robertogreco + museums 135
Headlands Center for the Arts
8 weeks ago by robertogreco
"Headlands Center for the Arts is a multidisciplinary, international arts center dedicated to supporting artists; the creative process; and the development of new, innovative ideas and artwork.
Where we are is as important as what we do. Our campus comprises a cluster of artist-rehabilitated military buildings, just north of the Golden Gate Bridge at historic Fort Barry in the Marin Headlands, a part of the Golden Gate National Recreation Area.
Headlands artists programs support artists of all disciplines—from visual artists to performers, musicians, writers, and videographers—and provide opportunities for independent and collaborative creative work. Our impact is evident in the lives and careers of the artists who have participated in our programs and the experiences of our visitors."
via:javierarbona
headlandsartcenter
headland
fortbarry
museums
galleries
residencies
community
art
marin
sanfrancisco
bayarea
glvo
from delicious
Where we are is as important as what we do. Our campus comprises a cluster of artist-rehabilitated military buildings, just north of the Golden Gate Bridge at historic Fort Barry in the Marin Headlands, a part of the Golden Gate National Recreation Area.
Headlands artists programs support artists of all disciplines—from visual artists to performers, musicians, writers, and videographers—and provide opportunities for independent and collaborative creative work. Our impact is evident in the lives and careers of the artists who have participated in our programs and the experiences of our visitors."
8 weeks ago by robertogreco
Museum of the Near Future 1 - Anni Puolakka, Jenna Sutela, Anna Mikkola (Eds.) - ourpress
february 2012 by robertogreco
"Museum of the Near Future (MNF) is an apparatus for looking sideways at and intervening in urban situations and institutions. It presents itself as social installations—such as literary circles or other temporary communities—which are set up on museum premises. Producing space for imagination and discourse, these parasitic installations attempt to destabilize perceptions of what is possible, and desirable, between the now and the next in a given area.
The first iteration of Museum of the Near Future took place at the Museum of Finnish Architecture’s dormant villa in Helsinki during autumn 2011 and in collaboration with Berlin-based Motto Distribution. MNF I explored micro-political and experimental modes of participation in Helsinki, a city undergoing grand urban transformations, such as its rapid expansion to centrally located former harbour areas or the recent identity-defining missions. Composed of a thematic book society/shop in an underused institutional facility, & involving…"
annamikkola
annipuolakka
jennasutela
pop-upmuseums
pop-upgalleries
situationist
urbanism
urban
lcproject
glvo
social
popup
pop-ups
popups
temporary
participatory
installations
parasiticinstallations
installation
2012
mottodistribution
helsinki
berlin
finland
books
okdo
museumofthenearfuture
museums
The first iteration of Museum of the Near Future took place at the Museum of Finnish Architecture’s dormant villa in Helsinki during autumn 2011 and in collaboration with Berlin-based Motto Distribution. MNF I explored micro-political and experimental modes of participation in Helsinki, a city undergoing grand urban transformations, such as its rapid expansion to centrally located former harbour areas or the recent identity-defining missions. Composed of a thematic book society/shop in an underused institutional facility, & involving…"
february 2012 by robertogreco
Week 2 - Weekly Dispatch
february 2012 by robertogreco
"a blog post by Tag Savage [http://sexpigeon.org/post/16729718345/path-puts-a-silly-amount-of-trust-in-its-avatars ] about Path’s user interface choices in their app. Central tennent: if a place is too pristine and planned, it can’t be colonized. Tag’s words:
"Path is pretty in the same designy way as our modern museums. […] These museums are very exciting when they open. You show up and marvel along with all of the other fans of architecture. Maybe you return for one of those nights where they stay open late and there is a band and drinking. “A great space,” you think. […] The art doesn’t get talked about so much at these museums."
Path is a monument to Path. It is no place to scribble in. I wish it longevity so that it might find shabbiness.
A tricky balance, to be sure, but one that must be navigated if a product is dependant on user’s content. Part of the product must be left undone to provide the opening for the user to contribute."
pristineness
usefulness
architecture
ownership
space
place
museums
over-planning
planning
tagsavage
frankchimero
wabi-sabi
comfort
approachability
shabbiness
2012
colonization
path
"Path is pretty in the same designy way as our modern museums. […] These museums are very exciting when they open. You show up and marvel along with all of the other fans of architecture. Maybe you return for one of those nights where they stay open late and there is a band and drinking. “A great space,” you think. […] The art doesn’t get talked about so much at these museums."
Path is a monument to Path. It is no place to scribble in. I wish it longevity so that it might find shabbiness.
A tricky balance, to be sure, but one that must be navigated if a product is dependant on user’s content. Part of the product must be left undone to provide the opening for the user to contribute."
february 2012 by robertogreco
Bidoun Library | Bidoun Magazine
january 2012 by robertogreco
"The Bidoun Library had its first outing at Abu Dhabi Art (November 2009) as a collection of books, catalogs, journals, and ephemera that trace contemporary art practices as well as the evolution of the various art scenes of the Middle East. This peripatetic resource then travelled to Art Dubai (March 2010) and 98 Weeks in Beirut (April – May, 2010) before landing in the New Museum in New York (August – September, 2010).
The project space allowed visitors to explore, research, and create wide-ranging connections through materials that are generally unavailable commercially. The focus was on materials created by and for artists, as well as those published by independent organizations based in the Middle East…"
[See also: http://www.pbs.org/wgbh/pages/frontline/tehranbureau/2010/09/-arts-book-smart-by.html AND http://www.newmuseum.org/exhibitions/426/museum_as_hub_the_bidoun_library_project AND http://www.e-flux.com/announcements/the-bidoun-library/ ]
nomadicschool
curation
collections
art
glvo
lcproject
education
books
middleeast
museums
itinerantlibraries
temporary
mobile
libraries
pop-ups
museum
museumashub
popup
from delicious
The project space allowed visitors to explore, research, and create wide-ranging connections through materials that are generally unavailable commercially. The focus was on materials created by and for artists, as well as those published by independent organizations based in the Middle East…"
[See also: http://www.pbs.org/wgbh/pages/frontline/tehranbureau/2010/09/-arts-book-smart-by.html AND http://www.newmuseum.org/exhibitions/426/museum_as_hub_the_bidoun_library_project AND http://www.e-flux.com/announcements/the-bidoun-library/ ]
january 2012 by robertogreco
TEDxDirigo - Alan Lishness - Indigenous Innovation: How Small Places can Change the World - YouTube
december 2011 by robertogreco
"As chief innovation officer at the Gulf of Maine Research Institute, Alan Lishness designs and leads science education programming for Maine middle school students, reaching 60,000 students and counting. His vision is for all citizens to be skilled at critical thinking, collaboration, learning, and developing innovative solutions. His thinking is informed by current educational practice in Finland, where teachers are well prepared to teach, held in high professional esteem, and granted autonomy in their classrooms."
alanlishness
maine
finland
education
learning
policy
lcproject
2011
via:steelemaley
schools
gulfofmaineresearchinstitute
science
museums
from delicious
december 2011 by robertogreco
Institute of Museum and Library Services (IMLS)
august 2011 by robertogreco
"The Institute of Museum and Library Services is the primary source of federal support for the nation’s 123,000 libraries and 17,500 museums. The Institute's mission is to create strong libraries and museums that connect people to information and ideas. The Institute works at the national level and in coordination with state and local organizations to sustain heritage, culture, and knowledge; enhance learning and innovation; and support professional development."<br />
<br />
"The Museums, Libraries, and 21st Century Skills initiative underscores the critical role our nation’s museums and libraries play in helping citizens build such 21st century skills as information, communications and technology literacy, critical thinking, problem solving, creativity, civic literacy, and global awareness."
lcproject
libraries
learning
education
museums
imls
culture
criticalthinking
problemsolving
literacy
communication
technology
via:steelemaley
from delicious
<br />
"The Museums, Libraries, and 21st Century Skills initiative underscores the critical role our nation’s museums and libraries play in helping citizens build such 21st century skills as information, communications and technology literacy, critical thinking, problem solving, creativity, civic literacy, and global awareness."
august 2011 by robertogreco
Museum peace: Japan's Naoshima island | Travel | The Observer
july 2011 by robertogreco
"Japanese cool has, for decades now, been associated with everything fast, hi-tech & jangly; it's the TVs on taxi dashboards, the control-panels on toilets, the underground universes around major train stations that keep buzzing even after a natural calamity that stunned the rest of us. And if you're looking for a world-defining Japanese art form, you're more likely to turn these days to anime and manga than to any of the country's classical painters or mock-European forms. So it was shocking for me to go to the sleepy, faraway island of Naoshima – now turned into an "art island" rich with museums and installations – and find the coolest thing I've seen in my 24 years of living in Japan. It was, in some ways, the reverse of technology…"<br />
<br />
"Naoshima is not like anything in the west, but more an ultra-cool reference and homage to what Japan has been doing all along, in cutting away distraction and using frames and light and silence to still the mind and train one in attention."
picoiyer
japan
naoshima
naoshimaisland
art
museums
technology
simplicity
tadaoando
chichumuseum
parks
benessehouse
jamesturrell
leeufan
from delicious
<br />
"Naoshima is not like anything in the west, but more an ultra-cool reference and homage to what Japan has been doing all along, in cutting away distraction and using frames and light and silence to still the mind and train one in attention."
july 2011 by robertogreco
17 Dexter Sinister: From the Toolbox of a Serving Library — Program Information — The Banff Centre
july 2011 by robertogreco
"In 2006 Dexter Sinister (David Reinfurt & Stuart Bailey) established a workshop & bookstore of same name in NY, & have since explored aspects of contemporary publishing in diverse contexts. As well as designing, editing, producing & distributing both printed & digital media, they have also worked w/ ambiguous roles & formats, usually in live contexts of galleries & museums. These projects generally play to some form of site-specificity, where a publication or series of events are worked out in public over a set period of time.<br />
<br />
Dexter Sinister intend to slowly dissolve all such activities into one single institution, The Serving Library. This overarching project is founded on a consideration of how the role of the library has changed over time—from fixed archive, through circulating collection, to point of distribution. As much about The Library as social furniture as it is a specific model, the project ultimately returns to its point of departure: as a place for learning…"
dextersinister
davidreinfurt
stuartbailey
libraries
residency
exhibitions
bookstores
booksellers
nyc
publishing
art
galleries
museums
situatedart
situated
theservinglibrary
distribution
collections
circulation
archives
change
evolution
lcproject
learning
museusm
performance
from delicious
<br />
Dexter Sinister intend to slowly dissolve all such activities into one single institution, The Serving Library. This overarching project is founded on a consideration of how the role of the library has changed over time—from fixed archive, through circulating collection, to point of distribution. As much about The Library as social furniture as it is a specific model, the project ultimately returns to its point of departure: as a place for learning…"
july 2011 by robertogreco
Children's Museum Exec Resigning - voiceofsandiego.org:
july 2011 by robertogreco
"Rachel Teagle, the executive director of The New Children's Museum in downtown San Diego, announced today she will resign this fall after more than four years at the helm. The museum, which originally launched in La Jolla in the early 1980s and then moved downtown, hires contemporary artists to make work that is more approachable to kids and families.<br />
<br />
"It has been a difficult and very personal decision to find the ‘right' time for my family to move on," she said in a statement.<br />
<br />
Teagle said she will remain the executive director at the museum through this fall, opening a new long-term exhibition called "TRASH." She also said she will help the museum find her replacement…"
rachelteagle
ncmsd
sandiego
arts
children
museums
2011
from delicious
<br />
"It has been a difficult and very personal decision to find the ‘right' time for my family to move on," she said in a statement.<br />
<br />
Teagle said she will remain the executive director at the museum through this fall, opening a new long-term exhibition called "TRASH." She also said she will help the museum find her replacement…"
july 2011 by robertogreco
Welcome the Museum of Photographic Arts to the Commons! « Flickr Blog
june 2011 by robertogreco
"The newest addition to the Flickr Commons is the Museum of Photographic Arts. (A good fit for Flickr. Being a museum about photography and all.) In their own words, “Since its founding in 1983, the Museum of Photographic Arts (MoPA) has been devoted to collecting, conserving and exhibiting the entire spectrum of the photographic medium. The Museum’s endeavors consistently address cultural, historical and social issues“<br />
<br />
The images already uploaded to their account are all stunning and often dreamy. Highlights from collection include photographs from William Henry Fox Talbot, Eadweard J. Muybridge, Julia Margaret Cameron, Jean-Eugène-Auguste Atget and more. With every photograph they include information about the image and photographer to help you understand a little more about when it was created and how. Of course like every member of the Commons, they invite you to add more information about the photos by commenting and tagging.<br />
<br />
Enjoy the collection! It’s a stunner."
sandiego
museums
photography
museumofphotographicarts
commons
eadweardmuybridge
flickr
from delicious
<br />
The images already uploaded to their account are all stunning and often dreamy. Highlights from collection include photographs from William Henry Fox Talbot, Eadweard J. Muybridge, Julia Margaret Cameron, Jean-Eugène-Auguste Atget and more. With every photograph they include information about the image and photographer to help you understand a little more about when it was created and how. Of course like every member of the Commons, they invite you to add more information about the photos by commenting and tagging.<br />
<br />
Enjoy the collection! It’s a stunner."
june 2011 by robertogreco
Local Projects
may 2011 by robertogreco
"Local Projects is a media design firm for museums and public spaces. We create a diverse range of installations from large environmental interactives, websites, and mobile applications, to simple experiences composed of thumbtacks, vellum, or conversation.<br />
While innovation drives much of today’s design, we’re interested in creating projects that can endure. For us at Local Projects, interaction design is more than just controlling technology. We create media that is integrated into architecture, and that connects people with the world and each other. We look to create experiences that inspire awe and wonder.<br />
<br />
Many of our projects are about co-creation: gathering visitor stories, or collecting opinions, or memories. We’ve learned that the most incredible material emerges when you create a platform for visitors to communicate."
design
art
culture
architecture
history
mediadesign
museums
publicspace
installation
environment
web
internet
environmentaldesign
localprojects
experience
lcproject
cocreation
community
communication
change
from delicious
While innovation drives much of today’s design, we’re interested in creating projects that can endure. For us at Local Projects, interaction design is more than just controlling technology. We create media that is integrated into architecture, and that connects people with the world and each other. We look to create experiences that inspire awe and wonder.<br />
<br />
Many of our projects are about co-creation: gathering visitor stories, or collecting opinions, or memories. We’ve learned that the most incredible material emerges when you create a platform for visitors to communicate."
may 2011 by robertogreco
Search Home - Search Yale Digital Commons
may 2011 by robertogreco
"Cross Collection Discovery (CCD) provides a way to search across Yale's collections of art, natural history, books, and maps, as well as photos, audio, and video documenting people, places, and events that form part of Yale's institutional identity and contribution to scholarship. The content searchable in CCD will grow as additional University departments make use of the service to share Yale's collections with the Yale community and the world."
via:robinsloan
education
art
history
books
photography
naturalhistory
maps
audio
video
archives
search
primarysources
events
libraries
digitalcommons
yale
museums
prints
from delicious
may 2011 by robertogreco
Omeka
april 2011 by robertogreco
"Omeka is a free, flexible, and open source web-publishing platform for the display of library, museum, archives, and scholarly collections and exhibitions. Its “five-minute setup” makes launching an online exhibition as easy as launching a blog.<br />
Omeka falls at a crossroads of Web Content Management, Collections Management, and Archival Digital Collections Systems"<br />
<br />
[Via: http://learningthroughdigitalmedia.net/teaching-and-learning-with-omeka-discomfort-play-and-creating-public-online-digital-collections ]
opensource
omeka
publishing
online
web
software
cms
web-publishing
exhibitions
museums
education
libraries
webdev
contentmanagement
archives
archiving
digitalcollections
from delicious
Omeka falls at a crossroads of Web Content Management, Collections Management, and Archival Digital Collections Systems"<br />
<br />
[Via: http://learningthroughdigitalmedia.net/teaching-and-learning-with-omeka-discomfort-play-and-creating-public-online-digital-collections ]
april 2011 by robertogreco
Vanished
april 2011 by robertogreco
"An environmental disaster has taken place on Planet Earth and we need your help.<br />
Smithsonian Institution & MIT Education Arcade invite all scientists-in-training ages 10½-14 to log onto VANISHED & help decipher clues that unravel one of the world’s biggest mysteries. An online/offline interactive event, VANISHED is an 8-week episodic quest that will transform you into principal scientific investigators who must collaborate to find the answers. You will race against time as you solve games, puzzles, & other online challenges; visit real museums; collect samples from in & around your homes; and even partner w/ some of the Smithsonian’s world renowned scientists & investigators, to help unlock the true secrets of this catastrophe—before it’s too late."
games
learning
vanished
smithsonian
mit
miteducationarcade
simulations
arg
museums
puzzles
mysteries
collaboration
tcsnmy
classideas
interactive
from delicious
Smithsonian Institution & MIT Education Arcade invite all scientists-in-training ages 10½-14 to log onto VANISHED & help decipher clues that unravel one of the world’s biggest mysteries. An online/offline interactive event, VANISHED is an 8-week episodic quest that will transform you into principal scientific investigators who must collaborate to find the answers. You will race against time as you solve games, puzzles, & other online challenges; visit real museums; collect samples from in & around your homes; and even partner w/ some of the Smithsonian’s world renowned scientists & investigators, to help unlock the true secrets of this catastrophe—before it’s too late."
april 2011 by robertogreco
Rethinking Evaluation Metrics in Light of Flickr Commons | conference.archimuse.com
april 2011 by robertogreco
"cultural heritage institutions, including archives, libraries, and museums, have been placing their collections in Web spaces designed for collaboration and communication. Flickr Commons is one example of a highly visible space where cultural heritage institutions have partnered w/ a popular social networking site to provide greater discovery to, access of, & opportunities to interact w/ image collections on a large scale. It is important to understand how to measure the impact of these kinds of projects. Traditional metrics, including visit counts, tell only part of the story: much more nuanced information is often found in comments, notes, tags, & other info contributed by the user community. This paper will examine how several institutions on Flickr Commons - LoC, Powerhouse Museum, Smithsonian, NYPL, & Cornell U Library - are navigating the concept of evaluation in an emerging arena where compelling statistics are often qualitative, difficult to gather, & ever-changing.
flickr
metrics
socialmedia
statistics
museums
flickrcommons
commons
from delicious
april 2011 by robertogreco
n+1: How to Behave in an Art Museum
march 2011 by robertogreco
"This is very American. Our purported populism has always made us wary of those claiming, by virtue of their position or education, to know better than everyone else. One thing that’s changed, though, is that this populism, often disguised as the heady skepticism of continental theory, has managed to sneak into the very bastion of elitism, into the places where the aspiring intellectual first learns how to be a pompous snob: academic humanities departments…
The closer we get to the top, it seems, the more likely we are to believe, or pretend to believe, that the ladder we’ve been climbing leads nowhere—is meaningful only to those who stare at its innumerable rungs from below. Self-improvement, we discover, is a sham. We were better off when we were just kids, when we knew what we liked effortlessly, when our passions were not learned. And so we end up in MoMA’s romper room, doing somersaults on the carpet, hoping to return to a state of innocence."
art
culture
hierarchy
timothyaubry
posturing
humanities
skepticism
populism
continentaltheory
cleverness
museums
nyc
highculture
from delicious
The closer we get to the top, it seems, the more likely we are to believe, or pretend to believe, that the ladder we’ve been climbing leads nowhere—is meaningful only to those who stare at its innumerable rungs from below. Self-improvement, we discover, is a sham. We were better off when we were just kids, when we knew what we liked effortlessly, when our passions were not learned. And so we end up in MoMA’s romper room, doing somersaults on the carpet, hoping to return to a state of innocence."
march 2011 by robertogreco
Portland Museum of Art
february 2011 by robertogreco
"As the largest and oldest art museum in the state of Maine, the Museum serves as a vital cultural resource for all who visit. The Museum's collection of more than 17,000 objects is housed in three historic and remarkable buildings showcasing three centuries of art and architecture. Whether this is your first visit or 131st, our changing exhibitions and permanent collection offer you a diverse selection of fine and decorative arts to view."
portland
maine
art
museums
from delicious
february 2011 by robertogreco
The Institute of Contemporary Art at Maine College of Art (ICA at MECA)
february 2011 by robertogreco
"The Institute of Contemporary Art at Maine College of Art features innovative exhibitions and public programs that showcase new perspectives and trends in contemporary art. Located in stunning galleries in our landmark Porteous Building, the ICA at MECA presents cutting edge work by local, national, and international artists. A lively schedule of public programming includes lectures, workshops, and performances. The ICA at MECA provides a unique resource to the MECA community, offering insight into the practices of the professional field and first hand experiences with renowned visiting artists. Internships are also available, providing hands-on museum experiences ranging from the research and development of exhibitions to teaching to museum management."
meca
maine
portland
ica
icameca
art
glvo
museums
education
arts
exhibits
exhibitions
contemporary
from delicious
february 2011 by robertogreco
Map & Atlas Museum of La Jolla
february 2011 by robertogreco
"The La Jolla Map and Atlas Museum will feature maps that span 500 years, from the 15th century all the way to the mid-20th century. The maps are from all over the world, but most of the collection can be traced back to European roots. <br />
<br />
The maps are a part of the Stone Map and Atlas Foundation, headed by local businessman and philanthropist Michael Stone, who has been collecting maps for 20 years. <br />
<br />
“It was just not right having them locked up in an oversized closet,” said Stone, who also serves on the board of the San Diego Museum of Art and is an advisory board member for the Norman B. Leventhal Map Center at the Boston Public Library. “This material needs to be seen and appreciated.”"
maps
mapping
lajolla
sandiego
museums
cartography
history
togo
tcsnmy
classideas
archives
from delicious
<br />
The maps are a part of the Stone Map and Atlas Foundation, headed by local businessman and philanthropist Michael Stone, who has been collecting maps for 20 years. <br />
<br />
“It was just not right having them locked up in an oversized closet,” said Stone, who also serves on the board of the San Diego Museum of Art and is an advisory board member for the Norman B. Leventhal Map Center at the Boston Public Library. “This material needs to be seen and appreciated.”"
february 2011 by robertogreco
Museum of Possibilities - a set on Flickr
february 2011 by robertogreco
"The city of Montréal needed designs to help inaugurate a public space within the new urban development of the Quartier des Spectacles, generating public interest in the vision & future of the area.<br />
<br />
The ‘Museum of Possibilities’ was created for one day during Montréal’s city-wide open day for Museums. Members of the public could pick up a piece of paper & write down what they would like to have happen in that space in the future. Visitors entered the field of balloons to add an ‘entry’ to the museum of possible things which might happen on site. People also received a set of stickers so they could wander through the Museum of Possibilities & add a vote of approval for possible future events. This voting helped to turn ‘possibilities’ into probabilities & gave the client concrete data on public interest.<br />
<br />
A collaboration w/ Melissa Mongiat, Mouna Andraos & Amélie Bilodeau, May 2010<br />
www.livingwithourtime.com "
crowdsourcing
twitter
publicspace
designresearch
possibility
livingwithourtime
mounaandraos
améliebilodeau
montreal
opinion
imagination
balloons
museums
culture
community
the2837university
agitpropproject
from delicious
<br />
The ‘Museum of Possibilities’ was created for one day during Montréal’s city-wide open day for Museums. Members of the public could pick up a piece of paper & write down what they would like to have happen in that space in the future. Visitors entered the field of balloons to add an ‘entry’ to the museum of possible things which might happen on site. People also received a set of stickers so they could wander through the Museum of Possibilities & add a vote of approval for possible future events. This voting helped to turn ‘possibilities’ into probabilities & gave the client concrete data on public interest.<br />
<br />
A collaboration w/ Melissa Mongiat, Mouna Andraos & Amélie Bilodeau, May 2010<br />
www.livingwithourtime.com "
february 2011 by robertogreco
Museum - Wikipedia
january 2011 by robertogreco
"The English "museum" comes from the Latin word, and is pluralized as "museums" (or rarely, "musea"). It is originally from the Greek Μουσεῖον (Mouseion), which denotes a place or temple dedicated to the Muses (the patron divinities in Greek mythology of the arts), and hence a building set apart for study and the arts, especially the Musaeum (institute) for philosophy and research at Alexandria by Ptolemy I Soter about 280 BCE. The first museum/library is considered to be the one of Plato in Athens. However, Pausanias gives another place called "Museum", namely a small hill in Classical Athens opposite the Akropolis. The hill was called Mouseion after Mousaious, a man who used to sing on the hill and died there of old age and was subsequently buried there as well."
etymology
words
english
history
museums
muses
art
arts
philosophy
ancientgreece
ancientgreeks
latin
from delicious
january 2011 by robertogreco
Frieze Magazine | Archive | Mexico City Report
december 2010 by robertogreco
"From new museums to project spaces and pop-up music events, nothing stands still in one of the largest cities in the Americas "
"Mexico City doesn’t feel alive so much as impossibly animated, scary in a way that you want to interact with rather than shy away from. D.F. is as much its bricks and mortar infrastructure and fantastically variegated architecture as the myriad ways people have of negotiating it. A hole-in-the-wall becomes a bar becomes an experimental music store, for a few hours once a month, or a penthouse gets repurposed as an ephemeral gallery."
mexico
mexicodf
art
glvo
museums
galleries
events
df
alias
damiánortega
soma
contemporary
music
popup
pop-ups
from delicious
"Mexico City doesn’t feel alive so much as impossibly animated, scary in a way that you want to interact with rather than shy away from. D.F. is as much its bricks and mortar infrastructure and fantastically variegated architecture as the myriad ways people have of negotiating it. A hole-in-the-wall becomes a bar becomes an experimental music store, for a few hours once a month, or a penthouse gets repurposed as an ephemeral gallery."
december 2010 by robertogreco
Picture Show: Museology Revisited - - GOOD
october 2010 by robertogreco
"Whether disappearance of environments and dioramas reflects a change in how we learn or evolving curator tastes is unclear, but the shift is both noteworthy and something of a shame. Though it has motivated Ross to take his camera back into museums. "In the future, the whole concept of textbook learning may change so drastically that the need for an individual diorama that captures a moment of space, time, and environment may not be there any more," says Ross. "We're not there yet, though. Right now, we're in a transit, and the dioramas have distinctly changed.""
richardross
evolution
animals
photography
museums
history
exhibits
nature
learning
curation
textbooks
dioramas
change
gamechanging
art
books
from delicious
october 2010 by robertogreco
more than 95 theses [A quote from Dwight MacDonald on the force-feeding of culture from the perspective of a "conservative anarchist"]
october 2010 by robertogreco
"“Well, I say, being an anarchist, that I don’t believe in taking people by the hand and force-feeding them culture. I think they should make their own decisions. If they want to go to museums and concerts, that’s fine, but they shouldn’t be seduced into doing it or shamed into doing it.”<br />
<br />
— Dwight MacDonald, who called himself a “conservative anarchist.” This is an important idea in my forthcoming book The Pleasures of Reading in an Age of Distraction."
anarchism
distraction
reading
museums
culture
society
unschooling
deschooling
self-directedlearning
self-directed
autodidacts
autodidactism
learning
intrinsicmotivation
motivation
forcefeeding
decisions
glvo
indoctrination
from delicious
<br />
— Dwight MacDonald, who called himself a “conservative anarchist.” This is an important idea in my forthcoming book The Pleasures of Reading in an Age of Distraction."
october 2010 by robertogreco
REVERENCE by zana briski — Kickstarter
october 2010 by robertogreco
"Reverence is a project that brings together film, music and photographs of insects in a nomadic museum -- a temporary structure inspired by the exquisite shape of praying mantis ootheca, or eggpod. It's called Reverence because that is the state in which I photograph and that is what I want to communicate through my work."
insects
film
documentary
zanabriski
photography
nature
museums
nomadic
prayingmantises
music
from delicious
october 2010 by robertogreco
Museum of Science and Industry | Month at the Museum | The Details [video submission: http://www.youtube.com/watch?v=twPrFLkvsnM via: http://blog.beplayfuldesign.com/post/1128967692/]
september 2010 by robertogreco
"The Museum of Science & Industry, Chicago is looking for "you." & by "you," we mean an adventurous, outgoing person with a strong interest in learning about science & the world around her or him, plus the ability to write engagingly about your experiences. Ideally, you're also the web-savvy sort who can keep your thumb out of frame when taking photographs. If that "you" sounds like you, or if you are simply curious about this intriguing endeavor, then you should read on.<br />
<br />
We're looking for someone to take on a once-in-a-lifetime assignment: spend a Month at the Museum, to live & breathe science 24/7 for 30 days. From October 20 to November 18, 2010, this person's mission will be to experience all the fun & education that fits in this historic 14-acre building, living here & reporting your experience to the outside world. There will be plenty of time to explore the Museum & its exhibits after hours, with access to rarely seen nooks and crannies of this 77-year-old institution."
museums
chicago
residencies
oddjobs
science
tcsnmy
classideas
topost
toshare
msichicago
from delicious
<br />
We're looking for someone to take on a once-in-a-lifetime assignment: spend a Month at the Museum, to live & breathe science 24/7 for 30 days. From October 20 to November 18, 2010, this person's mission will be to experience all the fun & education that fits in this historic 14-acre building, living here & reporting your experience to the outside world. There will be plenty of time to explore the Museum & its exhibits after hours, with access to rarely seen nooks and crannies of this 77-year-old institution."
september 2010 by robertogreco
MoMA | The MoMA App
august 2010 by robertogreco
"Carry MoMA with you wherever you go. Use the MoMA App to find out what’s on at the Museum, plan a visit, browse or search tens of thousands of works in the collection, take multimedia tours, or learn about artists and art terms. Take a picture of a work of art and send it to a friend, or put together a playlist to create a soundtrack for your MoMA visit."
via:kottke
iphone
moma
museums
nyc
applications
art
from delicious
august 2010 by robertogreco
Frieze Magazine | Archive | Art Space ["Have crowded museums and galleries put an end to uninterrupted contemplation?"]
august 2010 by robertogreco
"One would be tempted to say that the contemporary museum is a machine for ‘slipping glimpses’ – to misappropriate Willem de Kooning’s famous description of his painting, while noting that the essence of appreciating his work consists in looking hard and long at what he captured in a blink of the eye and the flick of a wrist. But, in truth, the mechanisms in play are horridly like those of a sci-fi monster that ingests people in great gulps, pumps them peristaltically through its digestive tract in a semi-delirious state, and then flushes them out the other end with their pockets lighter and with almost no memory of their ‘museum experience’ other than a mild anaesthetic hangover. In short, one leaves the halls of culture much as one does a colonoscopy clinic."
art
moma
robertstorr
museums
2010
performance
quiet
from delicious
august 2010 by robertogreco
Temple? School? Try Nightclub: The Soul of a New Museum | The New York Observer
august 2010 by robertogreco
"past year is culmination of decade-long effort to change museum's character, to turn it "interactive," place where people come to see, but also be seen; to not just look at art but participate in it. MoMA has made its mission to transform "into a social space from an treasure trove," according to the director…
But a resulting influx of people through the doors has lead influential art worlders like Robert Storr to lament rise of "Death Star Museums." These are places where "uninterrupted contemplation" is impossible. More people may be coming to contemp art museums, Mr. Storr wrote…, but "the mechanisms in play are horridly like those of a sci-fi monster that ingests people in great gulps."
"Museums of modern art are a kind of inherently unstable space," Mr. Lowry said. "If you're going to follow flow of contemp art, you have to constantly tweak & adjust. You can't lock it down & say this is what it should be for the next 10 years. Artists are moving much faster than that.""
via:foe
art
museums
moma
nyc
contemporary
events
participation
scenes
objects
social
robertstorr
design
paolaantonelli
accessibility
change
2010
attendance
quiet
crowds
yokoono
artclubbing
youth
ps1
from delicious
But a resulting influx of people through the doors has lead influential art worlders like Robert Storr to lament rise of "Death Star Museums." These are places where "uninterrupted contemplation" is impossible. More people may be coming to contemp art museums, Mr. Storr wrote…, but "the mechanisms in play are horridly like those of a sci-fi monster that ingests people in great gulps."
"Museums of modern art are a kind of inherently unstable space," Mr. Lowry said. "If you're going to follow flow of contemp art, you have to constantly tweak & adjust. You can't lock it down & say this is what it should be for the next 10 years. Artists are moving much faster than that.""
august 2010 by robertogreco
The Louvre of the Industrial Age - O'Reilly Radar
july 2010 by robertogreco
"Under Marc's eye, we also saw the transformation of the machines from purely functional objects to things of beauty. We saw the advances in engineering - the materials, the workmanship, the design, over a hundred years of innovation. Visiting The Henry Ford, as they call it, is a truly humbling experience. I would never in a hundred years have thought of making a visit to Detroit just to visit this museum, but knowing what I know now, I will tell you confidently that it is as worth your while as a visit to Paris just to see the Louvre, to Rome for the Vatican Museum, to Florence for the Uffizi Gallery, to St. Petersburg for the Hermitage, or to Berlin for the Pergamon Museum. This is truly one of the world's great museums, and the world that it chronicles is our own."
henryford
henryfordmuseum
museums
timoreilly
industrialage
history
pilgrimages
detroit
tosee
thomasedison
lutherburbank
july 2010 by robertogreco
Archives & Museum Informatics: Museums and the Web 2010: Papers: Cope, A.S., Buckets and Vessels
april 2010 by robertogreco
"With the mass of digital "stuff" growing around us every day and simple tools for self-organization evolving beyond individuals into communities of suggestions, is the curatorial prerogative itself becoming a social object?
curation
archives
archive
art
flickr
galleries
geotagging
commons
stamen
museums
21stcenturyskills
21stcentury
communities
community
paper
social
data
aaronstraupcope
april 2010 by robertogreco
Creation and Earth History Museum located in California, US | Atlas Obscura | Curious and Wondrous Travel Destinations
march 2010 by robertogreco
"Designed and built by the Institute for Creation Research, the Creation and Earth History Museum is "a show case for a literal six day young earth creation model, as well as expanding the emphasis on the incredible design found in that creation," according to its website.
sandiego
santee
creationism
religion
museums
march 2010 by robertogreco
Pasta&Vinegar » Those Magnificent Men in Their Failing Machines [Related: http://liftlab.com/think/nova/2010/02/06/slides-from-interaction2010-talk/]
february 2010 by robertogreco
“It made me think about the beginning of that wonderful film, Those Magnificent Men in Their Flying Machines, in which you see a litany of failed aircraft. You laugh, but you also see how seriously involved everybody was in trying to fly. All the failure, all the things that didn’t work, make you realize that the Wright brothers were really something. All the paths taken, all the good intentions, the logistics, the absurdities, all the hopes of people trying to fly testifying to the power we have when we refuse to quit.
failure
nicolasnova
flight
jonassalk
iteration
tinkering
museums
success
persistence
tcsnmy
february 2010 by robertogreco
BBC - A History of the World | Ready To Launch
january 2010 by robertogreco
"Telling a history of our world with objects"
culture
history
infographics
museums
ancient
tcsnmy
timelines
bbc
via:preoccupations
objects
design
art
january 2010 by robertogreco
David Byrne's Journal: 12.12.09: Art Funding or Arts Funding
december 2009 by robertogreco
"I sense that in the long run there is a greater value for humanity in empowering folks to make and create than there is in teaching them the canon, the great works and the masterpieces. In my opinion, it’s more important that someone learn to make music, to draw, photograph, write or create in any form than it is for them to understand and appreciate Picasso, Warhol or Bill Shakespeare — to say nothing of opry. In the long term it doesn’t matter if students become writers, artists or musicians — though a few might. It's more important that they are able to understand the process of creation, experimentation and discovery — which can then be applied to anything they do, as those processes, deep down, are all similar. It’s an investment in fluorescence."
art
politics
music
government
arts
museums
davidbyrne
funding
elibroad
tcsnmy
creativity
innovation
human
humanity
well-being
december 2009 by robertogreco
How to Go to the Zoo
november 2009 by robertogreco
"Let’s get one thing straight. A zoo is not a theme park; it’s more like a museum... Go alone... Under no circumstances bring children... Go early or stay late... Go cold... Walk... If possible, wear khaki... Don't discriminate... Stay away from the gift shops. And the cafes... Take what the zoo gives you... Look for the overlooked... Take your time... And then take some more time... Do not see everything... Be thankful."
cv
culture
zoos
howto
travel
animals
advice
observation
interestingness
interested
museums
tips
slow
via:kottke
november 2009 by robertogreco
David Byrne Journal: 11.09.09: Estoril, Portugal — The Future, the Past, the Present and…
november 2009 by robertogreco
"I suggested that it was more important that children, and everyone really, be imbued with a sense that they themselves might make things — that the things they might make have value — as opposed to learning mainly to appreciate the great masters, whether they be Bach, Picasso or the literary canon. I proposed that the value of art might be of more use to society in that regard, rather than focusing on supporting, well, museums and symphony halls. ... Encouraging students to write, to make stuff, to cook, design, to draw, play an instrument, record music, sing, edit films, etc. — all of that creates a sense of self-worth, curiosity and experimentation that has applications way beyond each of those disciplines. I would argue that this is where the greater percentage of state funding should go. Of course in the US, it’s the part that has been eliminated almost completely."
davidbyrne
education
art
arts
music
policy
funding
film
creation
self
experimentation
tcsnmy
lcproject
glvo
design
museums
portugal
francisfordcoppola
children
making
doing
self-worth
appreciation
culture
society
us
religion
production
filesharing
drm
future
media
november 2009 by robertogreco
Orhan Pamuk's 'Museum' Of Obsession, Innocence : NPR
october 2009 by robertogreco
"Pamuk began collecting the objects that his protagonist Kemal would save before he even began writing the novel. And, in an unusual instance of literature melding into real life, he plans to display those objects in an actual "Museum of Innocence," which he hopes to open in Istanbul in July 2010. The idea for the museum came, in part, from the author's visits to small collections around the world. Pamuk says he's always been attracted to small museums and the "melancholy" that seems to permeate them."
orhanpamuk
literature
museums
melancholy
multimedia
novels
october 2009 by robertogreco
ExhibiTricks: A Museum/Exhibit/Design Blog: Are Screens Killing Museums?
october 2009 by robertogreco
"A SCREED AGAINST SCREENS: 10) Screens are not "green".
via:foe
screens
museums
technology
interactive
october 2009 by robertogreco
LA><ART
september 2009 by robertogreco
"LA><ART is Los Anegeles’ leading independent non-profit contemporary art space, producing experimental exhibitions, publications and public art initiatives with emerging and mid-career local, national and international artists.
losangeles
art
design
glvo
galleries
exhibitions
museums
artists
contemporary
artcenter
alternative
gallery
september 2009 by robertogreco
Space SIG 7: Designing Knowledge Spaces that work for Learning: the experiment of the art exhibition and the garden shed - KnowledgeBoard
july 2009 by robertogreco
"early decision was made to create some unspecified type of artefact that could be first used at the evening event & then re-used at the Design & Education exhibit. Until very late, this was to be an oral artefact – a story which would capture the passing listener but have no visible form – the story as vehicle for the elicitation, structuring & dissemination of key insights...by chance, at a late stage in project planning...theatre designer, writer & poet Angela Dove suggested that the artefact should be a garden shed...The garden shed was an exceptional success...ordinary 8x6 Homebase shed, adapted only to make it easier to assemble & reassemble, served as an incredibly powerful metaphor for the organic nature of knowledge management. Apart from the obvious role of the shed in artistic creativity - George Bernard Shaw, Hemingway & Mahler all wrote in sheds or huts - the organic growing metaphor really connected with attendees."
lcproject
knowledgespaces
art
design
schooldesign
learning
experience
knowledgemanagement
museums
theater
environmentaldesign
july 2009 by robertogreco
Museum 2.0: Deliberately Unsustainable Business Models
march 2009 by robertogreco
"The underlying dysfunction...often an inability to focus on anything but survivability. To make it, museums need to survive AND succeed...important for museums to undergo an exercise in which you list out two types of things: 1. core services that people depend on and need to survive. ... 2. services you provide that make you awesome. What drives people through your door, gets them excited, and connects them passionately with your content? You should be able to point with pride to both the ways you support the community with reliable, consistent services and supreme awesomeness. The desire to survive will always exist, whether you run a small institution or a giant one. It's human nature to want to keep your job and keep doing what you're doing. The challenge is not to make it your primary goal."
museums
focus
mission
tcsnmy
machineproject
sustainability
lcproject
markallen
march 2009 by robertogreco
Museums suck. » Blog Archive » Um, museumssuck.com?
february 2009 by robertogreco
"You want a real lesson the museum industry can learn from successful web 2.0 initiatives? Be really good at what you’re interested in and other people who are also interested in that will get excited and involved. Be really good at what you’re interested in and other people who aren’t also interested in that… will do something else. Let them."
tcsnmy
museums
relevance
focus
technology
culture
science
february 2009 by robertogreco
collision detection: 41% of museums don't know how dogs actually walk
february 2009 by robertogreco
"But the fact is quadruped leg-motion isn’t intuitive: When you close your eyes and visualize it, it makes more sense for the legs to alternate steps left and right, much like the screwed-up skeleton above. What we see in our mind’s eye doesn’t match what we actually see in the world around us — so we ignore the evidence in front of our eyes. It’s kind of like how Aristotle maintained that men had more teeth than women because it made more sense to him, and never bothered to actually check inside an actual woman’s mouth."
animals
motion
dogs
glvo
eadweardmuybridge
anatomy
museums
clivethompson
movement
animation
taxidermy
science
february 2009 by robertogreco
Making art a team sport - Los Angeles Times
january 2009 by robertogreco
"Of all the city’s cultural resources – prestigious schools, ambitious museums, a robust gallery scene – the most significant by far is its ever-welling population of artists, and it’s from this pool that these organizations have arisen: institutions that function, to one degree or another, as art projects in themselves, driven by ideas and a spirit of collaboration, whose offbeat programming aims to challenge the boundaries of what we conceive art to be."...“The idea with Machine,” says Allen, “was that we would feed in ideas & different people & different technologies and it would be generative, it would be constantly producing projects, so that the people who might be our audience one day might be teaching a class the next day, and somebody who learns something in one of the classes might be producing a project with that knowledge later in the gallery. So that there was more of a flow of resources, more of a rhizomatic model, if I dare, than the sort of traditional gallery system.”
machineproject
museums
museumofjurassictechnology
centerforlanduseinterpretation
farmlab
batelevel
lcproject
culture
art
arts
institutions
organizations
dangerouscurve
music
technology
tinkering
make
diy
accessibility
nonprofit
sundownschoolhouse
activism
gardening
losangeles
community
education
politics
california
artists
exhibition
via:grahamje
collaborative
collaboration
january 2009 by robertogreco
Small is beautiful in this age of austerity - News, Art - The Independent
january 2009 by robertogreco
"But now a leading director is urging galleries to rethink the way in which major shows are staged by offering up a single work of art rather than the usual rooms crammed full of gilt-framed Monets, Turners and Caravaggios.
art
small
simplicity
austerity
galleries
museums
exhibitions
via:regine
recession
january 2009 by robertogreco
'whatcom museum' by OSKA architects
december 2008 by robertogreco
"olson sundberg kundig allen (OSKA) architects is responsible for the design of the new 'whatcom museum'. located in bellingham, washington state, the concept behind museum's modern design is to bring as much activity as there is on the inside of the building, to the outside. the project is still in progress, but the focus of the new art and history institution will be a 36-foot-tall, 180-foot-long translucent wall, known as 'the lightcatcher', which will act as a backdrop to the building's central courtyard. the installation of this wall is meant to encourage the public to participate and engage in activities surrounding the museum."
bellingham
washingtonstate
design
architecture
museums
whatcomcounty
december 2008 by robertogreco
12.02.2008 - EEGs show brain differences between poor and rich kids
december 2008 by robertogreco
"University of California, Berkeley, researchers have shown for the first time that the brains of low-income children function differently from the brains of high-income kids.
education
brain
learning
poverty
economics
psychology
neuroscience
income
culture
research
class
children
wealth
cognition
creativity
problemsolving
rootcauses
games
gaming
environment
parenting
museums
books
reading
libraries
earlychildhood
december 2008 by robertogreco
Pasta&Vinegar » Blog Archive » 6th Design Bienniale in Saint Etienne
november 2008 by robertogreco
"Another general impression was also bound to the french system of museums and exhibits: I went there on a week day and it was crowded… with kids. It’s indeed very common in France for schools to organize visit for their pupils and most of the museums rely on this audience. Of course kids are so-so with long exhibit but I found interesting that they can approach the field like this, with teachers and design students giving them some information about the context and what the artefacts mean. Don’t know whether it may shape their design culture but still."
children
design
museums
nicolasnova
ubicomp
exhibitions
ubiquitous
november 2008 by robertogreco
In Construction. Recipes from Scarcity, Ubiquity and Excess - we make money not art
november 2008 by robertogreco
"No proper building. Not even an architecture project that would give a hint of what its future headquarters would be like. That didn't prevent El Bòlit, a brand new Contemp Art Center, from opening its borrowed doors a few weeks ago in Girona...The Bòlit was a game popular among children in Catalonia until the middle of the XXth century. "It's a metaphor for a dynamic center, one that is constantly moving and is pushed forward by people"... opening exhibition...proves that, if the center is still waiting for a proper building, it certainly doesn't lack a strong personality, a dauntless attitude and a very promising exhibition programme...In Construction. Recipes from Scarcity, Ubiquity and Excess...Beyond construction of building, creation of a contemp art centre involves first & foremost construction of a discourse, relationships & dialogue...why first exhibition at new centre focuses on processes that explore new methodologies to articulate narratives w/ context as starting point."
wmmna
girona
spain
elbòlit
art
artcenter
glvo
architecture
space
identity
narrative
exhibitions
temporary
cities
museums
barcelona
november 2008 by robertogreco
In Rome, the Mind’s Museum Invites a Hands-On Approach to Insanity - NYTimes.com
october 2008 by robertogreco
"Overturning preconceptions about mental illness is the leitmotif of the eight-year-old Mind’s Museum (museodellamente.it), which reopened this month after a high-tech overhaul by Studio Azzurro, a Milan-based art collective that works mostly with interactive and video environments. “The idea was to make it extremely participatory, a museum that can register and note the impressions of the visitor,” said Paolo Rosa, who founded Studio Azzurro with two other artists in 1982. “It’s not a static but a dynamic project, in continuous flux.”"
mentalillness
interactive
museums
italy
rome
october 2008 by robertogreco
CLI and Learning Communities
october 2008 by robertogreco
"The concept of learning communities, cities and towns has been around since the 1970s, but came to prominence in the mid 1990s. The term “learning community” has been used in many ways, covering activities ranging from virtual cities, academic learning communities, communities of practice, or learning towns and cities. The definition used by CCL identifies learning communities as: “Neighbourhoods, villages, towns, cities or regions that explicitly use lifelong learning as an organizing principle and social/cultural goal in order to promote collaboration of their civic, economic, public, voluntary and education sectors to enhance social, economic and environmental conditions on a sustainable, inclusive basis.”"
learning
lcproject
learningcommunities
communities
schools
museums
libraries
sustainability
economics
neighborhoods
lifelonglearning
cities
towns
homeschool
unschooling
deschooling
october 2008 by robertogreco
ForYourArt™ | HOME
september 2008 by robertogreco
"ForYourArt is an interdisciplinary producer and meta-curator, creating fresh initiatives through its hybrid model of projects, publishing and media platforms.
losangeles
travel
art
culture
design
directory
events
galleries
museums
maps
blogs
architecture
calendar
september 2008 by robertogreco
New and just for kids | csmonitor.com
august 2008 by robertogreco
"On the inside and outside of the house are painted pictures of birds, along with colorful cross-hatching, and words, such as: "a bird in Tijuana [Mexico] singing to a ... bird in San Diego." (San Diego and Tijuana are right across the border from each other.)"
sandiego
museums
glvo
birds
projectideas
children
art
august 2008 by robertogreco
Confederacy of Dunces: The Tyranny of Compulsory Schooling by John Taylor Gatto
august 2008 by robertogreco
"Those of you with a historical imagination will recognize Thomas Jefferson's prayer for schooling - that it would teach useful knowledge. Some places do: the best schooling in the US today is coming out of museums, libraries, and private institutes...Consider the difference between librarians and schoolteachers. Librarians are custodians of real books and real readers; schoolteachers are custodians of schoolbooks and indentured readers. Somewhere in the difference is the Rosetta Stone that reveals how education is one thing, schooling another."
johntaylorgatto
books
reading
education
learning
schools
libraries
librarians
pedagogy
reform
change
museums
unschooling
deschooling
freedom
authenticity
activism
schooling
august 2008 by robertogreco
Artichoke: Richard Stallman and how easily we have traded away our freedom to share.
august 2008 by robertogreco
"Whilst Stallman calls for “sharing” , in New Zealand schools we identify “relating to others” and “participating and contributing” as worthy...But listening to our current arguments over copyright, DRM, A2K makes me suspect that many of us no longer understand what sharing might be .... probably because we have unconsciously adopted the thinking of consumerism and business ... we can only imagine living in a society predicated upon consumption and the accumulation of personal advantage/ wealth."
ivanillich
johntaylorgatto
consumerism
society
sharing
richardstallman
alankay
schools
schooling
unschooling
deschooling
learning
education
community
libraries
museums
august 2008 by robertogreco
Adapta Project
july 2008 by robertogreco
"founded in 2007 as experimental curatorial collective which aims to offer alternate perspective for showing & viewing artistic expression outside of conventional venues. This collaborative initiative of curating and creating art in response to differing
art
glvo
sandiego
space
curation
collaboration
collaborative
events
museums
galleries
todo
architecture
tijuana
mexico
july 2008 by robertogreco
LABoral Centro de Arte y Creación Industrial
may 2008 by robertogreco
"laboral will be a space for exchange between different art disciplines; a multidisciplinary and interdisciplinary centre and a dynamic environment for creators / works / researchers / teachers / audiences."
art
spain
technology
education
play
museums
via:grahamje
exhibitions
may 2008 by robertogreco
The art of nurturing young minds | The San Diego Union-Tribune
may 2008 by robertogreco
"Curator and mother melds her two worlds by directing revived Children's Museum"
art
children
space
play
glvo
museums
sandiego
learning
creativity
may 2008 by robertogreco
San Diego Art Institute
may 2008 by robertogreco
"Our mission, to maintain a center for emerging artists and the visual arts in San Diego, is expressed through some of the programs on the following pages. Click the arrow below to read about some of our other programs."
sandiego
art
museums
galleries
artists
glvo
children
classes
events
balboapark
may 2008 by robertogreco
Mingei International Museum
may 2008 by robertogreco
"revealing the beauty of use in folk art, craft and design from all eras and cultures of the world. Explore Southern California's largest and richest collection of mingei – art of the people."
sandiego
museums
art
crafts
glvo
folkart
design
may 2008 by robertogreco
SAN DIEGO MUSEUM of ART | Balboa Park's Largest Art Collection
may 2008 by robertogreco
"the region's primary resource for exhibitions and collections of fine art for more than 80 years. Located in the heart of Balboa Park, our galleries offer opportunities for learning, introspection, and connection with cultures from around the world."
art
museums
sandiego
glvo
balboapark
may 2008 by robertogreco
MCASD - Museum of Contemporary Art San Diego
may 2008 by robertogreco
locations downtown and in La Jolla
sandiego
lajolla
galleries
museums
glvo
art
contemporary
may 2008 by robertogreco
The New Children's Museum [see also: http://www.thinkplaycreate.org]
may 2008 by robertogreco
"Formerly the Children’s Museum/Museo de los Niños San Diego, The New Children’s Museum will continue the tradition of providing dynamic, playful and hands-on exhibits and studios, along with art classes and tons of fun activities for kids and famili
sandiego
children
glvo
museums
art
play
todo
may 2008 by robertogreco
SPIEGEL Interview With Danish Artist Olafur Eliasson: 'Museums Are Too Elitist' - International - SPIEGEL ONLINE - News
april 2008 by robertogreco
"Celebrated Danish artist Olafur Eliasson talks about his love-hate relationship with his adopted home city, Berlin, his gigantic waterfall spectacle on the East River in New York, which is expected to attract millions of viewers, and the pitfalls of succ
olafureliasson
museums
art
berlin
april 2008 by robertogreco
Archives & Museum Informatics: Museums and the Web 2008: Paper: Oates, G., The Commons on Flickr: A Primer
april 2008 by robertogreco
"ideal is that other institutions join, and special interest groups from the millions of people using Flickr will seek out and help describe content that they are interested in, and have knowledge about. This will make both the institutional catalogue (or
commons
flickr
georgeoates
photography
participatory
tagging
commenting
crowdsourcing
museums
history
april 2008 by robertogreco
MEDIUMISM
march 2008 by robertogreco
"We were invited by Jacob Dahlgren to design an art museum for children. The scaled down building is currently exhibited in the main gallery at Västerås Konstmuseum, Sweden."
architecture
children
museums
design
sweden
march 2008 by robertogreco
Lux Art Institute
march 2008 by robertogreco
"See art differently. See art happen...redefining museum experience to make art more accessible & personally meaningful. At Lux, you don’t just see finished works of art; you see the artistic process firsthand, engaging with internationally recognized a
academia
art
residencies
glvo
sandiego
museums
encinitas
march 2008 by robertogreco
greg.org: the making of: The Moon Museum
march 2008 by robertogreco
"Moon Museum, w/ drawings by Andy Warhol, Robert Rauschenberg, David Novros, Forrest "Frosty" Myers, Claes Oldenburg, John Chamberlain...supposedly installed on moon in 1969 as part of Apollo 12 mission"
art
history
moon
space
museums
nasa
drawing
warhol
rauschenberg
oldenburg
culture
curation
nazca
march 2008 by robertogreco
Brooklyn Museum: Brooklyn Museum: Exhibitions: Click! A Crowd-Curated Exhibition
february 2008 by robertogreco
"Taking inspiration from [Surowiecki's] The Wisdom of Crowds...Click! explores whether Surowiecki’s premise can be applied to the visual arts—is a diverse crowd just as “wise” at evaluating art as the trained experts?"
crowdsourcing
exhibitions
museums
nyc
photography
media
art
february 2008 by robertogreco
Aliens: Teaching Asian Schoolchildren How to Talk to Aliens
january 2008 by robertogreco
"A traveling alien exhibit makes its way to the Miraikan, a science museum in Tokyo, in March...The best part? The exhibition teaches kids that aliens exist and suggests ways of communicating with them. Hooray for cross-cultural understanding."
children
museums
aliens
exhibits
tokyo
japan
asia
communication
january 2008 by robertogreco
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