy is key. Educators can initiate, curate, and guide. But meaningful learning requires learner-driven activity<br />
2. Learners need to experience confusion and chaos in the learning process. Clarifying this chaos is the heart of learning.<br />
3. Openness of content and interaction increases the prospect of the random connections that drive innovation<br />
4. Learning requires time, depth of focus, critical thinking, and reflection. Ingesting new information requires time for digestion. Too many people digitally gorge without digestion time.<br />
5. Learning is network formation. Knowledge is distributed.<br />
6. Creation is vital. Learners have to create artifacts to share with others and to aid in re-centering exploration beyond the artifacts the educator has provided.<br />
7. Making sense of complexity requires social and technological systems. We do the former better than the latter." [Read on...]
november 2010 by robertogreco
Foxfire School - Core Practices
october 2010 by robertogreco
"1. The work teachers & learners do together is infused from beginning w/ learner choice, design, & revision…central focus of work grows out of learner's interests & concerns… 2. The role of teacher is…facilitator & collaborator… 3. The academic integrity of work teachers & learners do together is clear. Mandated skills & learning expectations are identified to the class. Through collaborative planning & implementation, students engage & accomplish mandates… 4. The work is characterized by active learning… 5. Peer teaching, small group work, & teamwork are consistent features of classroom activities… 6. Connections btwn classroom work, surrounding communities, & world beyond community are clear… 7. There is an audience beyond the teacher for learner work… 8. New activities spiral gracefully out of the old… 9. Imagination & creativity are encouraged in the completion of learning activities… 10. Reflection is an essential activity that takes place at key points throughout work…"
foxfire
education
schools
tcsnmy
lcproject
teaching
learning
learner-centered
student-centered
reflection
process
teacherasmasterlearner
teacherascollaborator
unschooling
deschooling
eliotwigginton
from delicious
october 2010 by robertogreco
jeweled platypus · pixels · Drawings and ceramics
october 2010 by robertogreco
"I loved my ceramics class, which was just hand-building, no wheel-throwing. It’s good exercise for people who read The Design of Everyday Things back in high school — turns out it’s not that easy to make a bowl that works even as well as the mass-produced one you can get for a dollar down the street, much less one that works better.<br />
<br />
You learn to make preliminary sketches and small models, because if you don’t have a strong concept before you spend hours making a mug, you get an ugly cup with an awkward handle. This happens when designing web pages and writing blog posts too, but a pile of smushed clay on your table makes a point. The same goes for close attention at every step: a rough edge, weak join, bad choice of glaze, or a dozen other lazy mistakes can ruin how the thing works and feels. So you have to make lots of pieces before you come up with anything decent, but most of the efforts along the way are nice to keep around too."
ceramics
planning
making
thedesignofeverydaythings
brittagustafson
webdev
writing
design
attention
process
clay
from delicious
<br />
You learn to make preliminary sketches and small models, because if you don’t have a strong concept before you spend hours making a mug, you get an ugly cup with an awkward handle. This happens when designing web pages and writing blog posts too, but a pile of smushed clay on your table makes a point. The same goes for close attention at every step: a rough edge, weak join, bad choice of glaze, or a dozen other lazy mistakes can ruin how the thing works and feels. So you have to make lots of pieces before you come up with anything decent, but most of the efforts along the way are nice to keep around too."
october 2010 by robertogreco
Craft In America | PBS [See also: http://video.kcet.org/program/1235387271/]
september 2010 by robertogreco
"We have a deep sense of longing for the handmade. Perhaps because each of us, in our own way, has had a craft experience. Sometimes it’s an object passed down to us, or one that crosses our path, and connects us to others in traditions, heritage, and rituals.<br />
<br />
Craft gives pleasure as well as function. It is inspirational as well as useful. It is the best representation of who we are as a culture. Craft is democratic. It is broad enough to accommodate anyone who makes something or appreciates the handmade. Craft is all around us. You’ll find it wherever you look – hiding in plain sight.<br />
<br />
Craft in America offers you a place to explore these connections and to inspire your own creativity – through the PBS documentary series and this website. Join us on this voyage of discovery. View the programs online or purchase DVDs of the Peabody Award-winning series for your home library."
art
arts
craft
pbs
diy
culture
glvo
ceramics
blacksmithing
process
from delicious
<br />
Craft gives pleasure as well as function. It is inspirational as well as useful. It is the best representation of who we are as a culture. Craft is democratic. It is broad enough to accommodate anyone who makes something or appreciates the handmade. Craft is all around us. You’ll find it wherever you look – hiding in plain sight.<br />
<br />
Craft in America offers you a place to explore these connections and to inspire your own creativity – through the PBS documentary series and this website. Join us on this voyage of discovery. View the programs online or purchase DVDs of the Peabody Award-winning series for your home library."
september 2010 by robertogreco
Ethan Bodnar - Tonight, while working on a design project for...
september 2010 by robertogreco
"Tonight, while working on a design project for school I had crumpled up some sketches that weren’t great ideas and tossed them into the trash. I then had the idea of using a crumpled up sheet of paper as the actual logo and quickly realized that it was too detailed for that.<br />
<br />
I decided to scan it — this is the first result — after a bit of help from Photoshop.<br />
<br />
To me, the image is visually beautiful. And conceptually for me it represents the idea of play, exploration, experimentation, and of process, especially since that is how the image came to be in the first place."
ethanbodnar
process
beauty
play
exploration
iteration
experimentation
from delicious
<br />
I decided to scan it — this is the first result — after a bit of help from Photoshop.<br />
<br />
To me, the image is visually beautiful. And conceptually for me it represents the idea of play, exploration, experimentation, and of process, especially since that is how the image came to be in the first place."
september 2010 by robertogreco
Visiting dConstruct 2010 | Coldbrain.
september 2010 by robertogreco
"That kinda sums up the past few years of my life. I’ve been collecting all these new interests and passions and obsessions and trying to get myself beyond ‘advanced beginner’ in all of them. It’s taking time, because being a generalist means soaking up so much information from so many areas. It’s exhausting, and I wish I had this mindset 5 or 10 years ago, so I could be that much further down the line. I have to remind myself that it is as much about the journey, though."
matthewculnane
dconstruct
2010
generalists
brendandawes
tomcoates
merlinmann
davidmccandless
samanthawarren
johngruber
daringfireball
hannahdonovan
jamesbridle
nerds
learning
process
journey
journeynotdestination
constellationalthinking
timcarmody
from delicious
september 2010 by robertogreco
Near Future Laboratory » Blog Archive » Weekending 09122010
september 2010 by robertogreco
"[T]he thing you learn from good work in a good studio is how to do good work. It’s less about what gets tooled and manufactured; less about what gets built and all that. It’s learning how to do what you do better than before."
julianbleecker
design
learning
studio
glvo
tcsnmy
lcproject
practice
process
iteration
improvement
from delicious
september 2010 by robertogreco
Text Patterns: one reader's report [The quote here is from the first comment.]
september 2010 by robertogreco
"I wonder if I do this to high school students sometimes--make them stop and talk about what they are reading so constantly that I create that interrupted, hook-less reading experience. Perhaps if I just let them read the silly book we could then talk about it afterward; perhaps then they'd actually reach the end and have enjoyed the process."
teaching
reading
novels
interruption
flow
pleasure
enjoyment
process
tcsnmy
from delicious
september 2010 by robertogreco
On Wikipedia, Cultural Patrimony, and Historiography | booktwo.org
september 2010 by robertogreco
"This is historiography. This is what culture actually looks like: a process of argument, of dissenting and accreting opinion, of gradual and not always correct codification.<br />
<br />
And for the first time in history, we’re building a system that, perhaps only for a brief time but certainly for the moment, is capable of recording every single one of those infinitely valuable pieces of information. Everything should have a history button. We need to talk about historiography, to surface this process, to challenge absolutist narratives of the past, and thus, those of the present and our future." [Audio of the dConstruct10 talk is supposed to be here: http://2010.dconstruct.org/podcast or here http://huffduffer.com/dConstruct/25256]
via:preoccupations
historiography
iraq
history
jamesbridle
wikipedia
culture
books
process
argument
dissent
2010
from delicious
<br />
And for the first time in history, we’re building a system that, perhaps only for a brief time but certainly for the moment, is capable of recording every single one of those infinitely valuable pieces of information. Everything should have a history button. We need to talk about historiography, to surface this process, to challenge absolutist narratives of the past, and thus, those of the present and our future." [Audio of the dConstruct10 talk is supposed to be here: http://2010.dconstruct.org/podcast or here http://huffduffer.com/dConstruct/25256]
september 2010 by robertogreco
The k12 Lab Wiki: Process
september 2010 by robertogreco
"At the k12 lab, we are continually experimenting around ways to help kids develop as creative and empathetic people. In other words, we value processes that help develop flexible and generative mindsets. Design thinking is one such process. <br />
<br />
Like scientific methods, design thinking often presented in a linear model, but in applied practice, it is often much more organic. Kids will enjoy exploring how design thinking is similar to and different from other modes of thinking."
process
designthinking
teaching
empathy
creativity
tcsnmy
howto
methods
classideas
design
d.school
k12lab
from delicious
<br />
Like scientific methods, design thinking often presented in a linear model, but in applied practice, it is often much more organic. Kids will enjoy exploring how design thinking is similar to and different from other modes of thinking."
september 2010 by robertogreco
Asking Good Questions - Learning Historical Research
september 2010 by robertogreco
"You are interested in doing some research in environmental history, but how do you begin? It can be difficult to select a research topic. You may feel unsure of where to begin, or you may be frustrated by the process. Even though you have a specific topic ready, you could still feel lost when searching for data to support your argument. These feelings are quite normal at the beginning phase of doing research. Developing good research questions is an essential first step of every research project, because good research questions focus your work and provide direction for your next steps. The purpose of this page is to help you learn how to create research questions from general topics, and to give you useful tips for refining your questions during the research process." [Don;t miss the chart "The Iterative Flow of Questions, Documents, and Research Process"] [via: http://libraryland.tumblr.com/post/1048161893/the-iterative-flow-of-questions-documents-and]
methods
research
tcsnmy
classideas
cv
mindflow
inquiry
history
process
learning
from delicious
september 2010 by robertogreco
LIBESKIND’S MACHINES « LEBBEUS WOODS [via http://twitter.com/javierest/status/22408866350 AND http://greg.org/archive/2010/08/28/do_daniel_libeskinds_awesome_machines_mean_i_have_to_stop_hating_his_work.html
august 2010 by robertogreco
"Their use of analogy to inform the field of architecture is a potent tool for exploring much-needed new ideas of space and its human purposes than are afforded by the ordinary design process based on history and accepted building typologies. In the past, architects such as Mies found architectural inspiration in works of art (see the post Art to Architecture), while Le Corbusier produced his own paintings and sculptures to work out complex aesthetic problems in his architecture. Libeskind’s machines are in this tradition, though the problems are different. More architects today could benefit from such an analogous method, if they set for themselves problems not already solved. This method, like the machines themselves, opens architecture to a wide range of knowledge coming from different fields of thought and work, which is sorely needed in a time such as the present, characterized by increasing diversity in the human situation."
architecture
design
machines
robots
sculpture
daniellibeskind
lebbeuswoods
interdisciplinary
diversity
human
multidisciplinary
crossdisciplinary
knowledge
problemsolving
2009
reading
writing
memory
drawings
history
1979
architecture-as-text
text
post-structuralism
process
fabrication
from delicious
august 2010 by robertogreco
Doors of Perception weblog: 'Reversing the reversal' with john chris jones
august 2010 by robertogreco
"Like…Ivan Illich, John Chris Jones was decades ahead of his time…wrote about cities w/out traffic signals in 1950s…was an advocate of what today is called call ‘design thinking’…advocated user-centered design well before term was widely used…began by designing aeroplanes – but soon felt compelled to make industrial products more human…fuelled his search for design processes that would shape, rather than serve, industrial systems. As a kind of industrial gamekeeper turned poacher, Jones went on to warn about potential dangers of digital revolution unleashed by Claude Shannon…realized attempts to systematize design led, in practice, to separation of reason from intuition & embodied experience w/ design process…‘I’ve been drawn to study ancient myths and traditional theatres for decades’ he writes; ‘unless we can rid modern culture of its realisms there is no getting out of the grim realities of commercial engineering and the way of life built on it’…"
johnchrisjones
ivanillich
internet
cities
design
designthinking
designmethods
traffic
trafficsignals
urban
urbanism
user-centered
industrialdesign
claudeshannon
renaissance
greeks
ancientgreeks
process
purpose
intuition
nature
human
economics
change
industrial
anarchism
chaos
toread
from delicious
august 2010 by robertogreco
Rosecrans Baldwin, Novelist - Writers on Process
august 2010 by robertogreco
“A ton of writers I know, and I include myself in that category, if you see them at a party texting someone, they are actually not texting. They are saving a piece of overheard conversation that they want to keep. Or they are noting down an idea.”
rosecransbaldwin
writing
notetaking
via:robinsloan
ideas
howwework
classideas
srg
process
memory
texting
from delicious
august 2010 by robertogreco
Scaling startups
august 2010 by robertogreco
"People who don’t take risks generally make about two big mistakes a year. People who do take risks generally make about two big mistakes a year."<br />
<br />
"Process is an embedded reaction to prior stupidity."<br />
<br />
"If you follow process religiously, you’ll never get anything done!"<br />
<br />
"Hire well: This goes without saying, and I didn’t mention it in the panel. It’s a big topic probably best left for another post. Hiring great people makes everything else below easier.<br />
<br />
Communication: Everyone in the company uses IRC, not just engineers. Everyone, all the time, from the CEO on down. Sure, sometimes you can miss things if you’re not in IRC at the time, but the benefits far outweigh the costs, and you have a lot fewer meetings about day-to-day mundane issues. … <br />
<br />
Encourage experimentation … External transparency … Embracing failure …"
business
culture
startups
startup
entrepreneurship
scalability
risk
failure
strategy
chaddickerson
transparency
experimentation
tcsnmy
communication
process
purpose
riskassessment
riskaversion
risks
risktaking
hiring
via:stamen
from delicious
<br />
"Process is an embedded reaction to prior stupidity."<br />
<br />
"If you follow process religiously, you’ll never get anything done!"<br />
<br />
"Hire well: This goes without saying, and I didn’t mention it in the panel. It’s a big topic probably best left for another post. Hiring great people makes everything else below easier.<br />
<br />
Communication: Everyone in the company uses IRC, not just engineers. Everyone, all the time, from the CEO on down. Sure, sometimes you can miss things if you’re not in IRC at the time, but the benefits far outweigh the costs, and you have a lot fewer meetings about day-to-day mundane issues. … <br />
<br />
Encourage experimentation … External transparency … Embracing failure …"
august 2010 by robertogreco
Rethinking Rubrics in Writing Assessment by Maja Wilson - Heinemann Publishing
august 2010 by robertogreco
"The conventional wisdom in English education is that rubrics are the best & easiest tools for assessment. But sometimes it's better to be unconventional. Maja Wilson offers a new perspective on rubrics & argues for a better, more responsive way to think about assessing writers' progress.<br />
<br />
Though you may sense a disconnect between student-centered teaching & rubric-based assessment, you may still use rubrics for convenience or for want of better alternatives. RRiWA gives you the impetus to make a change, demonstrating how rubrics can hurt kids & replace professional decision making with an inauthentic pigeonholing that stamps standardization onto a notably nonstandard process. With an emphasis on thoughtful planning & teaching, Wilson shows you how to reconsider writing assessment so that it aligns more closely with high-quality instruction & avoids the potentially damaging effects of rubrics."
majawilson
rubrics
assessment
writing
teaching
education
tcsnmy
evaluation
alfiekohn
standardization
process
books
pedagogy
from delicious
<br />
Though you may sense a disconnect between student-centered teaching & rubric-based assessment, you may still use rubrics for convenience or for want of better alternatives. RRiWA gives you the impetus to make a change, demonstrating how rubrics can hurt kids & replace professional decision making with an inauthentic pigeonholing that stamps standardization onto a notably nonstandard process. With an emphasis on thoughtful planning & teaching, Wilson shows you how to reconsider writing assessment so that it aligns more closely with high-quality instruction & avoids the potentially damaging effects of rubrics."
august 2010 by robertogreco
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