robertogreco + noticing 63
Drift: an app for getting lost in familiar places | Broken City Lab
5 days ago by robertogreco
"Finally launched and available in the iOS App Store! [http://itunes.apple.com/us/app/drift/id524083174 ]
Drift helps you get lost in familiar places by guiding you on a walk using randomly assembled instructions. Each instruction will ask you to move in a specific direction and, using the compass, look for something normally hidden or unnoticed in our everyday experiences.
As you find these hidden or unnoticed things, you will be asked to document them with the camera, creating a photographic record of you walk. Drift also keeps track of where and when you took the photos and makes your documentation optionally available for others to view through the Drift website.
Drift was made possible with the generous support from the Ontario Arts Council Media Arts Grant for Emerging Artists.
Drift was developed by Justin Langlois in collaboration with Broken City Lab.
This project was generously supported by the Ontario Arts Council Media Arts Grant for Emerging Artists."
2012
observation
documentation
photography
justinlanglois
psychogeography
experience
everydaylife
everyday
compass
cities
brokencitylab
drift
iphone
ios
applications
noticing
exploration
walking
situationist
from delicious
Drift helps you get lost in familiar places by guiding you on a walk using randomly assembled instructions. Each instruction will ask you to move in a specific direction and, using the compass, look for something normally hidden or unnoticed in our everyday experiences.
As you find these hidden or unnoticed things, you will be asked to document them with the camera, creating a photographic record of you walk. Drift also keeps track of where and when you took the photos and makes your documentation optionally available for others to view through the Drift website.
Drift was made possible with the generous support from the Ontario Arts Council Media Arts Grant for Emerging Artists.
Drift was developed by Justin Langlois in collaboration with Broken City Lab.
This project was generously supported by the Ontario Arts Council Media Arts Grant for Emerging Artists."
5 days ago by robertogreco
William Gibson On MONDO 2000 & 90s Cyberculture (MONDO 2000 History Project Entry #16) | ACCELER8OR
10 days ago by robertogreco
"REGARDING THE ’90S UTOPIANISM: I never though that cyborgs and virtual worlds were particularly utopian, so I’ve never been disappointed. The world is always more interesting than some futurist’s vision. If you think it’s not, you’re not really looking."
"WHO WE ARE: Who we are is largely who we meet. Cities are machines that randomize contact. The Internet is a meta-city, meta-randomizing contact. I now “know” more people than I would ever have imagined possible, because of that. It changes who I am and what I can do."
urban
urbanism
contact
meta-city
life
whoweare
change
payingattention
noticing
reality
cyborgs
utopianthinking
online
web
internet
cities
vr
futurists
futurism
timothyleary
cyberpunk
cyberculture
rusirius
simonelackbauer
mondo2000
williamgibson
scifi
sciencefiction
from delicious
"WHO WE ARE: Who we are is largely who we meet. Cities are machines that randomize contact. The Internet is a meta-city, meta-randomizing contact. I now “know” more people than I would ever have imagined possible, because of that. It changes who I am and what I can do."
10 days ago by robertogreco
dOCUMENTA (13) - dOCUMENTA (13)
18 days ago by robertogreco
"Note taking encompasses witnessing, drawing, writing, and diagrammatic thinking; it is speculative, manifests a preliminary moment, a passage, and acts as a memory aid.
With contributions by authors from a range of disciplines, such as art, science, philosophy and psychology, anthropology, economic- and political theory, language- and literature studies, as well as poetry, 100 Notes – 100 Thoughts constitutes a space of dOCUMENTA (13) to explore how thinking emerges and lies at the heart of re-imagining the world. In its cumulative nature, this publication project is a continuous articulation of the emphasis of dOCUMENTA (13) on the propositional, underlining the flexible mental moves to generate space for the possible. Thoughts, unlike statements, are always variations: this is the spirit in which these notebooks are proposed."
[via: http://frieze.com/issue/article/books2027/ AND http://halloween-in-january.tumblr.com/post/21407577412 AND http://www.jennasutela.com/frieze ]
publishing
conversations
collaborations
essays
notebooks
hatjecantz
memoryaids
memory
noticing
witnessing
writing
drawing
diagrammaticthinking
thinking
2012
2011
notetaking
notes
literature
language
economics
politics
politicaltheory
philosophy
anthropology
art
psychology
books
documenta(13)
documenta
from delicious
With contributions by authors from a range of disciplines, such as art, science, philosophy and psychology, anthropology, economic- and political theory, language- and literature studies, as well as poetry, 100 Notes – 100 Thoughts constitutes a space of dOCUMENTA (13) to explore how thinking emerges and lies at the heart of re-imagining the world. In its cumulative nature, this publication project is a continuous articulation of the emphasis of dOCUMENTA (13) on the propositional, underlining the flexible mental moves to generate space for the possible. Thoughts, unlike statements, are always variations: this is the spirit in which these notebooks are proposed."
[via: http://frieze.com/issue/article/books2027/ AND http://halloween-in-january.tumblr.com/post/21407577412 AND http://www.jennasutela.com/frieze ]
18 days ago by robertogreco
The Leonard Lopate Show: Video: Questions for Teju Cole - WNYC
20 days ago by robertogreco
"What are your favorite books/who are your favorite authors?
Poets inform my ear and my way of seeing the world. I read poetry much more than I read prose…"
"Do you have any writing rituals or habits? Where and when do you write?
I make notes all the time. There are little fragments of experience that somehow call out to me, and I make note of them: either something I’ve read in a book, or something I see on the subway, or a thought that occurs to me in the shower. And this archive of fragments after a while begins to show family resemblance, and could lead to a work, fictional or otherwise. Other than that, I have no particular rituals. I write longhand or on a computer, usually the latter, in the morning or late at night, usually the latter, in silence or with music, usually the latter."
"How does your photography inform you writing?
I try to see things from a different angle, in photography and in writing. Not novelty for its own sake but something that comes from an…"
noticing
patterns
patternrecognition
howwework
seamusheaney
derekwalcott
poetry
nyc
walking
experience
interviews
2012
notetaking
writing
opencity
cities
perspective
seeing
looking
photography
adjectives
words
tejucole
from delicious
Poets inform my ear and my way of seeing the world. I read poetry much more than I read prose…"
"Do you have any writing rituals or habits? Where and when do you write?
I make notes all the time. There are little fragments of experience that somehow call out to me, and I make note of them: either something I’ve read in a book, or something I see on the subway, or a thought that occurs to me in the shower. And this archive of fragments after a while begins to show family resemblance, and could lead to a work, fictional or otherwise. Other than that, I have no particular rituals. I write longhand or on a computer, usually the latter, in the morning or late at night, usually the latter, in silence or with music, usually the latter."
"How does your photography inform you writing?
I try to see things from a different angle, in photography and in writing. Not novelty for its own sake but something that comes from an…"
20 days ago by robertogreco
Looking, Walking, Being | Design Culture Lab
22 days ago by robertogreco
Looking, Walking, Being
“The World is not something to
look at, it is something to be in.”
- Mark Rudman
I look and look.
Looking’s a way of being: one becomes,
sometimes, a pair of eyes walking.
Walking wherever looking takes one.
The eyes
dig and burrow into the world.
They touch
fanfare, howl, madrigal, clamor.
World and the past of it,
not only
visible present, solid and shadow
that looks at one looking.
And language? Rhythms
of echo and interruption?
That’s
a way of breathing.
breathing to sustain
looking,
walking and looking,
through the world,
in it.
~ Denise Levertov
eyes
language
walking
2012
deniselevertov
observation
annegalloway
poetry
poems
markrudman
noticing
looking
from delicious
“The World is not something to
look at, it is something to be in.”
- Mark Rudman
I look and look.
Looking’s a way of being: one becomes,
sometimes, a pair of eyes walking.
Walking wherever looking takes one.
The eyes
dig and burrow into the world.
They touch
fanfare, howl, madrigal, clamor.
World and the past of it,
not only
visible present, solid and shadow
that looks at one looking.
And language? Rhythms
of echo and interruption?
That’s
a way of breathing.
breathing to sustain
looking,
walking and looking,
through the world,
in it.
~ Denise Levertov
22 days ago by robertogreco
The Most Dangerous Gamer - Magazine - The Atlantic
7 weeks ago by robertogreco
"Thoreau…“With a little more deliberation in the choice of their pursuits,” he proclaimed, “all men would perhaps become essentially students and observers, for certainly their nature and destiny are interesting to all alike.”
Blow clicked off the stereo and turned to me. “I honestly didn’t plan that,” he said.
In so many words, Loud Thoreau had just described Blow’s central idea for The Witness. Whereas so many contemporary games are built on a foundation of shooting or jumping or, let’s say, the creative use of mining equipment to disembowel space zombies, Blow wants the point of The Witness to be the act of noticing, of paying attention to one’s surroundings. Speaking about it, he begins to sound almost like a Zen master. “Things are pared down to the basic acts of movement and observation until those senses become refined,” he told me. “The further you go into the game, the more it’s not even about the thinking mind anymore—it becomes about the intuitive mind."
literature
narrative
taylorclark
miegakure
marctenbosch
interactivefiction
asceticism
storytelling
payingattention
attention
observation
noticing
intuition
myst
littlebigplanet
money
belesshelpful
fiction
jenovachen
flow
tombissell
gamedev
chrishecker
einstein'sdreams
alanlightman
invisiblecities
italocalvino
jonblow
deannavanburen
art
2012
thewitness
thoreau
srg
edg
videogames
gaming
games
braid
jonathanblow
if
from delicious
Blow clicked off the stereo and turned to me. “I honestly didn’t plan that,” he said.
In so many words, Loud Thoreau had just described Blow’s central idea for The Witness. Whereas so many contemporary games are built on a foundation of shooting or jumping or, let’s say, the creative use of mining equipment to disembowel space zombies, Blow wants the point of The Witness to be the act of noticing, of paying attention to one’s surroundings. Speaking about it, he begins to sound almost like a Zen master. “Things are pared down to the basic acts of movement and observation until those senses become refined,” he told me. “The further you go into the game, the more it’s not even about the thinking mind anymore—it becomes about the intuitive mind."
7 weeks ago by robertogreco
Nel Noddings – Caring « Lebenskünstler
7 weeks ago by robertogreco
“The one-caring, then, is not bored with ordinary life…the one-caring finds new delight in breakfast, in welcoming home her wanderers, in feeding the cat who purrs against her ankle, in noticing the twilight. She does not ask, ‘Is this all there is?,’ but wishes in hearty affirmation that what-is might go on and on…Now one may ask just how the celebration of everyday life contributes to the maintenance of the ethical ideal. First, of course, as we have seen, such celebration turns the one-caring in wonder and appreciation to the source of her ethicality. It is for the most part in ordinary situations that we meet others for whom we shall care and who care for us. Second, celebration of ordinary life requires and is likely to enhance receptivity. The magic of daily life may be missed by one who constantly seeks adventure and ‘something new.’ Celebration of daily experience provides opportunities for engrossment, for complete involvement in living”
care
caring
leisurearts
noticing
everyday
everydaylife
wisdom
living
life
ethics
randallszott
nelnoddings
from delicious
7 weeks ago by robertogreco
Sagashitemiyo! | Benesse’s new iPhone app for little explorers | Spoon & Tamago
february 2012 by robertogreco
"I love the idea behind this new iPhone app for kids called Sagashitemiyo! (さがしてみよ!), or Let’s Search! The simple interface starts off by prompting little explorers to search for objects based on certain criteria like something “round,” “white” or “sparkly.”
The kids then set off on an expedition, capturing objects with the phone’s camera.
The app then allows you to catalog your discoveries into a virtual field guide of things around you. You can even share your discoveries with friends who are also using the app."
[See also http://kodomo.benesse.ne.jp/enjoy/iapl/search/ AND http://itunes.apple.com/jp/app/id484416695 ]
viewfinders
cameras
photography
seeing
looking
benesse
virtualtinboxes
search
searching
sagashitemiyo
observation
2012
noticing
emptytins
discovery
japanese
japan
children
applications
ios
iphone
The kids then set off on an expedition, capturing objects with the phone’s camera.
The app then allows you to catalog your discoveries into a virtual field guide of things around you. You can even share your discoveries with friends who are also using the app."
[See also http://kodomo.benesse.ne.jp/enjoy/iapl/search/ AND http://itunes.apple.com/jp/app/id484416695 ]
february 2012 by robertogreco
A Reason for Everything . . . — Imprint-The Online Community for Graphic Designers
february 2012 by robertogreco
"There is nothing finer than reality, so far as I'm concerned, and yet there seems to be no life unless reality is coupled with imagination, and attention to reality is coupled to imagination. You give people some simple, abstract marks, which represent some speakable sounds, which represent in turn some thinkable meanings, and they supply the pictures for themselves. Still, reality underlies imagination, an attention to reality trues and tunes imagination. That's how listening works, and listening is the foundation on which reading and writing is based."
meaningmaking
meaning
abstraction
living
life
books
stevenheller
2012
writing
listening
noticing
attention
imagination
reality
robertbringhurst
reading
via:tealtan
from delicious
february 2012 by robertogreco
Teaching: Cultures of Design, Or Design and Everyday Life | Design Culture Lab
february 2012 by robertogreco
"Original and world-changing design was long considered the product of solitary geniuses, masters and heroes, but recent research has argued that cultural innovation is often the result of everyday actions by ordinary people. This course critically and creatively examines the dynamic and collaborative networks that characterise professional and amateur design today, and prepares students to face the challenges and opportunities that lie ahead."
[Course aims, course content, course assignments (4 of them) follow, all worth reading]
To get started, students are required to complete the following task (adapted from The Exercise Book) for the first tutorial:
1) Go for a walk with a notebook and pay close attention to what’s going on around you.
2) Compose one written page with three sections. Start the first section with “I see…”, the second section with “I remember…” and the third section with “I imagine…”."
culturalphenomena
socialphenomena
place
objects
social
future
present
past
culture
innovation
creativity
cocreation
speculativedesign
amateurism
ethics
aesthetics
everydaylife
anthropology
classideas
criticalpractice
noticing
2012
annegalloway
teaching
ethnography
design
_socialphenomena
from delicious
[Course aims, course content, course assignments (4 of them) follow, all worth reading]
To get started, students are required to complete the following task (adapted from The Exercise Book) for the first tutorial:
1) Go for a walk with a notebook and pay close attention to what’s going on around you.
2) Compose one written page with three sections. Start the first section with “I see…”, the second section with “I remember…” and the third section with “I imagine…”."
february 2012 by robertogreco
Mark Jenkins: Go Figure! on Vimeo
february 2012 by robertogreco
[For me, the most interesting bit comes towards the end (8:57 and on) when Jenkins speaks about teaching, holding workshops, and sharing his technique…]
"The basic casting process is quite simple and I've taught it to like seven-year-olds and up. The learning curve is really low… And I don't even know if it's good, but they see my work and then they see the technique and a lot of people gravitate towards doing something that they've seen on my site, which is usually an outdoor installation.
You always hesitate to try to…teach. People can look at your work and get inspired, but if they look too long they end up creating your own work. And what seems to have work best…longer workshops in Russia…sometimes I've done projects…Getting used to being outdoors and using objects. It's more that they learn a perspective than learn… That seems to be the most valuable thing that they get out of it. Or even just learning a different way to see the city."
art
2012
perspective
cities
noticing
learning
style
sculpture
technique
streetart
markjenkins
from delicious
"The basic casting process is quite simple and I've taught it to like seven-year-olds and up. The learning curve is really low… And I don't even know if it's good, but they see my work and then they see the technique and a lot of people gravitate towards doing something that they've seen on my site, which is usually an outdoor installation.
You always hesitate to try to…teach. People can look at your work and get inspired, but if they look too long they end up creating your own work. And what seems to have work best…longer workshops in Russia…sometimes I've done projects…Getting used to being outdoors and using objects. It's more that they learn a perspective than learn… That seems to be the most valuable thing that they get out of it. Or even just learning a different way to see the city."
february 2012 by robertogreco
Mark Williams on Mindfulness on Vimeo
february 2012 by robertogreco
"Is mindfulness the answer to all our prayers? The benefits are compelling: it’s free, you can do it anytime, anywhere, and it’s been scientifically proven to work. It is recognised by those in and out of the health profession as a useful tool for generally improving our mental wellbeing, as well as dealing with more serious issues such as depression or anxiety disorders.
Professor Mark Williams, a leading authority on mindfulness, takes to our pulpit to explore the science behind it and look at its practical application in everyday life. He takes us through the myths, realities, and benefits of meditation, and looks at how such practices can help us to live lives of greater presence, productive and peace."
attention
noticing
imagination
ptsd
peace
presence
meditation
anxiety
well-being
teens
mentalhealth
mindfulness
2011
markwilliams
sadness
depression
life
health
parenting
philosophy
psychology
from delicious
Professor Mark Williams, a leading authority on mindfulness, takes to our pulpit to explore the science behind it and look at its practical application in everyday life. He takes us through the myths, realities, and benefits of meditation, and looks at how such practices can help us to live lives of greater presence, productive and peace."
february 2012 by robertogreco
(SL) DISTIN 15 (This is what happens.)
february 2012 by robertogreco
"Looking, really looking, at art (some might say seeing…feeling) is like this: It is like all the other really amazing things in life…You do it too much & you forget how good it can actually be…you become jaded. You don’t get enough & it is all you can think about—the good & the bad. Then, there is one photo…drawing…performance & you want to know all there is to know about it…It is a little bit like falling in love. It’s best, most exciting, when you don’t know why you like something…the thing you are looking at is something you might usually be inclined to dislike…But, with this, you cannot stop looking, cannot stop thinking. And so, in every other thing that you think about, talk about, read about, talk about, read about, you start to see it in all of those other things, whether or not they, directly, have anything to do with that thing you are suddenly, entirely, falling for…all of those other things have changed. And everything that you thought you knew is no longer the same."
rabbitholes
looking
taste
feeling
artappreciation
interestedness
interest
interests
thinking
howwelearn
evolution
understanding
appreciation
art
love
2011
passion
obsession
wittgenstein
change
yearning
learning
noticing
seeing
saradisten
from delicious
february 2012 by robertogreco
Borderland » A Good Day
december 2011 by robertogreco
"So my focus in the classroom has lately shifted from teaching practice to thinking about more interesting things, like human consciousness (my own, mainly) as I ask myself all day long, day after day, What the fuck am I doing now? And why? This is not really such a bad thing. The upside of it is that I spend way less energy worrying about curriculum and method, and more time watching my own interactions with the kids, trying to be as helpful and even-handed as I can be. It occurs to me that if a person was looking for a working model of resistance to reform, they really ought to spend a few weeks managing a sixth-grade classroom. It’s a test. Every day."
teaching
dougnoon
2011
noticing
humanconsciousness
consciousness
perspective
howweteach
observation
introspection
whatmatters
cv
bestpractices
from delicious
december 2011 by robertogreco
Rob Walker: Questions About 'The New Aesthetic': Observers Room: Design Observer
november 2011 by robertogreco
"Stumbling into other peoples' back yards is good, as it helps to define one's own territory. I'm realising I'm more interested in the communicative and psychological effects that living with these technologies produces, the cross-fertilisation between technology and culture and the normalisation of those cross-overs—as well as the sheer temporal vertigo it can produce."
"The New Aesthetic is not criticism, but an exploration; not a plea for change, rather a series of reference points to the change that is occurring. An attempt to understand not only the ways in which technology shapes the things we make, but the way we see and understand them."
jamesbridle
robwalker
crossdisciplinary
crosspollination
interdisciplinary
thenewaesthetic
machine-readableworld
dataobjects
bernhardrieder
digitization
technology
noticing
change
nearfuture
2011
newaesthetic
from delicious
"The New Aesthetic is not criticism, but an exploration; not a plea for change, rather a series of reference points to the change that is occurring. An attempt to understand not only the ways in which technology shapes the things we make, but the way we see and understand them."
november 2011 by robertogreco
Is there an artist in the house? - The Irish Times - Sat, Oct 29, 2011
october 2011 by robertogreco
"It’s not just patients who benefit from paintings: medical students who study art can increase their observational and diagnostic skills. GEMMA TIPTON examines the relationship between art and medicine, and probes a pioneering course at Trinity College Dublin"
art
arttherapy
research
medicine
health
2011
yale
trinitycollegedublin
observation
diagnosis
noticing
via:irasocol
from delicious
october 2011 by robertogreco
Developing Your Creative Practice: Tips from Brian Eno :: Tips :: The 99 Percent
september 2011 by robertogreco
"1. Freeform capture. Grab from a range of sources without editorializing…<br />
<br />
2. Blank state. Start with new tools, from nothing, and toy around…<br />
<br />
3. Deliberate limitations. Before a project begins, develop specific limitations…<br />
<br />
4. Opposing forces. Sometimes it’s best to generate a forced collision of ideas…<br />
<br />
5. Creative prompts. In the ‘70s Eno developed his Oblique Strategies cards, a series of prompts modeled after the I Ching to disrupt the process and encourage a new way of encountering a creative problem. On the cards are statements and questions like: “Would anybody want it?” “Try faking it!” “Only a part, not the whole.” “Work at a different speed.” “Disconnect from desire.” “Turn it upside down.” “Use an old idea."…<br />
<br />
In the end, don’t underestimate your personal feelings about a project. Eno states: “Nearly all the things I do that are of any merit at all start off as just being good fun.” Amen to that."
art
creativity
music
productivity
brain
neuroscience
via:preoccupations
brianeno
2011
jonahlehrer
ideation
classideas
innovation
noticing
limitations
constraints
making
doing
glvo
howwework
process
idleness
boredom
thinking
ideas
has:via
from delicious
<br />
2. Blank state. Start with new tools, from nothing, and toy around…<br />
<br />
3. Deliberate limitations. Before a project begins, develop specific limitations…<br />
<br />
4. Opposing forces. Sometimes it’s best to generate a forced collision of ideas…<br />
<br />
5. Creative prompts. In the ‘70s Eno developed his Oblique Strategies cards, a series of prompts modeled after the I Ching to disrupt the process and encourage a new way of encountering a creative problem. On the cards are statements and questions like: “Would anybody want it?” “Try faking it!” “Only a part, not the whole.” “Work at a different speed.” “Disconnect from desire.” “Turn it upside down.” “Use an old idea."…<br />
<br />
In the end, don’t underestimate your personal feelings about a project. Eno states: “Nearly all the things I do that are of any merit at all start off as just being good fun.” Amen to that."
september 2011 by robertogreco
The London Perambulator (full length documentary) - YouTube
september 2011 by robertogreco
"Featuring: Russell Brand, Will Self, Iain Sinclair and Nick PapadimitriouDirected by John Rogers<br />
John Rogers' film looks at the city we deny and the future city that awaits us. Leading London writers and cultural commentators Will Self, Iain Sinclair and Russell Brand explore the importance of the liminal spaces at the city's fringe, its Edgelands, through the work of enigmatic and downright eccentric writer and researcher Nick Papadimitriou - a man whose life is dedicated to exploring and archiving areas beyond the permitted territories of the high street, the retail park, the suburban walkways.<br />
The ideas of psychogeography and Nick's own deep topography are also explored."
london
cities
psychogeography
willself
russellbrand
iainsinclair
nickpapadimitriou
walking
topography
situationist
2011
via:preoccupations
place
urban
urbanism
history
thelondonperambulator
uk
johnrogers
maps
mapping
space
research
documentation
photography
video
discovery
noticing
classideas
has:via
from delicious
John Rogers' film looks at the city we deny and the future city that awaits us. Leading London writers and cultural commentators Will Self, Iain Sinclair and Russell Brand explore the importance of the liminal spaces at the city's fringe, its Edgelands, through the work of enigmatic and downright eccentric writer and researcher Nick Papadimitriou - a man whose life is dedicated to exploring and archiving areas beyond the permitted territories of the high street, the retail park, the suburban walkways.<br />
The ideas of psychogeography and Nick's own deep topography are also explored."
september 2011 by robertogreco
Visipix: Mangas by HOKUSAI, Katsushika (1760 - 1849)
september 2011 by robertogreco
"This started one of the most ambitious projects in art: Teaching us all how to see things with our own eyes<br />
<br />
Visipix.com publishes here the complete 15 volumes in facsimile quality. This is a world premiere in the internet<br />
<br />
The success of western culture is based on the 'Enlightenment': Think with your own brain, find your religion in your own heart. I go that far: I prefer to be wrong with my own brain - and do my darndest to learn, especially learn from others - than to blindly depend on somebody else's belief. We learn this from Socrates, Luther, Lessing, Kant, Popper and others.<br />
<br />
What the western culture achieved verbally, Hokusai does visually. Artistic genius and wise teachings are well balanced. Nothing could be more difficult."
art
japan
illustration
manga
visual
hokusai
katsushikahokusai
graphic
via:preoccupations
1800s
1700s
noticing
learning
enlightenment
belief
balance
teachings
srg
edg
glvo
has:via
from delicious
<br />
Visipix.com publishes here the complete 15 volumes in facsimile quality. This is a world premiere in the internet<br />
<br />
The success of western culture is based on the 'Enlightenment': Think with your own brain, find your religion in your own heart. I go that far: I prefer to be wrong with my own brain - and do my darndest to learn, especially learn from others - than to blindly depend on somebody else's belief. We learn this from Socrates, Luther, Lessing, Kant, Popper and others.<br />
<br />
What the western culture achieved verbally, Hokusai does visually. Artistic genius and wise teachings are well balanced. Nothing could be more difficult."
september 2011 by robertogreco
Orange Crate Art: Stefan Hagemann, guest writer: How to answer a professor
august 2011 by robertogreco
"Be interested in a lot of things: Some questions are designed to test your command of a set of facts, and some leave little room for interpretation. Once in awhile, a question might even permit a “yes” or “no” answer. But often you’ll be dealing with open-ended questions, ones about which there is much to say and from many angles. Recognize that most open-ended questions range across academic disciplines and areas of interest, and do your best to develop a good grasp of the world around you. Good question-answerers read widely, talk to their peers and professors, attend on-campus events such as plays and concerts, and (I’m guessing here) subscribe to PBS and NPR. Good question-answerers also listen. If you know a little bit about the world around you and make an effort to experience your immediate environment, you may be surprised by your ability to add outside knowledge to your answers. Broad experience equals (or at least increases the chance for) serendipity."
serendipity
interested
interestingness
interesting
stefanhagemann
howto
teaching
learning
education
experience
pbs
npr
knowledge
generalists
via:lukeneff
2010
noticing
connections
observation
listenting
inquiry
honesty
power
relationships
universities
colleges
highereducation
highered
from delicious
august 2011 by robertogreco
habits make us blind
august 2011 by robertogreco
"spanish architecture studio espai MGR's 'habits make us blind' is a photographic series of work which addresses the vacant lots in downtown valencia, which they pass everyday.<br />
<br />
'...like an invisible metastasis generated in heart of the city & extending to all its arteries. neighborhoods that, although having huge potential, lay unused, not promoting a good means of sustainable development. we recognize this as a typical theme in central neighborhoods in valencia. sometimes, the tourists are the city's inhabitants pay attention to the issue at hand for a moment because secondary problems stemming from those spaces implied affect us directly. however, in most cases, they are only a part of daily way of life. this photographic body of work aims to call people's attention to these neglected spaces…demands the recreational use of these vacant lots as seen through the eyes of a child, by filling them w/ impossible constructions, surrealistic installations in line w/ the problem…'"
architecture
design
lego
spain
españa
photography
noticing
infilling
neglect
neglectedspaces
sustainability
development
espaiMGR
valencia
2011
classideas
observation
habits
blindness
blindspots
from delicious
<br />
'...like an invisible metastasis generated in heart of the city & extending to all its arteries. neighborhoods that, although having huge potential, lay unused, not promoting a good means of sustainable development. we recognize this as a typical theme in central neighborhoods in valencia. sometimes, the tourists are the city's inhabitants pay attention to the issue at hand for a moment because secondary problems stemming from those spaces implied affect us directly. however, in most cases, they are only a part of daily way of life. this photographic body of work aims to call people's attention to these neglected spaces…demands the recreational use of these vacant lots as seen through the eyes of a child, by filling them w/ impossible constructions, surrealistic installations in line w/ the problem…'"
august 2011 by robertogreco
LESS AND MORE (The 15 Things Charles and Ray Eames Teach Us)
august 2011 by robertogreco
"1. Keep good company
2. Notice the ordinary
3. Preserve the ephemeral
4. Design not for the elite but for the masses
5. Explain it to a child
6. Get lost in the content
7. Get to the heart of the matter
8. Never tolerate “O.K. anything.”
9. Remember your responsibility as a storyteller
10. Zoom out
11. Switch
12. Prototype it
13. Pun
14. Make design your life… and life, your design
15. Leave something behind
Excerpt from The 15 Things Charles and Ray Eames Teach Us by Keith Yamashita"
eames
keithyamashita
design
glvo
explanation
zoom
zooming
prototyping
making
life
howto
wisdom
lists
noticing
company
purpose
howwework
via:preoccupations
2. Notice the ordinary
3. Preserve the ephemeral
4. Design not for the elite but for the masses
5. Explain it to a child
6. Get lost in the content
7. Get to the heart of the matter
8. Never tolerate “O.K. anything.”
9. Remember your responsibility as a storyteller
10. Zoom out
11. Switch
12. Prototype it
13. Pun
14. Make design your life… and life, your design
15. Leave something behind
Excerpt from The 15 Things Charles and Ray Eames Teach Us by Keith Yamashita"
august 2011 by robertogreco
The Notebooks of Scott Fitzgerald
august 2011 by robertogreco
"Fitzgerald began keeping his Notebooks with a special purpose in mind. He needed a place in which to bank the strippings from his short stories—as well as to record ideas or observations. When Fitzgerald determined that one of his stories was not to be reprinted, he culled from it the passages he regarded as worth using in a novel. These passages were preserved in his Notebooks. One of the main functions of the editorial material in this edition is to identify the story strippings. Some are from abandoned stories and cannot be identified. Others have no doubt eluded the editor."
classideas
fscottfitzgerald
notebooks
notetaking
observation
observations
noticing
from delicious
august 2011 by robertogreco
Sci-Fi Hi-Fi — Twitter, Instagram, and the Journalistic Impulse
august 2011 by robertogreco
"…glaring weakness of “realtime” services like Twitter & Instagram as journalistic outlets: their narrow focus on “the now” & their relative disregard for the archival. While…the off-the-cuff, throwaway nature of Twitter or Instagram may be a big part of their appeal to otherwise reluctant amateur journalists…it’s a pretty poor journal that can’t be easily recalled later.<br />
<br />
I’ve struggled a bit with this (I still dearly wish I could access my earliest tweets to put together my own tweet book), but I’ve recently found comfort in my friend Kellan’s notion of “long form tweeting.” Increasingly, I’ve come to think of Twitter & Instagram as notebooks where I develop & discuss ideas that I later elaborate on on my personal blog (I like to think of it a bit like F Scott Fitzgerald’s notebooks full of fragmentary ideas…). ”Real time” services are great for journalistic impetus and visceral feedback, but I’ve come go think of Tumblr as my final draft."
buzzandersen
twitter
instagram
tumblr
writing
fscottfitzgerald
journals
archives
archival
journalism
fragmentaryideas
noticing
longform
longformtweeting
tweeting
2011
notes
notetaking
thinkingoutloud
from delicious
<br />
I’ve struggled a bit with this (I still dearly wish I could access my earliest tweets to put together my own tweet book), but I’ve recently found comfort in my friend Kellan’s notion of “long form tweeting.” Increasingly, I’ve come to think of Twitter & Instagram as notebooks where I develop & discuss ideas that I later elaborate on on my personal blog (I like to think of it a bit like F Scott Fitzgerald’s notebooks full of fragmentary ideas…). ”Real time” services are great for journalistic impetus and visceral feedback, but I’ve come go think of Tumblr as my final draft."
august 2011 by robertogreco
A Brief History of Architecture Fiction: Implausible Futures for Unpopular Places: Places: Design Observer
july 2011 by robertogreco
"First, we identify a suitable building: Something that appears neglected, and seems to have no immediate prospects for a future use. In short, we choose an unpopular place. Next we devise a hypothetical future for that structure. Specifically, we strive to make this future blatantly implausible: maybe provocative, maybe funny; above all engaging. Then an artist creates a rendering based on the imaginary concept. This is printed onto a 3' x 5' sign, modeled on those used by real developers. That sign, finally, goes onto the building."<br />
<br />
"Our neighborhood is the sort that people describe as "transitional," and some of the property…is vacant. On one nearby commercial structure…I noticed a sign…You've seen similar signs…It was a rendering of a development, a future, involving a small, empty building. It suddenly struck me that, given how long this sign has been here, what it depicted was, at best, a hypothetical future — and arguably a fictitious one."
design
architecture
writing
fiction
designfiction
robwalker
classideas
architecturefiction
archigram
creativity
jgballard
brucesterling
hypotheticdevelopmentorganization
writingprompts
geoffmanaugh
bldgblog
carlzimmerman
brettsnyder
phantomcity
nyc
nola
neworleans
losangeles
cities
urban
urbapotential
foundfutures
honolulu
stuartcandy
packardjennings
stevelambert
genre
storytelling
benkatchor
detroit
dreams
seeing
noticing
from delicious
<br />
"Our neighborhood is the sort that people describe as "transitional," and some of the property…is vacant. On one nearby commercial structure…I noticed a sign…You've seen similar signs…It was a rendering of a development, a future, involving a small, empty building. It suddenly struck me that, given how long this sign has been here, what it depicted was, at best, a hypothetical future — and arguably a fictitious one."
july 2011 by robertogreco
Between the By-Road and the Main Road: Being in the Middle: Learning Walks
july 2011 by robertogreco
"So imagine a commitment to learning that involved making regular learning walks with high school students as a normal part of the "school" day. Now, these learning walks should not be confused with walking tours, which are designed based on planned outcomes. One walks to point X in order to see object or artifact Y. The points are predetermined, hierarchical in design.<br />
<br />
Instead, learning walks are rhizomatic. They are inherently about being in the middle of things and coming to learn what could not been predetermined. Learning walks are part of the "curriculum" for instructional seminar (which I described here)."
[My comments cross-posted here: http://robertogreco.tumblr.com/post/7182110515/walking-and-learning ]
maryannreilly
comments
walking
walkshops
adamgreenfield
flaneur
psychogeography
derive
dérive
education
learning
schools
teaching
unschooling
deschooling
noticing
observation
seeing
2011
rhizomaticlearning
johnseelybrown
douglasthomas
unguided
self-directedlearning
serendipity
johnberger
willself
rebeccasolnit
sistercorita
maps
mapping
photography
alanfletcher
lawrenceweschler
kerismith
exploration
exploring
johnstilgoe
noticings
rjdj
ios
situationist
situatedlearning
situated
hototoki
serendipitor
flow
mihalycsikszentmihalyi
experience
control
ego
cv
from delicious
<br />
Instead, learning walks are rhizomatic. They are inherently about being in the middle of things and coming to learn what could not been predetermined. Learning walks are part of the "curriculum" for instructional seminar (which I described here)."
[My comments cross-posted here: http://robertogreco.tumblr.com/post/7182110515/walking-and-learning ]
july 2011 by robertogreco
Breaking A Habit: Sister Corita - NOWNESS
july 2011 by robertogreco
"Aaron Rose's Documentary On the Nun Who Stormed the Art World<br />
<br />
If The Sound of Music and Sister Act taught us anything, it was that Catholic nuns are expected to pray and sing, in that order. But the story of Sister Mary Corita Kent rewrites that script. A teacher at Immaculate Heart College in Los Angeles from 1947 to 1968, Sister Corita was a Pop Art pioneer. Her silkscreen prints created an arresting new visual language for spirituality in the early 60s, praising the Almighty by co-opting typograpy, advertising slogans and the bright colors of billboards and local streets. Though she would often work in collaboration with her students—who she encouraged to mount group exhibitions such as 1965’s decidedly anti-Vietnam Christmas show, "Peace On Earth"—she would spend each August creating her own art work…"<br />
<br />
[Posted here: http://tcsnmy7.tumblr.com/post/3643416683/breaking-a-habit-sister-corita ]
sistercorita
teaching
art
immaculateheartcollege
immaculateheartcommunity
aaronrose
documentary
learning
noticing
seeing
observation
eames
design
tcsnmy7
from delicious
<br />
If The Sound of Music and Sister Act taught us anything, it was that Catholic nuns are expected to pray and sing, in that order. But the story of Sister Mary Corita Kent rewrites that script. A teacher at Immaculate Heart College in Los Angeles from 1947 to 1968, Sister Corita was a Pop Art pioneer. Her silkscreen prints created an arresting new visual language for spirituality in the early 60s, praising the Almighty by co-opting typograpy, advertising slogans and the bright colors of billboards and local streets. Though she would often work in collaboration with her students—who she encouraged to mount group exhibitions such as 1965’s decidedly anti-Vietnam Christmas show, "Peace On Earth"—she would spend each August creating her own art work…"<br />
<br />
[Posted here: http://tcsnmy7.tumblr.com/post/3643416683/breaking-a-habit-sister-corita ]
july 2011 by robertogreco
SpeEdChange: The art of seeing (Part II) The Practice
june 2011 by robertogreco
"When I observe a school I start by watching how I, and how kids, approach it. I watch how the corridors operate, both when filled with movement and (if) when empty. Empty corridors during a school day speak loudly to me. So do classrooms with one kind of seating, one kind of lighting, or one "teaching wall." I watch the feet of kids in a class. I watch them fidget… [many more examples]…<br />
<br />
This multiply-focused kind of observation helps me to begin to deep map a school…<br />
<br />
the linearity and single-focus of traditional education has, perhaps, robbed you of, or severely limited, your human observation skills. Tens of thousands of hours of single subject lessons, of staring at teachers, of conference sessions divided into "tracks," have stunted the human abilities you had before you entered school. So, if you feel out of practice, here are a few ideas: Eavesdrop…Look for something you haven't looked for before in a place you've been a million times…Stare…Talk to strangers"
irasocol
noticing
observation
learning
schools
teaching
unschooling
deschooling
schooldesign
lcproject
tcsnmy
students
perspective
eavesdropping
staring
strangers
conversation
understanding
2011
howto
tutorials
adhdvision
adhdwalk
deepmapping
sensemaking
publicschools
sla
chrislehmann
pammoran
children
people
howwework
howwelearn
from delicious
<br />
This multiply-focused kind of observation helps me to begin to deep map a school…<br />
<br />
the linearity and single-focus of traditional education has, perhaps, robbed you of, or severely limited, your human observation skills. Tens of thousands of hours of single subject lessons, of staring at teachers, of conference sessions divided into "tracks," have stunted the human abilities you had before you entered school. So, if you feel out of practice, here are a few ideas: Eavesdrop…Look for something you haven't looked for before in a place you've been a million times…Stare…Talk to strangers"
june 2011 by robertogreco
Pasta&Vinegar » About The City and the City by China Miéville
june 2011 by robertogreco
"What struck me…was the role played by the cityscape in the whole narrative. The action takes place in the distinct cities of Besźel & Ul Qoma. However, both of them actually occupy the same physical space.…Because the citizens chose this separation, B & UQ are perceived by people as 2 different cities…inhabitants are taught to “unsee” or “unhear” the persons from the other city:
“They knew I was in Ul Quoma: I could find them & could walk alongside them in the street & we would be inches apart but unable to acknowledge each other. Like the old story. Not that I would ever do such a thing. Having to unsee acquaintances or friends is a rare & notoriously uncomfortable circumstance.“
Unseeing, as described above, is supposed to be unconscious. This ability is important because it doesn’t mean that people would’nt notice anything…This of course means that this ability is taught very early to children & that each cities has its own peculiar design/color/shape/architecture…"
books
toread
scifi
sciencefiction
noticing
seeing
unseeing
unhearing
chinamieville
novels
fiction
cities
perception
urban
urbanism
borders
2009
nicolasnova
division
cityscapes
place
from delicious
“They knew I was in Ul Quoma: I could find them & could walk alongside them in the street & we would be inches apart but unable to acknowledge each other. Like the old story. Not that I would ever do such a thing. Having to unsee acquaintances or friends is a rare & notoriously uncomfortable circumstance.“
Unseeing, as described above, is supposed to be unconscious. This ability is important because it doesn’t mean that people would’nt notice anything…This of course means that this ability is taught very early to children & that each cities has its own peculiar design/color/shape/architecture…"
june 2011 by robertogreco
The Private Eye - jeweler's loupes and inquiry method for hands-on interdisciplinary science, art, writing, and math
june 2011 by robertogreco
"The Private Eye is a nationally acclaimed, hands-on learning process that rivets the eye and rockets the mind. With everyday objects, The Private Eye’s easy questioning strategy, and an almost magical magnification tool, a jeweler’s loupe, you’ll accelerate concentration, critical thinking and creativity — for all ages.<br />
<br />
In the arts and the sciences, you’ll build close observation skills linked to the mental muscle of thinking by analogy. Learners write, draw and theorize at higher levels. Join us, along with millions of students and teachers. Discover new worlds. Magnify minds."<br />
<br />
[via: http://borderland.northernattitude.org/2011/06/04/hearts-and-minds-2/ ]
observation
inquiry
theprivateeye
teaching
learning
art
science
language
languagearts
writing
reading
noticing
magnification
loupes
concentration
systems
systemsthinking
inquiry-basedlearning
analogy
analogies
criticalthinking
drawing
tcsnmy
perspective
from delicious
<br />
In the arts and the sciences, you’ll build close observation skills linked to the mental muscle of thinking by analogy. Learners write, draw and theorize at higher levels. Join us, along with millions of students and teachers. Discover new worlds. Magnify minds."<br />
<br />
[via: http://borderland.northernattitude.org/2011/06/04/hearts-and-minds-2/ ]
june 2011 by robertogreco
eye | feature : All you need is love: pictures, words and worship [Great piece on Sister Corita Kent]
may 2011 by robertogreco
"Corita’s cultural contribution spanned several decades. Although she described herself as an artist rather than a design professional, her 1960s work spanned both fields. Graphic strategies such as lettering and layout were central to her artistic voice. At the same time, she had no qualms about accepting commissions for magazine covers, book jackets, album sleeves, ads and posters, although even here she should be seen less as a jobbing designer than as an artist with a distinctive and easily recognisable graphic sensibility. As Harvey Cox said, “The world of signs and sales slogans and plastic containers was not, for her, an empty wasteland. It was the dough out of which she baked the bread of life.” 12 At its best, her work proposed a symbolic template that blurred the boundaries between art, design and communication, between a life of worship and the everyday life of her time."
sistercorita
art
vernacular
life
everyday
glvo
design
communication
graphicdesign
graphics
typography
advertising
signs
symbols
via:britta
teaching
printmaking
serigraphs
accessibility
urban
urbanism
decontextualization
photography
noticing
seeing
seeingtheworld
fieldtrips
unschooling
deschooling
education
immaculateheartcollege
eames
viewfinders
process
julieault
2000
1960s
martinbeck
society
perspective
activism
from delicious
may 2011 by robertogreco
Jane Goodall, Illustrated - Video Library - The New York Times
may 2011 by robertogreco
"Two new children's books explore the life of Jane Goodall, the chimpanzee expert and prominent conservationist. The Times spoke with Dr. Goodall about living out her childhood dream"
children
science
books
janegoodall
tcsnmy
women
childhood
inquiry
curiosity
emergentcurriculum
experimentation
risktaking
failure
patience
booklists
tarzan
drdolittle
outdoors
nature
naturedeficitdisorder
naturedeficitsyndrome
unstructuredtime
freedom
unschooling
deschooling
lcproject
parenting
openendedtime
time
observation
noticing
howwelearn
teaching
learning
girls
video
interviews
from delicious
may 2011 by robertogreco
Finding Ways for All Kids to Flourish: Search results for gray
april 2011 by robertogreco
"One common approach, reflected in all three of the books mentioned, is to ask open-ended questions when trying to elicit engagement. Ellen Langer demonstrated with her research that directing people to "notice more" when examining something they weren't previously interested in actually got them to take more time, notice more detail and actually report a higher level of positive experience in learning the new information or skill. Todd Kashdan gives many examples where being an open and "curious explorer" helps people combat the anxiety that often holds them back from attaining their goals and achieving meaningful lives. Barbara Fredrickson talks about the power of positive emotions and how being interested in exploring or even amused by something actually broadens your ability to think more creatively and flexibly."
reflection
via:rushtheiceberg
noticing
socraticmethod
teaching
learning
thinking
thisandthat
ambiguity
gray
understanding
creativity
flexibility
books
rightandwrong
criticalthinking
unschooling
deschooling
from delicious
april 2011 by robertogreco
Drift Deck
april 2011 by robertogreco
"Welcome to Drift Deck, a different sort of city guide. Think of it as a set of playing cards that help you playfully find your own, untouristy way through city streets. It's a set of simple cues, clues, actions, and provocations to see your way about the city, looking at it from a different angle. It will make you an active part of your own romp around.
Drift Deck will help you capture and share your discoveries. You'll be able to share your journey through the maps you make and the photos you take. Share your Drifts with others around the world! Be active, not passive. Enjoy."
situationist
driftdeck
exploration
derive
dérive
julianbleecker
dawnlozzi
jonbell
davidspencer
brucesterling
bencerveny
kevinslavin
katiesalen
janemcgonigal
ianbogost
janepinckard
urban
urbanism
ios
iphone
applications
cities
perspective
noticing
engagement
observation
interaction
serendipity
maps
mapping
photography
psychogeography
context
context-awareness
undesign
design
arttechnology
landscape
landscapeasinterface
play
games
from delicious
Drift Deck will help you capture and share your discoveries. You'll be able to share your journey through the maps you make and the photos you take. Share your Drifts with others around the world! Be active, not passive. Enjoy."
april 2011 by robertogreco
‘The Pale King’ by David Foster Wallace - Book Review - NYTimes.com
april 2011 by robertogreco
"Told in fragmented, strobe-lighted chapters that depict an assortment of misfits, outsiders & eccentrics, the novel sometimes feels like the TV show “The Office” as rewritten with a magnifying glass by Nicholson Baker."<br />
<br />
"In this, his most emotionally immediate work, Wallace is on intimate terms with the difficulty of navigating daily life, & he conjures states of mind with the same sorcery he brings to pictorial description. He conveys the gut deep sadness people experience when “the wing of despair” passes over their lives, & the panic of being a fish “thrashing in the nets” of one’s own obligations, stuck in a miserable job & needing to “cover the monthly nut.”"<br />
<br />
"This novel reminds us what a remarkable observer Wallace was — a first-class “noticer,” to use a Saul Bellow term, of the muchness of the world around him, chronicling the overwhelming data and demands that we are pelted with, second by second, minute by minute, and the protean, overstuffed landscape we dwell in."
davidfosterwallace
via:lukeneff
thepaleking
noticing
observation
boredom
boring
boringness
novels
books
2011
michikokakutani
infinitejest
from delicious
<br />
"In this, his most emotionally immediate work, Wallace is on intimate terms with the difficulty of navigating daily life, & he conjures states of mind with the same sorcery he brings to pictorial description. He conveys the gut deep sadness people experience when “the wing of despair” passes over their lives, & the panic of being a fish “thrashing in the nets” of one’s own obligations, stuck in a miserable job & needing to “cover the monthly nut.”"<br />
<br />
"This novel reminds us what a remarkable observer Wallace was — a first-class “noticer,” to use a Saul Bellow term, of the muchness of the world around him, chronicling the overwhelming data and demands that we are pelted with, second by second, minute by minute, and the protean, overstuffed landscape we dwell in."
april 2011 by robertogreco
Papa Sangre
march 2011 by robertogreco
"You are lost, deep in the darkness of the land of the dead. Your eyes are useless to you here — but your ears are filled with sound. And what is it you can hear…?<br />
All you know is someone is in grave danger & desperately needs your help. Can you save them and make your escape or will you be trapped in the blackness forever?<br />
You’re in Papa Sangre’s palace. His palace is in an afterlife that takes the form of a malevolent, unpredictable carnival: imagine a Mexican graveyard on the Day of the Dead — with the lights off. You’re the piñata for a host of partying monsters. They probably look a lot worse than they sound. You should count yourself lucky it’s too dark to see them.<br />
Get out. Save the one you love. Do the right thing.<br />
♦<br />
Papa Sangre is a video game with no video. It’s a first-person thriller, done entirely in audio by an award-winning team of game designers, musicians, sound designers & developers."
iphone
games
audio
ios
papasangre
díadelosmuertos
dayofthedead
gaming
senses
noticing
from delicious
All you know is someone is in grave danger & desperately needs your help. Can you save them and make your escape or will you be trapped in the blackness forever?<br />
You’re in Papa Sangre’s palace. His palace is in an afterlife that takes the form of a malevolent, unpredictable carnival: imagine a Mexican graveyard on the Day of the Dead — with the lights off. You’re the piñata for a host of partying monsters. They probably look a lot worse than they sound. You should count yourself lucky it’s too dark to see them.<br />
Get out. Save the one you love. Do the right thing.<br />
♦<br />
Papa Sangre is a video game with no video. It’s a first-person thriller, done entirely in audio by an award-winning team of game designers, musicians, sound designers & developers."
march 2011 by robertogreco
CITYterm: Admission » Admitted Students » Outside Lies Magic
february 2011 by robertogreco
"Get out now. Not just outside, but beyond the trap of the programmed electronic age so gently closing around so many people at the end of our century. Go outside, move deliberately, then relax, slow down, look around. Do not jog. Do not run. Forget about blood pressure and arthritis, cardiovascular rejuvenation and weight reduction. Instead pay attention to everything that abuts the rural road, the city street, the suburban boulevard. Walk. Stroll. Saunter. Ride a bike, and coast along a lot. Explore.<br />
<br />
Abandon, even momentarily, the sleek modern technology that consumes so much time and money now, and seek out the resting place of a technology almost forgotten. Go outside and walk a bit, long enough to forget programming, long enough to take in and record new surroundings.<br />
<br />
Flex the mind, a little at first, then a lot. Savor something special. Enjoy the best-kept secret around--the ordinary, everyday landscape that rewards any explorer, that touches any explorer with magic."
architecture
books
via:britta
johnstilgoe
pedestrians
walking
biking
bikes
psychogeography
noticing
learning
landscape
classideas
openstudio
classtrips
fieldtrips
bighere
exploration
looking
cities
urban
urbanism
builtenvironment
visibility
meandering
from delicious
<br />
Abandon, even momentarily, the sleek modern technology that consumes so much time and money now, and seek out the resting place of a technology almost forgotten. Go outside and walk a bit, long enough to forget programming, long enough to take in and record new surroundings.<br />
<br />
Flex the mind, a little at first, then a lot. Savor something special. Enjoy the best-kept secret around--the ordinary, everyday landscape that rewards any explorer, that touches any explorer with magic."
february 2011 by robertogreco
jeweled platypus · text · Observational math
february 2011 by robertogreco
"I like learning geometry and topology terms that make you notice and describe patterns out in the wild:"
math
mathematics
noticing
brittagustafson
observation
photography
nature
patterns
patternrecognition
reaction-diffusion
rabbitfish
rabbitfishscales
scales
angleofrepose
piles
caustics
giovannianselmo
cantenarycurves
cantenary
caustic
geometry
from delicious
february 2011 by robertogreco
aalbright.tumblr : There’s no doubt about it—I love the...
january 2011 by robertogreco
A meanering, evocative post from one member of the inaugural NMY gang. Two choice quotes:<br />
<br />
"If NMY has taught me anything, though, it has taught me to ask questions, to put scrutiny to everything and to just plain think about the world I live in—to realize that things are never quite as they seem."<br />
<br />
"For a long time, I held the belief that anything other than “hard work” was a waste of time and money. But what happens to you when you trim all the fat off of your steak and never spend a relaxed afternoon in an art museum?<br />
Your morale goes down. Life gets boring. You get fatigued. And in the long run, you’re probably less creative and productive than if you just got outside every now and again. What I am realizing is that just as much as we need to hunker down and get stuff done, we need to also take pause."
anthonyalbright
tcsnmy
tcsnmy8
cv
teaching
learning
pride
life
pause
ego
wisdom
beauty
joy
pleasure
balance
observation
noticing
attention
from delicious
<br />
"If NMY has taught me anything, though, it has taught me to ask questions, to put scrutiny to everything and to just plain think about the world I live in—to realize that things are never quite as they seem."<br />
<br />
"For a long time, I held the belief that anything other than “hard work” was a waste of time and money. But what happens to you when you trim all the fat off of your steak and never spend a relaxed afternoon in an art museum?<br />
Your morale goes down. Life gets boring. You get fatigued. And in the long run, you’re probably less creative and productive than if you just got outside every now and again. What I am realizing is that just as much as we need to hunker down and get stuff done, we need to also take pause."
january 2011 by robertogreco
miscellany · Art is fundamentally a survival device of the...
january 2011 by robertogreco
"Art is fundamentally a survival device of the species. Otherwise it wouldn’t be so persistent. It wouldn’t be in every culture. We wouldn’t know about it…
How does art help you survive? It helps us survive by making us attentive. In a simplistic way, when you go past a forest and you look at it and you say, ‘that looks just like Cézanne.’ And you realize Cézanne has made you see the reality of the forest in a way that you never could have seen before. He’s made you attentive. Every work of art that you care about makes us attentive. And if it doesn’t do that it ain’t art."
art
miltonglaser
attention
attentiveness
noticing
glvo
survival
human
from delicious
How does art help you survive? It helps us survive by making us attentive. In a simplistic way, when you go past a forest and you look at it and you say, ‘that looks just like Cézanne.’ And you realize Cézanne has made you see the reality of the forest in a way that you never could have seen before. He’s made you attentive. Every work of art that you care about makes us attentive. And if it doesn’t do that it ain’t art."
january 2011 by robertogreco
Future Perfect » Celebrating Conception, Give or Take
january 2011 by robertogreco
"One of the more enjoyable aspects of watching an infant in her first year is that the smallest everyday tasks are filled with adventure…walking beside her on path of discovery also stimulates her parents’ aging neurons otherwise dulled by repetition & apparent insight. For her everything is new, fresh…For the professional observer it is like signing up to a year long workshop on everyday life…<br />
<br />
…I grew w/ assumption that a birth day was a fixed entity – but over the years…I’ve come across many examples of parents shifting children’s DoB both formally & informally w/ motivations for change ranging from getting child into particular school year; obtaining benefits; increasing likelihood of being signed up for professional football team.<br />
How will emerging technologies affect rituals & traditions in celebrating birth days? & parent’s ability to change date formally or informally?…<br />
<br />
What happens when you’re inherently aware, reminded of not only the birthday but the birthsecond?"
birthdays
parenting
internet
data
memory
experience
learning
observation
perspective
noticing
janchipchase
technology
ritual
tradition
identity
exploration
from delicious
<br />
…I grew w/ assumption that a birth day was a fixed entity – but over the years…I’ve come across many examples of parents shifting children’s DoB both formally & informally w/ motivations for change ranging from getting child into particular school year; obtaining benefits; increasing likelihood of being signed up for professional football team.<br />
How will emerging technologies affect rituals & traditions in celebrating birth days? & parent’s ability to change date formally or informally?…<br />
<br />
What happens when you’re inherently aware, reminded of not only the birthday but the birthsecond?"
january 2011 by robertogreco
Announcing SVK: an experimental publication by Warren Ellis, D’Israeli & BERG – Blog – BERG
december 2010 by robertogreco
"What is SVK?<br />
It’s going to be a very beautifully-printed object – a graphic novella, drawn by one of our very favourite artists – Matt “D’Israeli” Brooker – who Warren collaborated with on “Lazarus Churchyard” back in 1991. I think I’m right in saying it’s their first major collaboration since then…<br />
<br />
We can’t tell you too much more just yet, as they are both currently hard at work on it, but Warren describes SVK as “Franz Kafka’s Bourne Identity”.<br />
<br />
Brilliant.<br />
<br />
It’s also a story about looking, and it’s an investigation into perception, storytelling and optical experimentation that inherits some of the curiosities behind previous work of the studio such as our Here & There maps of Manhattan.<br />
<br />
For us – it’s also an investigation into new ways to get things out in the world, and as a result we’re talking about SVK now because we’re looking for people, brands and companies who would like to be in the SVK project… "
berg
warrenellis
design
comics
graphicnovels
berglondon
mattjones
hereandthere
kafka
bourne
bourneidentity
looking
observation
towatch
storytelling
perception
noticing
communication
publishing
svk
from delicious
It’s going to be a very beautifully-printed object – a graphic novella, drawn by one of our very favourite artists – Matt “D’Israeli” Brooker – who Warren collaborated with on “Lazarus Churchyard” back in 1991. I think I’m right in saying it’s their first major collaboration since then…<br />
<br />
We can’t tell you too much more just yet, as they are both currently hard at work on it, but Warren describes SVK as “Franz Kafka’s Bourne Identity”.<br />
<br />
Brilliant.<br />
<br />
It’s also a story about looking, and it’s an investigation into perception, storytelling and optical experimentation that inherits some of the curiosities behind previous work of the studio such as our Here & There maps of Manhattan.<br />
<br />
For us – it’s also an investigation into new ways to get things out in the world, and as a result we’re talking about SVK now because we’re looking for people, brands and companies who would like to be in the SVK project… "
december 2010 by robertogreco
collision detection: How Instagram changes the way I look at things
december 2010 by robertogreco
"really deep appeal of Instagram…It changes the way I look at the world around me.
I’m not a super visual person; I do not normally take a lot of photos. But now I am, & do. Whenever you join a new social network, there’s this sudden, gentle pressure to be more interesting. In the case of Twitter…a pressure to post ever-more-cool undiscovered URLage. In the case of Instagram, it means posting ever-more-nifty snapshots. And this in turn means that I’ve begun looking at the world around me anew. I used to walk around my neighborhood blissfully — or stressfully — ignoring my surroundings, while staring at the sidewalk (or, ironically, my iphone). Now I find myself spotting unusual bits of graffiti, or patterns that fall trees make against the sky, or how super strange the robot is on Yo Gabba Gabba when my kids watch in the morning. Or that blue door on the brownstone in the picture above: How did I not notice how pretty it was? It’s like my third eye has opened up!"
attention
instagram
photography
noticing
classideas
details
clivethompson
glvo
lomo
lomography
socialmedia
visual
interestingness
from delicious
I’m not a super visual person; I do not normally take a lot of photos. But now I am, & do. Whenever you join a new social network, there’s this sudden, gentle pressure to be more interesting. In the case of Twitter…a pressure to post ever-more-cool undiscovered URLage. In the case of Instagram, it means posting ever-more-nifty snapshots. And this in turn means that I’ve begun looking at the world around me anew. I used to walk around my neighborhood blissfully — or stressfully — ignoring my surroundings, while staring at the sidewalk (or, ironically, my iphone). Now I find myself spotting unusual bits of graffiti, or patterns that fall trees make against the sky, or how super strange the robot is on Yo Gabba Gabba when my kids watch in the morning. Or that blue door on the brownstone in the picture above: How did I not notice how pretty it was? It’s like my third eye has opened up!"
december 2010 by robertogreco
The taxonomy of the invisible - Bobulate
november 2010 by robertogreco
"Peter del Tredici, a senior research scientist at the Arnold Arboretum of Harvard University and lecturer in landscape architecture at the Harvard Graduate School of Design, argues the wildlife that surrounds us every day often has an “image problem:” it goes unnoticed, unattended, and unvalued. “There is no denying the fact that many — if not most — of the plants … suffer from image problems associated with the label ‘weeds,’ or, to use a more recent term, ‘invasive species.’ From the plant’s perspective, ‘invasiveness’ is just another word for successful reproduction — the ultimate goal of all organisms, including humans…. The term is a value judgment that humans apply to plants we do not like, not a biological characteristic.”"
iphone
applications
location
lizdanzico
weeds
plants
invasivespecies
nature
naturedeficitdisorder
urban
urbanism
childhood
chores
memories
nostalgia
noticing
danhill
cityofsound
trees
treesny
nyc
life
systems
biology
glvo
srg
edg
humans
perspective
language
words
taxonomy
wildlife
cities
value
organisms
from delicious
november 2010 by robertogreco
NOVA | A Radical Mind [Interview with Benoit Mandelbrot via: http://preoccupations.tumblr.com/post/1334513534/benoit-mandelbrot-1924-2010-nova-a-radical]
october 2010 by robertogreco
"You’ve been interested in the revolution in thinking that took place during Renaissance. I love the term “natural philosophy”…<br />
<br />
It is lovely indeed. Too bad it hasn’t been used since 18th century.<br />
<br />
What does that term mean to you?<br />
<br />
Before Galileo, philosopher was somebody who studied great books. Many of those people were extraordinarily brilliant, but their absolute obedience to books was destructive. What Galileo did was to say natural philosophy is written in the Great Book of Nature & one must move from reading books in library to reading books around us—that is, use experimental method & believe in power of the eye. That was the big thing. Newton was called a natural philosopher. & in 18th century, professions of mathematics & physics were not deeply distinguished, but now they are.<br />
I’m certainly a philosopher entranced with unifying ideas. However, I don’t only study books; I study nature. Also art of the past, for purpose of finding artifacts that I could embrace."
benoitmandelbrot
math
philosophy
nature
thinking
renaissance
books
observation
scientificmethod
galileo
noticing
naturalphilosophy
interviews
mathematics
science
fractals
from delicious
<br />
It is lovely indeed. Too bad it hasn’t been used since 18th century.<br />
<br />
What does that term mean to you?<br />
<br />
Before Galileo, philosopher was somebody who studied great books. Many of those people were extraordinarily brilliant, but their absolute obedience to books was destructive. What Galileo did was to say natural philosophy is written in the Great Book of Nature & one must move from reading books in library to reading books around us—that is, use experimental method & believe in power of the eye. That was the big thing. Newton was called a natural philosopher. & in 18th century, professions of mathematics & physics were not deeply distinguished, but now they are.<br />
I’m certainly a philosopher entranced with unifying ideas. However, I don’t only study books; I study nature. Also art of the past, for purpose of finding artifacts that I could embrace."
october 2010 by robertogreco
Frank Chimero — Happiness is not crafted. Happiness emerges.
september 2010 by robertogreco
"Our relation to happiness often betrays an unconscious desire for disillusionment. The wanting of it & having of it can seem like 2 quite different things. & this is what makes wishing so interesting; because wishing is always too knowing. When we wish we are too convinced of our pleasures, too certain that we know what we want. The belief that we can arrange our happiness—as though happiness were akin to justice, which we can work towards—may be to misrecognise the very thing that concerns us." [Adam Phillips: http://www.guardian.co.uk/books/2010/sep/04/adam-phillips-the-happiness-myth]<br />
<br />
"To try to define or explain or even sometimes pursue happiness feels to be a quagmire. Happiness is not a new problem & there wasn’t much I could add to the conversation…There is no need for redundancy.<br />
<br />
…best rumination on happiness…Maira Kalman’s blog And The Pursuit of Happiness. No where is there a mention of “this is how you achieve it.” The perspective is always “this is what I saw.”"
frankchimero
adamphillips
happiness
wanting
mairakalman
observation
noticing
from delicious
<br />
"To try to define or explain or even sometimes pursue happiness feels to be a quagmire. Happiness is not a new problem & there wasn’t much I could add to the conversation…There is no need for redundancy.<br />
<br />
…best rumination on happiness…Maira Kalman’s blog And The Pursuit of Happiness. No where is there a mention of “this is how you achieve it.” The perspective is always “this is what I saw.”"
september 2010 by robertogreco
Frank Chimero - There is a Horse in the Apple Store
september 2010 by robertogreco
"When does the magic of a situation fade? When do we get acclimated to the exceptional? Is this how we get by? Would anything get done if we were constantly gobsmacked? Is this how we survive, how we stay sane? We define a pattern, no matter how exceptional, and acclimate ourselves to it?"
zombieculture
spoiledbywonders
apple
ponies
frankchimero
awareness
noticing
2010
aponyintheapplestore
tinypony
tinyponies
lookup
lookaround
humor
applestore
learning
curiosity
children
toshare
topost
from delicious
september 2010 by robertogreco
Frank Chimero - Robert Krulwich on Wondering
september 2010 by robertogreco
"Noticing is tough, yet rewarding work, & it begs to be documented. We’ve more tools than ever to do so. I’ve done some documenting of my own. I walk everywhere with a phone camera in my pocket, & I suspect you do too, so documenting visuals is easy. I can type on my phone, so I can capture text or overheard conversations. I can record video if necessary. And then? I can dump it to a Twitter account or a Tumblr blog to catalog everything. And then, if it is good? Maybe if the noticing started to arrange into larger patterns or there got to be a lot of documentation, I could maybe even print up a book of all the things I had noticed. …<br />
<br />
As a person constantly in a position to produce words or designs or ideas, or whatever it may be, it feels good to give myself permission to kick back and inquisitively absorb things as they come. Part of noticing isn’t seeking, it’s highly reliant on serendipity and unexpected relevancy."
frankchimero
noticing
photography
sound
recording
audio
robertkrulwich
serendipity
patterns
patternrecognition
from delicious
<br />
As a person constantly in a position to produce words or designs or ideas, or whatever it may be, it feels good to give myself permission to kick back and inquisitively absorb things as they come. Part of noticing isn’t seeking, it’s highly reliant on serendipity and unexpected relevancy."
september 2010 by robertogreco
Genius Bar | Flickr - Photo Sharing!
september 2010 by robertogreco
"There's a horse in the Apple store.
And no one is looking at it. But me."
frankchimero
noticing
obliviousness
horses
applestore
geniusbar
from delicious
And no one is looking at it. But me."
september 2010 by robertogreco
Angela Ritchie's Ace Camps - Why We Travel - Pico Iyer
august 2010 by robertogreco
"We travel…to lose ourselves…to find ourselves…to open our hearts & eyes & learn more…to bring what little we can, in our ignorance & knowledge, to those parts of the globe whose riches are differently dispersed…to become young fools again—to slow time down & get taken in, & fall in love once more…
…travel…is just a quick way to keeping our minds mobile & awake. As Santayana…wrote, “There is wisdom in turning as often as possible from the familiar to the unfamiliar; it keeps the mind nimble; it kills prejudice, & it fosters humor.” Romantic poets inaugurated an era of travel because they were the great apostles of open eyes. Buddhist monks are often vagabonds, in part because they believe in wakefulness. And if travel is like love, it is, in the end, mostly because it’s a heightened state of awareness, in which we are mindful, receptive, undimmed by familiarity and ready to be transformed. That is why the best trips, like the best love affairs, never really end."
picoiyer
travel
learning
identity
glvo
self
knowledge
tcsnmy
ignorance
slow
time
love
santayana
thoreau
ralphwaldoemerson
wakefulness
awareness
noticing
observation
familiarity
transformationcompassion
empathy
work
life
freedom
proust
language
camus
fear
disruption
odyssey
grahamgreene
dhlawrence
vsnaipaul
brucechatwin
samuelbutler
paultheroux
oliversacks
petermatthiessen
from delicious
…travel…is just a quick way to keeping our minds mobile & awake. As Santayana…wrote, “There is wisdom in turning as often as possible from the familiar to the unfamiliar; it keeps the mind nimble; it kills prejudice, & it fosters humor.” Romantic poets inaugurated an era of travel because they were the great apostles of open eyes. Buddhist monks are often vagabonds, in part because they believe in wakefulness. And if travel is like love, it is, in the end, mostly because it’s a heightened state of awareness, in which we are mindful, receptive, undimmed by familiarity and ready to be transformed. That is why the best trips, like the best love affairs, never really end."
august 2010 by robertogreco
I Can See 200 Yards « Mission Mission
august 2010 by robertogreco
"200 yards is a photography experiment conceived of and presented by Lightbox SF.<br />
<br />
First we find a venue, maybe a wine bar, office lobby, or traditional gallery. Then we put out a call to photographers to explore a 200 yard radius from the venue’s location and take pictures of whatever catches their eye. Each photographer then selects their best photos, up to 10, and submits them for possible inclusion in a photo exhibit held at the originally selected center point.<br />
<br />
The idea behind the project is to expose local photographers, the little details that make each block of San Francisco unique, as well as the merchants that give each neighborhood its character."
via:britta
community
nearby
photography
hyperlocal
sanfrancisco
classideas
noticing
from delicious
<br />
First we find a venue, maybe a wine bar, office lobby, or traditional gallery. Then we put out a call to photographers to explore a 200 yard radius from the venue’s location and take pictures of whatever catches their eye. Each photographer then selects their best photos, up to 10, and submits them for possible inclusion in a photo exhibit held at the originally selected center point.<br />
<br />
The idea behind the project is to expose local photographers, the little details that make each block of San Francisco unique, as well as the merchants that give each neighborhood its character."
august 2010 by robertogreco
Stephen Fry: What I wish I'd know when I was 18 on Vimeo
socialnetworking stephenfry success goals advice philosophy self culture interview life love technology egocentrism interested interestingness wisdom schools blame humor inspiration introspection ineed whining learning bookcrossing teaching tcsnmy toshare topost perspective heroes admiration notimpressed negativism noticing observation travelabroad travel comparison knowledge truth criticalthinking skepticism experience inquiry empiricism experimenting questioning authority fundamentalism
july 2010 by robertogreco
socialnetworking stephenfry success goals advice philosophy self culture interview life love technology egocentrism interested interestingness wisdom schools blame humor inspiration introspection ineed whining learning bookcrossing teaching tcsnmy toshare topost perspective heroes admiration notimpressed negativism noticing observation travelabroad travel comparison knowledge truth criticalthinking skepticism experience inquiry empiricism experimenting questioning authority fundamentalism
july 2010 by robertogreco
russell davies: playful
november 2009 by robertogreco
"These aren't games, like the industry thinks of games, these are something a little less, these are Barely Games. And these, are what I wanted to talk about.
pretending
play
games
gaming
russelldavies
creativity
barelygames
planning
thinking
futures
design
competition
noticing
playful09
collections
collecting
tcsnmy
negotiating
negotiation
inattention
iphone
gamechanging
glvo
attention
augmentedreality
augmentedrealityfiction
november 2009 by robertogreco
Pasta&Vinegar » Playful09 write-up
november 2009 by robertogreco
"Russell Davies was perhaps the highlight of the day as his talk revolved around the contrast between “world-building” versus “bubble-building”. Based on the model railways metaphor, he described these two approaches: “world-building” corresponds to mimicking reality while “bubble-building” consists in putting the railway in your garden where you cannot try to replicate anything (it allows building a “bubble of suspense”). To him, world building is more difficult and he is more interested in “barely games”: collecting, negotiating, pretending and inattention."
playful09
nicolasnova
russelldavies
collections
collecting
play
noticing
tcsnmy
negotiating
negotiation
pretending
inattention
iphone
gaming
games
gamechanging
glvo
barelygames
attention
november 2009 by robertogreco
Norsk Kartozoologisk Forening
november 2009 by robertogreco
Norwegian Cartazoologic Society
cartography
maps
mapping
humor
animals
noticing
glvo
edg
srg
november 2009 by robertogreco
Found while walking - meish dot org: life, unfolding
november 2009 by robertogreco
"Part of the brilliance of a photographic observation game like noticin.gs (which I wrote about the other day in the context of synchronicity and gaming) is that - as the name implies - it encourages you to be observant and notice things when you’re out and about in the context of your everyday life...The discipline of noticing stuff is part of what makes receptiveness and observation useful in life, as well as in anthrolopology and social gaming. But it’s good to have a particular outlet (or should that be inlet?) for the activity."
photography
noticing
flickr
via:preoccupations
observation
anthropology
perception
habits
socialgaming
attention
ethnography
tcsnmy
games
gaming
play
november 2009 by robertogreco
Consider Yourself On Notice - meish dot org: life, unfolding
november 2009 by robertogreco
"Super-noticing is something which happens a lot if you’re trained to be receptive and observant, but also if you’re thinking about a particular thing.
via:preoccupations
attention
perception
ethnography
tumblr
flickr
photography
observation
tcsnmy
noticing
anthropology
november 2009 by robertogreco
noticings
august 2009 by robertogreco
"Noticings is a game of noticing things in cities. Snap a photo of something interesting you happen upon, upload it to Flickr, tag it with 'noticings' and geotag it with where it was taken.
tomarmitage
noticing
flickr
games
observation
tcsnmy
cities
play
tagging
api
via:preoccupations
glvo
classideas
august 2009 by robertogreco
Snarkmarket: Personality and Urban Affection
february 2009 by robertogreco
"Whitman feels the power of the city of strangers. He’s looking at a city of strangers and how something we might now call urban affection begins to develop. How do you come to care for people that you have never seen before and that you may never see again? Every day we encounter people, eyes make contact, we brush by people, physically come into contact with them, and may never see them again. But Whitman’s notebooks at this time are filled with images, just jottings, of these people, what they’re doing, what they look like, what their names are. ‘What is this person doing? What’s the activity that defines this person? “If I were doing that activity that person would be me. If I were wandering the other way, rather than this way, that person could be me. That could be me. That could be me. What is it that separates any of us?’"
waltwhitman
urban
urbanism
place
noticing
observation
affection
bionicnoticing
cities
strangers
belonging
engagement
surroundings
environment
february 2009 by robertogreco
Bionic Noticing on Irving Street « Magical Nihilism
november 2008 by robertogreco
"There’s been a flurry of writing on the skill, innate or learned of noticing. I like to think I have a little bit of the innate, but I’ve been *ahem* noticing that my increasingly mobile personal-informatics tool-cloud seems to be training me to notice more."
noticing
observation
culture
architecture
mapping
geotagging
mattjones
meaning
location
arg
ubicomp
flickr
cities
maps
urban
mobile
games
future
adamgreenfield
longnow
bighere
bignow
longhere
computers
place
janejacobs
interested
driftdeck
november 2008 by robertogreco
Ever Notice?: Gain: AIGA Journal of Business and Design: Design & Business: AIGA
august 2008 by robertogreco
"The following is a dialogue between Steve Portigal and Dan Soltzberg about the importance of being aware and the advantages of tapping into your “super-noticing power” in practicing design and specifically in user research."
noticing
observation
ethnography
perception
psychology
design
art
culture
creativity
photography
environment
graphicdesign
august 2008 by robertogreco
Cognitive Daily: Artists look different
march 2007 by robertogreco
"These two pictures represent the eye motions of two viewers as they scan a work of art with the goal of remembering it later. One of them is a trained artist, and the other is a trained psychologist. Can you tell which is which?"
art
artists
attention
brain
science
cognition
visualization
vision
psychology
perception
neuroscience
mind
images
human
noticing
memory
eyetracking
education
research
march 2007 by robertogreco
CBS News | The Eyes Have It | January 5, 2004 05:00:06
january 2005 by robertogreco
profile of Professor John Stilgoe, Harvard professor of the history of landscape
cities
design
society
johnstilgoe
noticing
observation
classideas
psychogeography
johnsjohnstilgoe
profile
of
Professor
John
Stilgoe
Harvard
the
history
landscape
january 2005 by robertogreco
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