robertogreco + making 212
Frieze Magazine | Archive | Border Control
10 days ago by robertogreco
"…Once they have identified what we should be looking at & talking about, my eye is inevitably drawn to the ‘not art’ side of the room, which often seems more alive to me, more fun. Is it possible to make things, do things, before they are categorized? Is it possible to build a life’s work as a free-range human, freely meandering and trespassing without regard for the borders?…
Children naturally operate this way, but it’s the opposite of how most formal education works. We are introduced to borders, decide which ones we want to surround ourselves with, learn what happened within them before we got there, and are then expected to perform within their narrow perimeters until we die… If I am interested in gardening, I don’t want to make work about gardens, I become a gardener…
Maybe identifying myself as one limits my freedom by implying that everything I do aspires to be art. I’m not aiming for art, I’m aiming for life, and if art gets in the way, that’s fine."
[via: http://randallszott.org/2012/05/21/border-control-fritz-haeg/ ]
Another passage from earlier on:
"In her 1979 essay ‘Sculpture in the Expanded Field’ Rosalind Krauss analyzes the slippery, evolving nature of what was being referred to at the time as sculpture by artists including Carl Andre, Walter De Maria, Michael Heizer, Robert Irwin, Sol LeWitt, Richard Long, Robert Morris, Bruce Nauman, Richard Serra and Robert Smithson. Krauss talks about sculpture, and its relationship to ‘not architecture’ and ‘not landscape’. Recently the term ‘expanded field’ has been revived to help make sense of the work of a new generation of artists (including myself), whose legacy can ironically be traced directly back to artists from the 1970s whom Krauss does not mention in her essay. These include: Ant Farm, Buckminster Fuller, Anna Halprin, Joan Jonas, Mierle Laderman Ukeles, Yayoi Kusama, Gordon Matta-Clark, Ana Mendieta, Adrian Piper and Yvonne Rainer, to name just a few personal favourites. They were working at the borders of what was known as sculpture, and some were outside what was even considered art. With our generation growing out of theirs, I would argue that the field has not expanded at all, but rather the ossified borders that previously separated it and other fields from each other are becoming more porous."
criticism
autonomy
freedom
notart
artpractice
theory
tresspassing
meandering
lcproject
deschooling
learning
generalists
multidisciplinary
interdisciplinarity
interdisciplinary
disciplines
free-rangehumans
freeranging
unschooling
living
life
making
glvo
2009
fritzhaeg
culture
unartist
community
art
borders
carlandre
walterdemaria
michaelheizer
robertirwin
sollewitt
richardlong
robertmorris
brucenauman
richardserra
robertsmithson
antfarm
buckminsterfuller
annahalprin
joanjonas
mierleladermanukeles
yayoikasuma
matta-clark
anamendieta
adrianpiper
yvonnerainer
rosalindkrauss
architecture
landscape
artists
sculpture
porosity
from delicious
Children naturally operate this way, but it’s the opposite of how most formal education works. We are introduced to borders, decide which ones we want to surround ourselves with, learn what happened within them before we got there, and are then expected to perform within their narrow perimeters until we die… If I am interested in gardening, I don’t want to make work about gardens, I become a gardener…
Maybe identifying myself as one limits my freedom by implying that everything I do aspires to be art. I’m not aiming for art, I’m aiming for life, and if art gets in the way, that’s fine."
[via: http://randallszott.org/2012/05/21/border-control-fritz-haeg/ ]
Another passage from earlier on:
"In her 1979 essay ‘Sculpture in the Expanded Field’ Rosalind Krauss analyzes the slippery, evolving nature of what was being referred to at the time as sculpture by artists including Carl Andre, Walter De Maria, Michael Heizer, Robert Irwin, Sol LeWitt, Richard Long, Robert Morris, Bruce Nauman, Richard Serra and Robert Smithson. Krauss talks about sculpture, and its relationship to ‘not architecture’ and ‘not landscape’. Recently the term ‘expanded field’ has been revived to help make sense of the work of a new generation of artists (including myself), whose legacy can ironically be traced directly back to artists from the 1970s whom Krauss does not mention in her essay. These include: Ant Farm, Buckminster Fuller, Anna Halprin, Joan Jonas, Mierle Laderman Ukeles, Yayoi Kusama, Gordon Matta-Clark, Ana Mendieta, Adrian Piper and Yvonne Rainer, to name just a few personal favourites. They were working at the borders of what was known as sculpture, and some were outside what was even considered art. With our generation growing out of theirs, I would argue that the field has not expanded at all, but rather the ossified borders that previously separated it and other fields from each other are becoming more porous."
10 days ago by robertogreco
Making smart on Env
10 days ago by robertogreco
"Smart people can take something complex and express it faithfully in different, especially simper, terms. They can interpret and reinterpret. If you want to make something smart, it’s tempting to do smartness to your topic until you’ve condensed it into some admirably lucid interpretation, then hand that to the audience and wait for the applause. Sometimes this is what’s needed. But it isn’t how to make smart things. A smart thing is something for a smart person. However many interpretations you put in it, however fertile they are, you leave room for more.
You do this because you respect what you are interpreting and you do it because you respect your audience. It’s a lot like being considerate. And that’s how you make smart things."
making
writing
subjectivities
balance
interpretation
dryness
comments
audience
clever
cleverness
criticism
superiority
disdain
milankundera
kitsch
storytelling
airs
malcolmgladwell
ted
smartness
authenticity
entertainment
art
nervio
thomaskincade
beauty
humor
neilgaiman
2012
consideration
smarts
smart
charlieloyd
You do this because you respect what you are interpreting and you do it because you respect your audience. It’s a lot like being considerate. And that’s how you make smart things."
10 days ago by robertogreco
My career on Env
13 days ago by robertogreco
"If I hated these pieces, I would say they were full of bathos, self-seriousness, and chaos. And I would be right. And I would be missing the point that these qualities are what make two quite different essays both brilliant to me, because even when I resist their points, they push me along axes that I did not know to look for. This would not happen if they told me what I already knew of.
What they say matters to me because they have become vulnerable by putting things in their own terms and risking overreach…
I participate in certain subcultures where a lot of weight is put on being smart and getting smarter. But it seems to me that for an awful lot of people trying to do good things, IQ is not a limiting factor. If you are smart but ignorant or smart but lack empathy, you are only better at coming up with justifications for the ways in which you are wrong."
careers
doing
making
leisure
leisurearts
labor
generalists
creativegeneralists
polymaths
humanity
humanism
intelligence
overreaching
overreach
craigmod
erinkissane
vulnerability
empathy
2012
charlieloyd
from delicious
What they say matters to me because they have become vulnerable by putting things in their own terms and risking overreach…
I participate in certain subcultures where a lot of weight is put on being smart and getting smarter. But it seems to me that for an awful lot of people trying to do good things, IQ is not a limiting factor. If you are smart but ignorant or smart but lack empathy, you are only better at coming up with justifications for the ways in which you are wrong."
13 days ago by robertogreco
Aporia. Writing and lesser things by Mills Baker. Objectivity and Art.
26 days ago by robertogreco
"This process is progressive: science gets better and better, even though it is purely the creation of “subjective” human conjecture —imagination— tested against reality for utility…
All of which is to say: artists are natural technologists. Historically, they’ve pursued the newest and best techniques, materials, and forms. When the methodology for achieving perspective became clear, few resisted it on the basis of a calcified iconographic style considered to be “high art,” or if some did they’ve been suitably forgotten. And had new inks, better canvases, or some unimaginable invention given superior means to the impressionists to capture washes of light and mood —like, say, film— they’d have used whatever was available. The purpose of painting isn’t paint, after all; nor is the purpose of writing a book…
Perhaps we are transitioning from artists-as-depictors and artists-as-catalyzers to artists-as-world-makers…"
théodoregéricault
alberteinstein
daviddeutsch
isaacnewton
designasart
meaningmaking
meaning
universality
hildegardofbingen
michelangelo
abbotsuger
erwinschrödinger
qualia
cilewis
temporality
virtualization
control
reality
chauvetcave
epistemology
knowledge
misconceptions
objectivity
karlpopper
philosophy
experience
huamns
human
humanexperience
progress
catalysis
making
writing
2012
worldcreating
worldbuilding
worldmaking
highart
technology
design
humans
subjectivity
glvo
perception
color
science
millsbaker
from delicious
All of which is to say: artists are natural technologists. Historically, they’ve pursued the newest and best techniques, materials, and forms. When the methodology for achieving perspective became clear, few resisted it on the basis of a calcified iconographic style considered to be “high art,” or if some did they’ve been suitably forgotten. And had new inks, better canvases, or some unimaginable invention given superior means to the impressionists to capture washes of light and mood —like, say, film— they’d have used whatever was available. The purpose of painting isn’t paint, after all; nor is the purpose of writing a book…
Perhaps we are transitioning from artists-as-depictors and artists-as-catalyzers to artists-as-world-makers…"
26 days ago by robertogreco
Introducing DIY We started building DIY a few... - Blog - DIY
4 weeks ago by robertogreco
"Encouraging your kids to be inventive and self-reliant now will better prepare them to participate in a world that keeps changing.
Here’s how it works today:
1. DIY kids sign up and get their own Portfolio, a public web page to show off what they make.
2. They upload pictures of their projects using diy.org or our iOS app.
3. Kids’ projects are online for everyone to see, you can add Stickers to show support.
4. You also have your own dashboard to follow their activity and to make sure they’re not sharing anything that should be private.
Kids are ready for this. They’re instinctively scientists and explorers. They’re quick to build using anything at their disposal. They transform their amazement of the world into games. They’re often drawn to learning that’s indistinguishable from play (think about bug collecting!). And, most important, they embrace technology."
2012
isaiahsaxon
darenrabinovitch
andrewsliwinski
zachklein
portfolios
applications
ios
web
online
sharing
doing
making
edg
srg
onlinetoolkit
lcproject
tcsnmy
children
digitalportfolios
diy.org
diy
from delicious
Here’s how it works today:
1. DIY kids sign up and get their own Portfolio, a public web page to show off what they make.
2. They upload pictures of their projects using diy.org or our iOS app.
3. Kids’ projects are online for everyone to see, you can add Stickers to show support.
4. You also have your own dashboard to follow their activity and to make sure they’re not sharing anything that should be private.
Kids are ready for this. They’re instinctively scientists and explorers. They’re quick to build using anything at their disposal. They transform their amazement of the world into games. They’re often drawn to learning that’s indistinguishable from play (think about bug collecting!). And, most important, they embrace technology."
4 weeks ago by robertogreco
Episode 253: Nils Norman : Bad at Sports
7 weeks ago by robertogreco
"Norman founded an experimental space called Poster Studio on Charing Cross Road, London. This space was a collaborative effort with Merlin Carpenter and Dan Mitchell. In 1998 in New York he set up Parasite, together with the artist Andrea Fraser, a collaborative artist led initiative that developed an archive for site-specific projects.
Norman now lives and works in London Copenhagen. He exhibits internationally in commercial galleries, museum, and in public and alternative spaces. He writes articles, designs book covers and posters, collaborates with other artists, teaches and lectures in European and the US. Norman completed a major design project: an 80m pedestrian bridge and two islands for Roskilde Commune in Denmark in 2005 and is now working together with Nicholas Hare Architects on a school playground project for the new Golden Lane Campus, East London. He has recently finished an artist residency at the University of Chicago, Chicago, USA."
dogooderism
academia
careerism
culture
readerbrothers
lauraowens
making
authenticity
values
trust
productivity
production
productionvalue
local
deschooling
unschooling
communities
dinnerparties
supperclubs
formalization
access
creativepractice
contradiction
mfa
lowresidencymfa
purpose
posterstudio
soprah
situationist
culturalspace
privatespaces
publicspace
institutionalization
bohemia
bohemians
cityasclassroom
cities
gentrification
josefstrau
stephandillemuth
economics
neoliberalism
richardflorida
socialpractice
denmark
chicago
site-specificprojects
roskildecommune
collaboration
arteducation
education
2010
artproduction
nilsnorman
colinward
explodingschool
artists
interviews
art
from delicious
Norman now lives and works in London Copenhagen. He exhibits internationally in commercial galleries, museum, and in public and alternative spaces. He writes articles, designs book covers and posters, collaborates with other artists, teaches and lectures in European and the US. Norman completed a major design project: an 80m pedestrian bridge and two islands for Roskilde Commune in Denmark in 2005 and is now working together with Nicholas Hare Architects on a school playground project for the new Golden Lane Campus, East London. He has recently finished an artist residency at the University of Chicago, Chicago, USA."
7 weeks ago by robertogreco
Makematics: turning CS research into maker tools
9 weeks ago by robertogreco
"No generation of artists has ever been more dependent on scientific and technical advances than today’s. Today’s artists work on computers. Advances in computer science and related mathematical fields underlie everything that digital artists make. Recently these advances have lead to the advent of whole new creative fields like interactive art, generative graphics, data visualization, and digital fabrication.
In order to produce excellent and novel work in these new fields, artists have had to learn computational and mathematical techniques. They started with basic material like trigonometry for 2D games and graphics, the rudiments of computer vision for interactive installations, and primitive signal processing for embedded electronics.
Increasingly these new creative fields are becoming the basis of art and design across our culture. And these techniques are becoming the foundation of a new kind of art and design education."
education
design
electronics
programming
generativegraphics
fabbing
digitalfabrication
datavisualization
2012
technology
science
somputers
computing
computation
makers
making
makematics
art
math
from delicious
In order to produce excellent and novel work in these new fields, artists have had to learn computational and mathematical techniques. They started with basic material like trigonometry for 2D games and graphics, the rudiments of computer vision for interactive installations, and primitive signal processing for embedded electronics.
Increasingly these new creative fields are becoming the basis of art and design across our culture. And these techniques are becoming the foundation of a new kind of art and design education."
9 weeks ago by robertogreco
Think about Facebook: An angry reverie on software on Env
9 weeks ago by robertogreco
"Here’s what I’m sick of. When I talk to people about applied philosophy of technology, they get apologetic. Hardware techs feel guilty for liking to go on hikes without electronics. Crunchy folk feel guilty for using e-mail instead of postcards. It throws me, as if they’re confessing to victimless sins of omission in cults they’ve only heard of. Where is it written that we should take cameras on hikes or that postcards are necessarily better? For goodness’ sake, it’s our culture. If it chafes, let it out. If it drags, take it in. If it has loose threads, cut them off or tie them up or learn to like them – but quit apologizing and take some responsibility for your needs and tastes. Make, own, and remake your approach to technology."
"Software is written by people, for people. Sometimes it really sucks. But it’s our suck. We make it, we own it, and we can remake it. This means me, and this means you."
ownership
making
responsibility
via:tealtan
2010
humanism
software
skeuomorph
skiamorphs
ipad
hypercard
philosophy
culture
facebook
charlieloyd
2012
from delicious
"Software is written by people, for people. Sometimes it really sucks. But it’s our suck. We make it, we own it, and we can remake it. This means me, and this means you."
9 weeks ago by robertogreco
More thoughts on writing and making | Design Culture Lab
10 weeks ago by robertogreco
"Unstable. Shifty. Unreliable.
Yes please!
I love that people and our words are all those things. As I replied to Peter, and would say to Matt, I prefer the sense of potential that comes from this kind of material and making.
It’s less prescriptive. Less efficient. Less technological. Less machinic.
More space to become something, someone else."
"I don’t mean to romanticise words and writing. And I don’t mean to suggest they are divorced from technology or machines or even code.
By identifying what is included in our definitions of making or Making–and asking what is excluded–we might, as Ben Highmore writes in the introduction to The Everyday Life Reader, be able to “find new commonalities and breathe new life into old differences.”
And I’m pretty sure there’s lots more to be thought and said about what gets made, how, when and where it gets made, and by whom it gets made."
[Follow-up to: http://www.designculturelab.org/2012/02/26/hi-my-name-is-anne-i-make-stuff-with-words/ ]
materials
technology
craft
text
benhighmore
everydaylife
patrickness
robertcreeley
poetry
jwarton
peterrichardson
mattjones
makerculture
makers
making
writing
2012
Yes please!
I love that people and our words are all those things. As I replied to Peter, and would say to Matt, I prefer the sense of potential that comes from this kind of material and making.
It’s less prescriptive. Less efficient. Less technological. Less machinic.
More space to become something, someone else."
"I don’t mean to romanticise words and writing. And I don’t mean to suggest they are divorced from technology or machines or even code.
By identifying what is included in our definitions of making or Making–and asking what is excluded–we might, as Ben Highmore writes in the introduction to The Everyday Life Reader, be able to “find new commonalities and breathe new life into old differences.”
And I’m pretty sure there’s lots more to be thought and said about what gets made, how, when and where it gets made, and by whom it gets made."
[Follow-up to: http://www.designculturelab.org/2012/02/26/hi-my-name-is-anne-i-make-stuff-with-words/ ]
10 weeks ago by robertogreco
Hi. My name is Anne. I make stuff with words. | Design Culture Lab
10 weeks ago by robertogreco
"I’m interested in words as materials for making, and in the written word as an artefact or thing that has been made. I’m also interested in why words (or the written word as distinguished from books) are generally not considered part of “Maker culture.”
Barry’s point was that Maker culture is specifically concerned with hardware, and since I think this definition is generally accepted then words-as-materials have no place there. If Making is about problem-solving, then creative writing has no place there either."
"So, does this mean that if the primary goal of (creative) writing is expression, the only way it can be incorporated into Maker culture is to use words explicitly for problem-solving, or the production of (cultural) solutions? How, exactly, does that differ from aesthetic goals–and especially if we do not distinguish between aesthetics and ethics?"
[Follow-up post here: http://www.designculturelab.org/2012/03/01/more-thoughts-on-writing-and-making/ ]
2012
peterrichardson
knowledge
discourse
glenfuller
kiostark
erinkissane
giovannitiso
tomhenderson
sallyapplin
design
materials
makerculture
makers
making
expression
comments
wordsmithing
writing
annegalloway
ethics
aesthetics
Barry’s point was that Maker culture is specifically concerned with hardware, and since I think this definition is generally accepted then words-as-materials have no place there. If Making is about problem-solving, then creative writing has no place there either."
"So, does this mean that if the primary goal of (creative) writing is expression, the only way it can be incorporated into Maker culture is to use words explicitly for problem-solving, or the production of (cultural) solutions? How, exactly, does that differ from aesthetic goals–and especially if we do not distinguish between aesthetics and ethics?"
[Follow-up post here: http://www.designculturelab.org/2012/03/01/more-thoughts-on-writing-and-making/ ]
10 weeks ago by robertogreco
DML2012 John Seely Brown Keynote on Vimeo
cheating rigor measurement hierarchy fanfiction games gaming social knowledgeecologies self-assessment assessment knowledge learningecologies wow literacy reading mobilelearning writing harrypotter dianarhoten davidtheogoldberg networkage scaling scalability scale embodiedlearning montessori mariamontessori johndewey timel-hady johnrendon cambrianmoment flow flux change future play making learning entrepreneurship technology deschooling unschooling education dml dml2012 2012 johnseelybrown from delicious
12 weeks ago by robertogreco
cheating rigor measurement hierarchy fanfiction games gaming social knowledgeecologies self-assessment assessment knowledge learningecologies wow literacy reading mobilelearning writing harrypotter dianarhoten davidtheogoldberg networkage scaling scalability scale embodiedlearning montessori mariamontessori johndewey timel-hady johnrendon cambrianmoment flow flux change future play making learning entrepreneurship technology deschooling unschooling education dml dml2012 2012 johnseelybrown from delicious
12 weeks ago by robertogreco
Able Parris - Social Media and Friendship: A Response
february 2012 by robertogreco
"But I can only be close friends with a limited amount of people, and this disappoints me. I’d love to spend more time with my friends. I’d love to spend more time with my wife. I’d love to spend more time alone. I’d love to spend more time making things. I’d love to spend more time sleeping. (I should be sleeping.) I can’t do more of all these things. In fact, I’ve basically given up trying to make time to play guitar; I just can’t do it all.
The only answer I’ve come up with is to make sure I get enough time to be in isolation. It’s the only thing I can truly control. Plus, I’m a terrible friend, husband, and employee if I don’t get enough time alone to sort out my thoughts. I’ll continue meeting new people, and I’m sure there will be meaningful friendships that emerge, but only of I take care and nurture myself."
social
limits
finite
attention
sleep
family
making
isolation
relationships
life
time
cv
twitter
introverts
socialmedia
2012
ableparris
from delicious
The only answer I’ve come up with is to make sure I get enough time to be in isolation. It’s the only thing I can truly control. Plus, I’m a terrible friend, husband, and employee if I don’t get enough time alone to sort out my thoughts. I’ll continue meeting new people, and I’m sure there will be meaningful friendships that emerge, but only of I take care and nurture myself."
february 2012 by robertogreco
Twitter / @philstuart: Love it when, after readin ...
february 2012 by robertogreco
"Love it when, after reading a game's description, what is in your head is completely different to the actual game. AND better AND makeable!"
[Apply to film, books, art, etc. Though, the imagining is often enough for me. I often say "I like the idea of X more than the actual X."]
imagination
2012
icandobetter
creativity
remaking
making
cv
thinking
ideas
philstuart
theideaisbetterthantherealthing
games
gaming
[Apply to film, books, art, etc. Though, the imagining is often enough for me. I often say "I like the idea of X more than the actual X."]
february 2012 by robertogreco
[Stop Talking] Start Making
february 2012 by robertogreco
"Reserve a spot in General Assembly's new online program, Fundamentals of Entrepreneurship. By signing up, you will receive access to a collection of classes that guide you through a structured path to starting a company people love."
generalassembly
2012
stoptalkingstartmaking
startmaking
stoptalking
stoptalkingstartdoing
entrepreneurship
yvesbehar
peterbuchanan-smith
lewislapham
hosainrahman
brepettis
amandahesser
michaelbloomberg
mariobatali
kevinkelly
glvo
doing
making
business
design
from delicious
february 2012 by robertogreco
Learning, Freedom and the Web
february 2012 by robertogreco
"Learning and the Web. Two powerful forces of change converge in a public square. Their dimensions are unpredictable, and many of the outcomes of their convergence will be unintended, but this experiment is not entirely uncontrolled. This group of scholars, hackers, and activists has calculated the likely conditions, wired in all the right connections. When lightning strikes, they’ll be ready.
You are reading the ebook version of Learning, Freedom and the Web by Anya Kamenetz, published by the Mozilla Foundation. This ebook was designed and built by faculty and students at Emily Carr University's Social + Interactive Media Centre, with the assistance of Steam Clock Software."
marksurman
knowledge
alternative
alted
change
emilycarruniversity
self-directedlearning
self-education
hackers
hacking
making
via:steelemaley
opensource
web
freedom
anyakamenetz
mozilladrumbeat
mozillafoundation
mozilla
unschooling
ebooks
deschooling
education
learning
You are reading the ebook version of Learning, Freedom and the Web by Anya Kamenetz, published by the Mozilla Foundation. This ebook was designed and built by faculty and students at Emily Carr University's Social + Interactive Media Centre, with the assistance of Steam Clock Software."
february 2012 by robertogreco
Bret Victor - Inventing on Principle on Vimeo
purpose living life insight doing self-discovery experience modelessness causes craftsman problemsolving meaning meaningmaking specialization skills identity rightandwrong ideals richardstallman piaget jeromebruner alankay dougengelbart xeroxparc terrycavanagh larrytesler activism injustice justice morality responsibility animation mediaconnection teletype computing history analogdesign electronics comparisons data space understanding search visualization time braid making ideas programming 2012 connection discovery coding invention creativity principles bretvictor from delicious
february 2012 by robertogreco
purpose living life insight doing self-discovery experience modelessness causes craftsman problemsolving meaning meaningmaking specialization skills identity rightandwrong ideals richardstallman piaget jeromebruner alankay dougengelbart xeroxparc terrycavanagh larrytesler activism injustice justice morality responsibility animation mediaconnection teletype computing history analogdesign electronics comparisons data space understanding search visualization time braid making ideas programming 2012 connection discovery coding invention creativity principles bretvictor from delicious
february 2012 by robertogreco
Lists of Note: Henry Miller's 11 Commandments
february 2012 by robertogreco
"COMMANDMENTS
1. Work on one thing at a time until finished.
2. Start no more new books, add no more new material to "Black Spring."
3. Don't be nervous. Work calmly, joyously, recklessly on whatever is in hand.
4. Work according to Program and not according to mood. Stop at the appointed time!
5. When you can't create you can work.
6. Cement a little every day, rather than add new fertilizers.
7. Keep human! See people, go places, drink if you feel like it.
8. Don't be a draught-horse! Work with pleasure only.
9. Discard the Program when you feel like it—but go back to it next day. Concentrate. Narrow down. Exclude.
10. Forget the books you want to write. Think only of the book you are writing.
11. Write first and always. Painting, music, friends, cinema, all these come afterwards."
[via @robinsloan: "1, 3, 7, 9, & 10 on Henry Miller's list here are so simple & powerful, & not just for writers:" http://twitter.com/robinsloan/status/168794527241482240 ]
purpose
concentration
focus
attention
making
writing
glvo
henrymiller
1. Work on one thing at a time until finished.
2. Start no more new books, add no more new material to "Black Spring."
3. Don't be nervous. Work calmly, joyously, recklessly on whatever is in hand.
4. Work according to Program and not according to mood. Stop at the appointed time!
5. When you can't create you can work.
6. Cement a little every day, rather than add new fertilizers.
7. Keep human! See people, go places, drink if you feel like it.
8. Don't be a draught-horse! Work with pleasure only.
9. Discard the Program when you feel like it—but go back to it next day. Concentrate. Narrow down. Exclude.
10. Forget the books you want to write. Think only of the book you are writing.
11. Write first and always. Painting, music, friends, cinema, all these come afterwards."
[via @robinsloan: "1, 3, 7, 9, & 10 on Henry Miller's list here are so simple & powerful, & not just for writers:" http://twitter.com/robinsloan/status/168794527241482240 ]
february 2012 by robertogreco
Storefront workshop pushes DIY craft-making for the holidays | 89.3 KPCC
february 2012 by robertogreco
"The brainchild of artists Kyle Hollingsworth and Renee Ridgeley, Hand on 3rd is a workshop and creative space where people could come together and create. The shop offers hands-on training for crafts and arts of all sorts -- from sewing to mosaics -- and a place for like-minded aspiring craftspeople can meet and hash out new projects."
[Video also here: https://vimeo.com/17460475 ]
2010
diy
making
reneeridgeley
kylehollingsworth
workshops
losangeles
sewing
crafts
handson
glvo
from delicious
[Video also here: https://vimeo.com/17460475 ]
february 2012 by robertogreco
CiteULike: 'No Number Can Describe How Good It Was': assessment issues in the multimodal classroom
february 2012 by robertogreco
"Within an outcomes based educational system built on the principles of redress, social justice, multilingualism and multiculturalism, issues of equity in teaching, learning and assessment are increasingly on South Africa's educational agenda…
Through a case study discussion of a multimodal project with disaffected Soweto youth, the authors argue that new criteria for assessment need to be developed in order to address the complexity of thinking about communication as a multiple semiotic practice and students as designers of meaning. Such criteria place human agency and resourcefulness at the centre of meaning-making, and focus on the recruitment of resources, generativity across modes, linkages and connections across modes and genres, voicing of self, community and culture, the processes of making and reflectiveness, as well as taking account of the 'community of arbiters'."
[via: http://www.flickr.com/photos/teachandlearn/6842871555/ ]
assessmentforlearning
multimodalclassroom
tcsnmy
learning
equity
politicsofrepresentation
casestudy
robertmaungedzo
pippastein
davidandrew
denisenewfield
communication
expression
languagearts
english
art
soweto
multiliteracies
understanding
making
reflectiveness
reflection
culture
community
designersofmeaning
communication
research
teaching
multiculturalism
multilingualism
education
assessment
southafrica
meaningmaking
from delicious
Through a case study discussion of a multimodal project with disaffected Soweto youth, the authors argue that new criteria for assessment need to be developed in order to address the complexity of thinking about communication as a multiple semiotic practice and students as designers of meaning. Such criteria place human agency and resourcefulness at the centre of meaning-making, and focus on the recruitment of resources, generativity across modes, linkages and connections across modes and genres, voicing of self, community and culture, the processes of making and reflectiveness, as well as taking account of the 'community of arbiters'."
[via: http://www.flickr.com/photos/teachandlearn/6842871555/ ]
february 2012 by robertogreco
Tools for Living - The Chronicle Review - The Chronicle of Higher Education
february 2012 by robertogreco
"What makes this story even more poignant is its setting: at sibling colleges founded by monasteries, where self-sufficiency and sustainability were once a central ethic, as outlined in the Rule of St. Benedict. The Benedictine women and men here, along with many of the older alumni, can still remember when they milked cows, plucked chickens, and picked potatoes grown on the monasteries' surrounding land. Bread, furniture, preserved food, ceramics, and other daily necessities were produced by monks, sisters, and students on the campuses. While some remnants of that life still exist, much of it is gone."
living
life
sustainability
farmwork
collegoftheozarks
handsonlearning
learning
cooking
doing
making
practicalskills
warrenwilsoncollege
deepspringscollege
scottcarlson
2012
backtothefuture
liberalarts
universities
colleges
from delicious
february 2012 by robertogreco
Digital Ethnography » Maker Bots and the Future of Identity
february 2012 by robertogreco
"To the extent that your heart’s desires are self-focused, you will find yourself in a vicious cycle. You will create stuff to present yourself as cool, hip, and individual. Others will do the same, and since everybody will be trying to make sure they are doing their own thing you will end up with evermore fragmentation, complexity … loss of connection, meaning, empowerment, etc. Feeling such a loss you will redouble your efforts to create your own individual identity => more fragmentation, complexity, etc.
But if you make a slight switch and orient yourself to the world, rather than to the self, a virtuous cycle emerges. The world is suddenly not full of choices with which you identify, but possibilities for play … serious play oriented toward serving the world. Fragmentation looks more like a rich diversity. Complexity becomes a rich symphony in which we all play along."
[Now at: http://mediatedcultures.net/smatterings/maker-bots-and-the-future-of-identity/ ]
consumption
manufacturing
society
complexity
fragmentation
identity
self
virtue
fabbing
3dprinting
making
2012
michaelwesch
from delicious
But if you make a slight switch and orient yourself to the world, rather than to the self, a virtuous cycle emerges. The world is suddenly not full of choices with which you identify, but possibilities for play … serious play oriented toward serving the world. Fragmentation looks more like a rich diversity. Complexity becomes a rich symphony in which we all play along."
[Now at: http://mediatedcultures.net/smatterings/maker-bots-and-the-future-of-identity/ ]
february 2012 by robertogreco
An Introduction to the Crowdfunding Revolution by Don Lehman - Core77
february 2012 by robertogreco
"Now think of side-stepping all of that. You refine your idea on your own. You talk to manufacturers and see what it would take to get it made. You work out the budget. You shoot a video marketing the idea and explaining what you need to get it done.
You launch it.
Maybe it doesn't get funded. But at least then you can say that you tried and failed on your own terms, without going tens or hundreds of thousands of dollars into debt. At the very least, you have an interesting portfolio piece to talk about and maybe if you're feeling frisky, you refine it further and try launching it again."
doing
making
startups
leanstartups
business
kickstarter
core77
crowdfunding
donlehman
2012
from delicious
You launch it.
Maybe it doesn't get funded. But at least then you can say that you tried and failed on your own terms, without going tens or hundreds of thousands of dollars into debt. At the very least, you have an interesting portfolio piece to talk about and maybe if you're feeling frisky, you refine it further and try launching it again."
february 2012 by robertogreco
Realizing Empathy: An Inquiry into the Meaning of Making by Slim — Kickstarter
february 2012 by robertogreco
"At the heart of it is an inquiry into the meaning of making. I am deeply interested in how making works (as a process), what it means (to make something), and why it matters (to our lives).
One of the central theme is the relationship between the act of empathizing with the act of making…
The second theme is exploring how we can design a space that facilitates the act of making, especially in the digital space…
The book is structured around a number of stories that talk about the humbling experiences I've had in art school. These are experiences that have lead to epiphanies, which changed my understanding of what it means to make something.
In response to these experiences are conversations I've had with an interdisciplinary group of friends (an animator, a programmer, a neuroscientist, a human-computer interaction researcher, and a theologian) about these epiphanies.
Weaving together the stories and conversations are both reflective and analytic essays that model…"
integrity
honesty
acting
knowledge
workspace
space
metaphors
trust
courage
comfort
computers
computing
safety
technology
seungchanlim
perspective
risktaking
risk
dignity
humility
meaningmaking
meaning
scale_slim
tools
howwework
openstudioproject
making
empathy
design
2012
language
One of the central theme is the relationship between the act of empathizing with the act of making…
The second theme is exploring how we can design a space that facilitates the act of making, especially in the digital space…
The book is structured around a number of stories that talk about the humbling experiences I've had in art school. These are experiences that have lead to epiphanies, which changed my understanding of what it means to make something.
In response to these experiences are conversations I've had with an interdisciplinary group of friends (an animator, a programmer, a neuroscientist, a human-computer interaction researcher, and a theologian) about these epiphanies.
Weaving together the stories and conversations are both reflective and analytic essays that model…"
february 2012 by robertogreco
nickd: Whatever's next; whatever's good.
january 2012 by robertogreco
"I like dabbling in small projects with good people, and I like making tiny amounts of money so I can eat burritos in a city with a comically low cost of living."
"I always keep an open mind about any sort of projects that involve some degree of research, play, and curiosity. So if you want to plan anything off-the-wall funny or pranksterish, then get at me. I love outlandish, ridiculous projects. Let’s scheme together."
"I would like to make cool things with good people. Maybe you’re one of these good people. And maybe you know other good people, too. I’m in a rare inflection point in my life where I don’t have to juggle competing priorities to take on new stuff. I would love if you got in touch (nickd//nickd/org or @nickd), and spread this far and wide. I am a little scared these days, but things are really only worth doing if they’re scary, so I figure I must be at least a little right."
focus
makingtime
projects
projectideas
curiosity
risktaking
time
leapsoffaith
design
yearoff
glvo
freelance
doing
making
play
quitting
2012
nickdisabato
from delicious
"I always keep an open mind about any sort of projects that involve some degree of research, play, and curiosity. So if you want to plan anything off-the-wall funny or pranksterish, then get at me. I love outlandish, ridiculous projects. Let’s scheme together."
"I would like to make cool things with good people. Maybe you’re one of these good people. And maybe you know other good people, too. I’m in a rare inflection point in my life where I don’t have to juggle competing priorities to take on new stuff. I would love if you got in touch (nickd//nickd/org or @nickd), and spread this far and wide. I am a little scared these days, but things are really only worth doing if they’re scary, so I figure I must be at least a little right."
january 2012 by robertogreco
fake tv
january 2012 by robertogreco
"“A friend of mine in San Francisco had a video Tumblr whose tagline read: “New media existentialism. Fake it until you make it.” She’s now the online video editor at The Atlantic. Is each post she made on that blog worth a fraction of her new salary? Probably not, but that activity has value as a whole, in the same way that this blog is the resume that got me a job at American Photo.”
—Dan Abbe [ http://street-level.mcvmcv.net/2012/01/18/-fake-it-until-you-make-it- ], writing on photography criticism and the road to doing what you love.
This is like my “it gets better” for everyone who Tumbled while freelancing or unemployed…"
onlineportfolios
howwelearn
cv
thenewroutetoemployment
onlinepresence
blogging
10000hours
practice
doing
making
itgetsbetter
glvo
kasiacieplak-mayrvonbaldegg
—Dan Abbe [ http://street-level.mcvmcv.net/2012/01/18/-fake-it-until-you-make-it- ], writing on photography criticism and the road to doing what you love.
This is like my “it gets better” for everyone who Tumbled while freelancing or unemployed…"
january 2012 by robertogreco
designswarm thoughts » I make things: mapping the creative industries
january 2012 by robertogreco
"As I work my way through my notes on the event, I also wanted to start to unpick who was using the word “make” and what they were making. This is a first stab and not really about creating collaborative connections yet. I might also be missing some things, do let me know. In this, I think we can see where the “creative industries” overlap and therefore where skill sets overlap. This also proves perhaps that one should be quite careful with using any one term. Designer, artists, engineer…when you look close enough, can become one and the same."
mapping
maps
web
software
video
film
developers
engineers
hacking
crafts
craft
engineering
marloestenbhomer
adrianbowyer
brepettis
glvo
creativity
design
alexandradeschamps-sonsino
making
make
from delicious
january 2012 by robertogreco
The Dangerous Effects of Reading | Certain Extent
january 2012 by robertogreco
"If the world overwhelms you with its constant production of useless crap which you filter more and more to things that only interest you can I calmly suggest that you just create things that you like & cut out the rest of the world as a middle-man to your happiness?
From where I sit creating things does the following:
Let’s you filter to something you like…Frees you…Makes you happy…Plays to strengths not weaknesses…
I can’t say it better than _why [ http://en.wikipedia.org/wiki/Why_the_lucky_stiff ]: "when you don’t create things, you become defined by your tastes rather than ability. your tastes only narrow & exclude people. so create."
…
If you quiet your mind & allow yourself to stop judging everything you will find that you have more potential for innovation (at work, in the kitchen…with your hobbies…your thoughts) than you thought before. You were using the same brutal quality filter on yourself that you used on viral videos, talk radio, and blog posts. You deserve better."
davidtate
cv
judgemental
stockandflow
reading
quiet
thedarkholeoftheinternet
taste
ability
leisurearts
production
consumption
filters
filtering
happiness
philosophy
self-improvement
creation
creativity
doing
making
glvo
judjemental
judgement
From where I sit creating things does the following:
Let’s you filter to something you like…Frees you…Makes you happy…Plays to strengths not weaknesses…
I can’t say it better than _why [ http://en.wikipedia.org/wiki/Why_the_lucky_stiff ]: "when you don’t create things, you become defined by your tastes rather than ability. your tastes only narrow & exclude people. so create."
…
If you quiet your mind & allow yourself to stop judging everything you will find that you have more potential for innovation (at work, in the kitchen…with your hobbies…your thoughts) than you thought before. You were using the same brutal quality filter on yourself that you used on viral videos, talk radio, and blog posts. You deserve better."
january 2012 by robertogreco
Les Petites Échos, The Kids Are All Right// The Meaning is the...
december 2011 by robertogreco
"In the end, the film worked for the same reasons any piece of art works: it was very well made. The handheld shots and playful editing seamlessly accompanied the whimsical pop navigations of Girl Talk’s music; the movie built up a slow, compelling love triangle between Marsen and the two nameless male dancers as they drifted through the urban landscape, meeting and parting, meeting and parting. This gave me hope: craft still matters. Despite the evening’s hispterish veneer, despite all of its Web 2.0 trappings, a piece of art must still stand on its own. An audience will still respond to quality and shun mediocrity."
reiflarsen
kickstarter
film
art
glvo
making
generations
socialnetworking
mashups
meaning
facebook
millennials
communication
sharing
inbetweeness
girltalk
girlwalk
annemarsen
2011
audience
craft
quality
mediocrity
happiness
from delicious
december 2011 by robertogreco
AU 2011: Otherlab's Saul Griffith, Part 1 - Pneubotics Yields Soft Robots on Vimeo
december 2011 by robertogreco
"At Autodesk University 2011, Saul Griffith, founder of Otherlab, discusses his pioneering work in Pneubotics. Otherlab is working on soft, fabric-based robots that are actuated by compressed air."
"At Autodesk University 2011, Saul Griffith, founder of Otherlab, talks about inventing and the type of follow-up required to see that invention go out into the world." [ http://vimeo.com/33131553 ]
"Part 3 of our video chat with Saul Griffith, co-founder of Otherlab, at Autodesk University 2011. Griffith answers questions about Theory vs. Making Stuff in education, advice for design students, and how to enable yourself to make truly unique things." [ http://vimeo.com/33131913 ]
design
tools
toolmaking
saulgriffith
education
projectbasedlearning
2011
core77
glvo
making
doing
learning
learningbydoing
advice
robots
invention
failure
howwework
howwelearn
pneubotics
otherlab
"At Autodesk University 2011, Saul Griffith, founder of Otherlab, talks about inventing and the type of follow-up required to see that invention go out into the world." [ http://vimeo.com/33131553 ]
"Part 3 of our video chat with Saul Griffith, co-founder of Otherlab, at Autodesk University 2011. Griffith answers questions about Theory vs. Making Stuff in education, advice for design students, and how to enable yourself to make truly unique things." [ http://vimeo.com/33131913 ]
december 2011 by robertogreco
Monitor: More than just digital quilting | The Economist
december 2011 by robertogreco
"Technology and society: The “maker” movement could change how science is taught and boost innovation. It may even herald a new industrial revolution"
"It is easy to laugh at the idea that hobbyists with 3D printers will change the world. But the original industrial revolution grew out of piecework done at home, and look what became of the clunky computers of the 1970s. The maker movement is worth watching."
makers
technology
innovation
diy
glvo
programming
making
fabbing
3dprinting
reprap
2011
from delicious
"It is easy to laugh at the idea that hobbyists with 3D printers will change the world. But the original industrial revolution grew out of piecework done at home, and look what became of the clunky computers of the 1970s. The maker movement is worth watching."
december 2011 by robertogreco
russell davies: talking on the radio / the internet with things
december 2011 by robertogreco
"This makes me feel like we're on the edge of something interesting; something Andy Huntington has called 'the GeoCities of Things' - the moment when it's as easy to make personal technology objects as it was to make a GeoCities page.
So I wonder whether the 'Internet With Things' is a more useful term than the 'Internet Of Things'. As Matt Jones has said "The network is as important to think about as the things" and the network has people in it. We're in there with the things. And people are looking for more than just sleek efficiency, they're after something else, something unexpected."
postdigital
geocities
geocitiesofthings
internetofthings
russelldavies
arduino
shapingthings
brucesterling
andyhuntington
making
makers
hacking
2011
spimes
So I wonder whether the 'Internet With Things' is a more useful term than the 'Internet Of Things'. As Matt Jones has said "The network is as important to think about as the things" and the network has people in it. We're in there with the things. And people are looking for more than just sleek efficiency, they're after something else, something unexpected."
december 2011 by robertogreco
Nau : The Thought Kitchen » Blog Archive » Made by Hand
november 2011 by robertogreco
"We recently stumbled upon Etsy’s provocative, short film about H.G. “Skip” Brack and his 42-year quest to single-handedly recycle and restore every tool in Maine. His goal? To help artisans, craftsmen, welders, mechanics—and anyone else who works with their hands—create beautiful things.
Of course, this got us thinking: what was the last thing we built, not for money or merit, but for the simple satisfaction of knowing we handcrafted something beautiful?"
making
maine
handmade
2011
etsy
diy
craft
glvo
satisfaction
motivation
purpose
skipbrack
hgbrack
recycling
restoration
from delicious
Of course, this got us thinking: what was the last thing we built, not for money or merit, but for the simple satisfaction of knowing we handcrafted something beautiful?"
november 2011 by robertogreco
Generation Make | TechCrunch
november 2011 by robertogreco
"We have a distrust of large organizations…don’t look down on people creating small businesses. But we’re not emotionless…We have anger…flares up to become Arab Spring & OccupyWallStreet…We have ego…every entrepreneur who thinks their tech startup is the best…We have passion, & an intense drive to follow…through, immediately. Our generation is autonomous…impatient. We refuse to pay our dues…want to be running the department. We hop from job to job…average tenure…is just 3 years. We think we can do anything we can imagine…hate the idea that we should ever be beholden to someone else. We do this because we have been abandoned by the institutions that should have embraced us…We are a generation of makers…of creators. Maybe we don’t have the global idealism of the hippies. Our idealism is more individual: that every person should be able to live their own life, working on what they choose, creating what they choose…"
socialmedia
makers
making
generations
millennials
2011
justinkan
williamderesiewicz
entrepreneurship
ows
arabspring
occupywallstreet
idealism
attitude
trends
passion
unschooling
deschooling
hierarchy
revolution
via:preoccupations
davidfincer
markzuckerberg
individualism
self-actualization
independence
work
labor
behavior
startups
startup
workplace
motivation
geny
generationy
from delicious
november 2011 by robertogreco
Edward Tufte forum: Touchscreens have no hand
november 2011 by robertogreco
"So instead let us give more time for doing physical things in the real world and less time for staring at (and touching) the glowing flat rectangle.
Plant a plant, walk the dogs, read a real book, go to the opera. Or hammer glowing hot metal in a blacksmith shop."
edwardtufte
making
doing
tangible
touch
touchscreen
2011
bretvictor
hands
living
screens
interface
interactiondesign
from delicious
Plant a plant, walk the dogs, read a real book, go to the opera. Or hammer glowing hot metal in a blacksmith shop."
november 2011 by robertogreco
MAKE | Zen and the Art of Making
november 2011 by robertogreco
"Some of the most talented and prolific people I know have dozens of interests and hobbies. When I ask them about this, the response is usually something like “I love to learn.” I think the new discoveries and joys of learning are the crux of this beginner thing I’ve been thinking about. Sure, when you’ve mastered something it’s valuable, but then part of your journey is over — you’ve arrived, and the trick is to find something you’ll always have a sense of wonder about. I think this is why scientists and artists, who are usually experts, love what they do: there is always something new ahead. It’s possible to be an expert but still retain the mind of a beginner. It’s hard, but the best experts can do it. In making things, in art, in science, in engineering, you can always be a beginner about something you’re doing — the fields are too vast to know it all."
philliptorrone
making
learning
unschooling
curiosity
education
experts
generalists
creativegeneralists
2011
zen
knowledge
expertise
lewiscarroll
makers
electronics
art
artists
science
scientists
tinkering
tinkerers
lifelonglearning
deschooling
mindset
beginners
invention
arduino
fear
risktaking
riskaversion
teaching
lcproject
failure
stasis
yearoff
openminded
children
interestedness
specialists
motivation
intrinsicmotivation
exploration
internet
web
online
constraints
from delicious
november 2011 by robertogreco
via Frank : I was asked to speak at the AIGA National...
october 2011 by robertogreco
"Truth is, this phase, this time when you’re on the cusp of finishing one life and starting a new one, is usually laced with fear, but the bleary-eyed moment of wonder that happens when you step out of the dark cave has the potential to be one of the most thrilling things that has ever happened to you."
"We gain the opportunity to talk about other things in a very sympathetic way. Type and kerning are great. Paper is wonderful. Clients pretty much make this job possible. But what are we saying, and what is it for, and where is it going? What do we want to get out of this, and what do we want to do with it? Those are the sorts of questions you only arrive at from the seat of a plane."
"There is a part of me that will always design for the joy of making it, but I now understand that the point of it all is not for me to enjoy myself, but for the ones using whatever I make to have some sort of wonder when doing so."
frankchimero
change
life
design
cv
2011
purpose
glvo
making
empathy
work
howwework
conferences
aigapivot
aiga
from delicious
"We gain the opportunity to talk about other things in a very sympathetic way. Type and kerning are great. Paper is wonderful. Clients pretty much make this job possible. But what are we saying, and what is it for, and where is it going? What do we want to get out of this, and what do we want to do with it? Those are the sorts of questions you only arrive at from the seat of a plane."
"There is a part of me that will always design for the joy of making it, but I now understand that the point of it all is not for me to enjoy myself, but for the ones using whatever I make to have some sort of wonder when doing so."
october 2011 by robertogreco
FOUNDation
october 2011 by robertogreco
"Foundation, a concept by Rikkert Paauw and Jet van Zwieten is about collecting waste material and old furniture from the neighborhood, moving it to a waste container, reusing it to turn it into a small house (with the container as the foundation), to become a temporary meeting place for neighbors and passers-by. During the project, graphic designer Jet van Zwieten will give shape to a public journal that shows the progress and tells the story of the found material and its contributors. This site-specific and investigative approach to design and public space leaves room for unexpected local input and cooperation."
[Blogged here: http://robertogreco.tumblr.com/post/11855798582/foundation-projects-vienna-design-week-2010-see ]
FOUNDation
reuse
architecture
pop-upcafes
pop-uprestaurants
pop-upculture
design
tempworks
rikkertpaauw
jetvanzwieten
milan
vienna
glvo
temporary
temporaryspaces
structures
making
doing
popup
pop-ups
from delicious
[Blogged here: http://robertogreco.tumblr.com/post/11855798582/foundation-projects-vienna-design-week-2010-see ]
october 2011 by robertogreco
Playful 2011 | Chris O'Shea
october 2011 by robertogreco
"Last week I gave a talk at Playful, a great conference in London.
After my talk quite a few people asked me again for names of things I’d shown or links, so here you go…"
chrisoshea
playful11
playful
play
children
toys
imagination
creativity
2011
trends
making
doing
glvo
from delicious
After my talk quite a few people asked me again for names of things I’d shown or links, so here you go…"
october 2011 by robertogreco
DIY Days – a roving conference for those who create
october 2011 by robertogreco
"DIY DAYS is a roving conference for those who create. Past stops have included Los Angeles, San Francisco, Boston and Philadelphia. FREE to participants and organized by volunteers – DIY DAYS is about the accessibility of ideas, resources and networking that can enable storytellers to fund, create, distribute and sustain."
diy
conferences
free
losangeles
sanfrancisco
nomadic
creativity
glvo
classideas
sharing
networking
nyc
making
doing
diydays
media
community
roving
collaboration
from delicious
october 2011 by robertogreco
L'Hôte: the resentment machine
october 2011 by robertogreco
"They have been raised to compete, & endlessly conditioned to measure themselves against their peers, but they have done so in an environment that denies this reality while it creates it.…
…no surprise that the urge to rear winners trumps urge to raise artists. But the nagging drive to preach the value of culture does not go unnoticed…
…culture in which they have been raised has denied them any other framework w/ which to draw meaning…
Part of the cruel genius of capitalism lies in its ability to make all activity w/in it seem natural & inevitable…
…the role of the resentment machine: to amplify meaningless differences and assign to them vast importance for the quality of individuals. For those who are writing the most prominent parts of the Internet-- the bloggers, the trendsetters, the uber-Tweeters, the tastemakers, the linkers, the creators of memes and online norms-- online life is taking the place of the creation of the self, and doing so poorly."
[Also here: http://thenewinquiry.com/post/12473769143/the-resentment-machine ]
resentmentmachine
internet
life
meaning
capitalism
latecapitalism
purpose
values
2011
parenting
culture
creativity
creation
making
doing
consuming
materialism
tcsnmy
schooling
education
unschooling
deschooling
society
resentment
cv
wisdom
definitionofself
via:danmeyer
tastemakers
criticism
whatmatters
humanity
competition
racetothetop
winners
art
leisurearts
meaningmaking
meaninglessness
differences
from delicious
…no surprise that the urge to rear winners trumps urge to raise artists. But the nagging drive to preach the value of culture does not go unnoticed…
…culture in which they have been raised has denied them any other framework w/ which to draw meaning…
Part of the cruel genius of capitalism lies in its ability to make all activity w/in it seem natural & inevitable…
…the role of the resentment machine: to amplify meaningless differences and assign to them vast importance for the quality of individuals. For those who are writing the most prominent parts of the Internet-- the bloggers, the trendsetters, the uber-Tweeters, the tastemakers, the linkers, the creators of memes and online norms-- online life is taking the place of the creation of the self, and doing so poorly."
[Also here: http://thenewinquiry.com/post/12473769143/the-resentment-machine ]
october 2011 by robertogreco
Creativity Is Hustle: Make Something Every Day - Kasia Cieplak-Mayr von Baldegg - Video - The Atlantic
october 2011 by robertogreco
"I think doing something start to finish each day not only helps you get over the fear of starting a project, but also the fear of finishing one. I know it can be hard to let stuff go when you know you could make it better, but at some point in every project, at some level you need to be like, "fine, good enough." That's really hard for some people, but this can definitely help.
I've think a project like this also helps with the notion that you need to be in some totally inspired state of zen to create art. Art is like taking a dump, it's not always fun or convenient but it's something you gotta do everyday and you shouldn't get to hung up if the product looks like pile of crap. Yer not gonna make a masterpiece everyday or even 95% of the time, but it's a numbers game and the you've got to get rid of all those crappy ideas before you can get to the good ones. Just showing up is 90% of the battle."
faketv
mikewinkelman
glvo
making
doing
howwework
ideas
creativity
cv
projects
plp
focus
2011
kasiacieplak-mayrvonbaldegg
interviews
animation
art
from delicious
I've think a project like this also helps with the notion that you need to be in some totally inspired state of zen to create art. Art is like taking a dump, it's not always fun or convenient but it's something you gotta do everyday and you shouldn't get to hung up if the product looks like pile of crap. Yer not gonna make a masterpiece everyday or even 95% of the time, but it's a numbers game and the you've got to get rid of all those crappy ideas before you can get to the good ones. Just showing up is 90% of the battle."
october 2011 by robertogreco
Steve Jobs « John’s Blog
october 2011 by robertogreco
"I’m a little uncomfortable with the outpouring of sentiment about people who want to be like Steve. There’s a sort of beatification going on that I think misses the point. He was never a nostalgic man at all, and I can’t help but feel like he would think this posthumous attention was, in a lot of ways, a waste — seems like he’d have wanted people to get back to inventing.
…"I wanted so much to be like him. But, his message was the opposite. Be yourself, with passionate intensity.”
That’s it, I think — that’s the biggest message from Jobs’ life. Don’t try to be like Steve. Don’t try to be like anyone.
Be yourself and work as hard as you can to bring wonderful things into the world. Figure out how you want to contribute and do that, in your own way, on your own terms, as hard as you can, as much as you can, as long as you can."
stevejobs
2011
self
self-invention
life
living
individuality
idolotry
doing
being
making
from delicious
…"I wanted so much to be like him. But, his message was the opposite. Be yourself, with passionate intensity.”
That’s it, I think — that’s the biggest message from Jobs’ life. Don’t try to be like Steve. Don’t try to be like anyone.
Be yourself and work as hard as you can to bring wonderful things into the world. Figure out how you want to contribute and do that, in your own way, on your own terms, as hard as you can, as much as you can, as long as you can."
october 2011 by robertogreco
DYI Sci | The Science Friday Blog
october 2011 by robertogreco
"When you wonder where all the youthful creativity is; where good old “Yankee ingenuity” has gone, it’s still here. But not in formal education. Anyone who is looking to find the next generation of engineers, technologists and free-thinkers need only go to one of these Faires or visit the thousands of Hacker Spaces springing up across the country. It will leave you breathless…and hopeful."
science
stem
makerfairs
making
learning
informallearning
unschooling
deschooling
doing
makers
2011
iraflatow
from delicious
october 2011 by robertogreco
43f Podcast: John Gruber & Merlin Mann's Blogging Panel at SxSW | 43 Folders
september 2011 by robertogreco
"My pal, John Gruber (from daringfireball.net), and I presented a talk at South by Southwest Interactive on Saturday, March 14th. We talked about building a blog you can be proud of, trying to improve the quality of your work, reaching the people you admire, and maybe even making a buck (in a way that doesn’t blow your deal). Here’s what we had to say:"
art
writing
creativity
business
media
blogging
delight
obsessiveness
obsession
passion
2009
sxsw
adamlisagor
purpose
risktaking
trying
making
doing
web
online
internet
twitter
credibility
favar
howwework
audience
idealreader
from delicious
september 2011 by robertogreco
“…than the evening of an Etruscan grove”: Soho in the bones « Adam Greenfield's Speedbird
september 2011 by robertogreco
"we are all of us making and remaking the places we live in on a constant basis, speaking them into reality through the things we say and the comments we leave on blogs, knitting them into being with bicycles and cars and our own two feet. We bring them to life with our custom and our traffic, our peregrinations and the exercise of our habits. And if we want to leave legends behind, we’d better get busy. These particular streets, richly shrouded in story as they are, demand no less."
adamgreenfield
memory
place
meaning
meaningmaking
soho
london
2011
subcultures
bike
biking
cars
cities
atemporality
change
evolution
urban
urbanism
pedestrians
walking
persistence
persistenceofmemory
legacy
living
life
reinvention
making
remaking
markmaking
from delicious
september 2011 by robertogreco
Hello Etsy Berlin - Douglas Rushkoff on Etsy - Livestream
september 2011 by robertogreco
"Everybody thinks that because they can blog, they should blog."
"Why do I want to scale? The only reason to scale is to get out of the business I'm in."
"What would you rather do? Would you rather do something or would you rather manage people who are doing that thing?"
"perverse corporate capitalism of the 1990's, the Jack Welch, General Electric, Harvard Business School model, which is get out of any productive industry and become more and more like a bank"
"What Jack Welch realized is that Marx was right…whoever is creating the actual value through their labor is the slave"
"what you want to do is get as far away from those guys as possible and get as close to the bank funding that activity as possible."
douglasrushkoff
economics
p2p
work
labor
2011
etsy
currency
slavery
jobs
corporatism
history
banking
finance
digital
exchange
internet
peertopeer
capitalism
karlmarx
meansofexchange
hierarchy
localcurrency
biases
doing
making
facebook
social
advertising
jackwelch
ge
generalelectric
sharing
scale
scaling
growth
business
entrepreneurship
self-employment
creativity
management
middlemanagement
middlemen
addedvalue
localcurrencies
from delicious
"Why do I want to scale? The only reason to scale is to get out of the business I'm in."
"What would you rather do? Would you rather do something or would you rather manage people who are doing that thing?"
"perverse corporate capitalism of the 1990's, the Jack Welch, General Electric, Harvard Business School model, which is get out of any productive industry and become more and more like a bank"
"What Jack Welch realized is that Marx was right…whoever is creating the actual value through their labor is the slave"
"what you want to do is get as far away from those guys as possible and get as close to the bank funding that activity as possible."
september 2011 by robertogreco
Infovore » Blessed are the Toymakers
september 2011 by robertogreco
"Why not put technological skills to use making art (as I argued at Culture Hack Day)? Go one step further: rather than putting technology to use serving existing media – the books and films that Robin talks about – why not just invent new forms of media, as Jack Schulze and Timo Arnall describe? The new liberal arts are not on the edge of something big; they are on many edges, all at once. We get to decide where they tip over into; what’s at the bottom of those cliff-faces. Maybe those media will have the tiny audiences Sloan describes; maybe they’ll become huge. But we get to decide, and right now, there is space to play, and a need for those of us with weird skillsets – technological hands and flighty, artistic brains, or vice versa, ‘consecutive or concurrent’ – to go explore.<br />
<br />
Inventing media is a big job. We could start by making toys."
tomarmitage
making
robinsloan
doing
tools
mediainvention
newliberalarts
berg
berglondon
mattjones
jackschulze
timoarnall
media
storytelling
toys
play
2011
from delicious
<br />
Inventing media is a big job. We could start by making toys."
september 2011 by robertogreco
We, Who Are Web Designers — Jon Tan 陳
september 2011 by robertogreco
"I’m self-actualised, without the stamp of approval from any guild, curriculum authority, or academic institution. I’m web taught. Colleague taught. Empirically taught. Tempered by over fifteen years of failed experiments on late nights with misbehaving browsers. I learnt how to create venues because none existed. I learnt what music to play for the people I wanted at the event, and how to keep them entertained when they arrived. I empathised, failed, re-empathised, and did it again. I make sites that work. That’s my certificate. That’s my validation."
posteducation
education
learning
unschooling
deschooling
certification
pln
authority
curriculum
curriculumisdead
problemsolving
2011
design
webdesign
webdev
empathy
learningbydoing
web
making
makers
make
do
autodidacts
jontan
from delicious
september 2011 by robertogreco
Figure Out Who’s On Your Team « John’s Blog
september 2011 by robertogreco
"One of the best pieces of advice I ever got, back when I was 23 and newly out of school, is this: look around and figure out who you want to be on your team. Figure out the people around you that you want to work with for the rest of your life. Figure out the people who are smart & awesome, who share your values, who get things done — and maybe most important, who you like to be with and who you want to help win. And treat them right, always. Look for ways to help, to work together, to learn. Because in 20 years you’ll all be in amazing places doing amazing things.<br />
<br />
That’s turned out to be true for me. Knowing who’s on your team — or as Reid likes to say, who’s in your “tribe” — has been critically important for me, even though I don’t see them all as much as I’d like."<br />
<br />
[via: http://sinker.tumblr.com/post/10358919069/via-john-lilly-one-of-the-best-pieces-of-advice ]
advice
teams
aspirationalnetworks
aspirationalfriends
tribes
making
doing
learning
mindset
surroundings
surroundyourselfwithgoodpeople
lcproject
networks
work
howwework
howwelearn
johnlilly
2011
from delicious
<br />
That’s turned out to be true for me. Knowing who’s on your team — or as Reid likes to say, who’s in your “tribe” — has been critically important for me, even though I don’t see them all as much as I’d like."<br />
<br />
[via: http://sinker.tumblr.com/post/10358919069/via-john-lilly-one-of-the-best-pieces-of-advice ]
september 2011 by robertogreco
Developing Your Creative Practice: Tips from Brian Eno :: Tips :: The 99 Percent
september 2011 by robertogreco
"1. Freeform capture. Grab from a range of sources without editorializing…<br />
<br />
2. Blank state. Start with new tools, from nothing, and toy around…<br />
<br />
3. Deliberate limitations. Before a project begins, develop specific limitations…<br />
<br />
4. Opposing forces. Sometimes it’s best to generate a forced collision of ideas…<br />
<br />
5. Creative prompts. In the ‘70s Eno developed his Oblique Strategies cards, a series of prompts modeled after the I Ching to disrupt the process and encourage a new way of encountering a creative problem. On the cards are statements and questions like: “Would anybody want it?” “Try faking it!” “Only a part, not the whole.” “Work at a different speed.” “Disconnect from desire.” “Turn it upside down.” “Use an old idea."…<br />
<br />
In the end, don’t underestimate your personal feelings about a project. Eno states: “Nearly all the things I do that are of any merit at all start off as just being good fun.” Amen to that."
art
creativity
music
productivity
brain
neuroscience
via:preoccupations
brianeno
2011
jonahlehrer
ideation
classideas
innovation
noticing
limitations
constraints
making
doing
glvo
howwework
process
idleness
boredom
thinking
ideas
has:via
from delicious
<br />
2. Blank state. Start with new tools, from nothing, and toy around…<br />
<br />
3. Deliberate limitations. Before a project begins, develop specific limitations…<br />
<br />
4. Opposing forces. Sometimes it’s best to generate a forced collision of ideas…<br />
<br />
5. Creative prompts. In the ‘70s Eno developed his Oblique Strategies cards, a series of prompts modeled after the I Ching to disrupt the process and encourage a new way of encountering a creative problem. On the cards are statements and questions like: “Would anybody want it?” “Try faking it!” “Only a part, not the whole.” “Work at a different speed.” “Disconnect from desire.” “Turn it upside down.” “Use an old idea."…<br />
<br />
In the end, don’t underestimate your personal feelings about a project. Eno states: “Nearly all the things I do that are of any merit at all start off as just being good fun.” Amen to that."
september 2011 by robertogreco
Mitch Resnick: The Role of Making, Tinkering, Remixing in Next-Generation Learning | DMLcentral
september 2011 by robertogreco
"…best learning experiences come when people are actively engaged in designing things, creating things, & inventing things—expressing themselves.
…if we want people to really be fluent w/ new technologies & learn through their activities, it requires people to get involved as makers—to create things.
…best experiences come when…making use of the materials in the world around you, tinkering w/ things…coming up w/ a prototype, getting feedback…iteratively changing it…making new ideas, over & over…adapting to the current situation & the new situations that arise.
In our after school programs, we see many kids who have been unsuccessful in traditional educational settings become incredibly successful when they are given the opportunity to make, tinker, & remix.
…there are lessons for schools from the ways that kids learn outside of schools…
Over time, I do think we need to rethink educational institutions as a place that embraces playful experimentation."
tcsnmy
mitchresnick
mit
mitmedialab
medialab
scratch
mindstorms
lego
informallearning
learning
unschooling
deschooling
schools
play
prototyping
making
doing
remix
remixing
remixculture
self-expression
technology
lcproject
howardrheingold
makers
creators
iteration
iterative
wedo
lifelongkindergarten
education
experimentation
invention
feedback
2011
toshare
from delicious
…if we want people to really be fluent w/ new technologies & learn through their activities, it requires people to get involved as makers—to create things.
…best experiences come when…making use of the materials in the world around you, tinkering w/ things…coming up w/ a prototype, getting feedback…iteratively changing it…making new ideas, over & over…adapting to the current situation & the new situations that arise.
In our after school programs, we see many kids who have been unsuccessful in traditional educational settings become incredibly successful when they are given the opportunity to make, tinker, & remix.
…there are lessons for schools from the ways that kids learn outside of schools…
Over time, I do think we need to rethink educational institutions as a place that embraces playful experimentation."
september 2011 by robertogreco
The Startup Man: A Conversation With Joi Ito - Gregory Mone - Technology - The Atlantic
september 2011 by robertogreco
"…part of what managing the Lab is going to be about: trying to make that space perfect. Because the way it's laid out, the way things are connected, and how people run into each other and stumble on new things, a lot of that is affected by the layout. I don't think everybody gets how important that is…<br />
<br />
Multi-disciplinary is a really key missing part of society, whether you're talking about science or the economy or any of these things. We've gotten so good at getting deep and being more and more specialized about a smaller and smaller thing that now we've got so many people who are really, really smart but don't know how to talk, let alone build anything together…<br />
<br />
A physicist and a chemist and an architect are only going to work together really well when they're building something. You can have them sit around a table and argue but they'll really only be talking across each other. The minute you try and build something together it becomes rigorous."
mitmedialab
joiito
2011
multidisciplinary
interdisciplinary
lcproject
collaboration
making
doing
discovery
innovation
tcsnmy
learning
sharing
crossdisciplinary
crosspollination
serendipity
generalists
creativity
creativegeneralists
from delicious
<br />
Multi-disciplinary is a really key missing part of society, whether you're talking about science or the economy or any of these things. We've gotten so good at getting deep and being more and more specialized about a smaller and smaller thing that now we've got so many people who are really, really smart but don't know how to talk, let alone build anything together…<br />
<br />
A physicist and a chemist and an architect are only going to work together really well when they're building something. You can have them sit around a table and argue but they'll really only be talking across each other. The minute you try and build something together it becomes rigorous."
september 2011 by robertogreco
Beating the drum for Delicious « Jon Udell
september 2011 by robertogreco
"More than anything before or since, Delicious empowers me to manage web resources — both personally and socially. Once those resources were mainly things we found on the web. Now they’re also things we make on the web. I hope the forthcoming Delicious makeover will help people understand it to be a tool for creating, mixing, and sharing web resources. And I hope it remains the sort of open web tool that Mozilla Drumbeat wants to popularize."
socialnetworking
del.icio.us
jonudell
2011
making
html
coding
programming
mozilladrumbeat
avos
sharing
reflection
via:preoccupations
has:via
from delicious
september 2011 by robertogreco
Douglas Rushkoff - Blog - CNN.com: Are Jobs Obsolete? ["We're living in an economy where productivity is no longer the goal, employment is."]
september 2011 by robertogreco
"We start by accepting that food and shelter are basic human rights. The work we do -- the value we create -- is for the rest of what we want: the stuff that makes life fun, meaningful, and purposeful.<br />
<br />
This sort of work isn't so much employment as it is creative activity. Unlike Industrial Age employment, digital production can be done from the home, independently, and even in a peer-to-peer fashion without going through big corporations. We can make games for each other, write books, solve problems, educate and inspire one another -- all through bits instead of stuff. And we can pay one another using the same money we use to buy real stuff.<br />
<br />
For the time being, as we contend with what appears to be a global economic slowdown by destroying food and demolishing homes, we might want to stop thinking about jobs as the main aspect of our lives that we want to save. They may be a means, but they are not the ends."
douglasrushkoff
jaronlanier
economics
2011
jobs
work
leisurearts
labor
meaning
basics
gamechanging
paradigmshifts
society
greatrecession
history
making
doing
creativity
stuff
purpose
technology
productivity
food
employment
unemployment
obsolescence
healthcare
from delicious
<br />
This sort of work isn't so much employment as it is creative activity. Unlike Industrial Age employment, digital production can be done from the home, independently, and even in a peer-to-peer fashion without going through big corporations. We can make games for each other, write books, solve problems, educate and inspire one another -- all through bits instead of stuff. And we can pay one another using the same money we use to buy real stuff.<br />
<br />
For the time being, as we contend with what appears to be a global economic slowdown by destroying food and demolishing homes, we might want to stop thinking about jobs as the main aspect of our lives that we want to save. They may be a means, but they are not the ends."
september 2011 by robertogreco
Caterina.net» Blog Archive » Make things
september 2011 by robertogreco
John Holt: "Leaders are not what many people think–people with huge crowds following them. Leaders are people who go their own way without caring, or even looking to see whether anyone is following them. “Leadership qualities” are not the qualities that enable people to attract followers, but those that enable them to do without them. The include, at the very least, courage, endurance, patience, humor, flexibility, resourcefulness, determination, a keen sense of reality, and the ability to keep a cool and clear head even when things are going badly. This is the opposite of the “charisma” that we hear so much about."<br />
<br />
…People ask me who inspires me…often stumps me because I have been inspired in my work by stuff that people make… [bunch of examples]…the people who make these things are my leaders. Most of the time I don’t know their names. Sometimes I’m lucky & do.<br />
<br />
So, to hell with all that noise. It’s just a big mass of envy, chatter & FOMO. Let’s get excited & make things."
leadership
caterinafake
johnholt
making
doing
entrepreneurship
inspiration
noise
talk
technology
techindustry
whatmatters
cv
freemandyson
from delicious
<br />
…People ask me who inspires me…often stumps me because I have been inspired in my work by stuff that people make… [bunch of examples]…the people who make these things are my leaders. Most of the time I don’t know their names. Sometimes I’m lucky & do.<br />
<br />
So, to hell with all that noise. It’s just a big mass of envy, chatter & FOMO. Let’s get excited & make things."
september 2011 by robertogreco
metacool: Intrinsic motivation, a killer input
august 2011 by robertogreco
"Bullshit is bullshit. Bullshitters don't ship, and they can't attract intrinsically motivated people to be on their teams in any sustainable, long-term way. Why? Because we all want to be around people with that gleam in their eyes which says "this is going to happen". Life is too short to waste your time working with people who are motivated by extrinsic factors, such as money, status, or grades. It's the intrinsically motivated folks who sweat the small stuff, grok the big picture, and -- dare I say it -- think different."<br />
<br />
"This is all a roundabout way of saying that intrinsic motivation is, in my opinion, a killer input. Meaning that it is one of several key factors which define a space within which talented people can collaborate with other similarly aligned people to make magic happen. I've said previously that trust is a killer app, but it's not an application, it's an input, just like intrinsic motivation. The output is wonderfulness."
diegorodriguez
design
making
shipping
whatmatters
glvo
tcsnmy
bullshitting
bullshitters
fakers
intrinsicmotivation
motivation
passion
curiosity
unschooling
deschooling
shinyakimura
lcproject
from delicious
<br />
"This is all a roundabout way of saying that intrinsic motivation is, in my opinion, a killer input. Meaning that it is one of several key factors which define a space within which talented people can collaborate with other similarly aligned people to make magic happen. I've said previously that trust is a killer app, but it's not an application, it's an input, just like intrinsic motivation. The output is wonderfulness."
august 2011 by robertogreco
allen.sw.huang — Steve Jobs & Taking The Long Road
august 2011 by robertogreco
"Jobs (and by extension, Apple) has taught me (and I am sure others) a big lesson: If you want to change something, you have to be patient and take the long view. If Apple and Steve’s incredible comeback teaches us something, it’s that when you are right and the world doesn’t see it that way, you just have to be patient and wait for the world to change its mind.
Today, we are living in a world that’s about taking short-term decisions: CEOs who pray to at the altar of the devil called quarterly earnings, companies that react to rivals, politicians who are only worried about the coming election cycle and leaders who are in for the near-term gain.
And then there are Steve and Apple: a leader and a company not afraid to take the long view, patiently building the way to the future envisioned for the company. Not afraid to invent the future and to be wrong. And almost always willing to do one small thing — cannibalize itself."
ommalik
2011
stevejobs
longterm
apple
business
risk
purpose
design
making
doing
self-cannibalization
shortterm
near-term
longview
vision
mistakes
patience
lcproject
tcsnmy
persistence
gamechanging
via:rushtheiceberg
from delicious
Today, we are living in a world that’s about taking short-term decisions: CEOs who pray to at the altar of the devil called quarterly earnings, companies that react to rivals, politicians who are only worried about the coming election cycle and leaders who are in for the near-term gain.
And then there are Steve and Apple: a leader and a company not afraid to take the long view, patiently building the way to the future envisioned for the company. Not afraid to invent the future and to be wrong. And almost always willing to do one small thing — cannibalize itself."
august 2011 by robertogreco
Doors of Perception weblog: xskool: breathing the same air
august 2011 by robertogreco
"…We converged, instead, on the idea that "X" means: this place, this moment, these people. Breathing the same air. Only here, only now.
Our group also embraced the idea of no curriculum, no standardised process, no teachers, and no certificates…
1 An explanation: Xskool enables people to create unique events in which change-minded people participate, interact, and reflect.
2 Xskool is not for people who see themselves as leaders, role models, experts or 'change agents'. Xskoolers might well be leaders, role models etc - but that is not for them to decide…
5 At each xskool encounter, a host venue or location will present a task or a question for the visiting group to work on. At West Lexham our task was to build this path:
6 Each xskool group will also work on a question or questions of its own. This question will not be posed in advance; rather, it will emerge from a mindfully-orqanised process [such as Open Space or World Café] when the group first assembles at the location…"
xskool
education
learning
johnthackara
2011
curriculum
uncurriculum
curriculumisdead
change
community
events
unschooling
deschooling
unconferences
openstudioproject
openstudio
open
process
doing
making
collaboration
collaborative
lcproject
from delicious
Our group also embraced the idea of no curriculum, no standardised process, no teachers, and no certificates…
1 An explanation: Xskool enables people to create unique events in which change-minded people participate, interact, and reflect.
2 Xskool is not for people who see themselves as leaders, role models, experts or 'change agents'. Xskoolers might well be leaders, role models etc - but that is not for them to decide…
5 At each xskool encounter, a host venue or location will present a task or a question for the visiting group to work on. At West Lexham our task was to build this path:
6 Each xskool group will also work on a question or questions of its own. This question will not be posed in advance; rather, it will emerge from a mindfully-orqanised process [such as Open Space or World Café] when the group first assembles at the location…"
august 2011 by robertogreco
My problem with the “Internet Of Things” « Magical Nihilism
august 2011 by robertogreco
"The network is as important to think about as the things.
The flows & the nodes. The systems & the surface. The means & the ends.
The phrase “Internet Of Things” will probably sound as silly to someone living in a spime-ridden future…
In that sense it is useful – as a provocation, and a stimulus to think new thoughts about the technology around us. It just doesn’t capture my imagination in the same way as the Spime did.
You don’t have to agree. I don’t have to be right. There’s a reason I’ve posted it here on my blog rather than that of my company. This is probably a rambling rant useless to all but myself. It’s a bit of summing-up and setting-aside and starting again for me. This is going to be really hard and it isn’t going to be done by blogging about it, it’s going to be done by doing.
This is just what I what I want to help do. Still.
Better shut-up and get on with it."
spimes
2011
mattjones
berg
berglondon
internetofthings
doing
making
cv
lcproject
glvo
mindchanges
brucesterling
future
iteration
systems
unproduct
russelldavies
physical
digital
seamlessness
beautifulseams
mujicomp
fabbing
from delicious
The flows & the nodes. The systems & the surface. The means & the ends.
The phrase “Internet Of Things” will probably sound as silly to someone living in a spime-ridden future…
In that sense it is useful – as a provocation, and a stimulus to think new thoughts about the technology around us. It just doesn’t capture my imagination in the same way as the Spime did.
You don’t have to agree. I don’t have to be right. There’s a reason I’ve posted it here on my blog rather than that of my company. This is probably a rambling rant useless to all but myself. It’s a bit of summing-up and setting-aside and starting again for me. This is going to be really hard and it isn’t going to be done by blogging about it, it’s going to be done by doing.
This is just what I what I want to help do. Still.
Better shut-up and get on with it."
august 2011 by robertogreco
LESS AND MORE (The 15 Things Charles and Ray Eames Teach Us)
august 2011 by robertogreco
"1. Keep good company
2. Notice the ordinary
3. Preserve the ephemeral
4. Design not for the elite but for the masses
5. Explain it to a child
6. Get lost in the content
7. Get to the heart of the matter
8. Never tolerate “O.K. anything.”
9. Remember your responsibility as a storyteller
10. Zoom out
11. Switch
12. Prototype it
13. Pun
14. Make design your life… and life, your design
15. Leave something behind
Excerpt from The 15 Things Charles and Ray Eames Teach Us by Keith Yamashita"
eames
keithyamashita
design
glvo
explanation
zoom
zooming
prototyping
making
life
howto
wisdom
lists
noticing
company
purpose
howwework
via:preoccupations
2. Notice the ordinary
3. Preserve the ephemeral
4. Design not for the elite but for the masses
5. Explain it to a child
6. Get lost in the content
7. Get to the heart of the matter
8. Never tolerate “O.K. anything.”
9. Remember your responsibility as a storyteller
10. Zoom out
11. Switch
12. Prototype it
13. Pun
14. Make design your life… and life, your design
15. Leave something behind
Excerpt from The 15 Things Charles and Ray Eames Teach Us by Keith Yamashita"
august 2011 by robertogreco
Portland Built: Design, Architecture, Art, Green, and Sustainable...a Portand Blog, made in Oregon
august 2011 by robertogreco
"Portland Built is a site dedicated to the great things being built in and around Portland, Oregon. We’re writing about smart development, sustainability, design, architecture, and the outstanding businesses and artisans of the region.
Portland Built is divided into three main focus areas: Products, Design+Build, and Partners."
design
architecture
sustainability
portland
oregon
cascadia
making
building
construction
Portland Built is divided into three main focus areas: Products, Design+Build, and Partners."
august 2011 by robertogreco
Rewired State – Coding a Better Country
august 2011 by robertogreco
"We run hack days.
We take between 10 – 150 talented developers and give them money, time, space, caffeine, sugar and food, whilst they build cool/creative prototypes to solve your problems.
If you'd like to kickstart a new project or accelerate an existing Research & Development programme, get in touch."
politics
internet
online
web
hackdays
problemsolving
rewiredstate
uk
coding
lcproject
events
making
doing
society
activism
unconferences
conferences
We take between 10 – 150 talented developers and give them money, time, space, caffeine, sugar and food, whilst they build cool/creative prototypes to solve your problems.
If you'd like to kickstart a new project or accelerate an existing Research & Development programme, get in touch."
august 2011 by robertogreco
Brightworks: A School that Rethinks School | MindShift
august 2011 by robertogreco
"At Brightworks, a K-12 private school set to open in San Francisco this fall, there will be no tests, grades, or transcripts.<br />
<br />
Instead, students will participate in activities and interact with professionals in various fields, design a project that they bring to fruition themselves, and produce a multimedia portfolio that they’ll share with the school, the community, and – via the Brightworks website – the world…<br />
<br />
<br />
…curriculum with three phases: 1) exploration, 2) expression, & 3) exposition.<br />
…year’s theme is “wind” for instance…<br />
Sure, there are only 30 students aged 6 through 12 starting in September (though there are a few slots still open for 12-year-old girls) and the teacher-to-student ratio at Brightworks is a minimum of 1 to 6. The program is resource and labor-intensive. “We don’t scale well at all,” says Welch."
lcproject
scale
gevertulley
2011
brightworks
schools
schooldesign
inquiry-basedlearning
projectbasedlearning
passion-based
exploration
student-centered
unschooling
deschooling
grades
grading
thematicunites
tcsnmy
teaching
learning
constructivism
pedagogy
sanfrancisco
making
doing
tinkering
tinkeringschool
curiosity
curriculum
creativity
from delicious
<br />
Instead, students will participate in activities and interact with professionals in various fields, design a project that they bring to fruition themselves, and produce a multimedia portfolio that they’ll share with the school, the community, and – via the Brightworks website – the world…<br />
<br />
<br />
…curriculum with three phases: 1) exploration, 2) expression, & 3) exposition.<br />
…year’s theme is “wind” for instance…<br />
Sure, there are only 30 students aged 6 through 12 starting in September (though there are a few slots still open for 12-year-old girls) and the teacher-to-student ratio at Brightworks is a minimum of 1 to 6. The program is resource and labor-intensive. “We don’t scale well at all,” says Welch."
august 2011 by robertogreco
Christian Groß — SMS to Paper Airplanes
august 2011 by robertogreco
"Purpose, I tried to visualize the text message communication between my girlfriend and myself. Since we are in a long distance relationship and living in two different countries text messages are often the easiest way to communicate. The challenge was to find a medium, which is variable and able to visualize the information of the text messages, but at the same time allows to keep the content private. For me the paper airplane was the perfect image for this scenario, because the text messages as well as travelling by plane are the most common ways for us to cover the distance.<br />
<br />
The text messages were filtered and analyzed using PROCESSING. The sender was encoded by the direction of the paper airplane, the length of the message with its size and the amount of positive emotional words with the amounts of folds. Additionally the paper airplanes were divided in two types depending on the length of their text…"
art
sms
craft
paper
papernet
via:russelldavies
airplanes
paperairplanes
visualization
christiangross
christianGroß
texting
communication
planes
making
classideas
from delicious
<br />
The text messages were filtered and analyzed using PROCESSING. The sender was encoded by the direction of the paper airplane, the length of the message with its size and the amount of positive emotional words with the amounts of folds. Additionally the paper airplanes were divided in two types depending on the length of their text…"
august 2011 by robertogreco
Practical Magic | Think Quarterly by Google
july 2011 by robertogreco
"The most original innovations spring from mucking about, not from thinking hard. Perhaps that’s really why all this is happening now – components are getting smaller and cheaper, computing is becoming disposable, networking is getting easier – but I don’t think this is driven just by technology. It’s driven by a generation of inventors who’ve learned the power of fast, cheap ‘making’ on the web and want to try it in the world.
This, to me, is as exciting as the day I downloaded a browser. We’re seeing the connectivity and power of the web seeping from our devices and into our objects. Everyday objects, yes, but also new generations of extraordinary objects – flying robot penguin balloons, quadrocopters that can play tennis, Wi-Fi rabbits that tell you the weather."
google
innovation
russelldavies
tinkering
berglondon
berg
wifi
arduino
mikekuniavsky
html
web
internet
making
hacking
internetofthings
spimes
2011
from delicious
This, to me, is as exciting as the day I downloaded a browser. We’re seeing the connectivity and power of the web seeping from our devices and into our objects. Everyday objects, yes, but also new generations of extraordinary objects – flying robot penguin balloons, quadrocopters that can play tennis, Wi-Fi rabbits that tell you the weather."
july 2011 by robertogreco
Is a Well-Lived Life Worth Anything? - Umair Haque - Harvard Business Review
july 2011 by robertogreco
"Though it harks back to antiquity, eudaimonia's a smarter, sharper, wiser, wholer, well, richer conception of prosperity. And deep down, while it might be hard to admit, I'd bet we all know that our current habits are leaving us — have left us — not merely financially and fiscally broken, but, if not intellectually, physically, emotionally, relationally, and spiritually empty, then, well, probably at least just a little bit unhealthy. Eudaimonic prosperity, in contrast, is about mastering a new set of habits: igniting the art of living meaningfully well. An active conception of prosperity, it's concerned not with what one has, but what one is capable of. Here's how I'd contrast Eudaimonia with its belching, wheezing industrial age predecessor:
Living, (working, and playing) not just having…
Better, not just more…
Becoming, not just being…
Creating and building, not just trading and raiding…
Depth, not just immediacy…"
umairhaque
culture
society
future
economics
2011
well-being
gamechanging
eudaemonia
immediacy
plannedlongevity
work
play
value
values
creation
making
doing
living
life
Living, (working, and playing) not just having…
Better, not just more…
Becoming, not just being…
Creating and building, not just trading and raiding…
Depth, not just immediacy…"
july 2011 by robertogreco
The Auteur Myth | Wired Science | Wired.com
july 2011 by robertogreco
"…it’s also important to remember that nobody creates Vertigo or the iPad by themselves; even auteurs need the support of a vast system. When you look closely at auteurs, what you often find is that their real genius is for the the assembly of creative teams, trusting the right people with the right tasks at the right time. Sure, they make the final decisions, but they are choosing between alternatives created by others. When we frame auteurs as engaging in the opposite of collaboration, when we obsess over Hitchcock’s narrative flair but neglect Lehman’s script, or think about Jobs’ aesthetic but not Ive’s design (or the design of those working for Ives), we are indulging in a romantic vision of creativity that rarely exists. Even geniuses need a little help."
jonahlehrer
creativity
collaboration
alfredhitchcock
stevejobs
johngruber
design
film
decisionmaking
auteurs
howwework
constraints
support
making
business
teamwork
leadership
2011
from delicious
july 2011 by robertogreco
Louis C.K. | TV | Interview | The A.V. Club [via: http://blog.frankchimero.com/post/8175680811 ]
july 2011 by robertogreco
"I love making the stuff, that’s sort of the core of it. I love creating the stuff. It’s so satisfying to get from the beginning to the end, from a shaky nothing idea to something that’s well formed & the audience really likes. It’s like a drug: You keep trying to do it again & again & again. I’ve learned from experience that if you work harder at it, & apply more energy & time to it, & more consistency, you get a better result. It comes from the work…documentary…They talked about the difference btwn [John Wooden] &…Bobby Knight & Vince Lombardi…He never made speeches about being winners & being the best, like, “This is our house,” that kind of horseshit…He said that to focus on that, to win, win, win, is worthless. It just has no value. He’d address all his players in his little voice, “If you just listen to me, & you work on your fundamentals & you apply yourself to working on these skills, you’re probably going to be happy with the results.” I think about that all the time.”"
johnwooden
work
practice
winning
louisck
interview
bobbyknight
vincelombardi
teaching
learning
selfimprovement
creativity
making
doing
2011
iteration
hardwork
from delicious
july 2011 by robertogreco
Weekend At Kermie's: The Muppets' Strange Life After Death | The Awl
july 2011 by robertogreco
"A character without specificity is not one."
"To demonize is to become the demon."
"When I say that the Muppets’ art direction is makeshift, I don’t mean that it’s shoddy. But it celebrates human limitation. As we watch one of these movies, we never lose our awareness that these scenes were made by men and women. Craftmanship, the game of how good any one artist can be, is presented—not hidden—and as such it can inspire others."
"What matters in the Muppet universe isn’t perfection, but expression. Dancing across the screen, they embody the philosophy that it is not what you look like that matters, but what you do."
art
creativity
film
copyright
muppets
puppets
perfection
human
humanism
specificity
makeshift
making
craft
limitations
constraints
via:rushtheiceberg
doing
meaning
purpose
glvo
jasonsegel
jimhenson
remix
remixing
remixculture
craftsmanship
from delicious
"To demonize is to become the demon."
"When I say that the Muppets’ art direction is makeshift, I don’t mean that it’s shoddy. But it celebrates human limitation. As we watch one of these movies, we never lose our awareness that these scenes were made by men and women. Craftmanship, the game of how good any one artist can be, is presented—not hidden—and as such it can inspire others."
"What matters in the Muppet universe isn’t perfection, but expression. Dancing across the screen, they embody the philosophy that it is not what you look like that matters, but what you do."
july 2011 by robertogreco
Varsity Bookmarking Dear Graphic and Web Designers, please understand that there are greater opportunities available to you.
july 2011 by robertogreco
"Dear Graphic and Web Designers, please understand that there are greater opportunities available to you.
You have an inherent need to solve problems, visually and conceptually. There is enormous value in this, but you may be misplacing your talents.
The internet, at this time in history, is the greatest client assignment of all time. The Western world is porting itself over to the web in mind and deed and is looking to make itself comfortable and productive. It’s every person in the world, connected to every other person in the world, and no one fully understands how to make best use of this new reality because no one has seen anything like it before. The internet wants to hire you to build stuff for it because its trying to figure out what it can do. It’s offering you a blank check and asking you to come up with something fascinating and useful that it can embrace en masse, to the benefit of everyone…"
design
web
business
webdesign
benpieratt
graphicdesign
svpply
middlemen
change
gamechanging
making
meaning
purpose
2011
clientservices
from delicious
You have an inherent need to solve problems, visually and conceptually. There is enormous value in this, but you may be misplacing your talents.
The internet, at this time in history, is the greatest client assignment of all time. The Western world is porting itself over to the web in mind and deed and is looking to make itself comfortable and productive. It’s every person in the world, connected to every other person in the world, and no one fully understands how to make best use of this new reality because no one has seen anything like it before. The internet wants to hire you to build stuff for it because its trying to figure out what it can do. It’s offering you a blank check and asking you to come up with something fascinating and useful that it can embrace en masse, to the benefit of everyone…"
july 2011 by robertogreco
Famous Creators on the Fear of Failure | Brain Pickings
july 2011 by robertogreco
"While intended as advice for design students, these simple yet important insights are relevant to just about anyone with a beating heart and a head full of ideas — a much-needed reminder of what we all rationally know but have such a hard time internalizing"
design
psychology
creativity
failure
innovation
doing
making
resilience
learning
paulocoelho
stefansagmeister
reiinamoto
miltonglaser
fear
2011
from delicious
july 2011 by robertogreco
tuesday :: 7-11-06 – The Show :: Replay [A favorite episode revisited]
july 2011 by robertogreco
"I think the genesis of the concept of brain crack came from the synthesis of a couple of things that I was thinking about for a while. There is a wonderful excerpt from Anne Lamott’s “Bird By Bird” which warns against fantasizing about accolades that might come with writing…
For about a year, from 2002 to 2003, I was in the practice of realeasing a new project every day. I began to notice that there was a list of projects that began to build up that I never executed, but considered my favorite nonetheless. When I would actually start to tackle these projects a serious disappointment would set in as the work came out rough and without the sparkle that it had in my mind. I wound up overworking them…trying to save them when they shouldn’t have been saved, all because I had given them so much value in their soft & nebulous idea stage."
[Original post: http://www.zefrank.com/theshow/archives/2006/07/071106.html ]
zefrank
ideas
procrastination
excuses
execution
doing
making
creativity
sharing
trying
braincrack
via:robinsloan
classideas
perfectionism
failure
from delicious
For about a year, from 2002 to 2003, I was in the practice of realeasing a new project every day. I began to notice that there was a list of projects that began to build up that I never executed, but considered my favorite nonetheless. When I would actually start to tackle these projects a serious disappointment would set in as the work came out rough and without the sparkle that it had in my mind. I wound up overworking them…trying to save them when they shouldn’t have been saved, all because I had given them so much value in their soft & nebulous idea stage."
[Original post: http://www.zefrank.com/theshow/archives/2006/07/071106.html ]
july 2011 by robertogreco
Jon Kolko » Interaction design and design synthesis. ["The Conflicting Rhetoric of Design Education"]
july 2011 by robertogreco
"We must train generalists. We must train specialists…<br />
Skills of craft, building, and beauty are more important than theory or systems thinking. Theory and systems thinking are more important than craft, building, and beauty…<br />
<br />
We must focus more on ethnography, anthropology, and the social sciences. We must focus more on science, cognitive psychology, math, and engineering…<br />
<br />
It's clear that a change is needed in design education, and it's equally clear that the discourse of this change must advance beyond simply calling well-intentioned designers to action…"
jonkolko
education
design
designeducation
nuance
paradox
generalists
specialization
specialists
craft
making
doing
building
iteration
theory
systems
systemsthinking
well-rounded
balance
lcproject
pedagogy
teaching
learning
from delicious
Skills of craft, building, and beauty are more important than theory or systems thinking. Theory and systems thinking are more important than craft, building, and beauty…<br />
<br />
We must focus more on ethnography, anthropology, and the social sciences. We must focus more on science, cognitive psychology, math, and engineering…<br />
<br />
It's clear that a change is needed in design education, and it's equally clear that the discourse of this change must advance beyond simply calling well-intentioned designers to action…"
july 2011 by robertogreco
“W+K12 is an experiment disguised as a school... - robertogreco {tumblr}
july 2011 by robertogreco
“W+K12 is an experiment disguised as a school disguised as an agency.<br />
“Every spring since 2004 we’ve brought 12 or so creative people from outside the industry into our Portland office for a 12-month stretch to see what happens.<br />
“The students work collaboratively on pro bono and paying client projects as well as make books, shoot films, hang art exhibitions and do whatever else they’re collectively excited about. We teach them what we believe in and how we work; they show us a fresh perspective.<br />
More often than not the students are hired upon graduation. And frankly, having people who pay to be in the building makes the rest of us less lazy.”
lcproject
education
studioclassroom
learning
wk12
wk
perspective
motivation
collective
collaboration
making
doing
creating
schooldesign
teaching
unschooling
deschooling
realworldproblems
wieden+kennedy
from delicious
“Every spring since 2004 we’ve brought 12 or so creative people from outside the industry into our Portland office for a 12-month stretch to see what happens.<br />
“The students work collaboratively on pro bono and paying client projects as well as make books, shoot films, hang art exhibitions and do whatever else they’re collectively excited about. We teach them what we believe in and how we work; they show us a fresh perspective.<br />
More often than not the students are hired upon graduation. And frankly, having people who pay to be in the building makes the rest of us less lazy.”
july 2011 by robertogreco
Wood Tape ["I decide to keep my involvement to a minimum, partly for entertainment, mostly as a learning experience for Guy."]
july 2011 by robertogreco
"THAT'S what this has been about the whole time! He had all of this planned from the beginning. The tape, the table, its purpose, its placement, the paint, the colors, everything. Delight, pride, gratitude, disbelief, shock, and more and more pride, all swelling and swirling together. I can't think, I can't focus. My four-year-old wasn't showing me pictures, he was showing me blueprints. He certainly was not impulse shopping, he knew exactly what he needed, every step of the way. He had been looking for the blue masking tape we had used when painting his room. I had thought he wanted the tape to hold the pieces of the table together, but he knew to use screws for that. He wanted to tape the wood to mask the squares for painting. There is not an adult who could have planned it better or more thoroughly. Now I'm fighting back tears of pride, and my heart is about to burst."
children
unschooling
parenting
deschooling
learning
tape
planning
making
doing
tables
projectbasedlearning
appliedlearning
interestdriven
2004
from delicious
july 2011 by robertogreco
ariane prin: from here for here [via: http://blog.radandhungry.com/post/7387757503/from-here-for-here-pencils-made-by-royal-college ]
july 2011 by robertogreco
"french designer ariane prin has created 'from here for here' as a part of her master's program at the royal college of art. with the aim of supplying drawing tools for students, this project produces pencils sustainably by using waste from various departments of the school: each writing utensil has a center filled with graphite from the glass department, and its body comprised of sawdust from the wood workshop, clay from the ceramic department, and flour from the cafeteria. aligning human activities with environmental principles, this efficient production process makes use of available materials and can be adapted to various contexts.<br />
<br />
as prin explains, 'the 'from here for here' project include two main issues:<br />
1. create useful products specific to a site from the waste generated there. <br />
2. the legitimacy of creating new objects by keeping the enjoyment of making without the guilt.'"
design
art
green
pencils
recycling
arianeprin
officesupplies
make
making
fabrication
materials
from delicious
<br />
as prin explains, 'the 'from here for here' project include two main issues:<br />
1. create useful products specific to a site from the waste generated there. <br />
2. the legitimacy of creating new objects by keeping the enjoyment of making without the guilt.'"
july 2011 by robertogreco
Andrew Sliwinski | Thisandagain
july 2011 by robertogreco
"Hi. My name is Andrew.<br />
I help solve problems and make things using design, technology, science and fabrication."
andrewsliwinski
engineering
making
makers
doing
make
hackers
building
electronics
multimedia
via:javierarbona
technology
science
design
problemsolving
thisandagain
makerfaire
from delicious
I help solve problems and make things using design, technology, science and fabrication."
july 2011 by robertogreco
metacool: Björgvin Tómasson's Gameleste
july 2011 by robertogreco
"when trying to bring something new to life, you will be faced w/ many challenges. Friends will question your vision, lawyers will come up w/ a million reasons why you shouldn't do what you want to do, & money people will demand the right to dig up your precious little seed of an idea each day to ensure it's growing (they have to be sure to get their full money's worth, you know).<br />
<br />
In response, just start. Plunge in. Create. Excessive talking & planning is a sign that you are stuck in an emotional-intellectual mire of your own making. That mire gets its power from our fear of the unknown. In order to break its grip, you need to start - anywhere. It's hard to break out of, for sure. But we can all do it. How did Björgvin Tómasson manage to figure out what a gameleste would be like when it did not exist? By starting, by making it. & now we all also know what a gameleste is all about, for the person who acts not only brings a new thing to life, but brings all of us along, too."
starting
doing
making
glvo
yearoff
yearoff2
lcproject
diegorodriguez
cv
björgvintómasson
björk
music
musicalinstruments
invention
creativity
creation
entrepreneurship
biophilia
gamelan
celeste
gameleste
persistence
naysayers
tcsnmy
failure
risk
risktaking
from delicious
<br />
In response, just start. Plunge in. Create. Excessive talking & planning is a sign that you are stuck in an emotional-intellectual mire of your own making. That mire gets its power from our fear of the unknown. In order to break its grip, you need to start - anywhere. It's hard to break out of, for sure. But we can all do it. How did Björgvin Tómasson manage to figure out what a gameleste would be like when it did not exist? By starting, by making it. & now we all also know what a gameleste is all about, for the person who acts not only brings a new thing to life, but brings all of us along, too."
july 2011 by robertogreco
Frank Chimero’s Blog - The Storm and The Line
june 2011 by robertogreco
"…“changer les idées”… to do something different to clear one’s head.…to take a break, to have a rest, but most importantly…an interruption of routine…“to change one’s ideas.” Sometimes…inflicted on us…other times we may choose to do it for ourselves. If the world can be reinvented, we should reassess our presumptions and ideas, especially when we find ourselves in situations that shake us to the core…
…everything we do, everything we make, is not about the beginning or the end of things. We may draw a line, but we are in the thick of life. We make for these middle parts. Every time we sit down to write, draw, design, paint, dance, we do so because we believe there will be a tomorrow. Every movement and each creation says, “The world is not done yet.” To make is to be optimistic. We get to make tomorrow for ourselves and one another, and we are lucky, because we are allowed to be engaged with the world and one another in this way…"
design
culture
writing
language
life
nicholsonbaker
creativity
creating
making
doing
glvo
optimism
change
meaning
meaningmaking
happiness
sadness
emotions
frankchimero
routine
disruption
disruptive
disruptors
action
…everything we do, everything we make, is not about the beginning or the end of things. We may draw a line, but we are in the thick of life. We make for these middle parts. Every time we sit down to write, draw, design, paint, dance, we do so because we believe there will be a tomorrow. Every movement and each creation says, “The world is not done yet.” To make is to be optimistic. We get to make tomorrow for ourselves and one another, and we are lucky, because we are allowed to be engaged with the world and one another in this way…"
june 2011 by robertogreco
Week 315 – Blog – BERG
june 2011 by robertogreco
"Your sensitivity & tolerance improve only with practice. I wish I’d been given toy businesses to play w/ at school, just as playing w/ crayons taught my body how to let me draw.
I’ve written in these weeknotes before how I manage three budgets: cash, attention, risk. This is my attempt to explain how I feel about risk, and to trace the pathways between risk and cash. Attention, & how it connects, can wait until another day…
I said I wouldn’t speak about attention, but here’s a sneak peak of what I would say. Attention is the time of people in the studio, & how effectively it is applied. It is affected by the arts of project & studio management; it can be tracked by time-sheets & capacity plans; it can be leveraged with infrastructure, internal tools, and carefully grown tacit knowledge; and it magically grows when there’s time to play, when there is flow in the work, and when a team aligns into a “sophisticated work group.”
Attention is connected to cash through work."
design
business
management
berg
berglondon
mattwebb
attention
flow
groups
groupculture
sophisticatedworkgroups
money
risk
riskmanagement
riskassessment
confidence
happiness
anxiety
worry
leadership
tinkering
designthinking
thinking
physical
work
instinct
frustration
lcproject
studio
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systems
systemsthinking
manufacturing
making
doing
newspaperclub
svk
distribution
integratedsystems
infrastructure
supplychain
deleuze
guattari
cyoa
failure
learning
invention
ineptitude
ignorance
deleuze&guattari
gillesdeleuze
interactive
fiction
if
interactivefiction
I’ve written in these weeknotes before how I manage three budgets: cash, attention, risk. This is my attempt to explain how I feel about risk, and to trace the pathways between risk and cash. Attention, & how it connects, can wait until another day…
I said I wouldn’t speak about attention, but here’s a sneak peak of what I would say. Attention is the time of people in the studio, & how effectively it is applied. It is affected by the arts of project & studio management; it can be tracked by time-sheets & capacity plans; it can be leveraged with infrastructure, internal tools, and carefully grown tacit knowledge; and it magically grows when there’s time to play, when there is flow in the work, and when a team aligns into a “sophisticated work group.”
Attention is connected to cash through work."
june 2011 by robertogreco
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