robertogreco + literature 573
Eastgate: Serious Hypertext
18 days ago by robertogreco
SERIOUS HYPERTEXT: Eastgate publishes superb, original hypertext fiction, nonfiction, and poetry, and we create innovative tools for hypertext writers.
These outstanding hypertexts are collected in libraries and studied in universities and schools throughout the world, and have been widely discussed in the research literature."
[Catalog: http://www.eastgate.com/catalog/Fiction.html ]
edg
srg
eastgate
fiction
nonfiction
hypertextpoetry
hypertextnonfiction
hypertextfiction
poetry
literature
text-basedgames
text
web
books
publishing
if
writing
hypertext
via:caseygollan
from delicious
These outstanding hypertexts are collected in libraries and studied in universities and schools throughout the world, and have been widely discussed in the research literature."
[Catalog: http://www.eastgate.com/catalog/Fiction.html ]
18 days ago by robertogreco
dOCUMENTA (13) - dOCUMENTA (13)
18 days ago by robertogreco
"Note taking encompasses witnessing, drawing, writing, and diagrammatic thinking; it is speculative, manifests a preliminary moment, a passage, and acts as a memory aid.
With contributions by authors from a range of disciplines, such as art, science, philosophy and psychology, anthropology, economic- and political theory, language- and literature studies, as well as poetry, 100 Notes – 100 Thoughts constitutes a space of dOCUMENTA (13) to explore how thinking emerges and lies at the heart of re-imagining the world. In its cumulative nature, this publication project is a continuous articulation of the emphasis of dOCUMENTA (13) on the propositional, underlining the flexible mental moves to generate space for the possible. Thoughts, unlike statements, are always variations: this is the spirit in which these notebooks are proposed."
[via: http://frieze.com/issue/article/books2027/ AND http://halloween-in-january.tumblr.com/post/21407577412 AND http://www.jennasutela.com/frieze ]
publishing
conversations
collaborations
essays
notebooks
hatjecantz
memoryaids
memory
noticing
witnessing
writing
drawing
diagrammaticthinking
thinking
2012
2011
notetaking
notes
literature
language
economics
politics
politicaltheory
philosophy
anthropology
art
psychology
books
documenta(13)
documenta
from delicious
With contributions by authors from a range of disciplines, such as art, science, philosophy and psychology, anthropology, economic- and political theory, language- and literature studies, as well as poetry, 100 Notes – 100 Thoughts constitutes a space of dOCUMENTA (13) to explore how thinking emerges and lies at the heart of re-imagining the world. In its cumulative nature, this publication project is a continuous articulation of the emphasis of dOCUMENTA (13) on the propositional, underlining the flexible mental moves to generate space for the possible. Thoughts, unlike statements, are always variations: this is the spirit in which these notebooks are proposed."
[via: http://frieze.com/issue/article/books2027/ AND http://halloween-in-january.tumblr.com/post/21407577412 AND http://www.jennasutela.com/frieze ]
18 days ago by robertogreco
The Believer Logger — INTERVIEWER On various occasions, especially in...
20 days ago by robertogreco
"…you’ve spoken about dispensing with the old accessories such as plot & characters. But are those old accessories so useless as that; are there no truths to be reached with them?
NATHALIE SARRAUTE: One reaches certain truths, but truths that are already known. At a level that’s already known. One can describe the Soviet reality in Tolstoy’s manner, but one will never manage to penetrate it further than Tolstoy did with the aristocratic society that he described. It will remain at the same level of the psyche as Anna Karenina or Prince Bolkonsky if you use the form that Tolstoy used. If you employ the form of Dostoyevsky, you will arrive at another level, which will always be Dostoyevsky’s level, whatever the society you describe. That’s my idea. If you want to penetrate further, you must abandon both of them and go look for something else. Form and content are the same thing. If you take a certain form, you attain a certain content with that form, not any other."
thebeliever
interviews
characters
plot
writing
literature
truth
content
form
society
princebolkonsky
annakarenina
dostoyevsky
tolstoy
nathaliesarraute
from delicious
NATHALIE SARRAUTE: One reaches certain truths, but truths that are already known. At a level that’s already known. One can describe the Soviet reality in Tolstoy’s manner, but one will never manage to penetrate it further than Tolstoy did with the aristocratic society that he described. It will remain at the same level of the psyche as Anna Karenina or Prince Bolkonsky if you use the form that Tolstoy used. If you employ the form of Dostoyevsky, you will arrive at another level, which will always be Dostoyevsky’s level, whatever the society you describe. That’s my idea. If you want to penetrate further, you must abandon both of them and go look for something else. Form and content are the same thing. If you take a certain form, you attain a certain content with that form, not any other."
20 days ago by robertogreco
Personal Libraries Library
24 days ago by robertogreco
"The Personal Libraries Library is a specially-curated lending library located in Portland, Oregon. The Library is dedicated to recreating the personal libraries of artists, philosophers, scientists, writers and other thinkers & makers. The collection has commenced with the personal libraries of Maria Mitchell, the 19th-century astronomer, librarian, educator and suffragist and Robert Smithson (1938-1973), the influential artist, writer and thinker. Recent additions to the Library are the personal libraries of Italo Calvino & Jorge Luis Borges. Subsequent personal libraries of interest to collect belong to: Buckminster Fuller, Hannah Arendt, Lady Bird Johnson and Yoko Ono.
Members can check out books for an initial three-week period, with additional renewals possible. The Library resides in NE Portland, and has Reading Room Hours monthly. Please see Membership and Reading Room information below."
presonallibrarieslibrary
personallibraries
books
writers
lcproject
literature
philosophy
philosophers
yokoono
ladybirdjohnson
abraancliffe
mariamitchell
robertsmithson
italocalvino
borges
buckminsterfuller
hannaharendt
science
art
oregon
portland
library
libraries
from delicious
Members can check out books for an initial three-week period, with additional renewals possible. The Library resides in NE Portland, and has Reading Room Hours monthly. Please see Membership and Reading Room information below."
24 days ago by robertogreco
Maurice Sendak: On Life, Death And Children's Lit : NPR
25 days ago by robertogreco
"I would infinitely prefer a daughter. If I had a son, I would leave him at the A&P; or some other big advertising place where somebody who needs a kid would find him and he would be all right. ... A daughter would be drawn to me. A daughter would want to help me. Girls are infinitely more complicated than boys and women more than men. And there's no doubt about that. We just don't like to think about it. Certainly the men don't like to think about it. I have lived my whole life with a dream daughter."
"I have nothing now but praise for my life. I'm not unhappy. I cry a lot because I miss people. They die and I can't stop them. They leave me and I love them more. ... What I dread is the isolation. ... There are so many beautiful things in the world which I will have to leave when I die, but I'm ready, I'm ready, I'm ready."
npr
childrenliterature
literature
children
interviews
2012
mauricesendak
from delicious
"I have nothing now but praise for my life. I'm not unhappy. I cry a lot because I miss people. They die and I can't stop them. They leave me and I love them more. ... What I dread is the isolation. ... There are so many beautiful things in the world which I will have to leave when I die, but I'm ready, I'm ready, I'm ready."
25 days ago by robertogreco
Penumbra - Samantha Gorman
4 weeks ago by robertogreco
"Penumbra is a hybrid art/literature application in development for tablet media. It expands “ebook” conventions by carefully integrating video, illustration and fiction. These media work equally together to inform the total reading. Tablets are a promising literary medium with the potential to redefine our reading practice beyond a simple emulation of print on screen. Increasingly, ebooks could represent a growing platform for the consumption and dissemination of media art: a platform that is inherently interactive and readily mobile.
Investment in actively reading the interface relies on our experience with interaction design; the goal is to implement touch-screen gestures in service of the story’s content. Touching and tilting the screen places the reader in the position of the main protagonist. The reader can use the interface to decide how long the protagonist focuses on his external vs. internal world."
floatingtext
animation
perspective
worldswitching
thebookofjudith
ephemerality
gestures
mediaart
penumbra
ios
interactivefiction
content
video
futureofmedia
literature
storytelling
interactiondesign
interaction
tablets
ebooks
ebook
2012
samanthagorman
reading
ipad
digitaltext
if
applications
from delicious
Investment in actively reading the interface relies on our experience with interaction design; the goal is to implement touch-screen gestures in service of the story’s content. Touching and tilting the screen places the reader in the position of the main protagonist. The reader can use the interface to decide how long the protagonist focuses on his external vs. internal world."
4 weeks ago by robertogreco
The Most Dangerous Gamer - Magazine - The Atlantic
7 weeks ago by robertogreco
"Thoreau…“With a little more deliberation in the choice of their pursuits,” he proclaimed, “all men would perhaps become essentially students and observers, for certainly their nature and destiny are interesting to all alike.”
Blow clicked off the stereo and turned to me. “I honestly didn’t plan that,” he said.
In so many words, Loud Thoreau had just described Blow’s central idea for The Witness. Whereas so many contemporary games are built on a foundation of shooting or jumping or, let’s say, the creative use of mining equipment to disembowel space zombies, Blow wants the point of The Witness to be the act of noticing, of paying attention to one’s surroundings. Speaking about it, he begins to sound almost like a Zen master. “Things are pared down to the basic acts of movement and observation until those senses become refined,” he told me. “The further you go into the game, the more it’s not even about the thinking mind anymore—it becomes about the intuitive mind."
literature
narrative
taylorclark
miegakure
marctenbosch
interactivefiction
asceticism
storytelling
payingattention
attention
observation
noticing
intuition
myst
littlebigplanet
money
belesshelpful
fiction
jenovachen
flow
tombissell
gamedev
chrishecker
einstein'sdreams
alanlightman
invisiblecities
italocalvino
jonblow
deannavanburen
art
2012
thewitness
thoreau
srg
edg
videogames
gaming
games
braid
jonathanblow
if
from delicious
Blow clicked off the stereo and turned to me. “I honestly didn’t plan that,” he said.
In so many words, Loud Thoreau had just described Blow’s central idea for The Witness. Whereas so many contemporary games are built on a foundation of shooting or jumping or, let’s say, the creative use of mining equipment to disembowel space zombies, Blow wants the point of The Witness to be the act of noticing, of paying attention to one’s surroundings. Speaking about it, he begins to sound almost like a Zen master. “Things are pared down to the basic acts of movement and observation until those senses become refined,” he told me. “The further you go into the game, the more it’s not even about the thinking mind anymore—it becomes about the intuitive mind."
7 weeks ago by robertogreco
James Bridle: Literature needs much more than ebooks (Wired UK)
7 weeks ago by robertogreco
"What we are coming to realise is that no one thing can pick up where the book left off; instead it is everything, all of our networks, our services, our devices, the internet plus everything else, which will carry literature forward. Literature is unique among art forms in that it is enacted entirely in the minds of author and reader; a psychic dance. Literature is everything, and thus everything must be employed in its support. And publishers, so long accustomed to doing a couple of things well, are adrift in a world that needs them to do everything -- or GTFO."
2012
future
internet
digital
literature
ebooks
publishing
publishers
books
jamesbridle
from delicious
7 weeks ago by robertogreco
Imagination to imagination « Snarkmarket
7 weeks ago by robertogreco
Ellen Ullman quote:
"I think that literature—essays, stories, poems—is the one form where we can meet, imagination to imagination, without hosts of people in between, no directors and actors and set designers and so on. The medium itself is fairly transparent. You don’t need equipment or electrical outlets. You can go off alone to read, and, if the work is good, you are then intensely close to other human beings."
Tim's comment:
"I’ve been thinking about this a bit lately — how literature overcomes (or tries to overcome) the deficiencies of language — all those failures of imaginations to connect — WITH language. Like, only the spear that made this wound can heal it. Cf also Mallarmé, “to purify the language of the tribe.”"
imagination
connection
mallarmé
language
books
reading
ellenullman
communication
poetry
2012
timcarmody
writing
literature
snarkmarket
robinsloan
from delicious
"I think that literature—essays, stories, poems—is the one form where we can meet, imagination to imagination, without hosts of people in between, no directors and actors and set designers and so on. The medium itself is fairly transparent. You don’t need equipment or electrical outlets. You can go off alone to read, and, if the work is good, you are then intensely close to other human beings."
Tim's comment:
"I’ve been thinking about this a bit lately — how literature overcomes (or tries to overcome) the deficiencies of language — all those failures of imaginations to connect — WITH language. Like, only the spear that made this wound can heal it. Cf also Mallarmé, “to purify the language of the tribe.”"
7 weeks ago by robertogreco
ICON MAGAZINE ONLINE | Design Fiction | the most comprehensive archives of architecture and design content on the web
7 weeks ago by robertogreco
"process in which they’re working is a bit like a scientific process where you have a hypothesis & you try to experiment not knowing what the outcome is going to be."
"…how can I say anything which someone will be able to see in 20 years in the form in which it was created…serious…new contemporary problem, how do we make something work in a situation where the means of production are in a maelstrom or things are politically or financially falling apart? I don’t expect bookstores…libraries…Google, Facebook, Yahoo or Twitter…Microsoft to survive 20 years, I don’t expect NATO to survive. I don’t know about the EU. This is not like a gospel of despair or anything I just really think we could do something magnificent by just rising to the scale of the actual problem."
"Experience design is the first school of design that can actually encompass literature as a wing of itself."
"[I]t would be a shame if everything was virtual or written in a way that precludes the tangibility of things."
sciencefiction
speculative
research
future
culture
speculativedesign
ephemerality
uncertainty
process
imagination
creativity
literature
tangibility
permanence
futurism
dunne&raby;
fionaraby
anthonydunne
interviews
2012
experiencedesign
designfiction
design
brucesterling
from delicious
"…how can I say anything which someone will be able to see in 20 years in the form in which it was created…serious…new contemporary problem, how do we make something work in a situation where the means of production are in a maelstrom or things are politically or financially falling apart? I don’t expect bookstores…libraries…Google, Facebook, Yahoo or Twitter…Microsoft to survive 20 years, I don’t expect NATO to survive. I don’t know about the EU. This is not like a gospel of despair or anything I just really think we could do something magnificent by just rising to the scale of the actual problem."
"Experience design is the first school of design that can actually encompass literature as a wing of itself."
"[I]t would be a shame if everything was virtual or written in a way that precludes the tangibility of things."
7 weeks ago by robertogreco
The empire city: a novel of New York City - Paul Goodman - Google Libros
march 2012 by robertogreco
"This is the thirty year epic story of Horatio, an idealist who struggles to learn the hardest lesson of all -- how to take his place in a conformist society and still retain his personal identity."
[via: http://twitter.com/a_small_lab/status/175404573798825984 ]
literature
identity
confomity
society
idealism
integrity
anarchism
via:chrisberthelsen
toread
novels
books
paulgoodman
from delicious
[via: http://twitter.com/a_small_lab/status/175404573798825984 ]
march 2012 by robertogreco
Georges Bataille : Literature And Evil - YouTube
february 2012 by robertogreco
"The only TV interview that exists with Georges Bataille (1958). About his book Literature And Evil. Interviewer: Pierre Dumayet."
[via: http://consumptive.org/about/ ]
taboos
baudelaire
kafka
interviews
guilt
1958
evil
literatureandevil
georgesbataille
storytelling
literature
writing
from delicious
[via: http://consumptive.org/about/ ]
february 2012 by robertogreco
intro to landscape studies - YouTube
february 2012 by robertogreco
"The modern age of landscape is an age where social interactions, markets, and developments are routinely channeled by institutions invisible to the ordinary individual. State infrastructure and capital have made immense and irreversible the effects of building, in the form of corridors, monuments and waste, channeling everyday paths and interactions in new space. In the era of modern building, the secrets of landscape are constantly hidden in plain sight.
To learn to see the landscape, western writers first had to learn to describe it. Unlike studies of rhetoric, which stretch back through the classical tradition, structural studies of the phenomenology, politics, and psychology of landscape only matured in the nineteenth century, in the era when state intervention began to physically reshape the shape of trade, agriculture, and the city at an unprecedented scale. Psychologists like Georg Simmel and cultural critics like Walter Benjamin imported the science of rhetoric and the…"
podcast
digitalhumanities
rebeccasolnit
streets
space
place
micheldecerteau
economics
politicaleconomy
policy
geography
urbanism
urban
cities
architecture
landscapearchitecture
modernity
institutions
literature
history
walterbenjamin
georgsimmel
interdisciplinarity
lanscapestudies
2008
infrastructure
class
landscape
joguldi
To learn to see the landscape, western writers first had to learn to describe it. Unlike studies of rhetoric, which stretch back through the classical tradition, structural studies of the phenomenology, politics, and psychology of landscape only matured in the nineteenth century, in the era when state intervention began to physically reshape the shape of trade, agriculture, and the city at an unprecedented scale. Psychologists like Georg Simmel and cultural critics like Walter Benjamin imported the science of rhetoric and the…"
february 2012 by robertogreco
MAPS OF FICTIONAL WORLDS
february 2012 by robertogreco
“When I first decided I wanted to be a writer, when I was 10, 11 years old, the books that I loved…came with maps and glossaries and timelines—books like Lord Of The Rings, Dune, The Chronicles Of Narnia. I imagined that’s what being a writer was: You invented a world, and you did it in a very detailed way, and you told stories that were set in that world.”
—Michael Chabon…
My undergrad thesis argued that world-building wasn’t just for fantasy & sci-fi writers—every tale has a setting, every tale creates a world in the reader’s mind—& it explored ways that drawing that world (visual thinking!) can lead to better fiction.
Some of my favorite “lit’ry” books are accompanied by maps.
[examples]
Some writers use previously-made maps to help create their fiction: Melville used whaling charts, Joyce used Ordnance surveys of Dublin, & Pynchon used aerial maps.
Poking around the ‘net I found maps for Faulkner’s books, Treasure Island, and of course, Tolkien…"
[See also the comments.]
fictionalmaps
fictionalworlds
books
literature
literarymaps
storytelling
reference
graphics
writing
michaelchabon
2008
visualthinking
worldbuilding
cartography
mapping
visualization
fiction
maps
from delicious
—Michael Chabon…
My undergrad thesis argued that world-building wasn’t just for fantasy & sci-fi writers—every tale has a setting, every tale creates a world in the reader’s mind—& it explored ways that drawing that world (visual thinking!) can lead to better fiction.
Some of my favorite “lit’ry” books are accompanied by maps.
[examples]
Some writers use previously-made maps to help create their fiction: Melville used whaling charts, Joyce used Ordnance surveys of Dublin, & Pynchon used aerial maps.
Poking around the ‘net I found maps for Faulkner’s books, Treasure Island, and of course, Tolkien…"
[See also the comments.]
february 2012 by robertogreco
The Millions : Dashboard? More Like Bookshelf: Your Guide to Literary Tumblrs
february 2012 by robertogreco
"About two months ago, The Millions joined the Tumblr community. So far, the going has been great. The platform is perfectly suited for dynamic storytelling, and as a direct result, it is home to some of the friendliest book lovers around. However, the site’s SEO (or lack thereof) is regrettably unkind to Tumblr outsiders, and this leads to two things. On the one hand, the insularity stokes the kind of kinship that makes its community so tightknit. On the other, the lack of easy searching reduces each blog’s chance of attracting new (or outside) viewers. I’d like to change that. By creating this list of my favorite “literary Tumblrs,” I hope to turn you on to some of the sites that make The Millions’ dashboard that much brighter."
2012
literarytumblrs
lists
reading
literary
tumblr
dashboard
marginalia
literature
books
from delicious
february 2012 by robertogreco
Joyce and the Internet: What Leopold Bloom Didn't Know - Alan Jacobs - Technology - The Atlantic
february 2012 by robertogreco
"James Joyce's narration leads us through the difficulty of finding knowledge in a pre-Internet era, reminding us how lucky we are to have this technology, despite all its flaws."
parallax
leopoldbloom
dunsink
jornbarger
web
internet
serendipity
literature
informationaccess
access
information
search
2012
ulysses
alanjacobs
jamesjoyce
from delicious
february 2012 by robertogreco
So Why Read (Fiction) Any More? « Commentary Magazine
february 2012 by robertogreco
"The truth is otherwise. Remove the author and all you do is to remove every restraint upon Narcissistic Reading Disorder. To read an author is to read someone different from ourselves. Reading is not a means of self-affirmation, but of self-denial. Any book that is any good challenges its readers…
Hence reading is self-mastery, because the self (and its affirmations) are held in check while the author (and his structures of thought) are fully attended to. True diversity in literature would be to read authors in circumstances as different from our own as possible, because we might then imagine ourselves as different than we are — not the creature of circumstances, but their master. Reading is fundamental, all right: to a person’s ethical development."
[via: http://ayjay.tumblr.com/post/16901462693/hence-reading-is-self-mastery-because-the-self ]
2012
jvcunningham
victordavishanson
roalndbarthes
christopherhitchens
self-denial
self-mastery
umbertoeco
foucault
narcissisticreadingdisordet
narcissism
fiction
learning
empathy
reading
authors
literature
from delicious
Hence reading is self-mastery, because the self (and its affirmations) are held in check while the author (and his structures of thought) are fully attended to. True diversity in literature would be to read authors in circumstances as different from our own as possible, because we might then imagine ourselves as different than we are — not the creature of circumstances, but their master. Reading is fundamental, all right: to a person’s ethical development."
[via: http://ayjay.tumblr.com/post/16901462693/hence-reading-is-self-mastery-because-the-self ]
february 2012 by robertogreco
Tina Brown's Must-Reads: Dictators : NPR
february 2012 by robertogreco
[1] "Johnson suggests even in private, North Koreans cannot tell the truth — that everything in their lives is fictionalized to one degree or another — & Brown says that's part of why his book is so original.
"Their own biographies are captured and rewritten and made to be the thing that you imbibe and live through, and that's why the freedom of the rower becomes such a haunting thing to Jun Do," Brown says."
[2] ""[York] writes about 'dictator chic,' which has now taken over as the fall of all these dictators from the Arab Spring brings all this flight money into Europe, & invades us with their taste," Brown says. According to York, 'despot decor' is increasing in certain spots around the world."
[3] "Murphy suggests that the Inquisition, rather than being a relic of the past, is a harbinger of modern times. Brown says that the sustained ability to create a system of fear, maintain records, & monitor people through communication systems & law reminds her of more modern examples."
toread
cullenmurphy
fear
control
architecture
inquisition
stasimuseum
berlin
eastgermany
despotdecor
dictatorchic
peteryork
northkorea
literature
fiction
identity
adamjohnson
2012
longform
books
tinabrown
from delicious
"Their own biographies are captured and rewritten and made to be the thing that you imbibe and live through, and that's why the freedom of the rower becomes such a haunting thing to Jun Do," Brown says."
[2] ""[York] writes about 'dictator chic,' which has now taken over as the fall of all these dictators from the Arab Spring brings all this flight money into Europe, & invades us with their taste," Brown says. According to York, 'despot decor' is increasing in certain spots around the world."
[3] "Murphy suggests that the Inquisition, rather than being a relic of the past, is a harbinger of modern times. Brown says that the sustained ability to create a system of fear, maintain records, & monitor people through communication systems & law reminds her of more modern examples."
february 2012 by robertogreco
George Steiner, a certain idea of knowledge | Presseurop (English)
january 2012 by robertogreco
"[Q] You do not consider yourself to be a creator?
[A] No, there should not be confusion over these roles. Critics, commentators, and exegetes, even the most gifted ones, are still light years away from creators. We do not fully understand the intimate sources of creation. For example, imagine this scene which happened in Berne... A group of children are on a picnic outing with their schoolteacher, who sits them down in front of a viaduct, and watches while they attempt to draw it. Then she looks over the shoulder of one kid, and he has drawn boots on the pillars!
Ever since then, all world’s viaducts have been on the march. The name of the child was Paul Klee. Creation changes everything that it contemplates, with only a few lines creators show us everything that was already there. What is the mystery that triggers creation? I wrote Grammars of Creation to understand it. But at the end of my life, I still don’t understand."
viaducts
paulklee
life
culture
philosophy
europe
science
literature
art
georgesteiner
creation
creativity
from delicious
[A] No, there should not be confusion over these roles. Critics, commentators, and exegetes, even the most gifted ones, are still light years away from creators. We do not fully understand the intimate sources of creation. For example, imagine this scene which happened in Berne... A group of children are on a picnic outing with their schoolteacher, who sits them down in front of a viaduct, and watches while they attempt to draw it. Then she looks over the shoulder of one kid, and he has drawn boots on the pillars!
Ever since then, all world’s viaducts have been on the march. The name of the child was Paul Klee. Creation changes everything that it contemplates, with only a few lines creators show us everything that was already there. What is the mystery that triggers creation? I wrote Grammars of Creation to understand it. But at the end of my life, I still don’t understand."
january 2012 by robertogreco
Searching The Library Of Babel - The Rumpus.net
january 2012 by robertogreco
"Esteemed as both a critic and author, Borges was as selective as he was well read. And, given all the accounts of his nearly superhuman erudition, he was probably one of the most well read men in history. The highly referential nature of his short stories and the disarming insight of his criticism both serve to underscore the range of his literary knowledge. He was a voracious reader, but also a good reader—and one of particular tastes."
"the problem of guessing which specific handful of stories Borges chose was daunting. And what was daunting became laughable when confronted by Volume 12: trying to guess which 16 of the 431 tales Borges chose from Pu Songling’s fantastic 17th century collection, Strange Stories from a Chinese Studio, was like trying to find a copy of Borges’ “The Library Babel” in his own Library of Babel."
Borges
literature
2009
via:Preoccupations
readinglists
lists
reading
stories
books
"the problem of guessing which specific handful of stories Borges chose was daunting. And what was daunting became laughable when confronted by Volume 12: trying to guess which 16 of the 431 tales Borges chose from Pu Songling’s fantastic 17th century collection, Strange Stories from a Chinese Studio, was like trying to find a copy of Borges’ “The Library Babel” in his own Library of Babel."
january 2012 by robertogreco
Notes Towards A Theory of Twitter (Revised) | A.T. | Cleveland
january 2012 by robertogreco
"Twitter is an associative writing form, not a narrative one. In Twitter, we are sent somewhere else-via a link-or reminded of something. We are not telling stories. Thus, while the twitter fiction is swell and cute, it usually it misses the generic boat. Twitter promises a new slate for poets. For fiction writers, not so much. (For what I find to be a notable exception, see my piece for Economist.com). Tweets create meaning and aesthetic experiences by reminding us, not by telling a story…
1.a.) Twitter does not operate on the narrative arc of rising action, suspense, climax, and denouement…
Twitter lacks single-point perspective (or omniscience)…
2.) Twitter helps resist the curse of paragraphism…
2.a.) A new focus on the sentence is salutary…
Conclusion: There is no summing up on twitter. There are many arrows pointing one across (not up or down) to the ideas of others, cross-fertilization, and forced attention to the composition of sentences."
via:allentan
2012
sentences
hypertext
communication
howwewrite
classiseas
composition
crosspollination
cross-fertilization
storytelling
narrative
literature
paragraphism
writing
twitter
annetrubek
1.a.) Twitter does not operate on the narrative arc of rising action, suspense, climax, and denouement…
Twitter lacks single-point perspective (or omniscience)…
2.) Twitter helps resist the curse of paragraphism…
2.a.) A new focus on the sentence is salutary…
Conclusion: There is no summing up on twitter. There are many arrows pointing one across (not up or down) to the ideas of others, cross-fertilization, and forced attention to the composition of sentences."
january 2012 by robertogreco
Fiction Writers Review » Magic and Music Steer this Vessel: On Jorge Luis Borges’s This Craft of Verse
january 2012 by robertogreco
"In this lecture, Borges famously declares that laziness kept him from writing novels. I wonder if this is the same “happy indolence” that Billy Collins has described as his modus operandi. Borges, like the ancients, defines the poet as “‘a maker’—not only as the utterer of those high lyric notes, but also as a teller of a tale."
"“Thought and Poetry” finds Borges asserting over and over again that metaphors should both resonate and unsettle."
"Borges’s humility should be admired but what must also be considered here is the incredible challenge—one may even describe it as a daunting, accusing mountain—that faces the writer. Those “tolerable” pages arrive from labored and conscientious output, through the uncertain process of trial and error, and through the making of, the awareness and recognition of, as well as the correction and ultimate learning from, mistakes."
cervantes
donquixote
bible
beowulf
wittgenstein
2009
books
writing
novels
johnmadera
music
odyssey
homer
poetry
classics
literature
borges
from delicious
"“Thought and Poetry” finds Borges asserting over and over again that metaphors should both resonate and unsettle."
"Borges’s humility should be admired but what must also be considered here is the incredible challenge—one may even describe it as a daunting, accusing mountain—that faces the writer. Those “tolerable” pages arrive from labored and conscientious output, through the uncertain process of trial and error, and through the making of, the awareness and recognition of, as well as the correction and ultimate learning from, mistakes."
january 2012 by robertogreco
SpeEdChange: Changing Gears 2012: reconsidering what "literature" means
january 2012 by robertogreco
"So my seventh step in Changing Gears 2012 is to look as widely as you can for the literature which will touch your students, for the canon which will help them know themselves and our world. This matters. When we prescribe a Common Core we proscribe all that lies beyond that, and what lies beyond is truly the 99 percent."
storytelling
variety
learning
deschooling
unschooling
communication
expression
video
literacy
2012
commoncore
learning
literature
irasocol
culture
reading
_learning
from delicious
january 2012 by robertogreco
A Cinematic Novel: ‘Historias extraordinarias’ | Hydra Magazine
january 2012 by robertogreco
"The pleasure of watching Historias extraordinarias derives in large part from the sheer magnitude of the multiple narratives that propel the film forward.
…One such episode recounts a brutal robbery and mass killing using only photographs for visualization, creating suspense and terror from a deft sequencing of photo stills, a technique reminiscent of Chris Marker’s canonical masterwork, La jetée (1962). Another memorable section ingeniously weaves the actual work and biography of obscure Argentine architect, Francisco Salamone, into one of the central plot threads. To Llinás, fiction and nonfiction are perpetually on level terms.
The graphic textuality of Historias extraordinarias owes much also to the comic book and graphic novel medium. In an interview with Argentine novelist Alan Pauls, Llinás explains that one of the chief inspirations for the scenario was Hergé’s classic comic-strip series, Les Aventures de Tintin…"
intertextuality
narrative
storytelling
literature
alanpauls
franciscosalamone
narration
fiction
nonfiction
towatch
argentina
borges
2011
film
tintin
hergé
marianollinás
historiasextraordinarias
andrébazin
from delicious
…One such episode recounts a brutal robbery and mass killing using only photographs for visualization, creating suspense and terror from a deft sequencing of photo stills, a technique reminiscent of Chris Marker’s canonical masterwork, La jetée (1962). Another memorable section ingeniously weaves the actual work and biography of obscure Argentine architect, Francisco Salamone, into one of the central plot threads. To Llinás, fiction and nonfiction are perpetually on level terms.
The graphic textuality of Historias extraordinarias owes much also to the comic book and graphic novel medium. In an interview with Argentine novelist Alan Pauls, Llinás explains that one of the chief inspirations for the scenario was Hergé’s classic comic-strip series, Les Aventures de Tintin…"
january 2012 by robertogreco
In Africa, the Art of Listening - NYTimes.com
december 2011 by robertogreco
"It struck me as I listened to those two men that a truer nomination for our species than Homo sapiens might be Homo narrans, the storytelling person. What differentiates us from animals is the fact that we can listen to other peopleě°˝€™s dreams, fears, joys, sorrows, desires and defeats ě°˝€” and they in turn can listen to ours.
Many people make the mistake of confusing information with knowledge. They are not the same thing. Knowledge involves the interpretation of information. Knowledge involves listening.
So if I am right that we are storytelling creatures, and as long as we permit ourselves to be quiet for a while now and then, the eternal narrative will continue."
deschooling
unschooling
learning
conversation
2011
silence
information
knowledge
henningmankell
humans
human
storytelling
society
narrative
literature
listening
africa
from delicious
Many people make the mistake of confusing information with knowledge. They are not the same thing. Knowledge involves the interpretation of information. Knowledge involves listening.
So if I am right that we are storytelling creatures, and as long as we permit ourselves to be quiet for a while now and then, the eternal narrative will continue."
december 2011 by robertogreco
How to Build a Universe That Doesn't Fall Apart Two Days Later
december 2011 by robertogreco
"I have a secret love of chaos. There should be more of it. Do not believe—and I am dead serious when I say this—do not assume that order and stability are always good, in a society or in a universe. The old, the ossified, must always give way to new life and the birth of new things. Before the new things can be born the old must perish. This is a dangerous realization, because it tells us that we must eventually part with much of what is familiar to us. And that hurts. But that is part of the script of life. Unless we can psychologically accommodate change, we ourselves begin to die, inwardly. What I am saying is that objects, customs, habits, and ways of life must perish so that the authentic human being can live. And it is the authentic human being who matters most, the viable, elastic organism which can bounce back, absorb, and deal with the new."
writing
philosophy
philipkdick
chaos
unschooling
deschooling
objects
anarchism
anarchy
literature
culture
society
messiness
change
adaptability
science
scifi
sciencefiction
religion
1978
life
human
humans
from delicious
december 2011 by robertogreco
How to Dispel Your Illusions by Freeman Dyson | The New York Review of Books
december 2011 by robertogreco
"The violent and passionate manifestations of human nature, concerned with matters of life and death and love and hate and pain and sex, cannot be experimentally controlled and are beyond Kahneman’s reach. Violence and passion are the territory of Freud. Freud can penetrate deeper than Kahneman because literature digs deeper than science into human nature and human destiny."
psychology
books
freemandyson
danielkahneman
williamjames
literature
science
cognition
decisionmaking
humans
emotions
measurement
experiments
illusions
illusionofvalidity
cognitiveillusions
december 2011 by robertogreco
Book Review: '10 Billion Days And 100 Billion Nights' : NPR
december 2011 by robertogreco
"The book 10 Billion Days And 100 Billion Nights by Ryu Mitsuse has been called "the greatest Japanese science-fiction novel of all time.""
1967
2011
translations
japan
japanese
literature
scifi
sciencefiction
ryumitsuse
toread
books
from delicious
december 2011 by robertogreco
SEMIOTEXT(E)
december 2011 by robertogreco
"Best known for its introduction of French theory to American readers, Semiotext(e) has been one of America’s most influential independent presses since its inception more than three decades ago. Publishing works of theory, fiction, madness, economics, satire, sexuality, science fiction, activism and confession, Semiotext(e’)s highly curated list has famously melded high and low forms of cultural expression into a nuanced and polemical vision of the present."
semiotext(e)
books
culture
theory
art
literature
philosophy
writing
publishers
from delicious
december 2011 by robertogreco
Map Tales
december 2011 by robertogreco
"EASILY CREATE AND SHARE MAP-BASED STORIES…
and embed them into your website for free
Journalists, teachers, bloggers and storytellers (to name a few) use Map Tales to chronicle news events, scrapbook holidays, describe walks, plan campaigns, illustrate literature, recount journeys, and bring historical events to life."
maps
storytelling
tools
onlinetoolkit
maptales
mapping
narrative
odyssey
aroundtheworldin80days
julesverne
homer
hackfarm
classideas
location
literature
history
travel
from delicious
and embed them into your website for free
Journalists, teachers, bloggers and storytellers (to name a few) use Map Tales to chronicle news events, scrapbook holidays, describe walks, plan campaigns, illustrate literature, recount journeys, and bring historical events to life."
december 2011 by robertogreco
Welcome to Open Library (Open Library)
december 2011 by robertogreco
"Open Library is an initiative of the Internet Archive, a 501(c)(3) non-profit, building a digital library of Internet sites and other cultural artifacts in digital form.
Other projects include the Wayback Machine, archive.org, nasaimages.org, archive-it.org & opencontentalliance.org."
opensource
libraries
literature
free
reference
ebooks
books
openlibrary
freeculture
lcproject
reading
internetarchive
from delicious
Other projects include the Wayback Machine, archive.org, nasaimages.org, archive-it.org & opencontentalliance.org."
december 2011 by robertogreco
PRE-Texts § Cultural Agents Initiative
november 2011 by robertogreco
"PRE-Texts© is an instructional program for teachers in schools and after-school centers to adopt and adapt techniques that enhance higher order thinking through hands-on engagement with literature. The program offers units of instruction that invite economically disadvantaged students to explore literature as recyclable material, re-writing classic texts through creative techniques that incorporate visual and performing arts. PRE-Texts© also encourages students to display their work in public performances, art exhibits, and entrepreneurial activities that involve the local community and feature dialogue between established writers and young people. It is an ever-evolving program, and its underpinnings have been tailored to both a professional development curriculum and an after-school program for a range of students, from elementary to high school."
via:joguldi
literacy
literature
recycling
argentina
bookmaking
classics
performingarts
art
culture
classideas
curriculum
teaching
highschool
tcsnmy
k12
pre-texts
community
entrepreneurship
from delicious
november 2011 by robertogreco
Gabriel Garcia Marquez Meets Ernest Hemingway (and how I learned of Marquez's Nobel) - David Dobbs's Somatic Marker
november 2011 by robertogreco
"Somehow this completes a circle: Hemingway, Garcia commenting on Hemingway's bullfighter Spanish, and the Colombian wine steward, beaming, bringing me the news of Garcia's own triumph."
hemingway
gabrielgarcíamárquez
writers
idols
spanish
español
encounters
literature
faulkner
virginiawoolf
from delicious
november 2011 by robertogreco
Integrating Science and Literature: Life as We Knew It
november 2011 by robertogreco
Lessons that Meld Science and Literature:
Crashin' Craters
This experiment involves students showing the effects of a crater on a scale model. In this experiment, students drop a golf ball from various heights to illustrate the effects of a crater on Earth. Students then gather their data in a table and make a prediction based on Earth's craters.
Global Climate Change: The Effects of Global Warming
In this lesson involving global warming, high school students use worksheets, lab activities, and computer animations to explore climate change. Students will experiment to determine carbon dioxide concentrations in various gas mixtures. They will also be able to use worksheets and flash interactive animations to demonstrate increasing carbon dioxide concentrations in Earth's atmosphere.
Amazing Asteroids
In this lesson, students will use linear equations to explore the relationship between the orbital periods and the distance from the sun of certain asteroids. They will need access to the computer program: Graphical Analysis, and will then create a scatterplot for the information found.
science
writing
interdisciplinary
via:lukeneff
teaching
lessonplans
classideas
curriculumintegration
literature
2011
languagearts
Crashin' Craters
This experiment involves students showing the effects of a crater on a scale model. In this experiment, students drop a golf ball from various heights to illustrate the effects of a crater on Earth. Students then gather their data in a table and make a prediction based on Earth's craters.
Global Climate Change: The Effects of Global Warming
In this lesson involving global warming, high school students use worksheets, lab activities, and computer animations to explore climate change. Students will experiment to determine carbon dioxide concentrations in various gas mixtures. They will also be able to use worksheets and flash interactive animations to demonstrate increasing carbon dioxide concentrations in Earth's atmosphere.
Amazing Asteroids
In this lesson, students will use linear equations to explore the relationship between the orbital periods and the distance from the sun of certain asteroids. They will need access to the computer program: Graphical Analysis, and will then create a scatterplot for the information found.
november 2011 by robertogreco
1Q84 Transports Readers to Bizarro Version of 1984 | Magazine
november 2011 by robertogreco
"1Q84, the latest novel from Japanese sensation Haruki Murakami, transports readers back to 1984 — or at least a phantasmagoric version of that year. He presents a world beset by a series of murders and disappearances, a menacing sect called the Sakigake, and free-floating evil forces. But was the real year 1984 really that much less surreal? After some investigation, we found the narratives to be remarkably similar."
1Q84
1984
harukimurakami
2011
books
novels
literature
georgeorwell
november 2011 by robertogreco
How to write fiction: Andrew Miller on creating characters | Books | guardian.co.uk
november 2011 by robertogreco
When we set out to write, we do not do so out of a sense of certainty but out of a kind of radical uncertainty. We do not set out saying: "The world is like this." But asking: "How is the world?"
books
writing
fiction
thinking
storytelling
2011
andrewmiller
characters
literature
understanding
sensemaking
writers
classideas
from delicious
november 2011 by robertogreco
The Fierce Imagination of Haruki Murakami - NYTimes.com
october 2011 by robertogreco
"“I live in Tokyo,” he told me, “a kind of civilized world — like New York or Los Angeles or London or Paris. If you want to find a magical situation, magical things, you have to go deep inside yourself. So that is what I do. People say it’s magic realism — but in the depths of my soul, it’s just realism. Not magical. While I’m writing, it’s very natural, very logical, very realistic and reasonable.”
Murakami insists that, when he’s not writing, he is an absolutely ordinary man — his creativity, he says, is a “black box” to which he has no conscious access. He tends to shy away from the media and is always surprised when a reader wants to shake his hand on the street. He says he much prefers to listen to other people talk — and indeed, he is known as a kind of Studs Terkel in Japan…"
harukimurakami
writing
2011
howwecreate
howwework
1Q84
books
interviews
running
japan
tokyo
travel
culture
literature
from delicious
Murakami insists that, when he’s not writing, he is an absolutely ordinary man — his creativity, he says, is a “black box” to which he has no conscious access. He tends to shy away from the media and is always surprised when a reader wants to shake his hand on the street. He says he much prefers to listen to other people talk — and indeed, he is known as a kind of Studs Terkel in Japan…"
october 2011 by robertogreco
Just Kids
october 2011 by robertogreco
"Jeffrey Eugenides insists his new novel is not a roman à clef. But it might have been: The writers of his generation had youths tangled enough for ten novels."
jeffreyeugenides
davidfosterwallace
jonathanfranzen
infinitejest
literature
culture
2011
marykarr
writing
from delicious
october 2011 by robertogreco
paperpools
october 2011 by robertogreco
From the sidebar:
"SECONDHAND SALES
Readers sometimes want to buy copies of The Last Samurai for friends. It's tempting to buy the book "As New" for $1.70 + $3.99 postage rather than for $14.95 with free shipping in an order of $20 or more, especially if there are many, many friends. The author gets nothing on a secondhand sale -- but then, the author would get only $1.12 on the new book. To send the author $1.12 the reader would have to pay an extra $9.24. That's a pretty expensive goodwill gesture.
Goodwill doesn't have to cost that much. PayPal takes 30 cents + 3% on each transaction; if you send the author $1.50 by PayPal she will get $1.15. So only 35 cents of the goodwill gesture goes to a middleman. It would look like highway robbery if we hadn't seen the competition."
[via: http://www.theamericancrawl.com/?p=857 ]
helendewitt
books
literature
authors
writing
secondhandsales
paypal
royalties
money
from delicious
"SECONDHAND SALES
Readers sometimes want to buy copies of The Last Samurai for friends. It's tempting to buy the book "As New" for $1.70 + $3.99 postage rather than for $14.95 with free shipping in an order of $20 or more, especially if there are many, many friends. The author gets nothing on a secondhand sale -- but then, the author would get only $1.12 on the new book. To send the author $1.12 the reader would have to pay an extra $9.24. That's a pretty expensive goodwill gesture.
Goodwill doesn't have to cost that much. PayPal takes 30 cents + 3% on each transaction; if you send the author $1.50 by PayPal she will get $1.15. So only 35 cents of the goodwill gesture goes to a middleman. It would look like highway robbery if we hadn't seen the competition."
[via: http://www.theamericancrawl.com/?p=857 ]
october 2011 by robertogreco
Why American novelists don’t deserve the Nobel Prize - Salon.com
october 2011 by robertogreco
"An American hasn't won in 20 years. The Academy finds our writers insular and self-involved -- and they're right"
"As Bret Anthony Johnson, the director of the creative writing program at Harvard, noted in a recent Atlantic essay, our focus on the self will be our literary downfall, depriving literature of the oxygen on which it thrives: “Fiction brings with it an obligation to rise past the base level, to transcend the limitations of fact and history, and proceed skyward.” This sentiment is a sibling to Wallace’s anger — and both have a predecessor in T.S. Eliot’s 1919 essay “Tradition and the Individual Talent,” where he called art “a continual extinction of personality.”"
alexandernazaryan
us
literature
novelists
writing
politics
books
nobel
2011
self-involved
insularity
jonathansafranfoer
joycecaroloates
johnupdike
thomaspynchon
philiproth
cormacmccarthy
dondelillo
davidfosterwallace
daveeggers
bretanthonyjohnson
jhumpalahiri
amytan
aleksanderhemon
826
ralphellison
tonimorrison
from delicious
"As Bret Anthony Johnson, the director of the creative writing program at Harvard, noted in a recent Atlantic essay, our focus on the self will be our literary downfall, depriving literature of the oxygen on which it thrives: “Fiction brings with it an obligation to rise past the base level, to transcend the limitations of fact and history, and proceed skyward.” This sentiment is a sibling to Wallace’s anger — and both have a predecessor in T.S. Eliot’s 1919 essay “Tradition and the Individual Talent,” where he called art “a continual extinction of personality.”"
october 2011 by robertogreco
Boston Review — Richard Nash and Matt Runkle: Revaluing the Book [Bit about preferences, maligning, and extrapolations applies broadly]
september 2011 by robertogreco
"It has been a fascinating phenomenon in the discussion around publishing how adversarial people get around other people’s choices. So if someone says “I like an ebook,” a person will respond “Ohhh, I can’t believe—how can you do that?” It’s like that obnoxious person who you don’t want to go out to dinner with anymore because they can’t just order what they want, they have to comment on what you’re eating as well. What’s been epidemic in this discussion is that when both camps talk about their own preferences, they have to malign other people’s preferences too, and make grandiose extrapolations about the consequences of other people’s preferences for their own. If they like printed books, they should be buying the damn things instead of whining about other people’s preferred mode of reading. So I’m tremendously optimistic about the future of the book as an object. I think the worst years of the book as an object have been the last 50 years."
future
books
literature
publishing
vision
perspective
via:frankchimero
richardnash
mattrunkle
via:ayjay
preferences
defensiveness
offense
attack
discussion
politics
2011
has:via
from delicious
september 2011 by robertogreco
The Call of the Feral | HiLobrow [See also: http://hilobrow.com/tag/feral-muse/ ]
september 2011 by robertogreco
"Like weeds, we grow in disturbed soil, subsiding between progress and collapse. And yet the very qualities of the feral, qualities that condition our thriving — anonymity, wariness, curiosity — have a way of shading imperceptibly into liabilities.…In London’s Wild we find much that is glowering and judgmental —a gospel of the strong — an exaltation of the primordial qualities of the Law.
The feral, by contrast, is the quality of having no qualities…
we should presume that the feral will only gain in importance in years to come. For as power evades the work of politics, infiltrating the circuits that connect consciousness to consciousness; as the planet urbanizes, filling up with walls to hem us in; as the climate tilts inexorably under the deranging influence of that preeminent domesticated species, Homo sapiens; all creatures must learn to cultivate the feral qualities."
matthewbattles
feral
anarchism
anarchy
literature
jacklondon
animals
deschooling
consciousness
zizek
anonymity
4chan
wariness
curiosity
callofthewild
tovejansson
dhlawrence
zygmuntbauman
jeanstafford
refugees
liquidtimes
thetruedeiver
themountainlion
thefox
progress
collapse
wilderness
wild
has:for
from delicious
The feral, by contrast, is the quality of having no qualities…
we should presume that the feral will only gain in importance in years to come. For as power evades the work of politics, infiltrating the circuits that connect consciousness to consciousness; as the planet urbanizes, filling up with walls to hem us in; as the climate tilts inexorably under the deranging influence of that preeminent domesticated species, Homo sapiens; all creatures must learn to cultivate the feral qualities."
september 2011 by robertogreco
Uncreative Writing - The Chronicle Review - The Chronicle of Higher Education
september 2011 by robertogreco
"W/ an unprecedented amount of available text, our problem is not needing to write more of it; instead, we must learn to negotiate vast quantity that exists. How I make my way through this thicket of info—how I manage it, parse it, organize & distribute it—is what distinguishes my writing from yours.<br />
…Marjorie Perloff has recently begun using the term "unoriginal genius" to describe this tendency emerging in literature. Her idea is that, because of changes brought on by technology & Internet, our notion of genius—a romantic, isolated figure—is outdated…updated notion of genius would have to center around one's mastery of information & its dissemination. Perloff…coined another term, "moving information," to signify both the act of pushing language around as well as the act of being emotionally moved by that process…posits that today's writer resembles more a programmer than tortured genius, brilliantly conceptualizing, constructing, executing, & maintaining a writing machine."
technology
writing
creativity
research
literature
marjorieperloff
internet
information
genius
2011
plagiarism
digitalage
poetry
classideas
marcelduchamp
readymade
remix
remixing
remixculture
briongysin
art
1959
christianbök
machines
machinegeneratedliterature
automation
democracy
coding
computing
wikipedia
academia
gertrudestein
andywarhol
matthewbarney
walterbenjamin
jeffkoons
williamsburroughs
detournement
replication
namjunepaik
sollewitt
jackkerouac
corydoctorow
muddywaters
raymondqueneau
oulipo
identityciphering
intensiveprogramming
jonathanswift
johncage
from delicious
…Marjorie Perloff has recently begun using the term "unoriginal genius" to describe this tendency emerging in literature. Her idea is that, because of changes brought on by technology & Internet, our notion of genius—a romantic, isolated figure—is outdated…updated notion of genius would have to center around one's mastery of information & its dissemination. Perloff…coined another term, "moving information," to signify both the act of pushing language around as well as the act of being emotionally moved by that process…posits that today's writer resembles more a programmer than tortured genius, brilliantly conceptualizing, constructing, executing, & maintaining a writing machine."
september 2011 by robertogreco
The Believer - Doubling in the Middle
september 2011 by robertogreco
"Barry Duncan is quite possibly the world's first master palindromist, and he refuses to cede control to the alphabet
DISCUSSED: Epic Struggles, The Distance Between Masters and Hacks, Palindromic Taxonomy, A Convenient Ampersand, Cutting-Edge Work in Reversibility, Some Limitations of an Untrained Audience, A Strange Kind of Amazing, The Relationship Killer, Disproportionate Responses, A Surfeit of Calendars, A Deficit of Wool and Illusions"
writing
language
barryduncan
words
literature
fun
taxonomy
reversability
2011
thebeliever
from delicious
DISCUSSED: Epic Struggles, The Distance Between Masters and Hacks, Palindromic Taxonomy, A Convenient Ampersand, Cutting-Edge Work in Reversibility, Some Limitations of an Untrained Audience, A Strange Kind of Amazing, The Relationship Killer, Disproportionate Responses, A Surfeit of Calendars, A Deficit of Wool and Illusions"
september 2011 by robertogreco
Eide Neurolearning Blog: Stories, Empathy, and the Brain
september 2011 by robertogreco
"If we want to train children up in empathy, then stories are a great way to do it. Seeing the complexity of the pathways required for empathizing should help us understand why people with sensory processing challenges have such difficulty projecting themselves into stories and empathizing with different story characters. But this spatial network can be trained and research suggests empathy can also improve."
empathy
teaching
literature
stories
learning
schools
2011
from delicious
september 2011 by robertogreco
Poetry Goes Back to School by The Editors
august 2011 by robertogreco
"Students and teachers everywhere, from grade school to college, are dreading the first day of school. Need a pick-me-up poem for those first-day butterflies? Worried about the not getting picked for intramurals? Got a secret crush and need to slip him or her a sure fire note? Need a novel way to interest beach-burned brains of middle-school students in science? <br />
You’ll find solace, comfort, answers, and poems to woo anybody in these back-to-school lists of poems."
poetry
teaching
classideas
literature
2011
poems
from delicious
You’ll find solace, comfort, answers, and poems to woo anybody in these back-to-school lists of poems."
august 2011 by robertogreco
Japan Book Reviews :: Japan Visitor
august 2011 by robertogreco
"JapanVisitor has the largest collection of independent reviews of Japan-related books on the Internet: travel guides, Japanese fiction and fiction with a Japan setting, books on Japanese history, Japanese politics and society, Japanese food and cuisine, books on learning the Japanese language, books on Japanese art, design and photography, the nature and environment of Japan as well as books covering manga, anime and music. If you wish to have a title reviewed on JapanVisitor.com please see the contact details at the bottom of this page."
japan
books
reference
index
lists
literature
nonfiction
politics
society
culture
from delicious
august 2011 by robertogreco
Write Around Portland
august 2011 by robertogreco
"Through a unique model of writing workshops, published anthologies and public readings, Write Around Portland helps people transform their lives and our community.
Our traditional workshops are held in partnership with social service agencies. They are offered at no charge to people living with HIV/AIDS, survivors of domestic violence, adults and youth in addiction recovery, low income seniors, people in prison, homeless youth and others who may not have access to writing in community because of income, isolation or other barriers.
We also offer special workshops designed for new and seasoned writers who want to participate in a Write Around Portland workshop and support the communities we traditionally serve. We offer two workshops with an associated fee: Prompt at Powell's City of Books and monthly workshops at HOTLIPS Pizza."
teaching
writing
community
literature
portland
oregon
lcproject
education
learning
from delicious
Our traditional workshops are held in partnership with social service agencies. They are offered at no charge to people living with HIV/AIDS, survivors of domestic violence, adults and youth in addiction recovery, low income seniors, people in prison, homeless youth and others who may not have access to writing in community because of income, isolation or other barriers.
We also offer special workshops designed for new and seasoned writers who want to participate in a Write Around Portland workshop and support the communities we traditionally serve. We offer two workshops with an associated fee: Prompt at Powell's City of Books and monthly workshops at HOTLIPS Pizza."
august 2011 by robertogreco
Spoilers Don’t Spoil Anything | Wired Science | Wired.com [See also: http://www.salon.com/entertainment/movies/feature/2011/08/11/we_like_spoilers ]
august 2011 by robertogreco
"I’ve got a weak spot for pulp fiction, especially when it involves a mysterious twist…unironic thrillers & mediocre Agatha Christie imitations…any kind of fiction that lets me forget for vast stretches of time that I’m sitting in an airport terminal.
I read these books in an unusual way: I begin with the last five pages, seeking out the final twist first. The twist won’t make sense at this point, but that doesn’t matter—I enjoy reading the story with the grand finale in mind…
I’ve always assumed that this reading style is a perverse personal habit, a symptom of a flawed literary intelligence. It turns out…I was just ahead of the curve, because spoilers don’t spoil anything. In fact, a new study suggests that spoilers can actually increase our enjoyment of literature. Although we’ve long assumed that the suspense makes the story—we keep on reading because we don’t know what happens next—this new research suggests that the tension actually detracts from our enjoyment."
jonahlehrer
psychology
literature
spoilers
endings
film
reading
classideas
writing
research
2011
I read these books in an unusual way: I begin with the last five pages, seeking out the final twist first. The twist won’t make sense at this point, but that doesn’t matter—I enjoy reading the story with the grand finale in mind…
I’ve always assumed that this reading style is a perverse personal habit, a symptom of a flawed literary intelligence. It turns out…I was just ahead of the curve, because spoilers don’t spoil anything. In fact, a new study suggests that spoilers can actually increase our enjoyment of literature. Although we’ve long assumed that the suspense makes the story—we keep on reading because we don’t know what happens next—this new research suggests that the tension actually detracts from our enjoyment."
august 2011 by robertogreco
Frank Delaney's Re: Joyce - Download free podcast episodes by Frank Delaney on iTunes.
august 2011 by robertogreco
"ReJOYCE! To commemorate James Joyce's mighty novel, Ulysses, we're launching a podcast. Every week you'll find a five-minute mini-essay from me designed to take you through the novel that's on every list of the greatest books ever written. And as Ulysses runs to some 375,000 words, and I mean to go through it sentence by sentence if I have to, in order to convey the full brilliance of this novel - and the enjoyment to be had from it - I'll be podcasting for some time to come! It's such an absorbing book, it's got diamond mines of references, it's so compassionate, so tender, so moving, so funny - and most of us never know that, because most of us have long been daunted by it. No need to be afraid any more - that is, if you make a habit of listening to these podcasts."
ulysses
jamesjoyce
literature
podcasts
frankdelaney
via:irasocol
from delicious
august 2011 by robertogreco
SpeEdChange: Hulu in the Classroom: Building Literacy
august 2011 by robertogreco
""I've never understood our classroom commitment to "the book," but, I've really never understood our classroom commitment to "the chapter book."
What skills are learned from reading a book which are not learned from watching a film? I'm not saying books are "bad," just asking, "why are they 'better'?"
And why is longer 'better'?
[Short stories discussion]
But then I thought, why do we start with text on a page. I thought back to discovering books of those Twilight Zonestories after years of watching the show, and how much I loved "reading" them (or really, listening to them via audiobook, but I think that's the same).
And I thought that, as part of our effort to make kids want to read, want to write, we must first get them interested in stories, in wanting to know stories, and in how stories are told, and why.
And one great way to do that is to use short fiction in another medium - the short fiction of Hulu and other free sources of video - film and television."
irasocol
classideas
shortstories
reading
writing
hulu
youtube
film
learning
stories
storytelling
narrative
dialogue
2011
lists
video
tv
television
twiliightzone
huma8
literature
from delicious
What skills are learned from reading a book which are not learned from watching a film? I'm not saying books are "bad," just asking, "why are they 'better'?"
And why is longer 'better'?
[Short stories discussion]
But then I thought, why do we start with text on a page. I thought back to discovering books of those Twilight Zonestories after years of watching the show, and how much I loved "reading" them (or really, listening to them via audiobook, but I think that's the same).
And I thought that, as part of our effort to make kids want to read, want to write, we must first get them interested in stories, in wanting to know stories, and in how stories are told, and why.
And one great way to do that is to use short fiction in another medium - the short fiction of Hulu and other free sources of video - film and television."
august 2011 by robertogreco
UbuWeb Sound :: Jorge Luis Borges
august 2011 by robertogreco
"These are the six Norton Lectures that Jorge Luis Borges delivered at Harvard University in the fall of 1967 and spring of 1968. The recordings, only lately discovered in the Harvard University Archives, uniquely capture the cadences, candor, wit, and remarkable erudition of one of the most extraordinary and enduring literary voices of our age. Through a twist of fate that the author of Labyrinths himself would have relished, the lost lectures return to us now in Borges' own voice."
literature
borges
lectures
1967
1968
via:robinsloan
poetry
metaphor
ubuweb
sound
tolisten
from delicious
august 2011 by robertogreco
The American Crawl : The Perennial Outsider and the Problem with Bashing White Kids
july 2011 by robertogreco
"But what I forgot was that Holden is the apotheosis of being a teenager and growing up. I’ve had few texts that have quite the near-universal positive response as Catcher gets in my 11th grade classroom.<br />
<br />
While I ask students to think about the critical nature of the text & its politics of representation, I also recognize that students need to look at the world from myriad viewpoints–especially when those of privileged folks like Holden end up looking a whole lot like their own. Each time I teach this book (every 11th grade class I’ve taught at this point), I have students ask to buy a copy when they are finished. I have students each year admit it’s the first book they’ve finished reading. Ever. I have impassioned & emotional reflections from students that discuss their fears, uncertainties, & desires about growing up. The fact that Holden is white or male doesn’t get in the way of this pathos or this ability of students to engage meaningfully with an aging text…"
catcherintherye
jdsalinger
anterogarcia
teaching
context
literature
books
2011
race
meaningmaking
teens
adolescence
from delicious
<br />
While I ask students to think about the critical nature of the text & its politics of representation, I also recognize that students need to look at the world from myriad viewpoints–especially when those of privileged folks like Holden end up looking a whole lot like their own. Each time I teach this book (every 11th grade class I’ve taught at this point), I have students ask to buy a copy when they are finished. I have students each year admit it’s the first book they’ve finished reading. Ever. I have impassioned & emotional reflections from students that discuss their fears, uncertainties, & desires about growing up. The fact that Holden is white or male doesn’t get in the way of this pathos or this ability of students to engage meaningfully with an aging text…"
july 2011 by robertogreco
Harry Potter and the Comment of Wonders « Snarkmarket
july 2011 by robertogreco
"This comment from Robinson Meyer…kinda blows my mind…chatting about fandoms and Harry Potter, and Robinson says:<br />
<br />
"But the best part of Harry Potter, for me, came in the reading of the first few chapters of each new book. It was like meeting old friends. I’d discover every time that Harry and I had both grown up a little, had emotionally become more sophisticated, and that we also had that same old warm rapport and that same old love for each other…"<br />
<br />
“[R]eading the first few chapters of Books 5, 6, and 7 are among my happiest memories.” That kinda blows my mind.<br />
<br />
It also makes me realize that I had no comparable experience as a young reader. There was no fantasy epic being released/revealed as I grew up…<br />
<br />
Seriously, I can’t even fully articulate why—but I am sorta obsessed with the last few lines of Robinson’s comment. It’s almost a recipe. Engineer that, somehow, and you win."<br />
<br />
[Some great comments here too. Also, check out the Google+ plus that served as the source for
harrypotter
snarkmarket
robinsloan
sahelidatta
timcarmody
franchises
books
children
formulas
literature
serials
expectation
anticipation
childrenliterature
2011
robinsonmeyer
fandom
compulsoryfandom
sharedexperience
culture
classideas
from delicious
<br />
"But the best part of Harry Potter, for me, came in the reading of the first few chapters of each new book. It was like meeting old friends. I’d discover every time that Harry and I had both grown up a little, had emotionally become more sophisticated, and that we also had that same old warm rapport and that same old love for each other…"<br />
<br />
“[R]eading the first few chapters of Books 5, 6, and 7 are among my happiest memories.” That kinda blows my mind.<br />
<br />
It also makes me realize that I had no comparable experience as a young reader. There was no fantasy epic being released/revealed as I grew up…<br />
<br />
Seriously, I can’t even fully articulate why—but I am sorta obsessed with the last few lines of Robinson’s comment. It’s almost a recipe. Engineer that, somehow, and you win."<br />
<br />
[Some great comments here too. Also, check out the Google+ plus that served as the source for
july 2011 by robertogreco
Favorite Books of the Secretly Jerky | The Hairpin
july 2011 by robertogreco
"Secretly Planning to Cheat on You: On the Road, Jack Kerouac.<br />
<br />
I’m not going to sugarcoat it. This book is straight up terrible. It's a bunch of rambling about eating some sandwiches and driving around while eating sandwiches, and driving around, and then making some more sandwiches, which you will then eat while driving around. It is the universal favorite book of commitment-phobes. And please don't quote me that paragraph about how the only people for you are the mad ones who pop like roman candles. You know what’s better than a dude who pops like a roman candle? A dude who can keep it in his pants, rent his own apartment, and cook you something other than a sandwich once in a while."
books
humor
reviews
classics
catcherintherye
ontheroad
jackkerouac
jdsalinger
atlasshrugged
aynrand
huntersthompson
fearandloathinginlasvegas
americanpsycho
breteastonellis
via:tcarmody
literature
from delicious
<br />
I’m not going to sugarcoat it. This book is straight up terrible. It's a bunch of rambling about eating some sandwiches and driving around while eating sandwiches, and driving around, and then making some more sandwiches, which you will then eat while driving around. It is the universal favorite book of commitment-phobes. And please don't quote me that paragraph about how the only people for you are the mad ones who pop like roman candles. You know what’s better than a dude who pops like a roman candle? A dude who can keep it in his pants, rent his own apartment, and cook you something other than a sandwich once in a while."
july 2011 by robertogreco
There’s a David Foster Wallace Character in Jeffrey Eugenides’ New Novel -- Vulture
july 2011 by robertogreco
"Certainly, Leonard is distinct from DFW in a number of ways as well — the particularities of his family situation, his being a total stud, that he's a manic-depressive, not just a depressive, that he's not a writer, and all the vagaries of the plot — but the similarities are so iconically David Foster Wallace (a bandanna and chew are not common accoutrements) that Eugenides, who did not have a well-known or documented friendship with Foster Wallace, must intentionally be calling him to mind."
via:lukeneff
jeffreyeugenides
davidfosterwallace
time
life
fiction
literature
2011
from delicious
july 2011 by robertogreco
Post by Robin Sloan; "the Borders bankruptcy isn't essentially about the book business"
july 2011 by robertogreco
"I think it might have something to do w/ the franchises you cite, +Tim Carmody. I think the real locus of love & engagement today is not books (e- or otherwise) but rather fandoms. You know this is the case when you don't ever cite a particular volume. Instead it's just: Twilight. Harry Potter. Middle Earth. Game of Thrones. (And there's an interesting cross-media dynamic in that last example: the TV incarnation has essentially usurped the naming rights for the whole fandom. I call the book series "Game of Thrones" now—not "A Song of Ice and Fire.")<br />
<br />
Now, as it turns out, books are a great way to kick off sprawling cross-media stories, and manga are even better; words are still a world-builder's best tools. But importantly, the thing people get wrapped up in, the thing they feel this crazy allegiance for, isn't the words, or the paper, or the E-Ink. It's the fictional world."
robinsloan
timcarmody
bordersbooks
books
booksellers
print
publishing
retail
bankruptcy
2011
genre
franchises
fiction
literature
from delicious
<br />
Now, as it turns out, books are a great way to kick off sprawling cross-media stories, and manga are even better; words are still a world-builder's best tools. But importantly, the thing people get wrapped up in, the thing they feel this crazy allegiance for, isn't the words, or the paper, or the E-Ink. It's the fictional world."
july 2011 by robertogreco
In praise of Joanne Rowling’s Hermione Granger series
july 2011 by robertogreco
"And there we have it: The defining hero of our age is a girl who saves the day with her egalitarianism, love of learning, hard work, and refusal to give way to peer pressure. It’s hard to think of the Hermione Granger series as anything other than flawless. And yet — as fans constantly point out — there is a very big flaw in the series. You know who I’m talking about; it’s He Who Must Not Be Named, but we spell it H-A-R-R-Y.<br />
<br />
The character of Harry Potter is an obnoxious error in the Hermione Granger universe, made more obnoxious by his constant presence. It’s tempting to just write Harry off as a love interest who didn’t quite work out; the popular-yet-brooding jock is hardly an unfamiliar type. And, given that Hermione is constantly having to rescue Harry, he does come across as a sort of male damsel-in-distress.<br />
<br />
But, if we look closely, we can see that Harry is a parody of every cliche Rowling avoided with Hermione…"
feminism
satire
literature
harrypotter
jkrowling
hermionegranger
from delicious
<br />
The character of Harry Potter is an obnoxious error in the Hermione Granger universe, made more obnoxious by his constant presence. It’s tempting to just write Harry off as a love interest who didn’t quite work out; the popular-yet-brooding jock is hardly an unfamiliar type. And, given that Hermione is constantly having to rescue Harry, he does come across as a sort of male damsel-in-distress.<br />
<br />
But, if we look closely, we can see that Harry is a parody of every cliche Rowling avoided with Hermione…"
july 2011 by robertogreco
Why Harry Potter Is Making Our Kids Miserable
july 2011 by robertogreco
"Every kid thinks he or she is different at some point. Every kid wishes he could have power -- the power to move objects with your mind, or travel through time, or whatever. Because when you're a kid, you have no power. You're physically small and weak, and adults are constantly telling you what to do. So it's incredibly compelling to imagine yourself not only as someone to whom exciting things happen but as someone who is more than those around you.<br />
<br />
The problem is that then you begin to grow up and realize you're just a lowly muggle."
harrypotter
emotions
power
control
children
childhood
literature
2011
from delicious
<br />
The problem is that then you begin to grow up and realize you're just a lowly muggle."
july 2011 by robertogreco
Guernica / Forgotten but Not Gone
july 2011 by robertogreco
"There was at least one place, I would discover, where that “instant” of Borges persisted, a land where Borges lived on as both Borges and “I,” legend and life. That place is Texas. Starting in 1961, Borges made five visits to the state—first, to teach for a semester in Austin as a visiting professor; then to lecture on Cervantes and Whitman as a literary celebrity. When Borges died on June 14, 1986, the University of Texas’s main campus lowered its flags to half-mast, a rare tribute for a writer and a perplexing honor for one without deep Texas roots. Why had Texas so embraced Borges? And why had Borges continued to return there throughout the final twenty-five years of his life?<br />
<br />
In early January, I began to investigate what seemed a long-forgotten romance."
borges
texas
history
ut
literature
childhood
reading
writing
aging
age
meaning
2011
kafka
kierkegaard
blindness
utaustin
carterwheelcock
ercibenson
argentina
waltwhitman
cervantes
ficciones
from delicious
<br />
In early January, I began to investigate what seemed a long-forgotten romance."
july 2011 by robertogreco
BLDGBLOG: Unsolving the City: An Interview with China Miéville
july 2011 by robertogreco
"Over the course of the following long interview, China Miéville discusses the conceptual origins of the divided city featured in his recent, award-winning novel The City and The City; he points out the interpretive limitations of allegory, in a craft better served by metaphor; we take a look at the "squid cults" of Kraken (which arrives in paperback later this month) and maritime science fiction, more broadly; the seductive yet politically misleading appeal of psychogeography; J.G. Ballard and the clichés of suburban perversity; the invigorating necessities of urban travel; and much more."
chinamieville
thecityandthecity
design
art
architecture
books
cities
bldgblog
geoffmanaugh
literature
fiction
jgballard
scifi
sciencefiction
borders
toread
jmwturner
gulliver'stravels
thomaspynchon
gravitysrainbow
tvtropes
via:preoccupations
seeing
unseeing
attention
2011
from delicious
july 2011 by robertogreco
SpeEdChange: Pygmalion
july 2011 by robertogreco
"There has always been a tension in the US btwn expressed ideal of multi-ethnic, multi-cultural society - you know…and the reality on the political ground, which is that "our leadership" would find things "much easier" if we were all "white, protestant, straight, northern Europeans."<br />
<br />
Actually not.<br />
<br />
They don't want that. If everyone were "the same" the "leadership class" would not know at-a-glance who belonged & who did not. So, what they want is for everyone "else" to waste enormous effort trying to be like them, while they race comfortably ahead…<br />
<br />
You know, there's a reason great universities crave diversity in their student bodies (exclude Harvard, Princeton, & Penn from that group because…social class finishing schools): It is because, education, like societies, work best - makes the greatest strides - when there is neither "Common Core Knowledge" nor "Common Culture."…<br />
<br />
We don't need E.D. Hirsch, Jr, Bill Gates, and Arne Duncan making Eliza Doolittle's out of us."
commoncore
irasocol
pygmalion
2011
diversity
edhirsch
kipp
colonialism
deschooling
unschooling
schooliness
properness
identity
whiteness
history
literature
universities
colleges
learning
education
instruction
decolonization
billgates
arneduncan
elizadoolittle
georgebernardshaw
class
wealth
power
control
cities
homogeneity
language
speech
fordenglishschool
from delicious
<br />
Actually not.<br />
<br />
They don't want that. If everyone were "the same" the "leadership class" would not know at-a-glance who belonged & who did not. So, what they want is for everyone "else" to waste enormous effort trying to be like them, while they race comfortably ahead…<br />
<br />
You know, there's a reason great universities crave diversity in their student bodies (exclude Harvard, Princeton, & Penn from that group because…social class finishing schools): It is because, education, like societies, work best - makes the greatest strides - when there is neither "Common Core Knowledge" nor "Common Culture."…<br />
<br />
We don't need E.D. Hirsch, Jr, Bill Gates, and Arne Duncan making Eliza Doolittle's out of us."
july 2011 by robertogreco
unphotographable: 1976, en una cárcel del uruguay: pájaros prohibidos. [English translation also on page]
july 2011 by robertogreco
los presos políticos uruguayos no pueden hablar sin permiso, silbar, sonreír, cantar, caminar rápido ni saludar a otro preso. tampoco pueden dibujar ni recibir dibujos de mujeres embarazadas, parejas, mariposas, estrellas ni pájaros.
didaskó pérez, maestro de escuela, torturado y preso por tener ideas ideológicas, recibe un domingo la vista de su hija milay, de cinco años. la hija le trae un dibujo de pájaros. los censores se lo rompen a la entrada de la cárcel.
al domingo siguiente, milay le trae un dibujo de árboles. los árboles no están prohibidos, y el dibujo pasa. didaskó le elogia la obra y le pregunta por los circulitos de colores que aparecen en las copas de los árboles, muchos pequeños círculos entre las ramas:
- “¿son naranjas? ¿qué frutas son?”
la niña lo hace callar:
- “shhhh…”
y en secreto le explica:
- “bobo. ¿no ves que son ojos? los ojos de los pájaros que te traje a escondidas.”
eduardogaleano
freedom
children
innocence
birds
uruguay
1985
1976
latinamerica
literature
writing
stories
love
revolution
from delicious
didaskó pérez, maestro de escuela, torturado y preso por tener ideas ideológicas, recibe un domingo la vista de su hija milay, de cinco años. la hija le trae un dibujo de pájaros. los censores se lo rompen a la entrada de la cárcel.
al domingo siguiente, milay le trae un dibujo de árboles. los árboles no están prohibidos, y el dibujo pasa. didaskó le elogia la obra y le pregunta por los circulitos de colores que aparecen en las copas de los árboles, muchos pequeños círculos entre las ramas:
- “¿son naranjas? ¿qué frutas son?”
la niña lo hace callar:
- “shhhh…”
y en secreto le explica:
- “bobo. ¿no ves que son ojos? los ojos de los pájaros que te traje a escondidas.”
july 2011 by robertogreco
Amazon.com: Palm-of-the-Hand Stories (9780865474123): Yasunari Kawabata, Lane Dunlop, J. Martin Holman: Books
july 2011 by robertogreco
"Nobel laureate Kawabata is best known in the West for such novels as Snow Country and Thousand Cranes, yet his short stories, written over 50 years, seem to contain his essence as a writer. Here sensitively translated are 70 of them, most written in Kawabata's youth and usually no more than a page or two in length, though the last one, "Gleanings from Snow Country," is somewhat longer and was written just before Kawabata's suicide in 1972; it is a miniaturization of the highly praised novel of the same name. The tales are variously realistic, allegorical and fantastic; and, as in the novels, the principal themes are love, loneliness, social change, man's relation with nature and death. Each story exhibits some sharp and often subtle perception of life (in Kawabata's world, stillness can "resound" and men listening to a woman's laugh can experience "a strange kind of aural jealousy"); and each, like a haiku or classic Zen painting, suggests far more than it states."
books
via:maryannreilly
literature
shortstories
japan
japanese
yasunarikawabata
toread
haiku
loneliness
death
socialchange
nature
love
from delicious
july 2011 by robertogreco
A fine book by Robert Coles | clusterflock
june 2011 by robertogreco
"I just finished The Call of Stories:Teaching and the Moral Imagination, and I recommend it.<br />
<br />
I love this passage:<br />
<br />
"At one point he (William Carlos Williams) reminded us that an important part of our lives would be spent “listening to people tell you their stories”; and in return, “they will want to hear your story of what their story means.”"
listening
teaching
williamcarloswilliams
robertcoles
storytelling
education
psychology
conversation
wisdom
tcsnmy
lcproject
relationships
literature
2011
via:lukeneff
from delicious
<br />
I love this passage:<br />
<br />
"At one point he (William Carlos Williams) reminded us that an important part of our lives would be spent “listening to people tell you their stories”; and in return, “they will want to hear your story of what their story means.”"
june 2011 by robertogreco
Paris Review - The Art of Fiction No. 211, William Gibson
june 2011 by robertogreco
"“I was walking around Vancouver, aware of that need, and I remember walking past a video arcade, which was a new sort of business at that time, and seeing kids playing those old-fashioned console-style plywood video games. The games had a very primitive graphic representation of space and perspective. Some of them didn’t even have perspective but were yearning toward perspective and dimensionality. Even in this very primitive form, the kids who were playing them were so physically involved, it seemed to me that what they wanted was to be inside the games, within the notional space of the machine. The real world had disappeared for them—it had completely lost its importance. They were in that notional space, and the machine in front of them was the brave new world…"
"When I’m writing a book I get up at seven. I check my e-mail and do Internet ablutions, as we do these days. I have a cup of coffee. Three days a week, I go to Pilates and am back by ten or eleven. Then I sit down and try to write. If absolutely nothing is happening, I’ll give myself permission to mow the lawn. But, generally, just sitting down and really trying is enough to get it started. I break for lunch, come back, and do it some more. And then, usually, a nap. Naps are essential to my process. Not dreams, but that state adjacent to sleep, the mind on waking."
writing
literature
fiction
williamgibson
cyberspace
parisreview
interviews
neologisms
videogames
arcades
gaming
exquisitecorpse
from delicious
"When I’m writing a book I get up at seven. I check my e-mail and do Internet ablutions, as we do these days. I have a cup of coffee. Three days a week, I go to Pilates and am back by ten or eleven. Then I sit down and try to write. If absolutely nothing is happening, I’ll give myself permission to mow the lawn. But, generally, just sitting down and really trying is enough to get it started. I break for lunch, come back, and do it some more. And then, usually, a nap. Naps are essential to my process. Not dreams, but that state adjacent to sleep, the mind on waking."
june 2011 by robertogreco
The New Atlantis » The Pleasures of Reading in an Age of Distraction
june 2011 by robertogreco
"Alan Jacobs…The Pleasures of Reading in an Age of Distraction…argues that, contrary to doomsayers, reading is alive & well in America. His interactions w/ students & readers of his own books, however, suggest that many readers lack confidence; they wonder whether they are reading well, w/ proper focus & attentiveness, w/ due discretion & discernment. Many have absorbed the puritanical message that reading is, first & foremost, good for you—intellectual equivalent of eating Brussels sprouts.<br />
<br />
For such people, indeed for all readers, Jacobs offers some simple, powerful, & much needed advice: read at whim, read what gives you delight, & do so w/out shame, whether it be Stephen King or King James Bible. Jacobs offers an insightful, accessible, & playfully irreverent guide for aspiring readers. Each chapter focuses on one aspect of approaching literary fiction, poetry, or nonfiction, & the book explores everything from invention of silent reading…"
literature
reading
distraction
alanjacobs
2011
classideas
elitism
engagement
pleasure
guilt
obligation
virtue
teaching
books
motorresponse
kindle
attention
ebooks
twitching
fidgeting
concentration
from delicious
<br />
For such people, indeed for all readers, Jacobs offers some simple, powerful, & much needed advice: read at whim, read what gives you delight, & do so w/out shame, whether it be Stephen King or King James Bible. Jacobs offers an insightful, accessible, & playfully irreverent guide for aspiring readers. Each chapter focuses on one aspect of approaching literary fiction, poetry, or nonfiction, & the book explores everything from invention of silent reading…"
june 2011 by robertogreco
Anagnorisis - Wikipedia
june 2011 by robertogreco
"Anagnorisis ( /ˌænəɡˈnɒrɨsɨs/; Ancient Greek: ἀναγνώρισις) is a moment in a play or other work when a character makes a critical discovery. Anagnorisis originally meant recognition in its Greek context, not only of a person but also of what that person stood for. It was the hero's sudden awareness of a real situation, the realisation of things as they stood, and finally, the hero's insight into a relationship with an often antagonistic character in Aristotelian tragedy."
culture
writing
language
literature
realization
anagnorisis
aristotle
plays
drama
theater
discovery
insight
definitions
greek
via:rodcorp
june 2011 by robertogreco
Neil Gaiman - Wikipedia
june 2011 by robertogreco
"For his seventh birthday, Gaiman received C. S. Lewis's The Chronicles of Narnia series. He later recalled that "I admired his use of parenthetical statements to the reader, where he would just talk to you...I'd think, 'Oh, my gosh, that is so cool! I want to do that! When I become an author, I want to be able to do things in parentheses.' I liked the power of putting things in brackets.""
writing
classideas
dialogue
narration
storytelling
via:lukeneff
neilgaiman
literature
books
cslewis
chroniclesofnarnia
parentheticalstatements
brackets
thewaywespeak
thewaywewrite
howwethink
mimicry
copying
voice
june 2011 by robertogreco
Skip The Legalese And Keep It Short, Justices Say : NPR
june 2011 by robertogreco
"All of the justices talk about "legalese" in disparaging terms…many refer to great fiction writers as masters of language.<br />
<br />
"The only good way to learn about writing is to read good writing," says Chief Justice John Roberts.<br />
<br />
That sentiment is echoed by Breyer, who points to Proust, Stendhal & Montesquieu as his inspirations. Justice Anthony Kennedy loves Hemingway, Shakespeare, Solzhenitsyn, Dickens & Trollope.<br />
<br />
Justice Thomas says a good legal brief reminds him of the TV show 24. Justice Ruth Bader Ginsburg says one of the great influences on her writing was her European literature professor at Cornell, Vladimir Nabokov…<br />
<br />
Many of the justices admit to linguistic pet peeves. Kennedy hates adverbs & disdains nouns that are converted to verbs — "incentivize," for example. Scalia readily admits to being a snoot.<br />
<br />
"Snoots are those who are nitpickers for the mot juste, for using a word precisely the way it should be used, not dulling it by misuse. I'm a snoot."…"
writing
law
legalese
supremecourt
2011
literature
classideas
editing
rewriting
shakespeare
hemingway
montesquieu
proust
stendhal
charlesdickens
trollope
vladmirnavakov
antoninscalia
ruthbaderginsburg
johnroberts
clarencethomas
language
geechee
vladimirnabokov
from delicious
<br />
"The only good way to learn about writing is to read good writing," says Chief Justice John Roberts.<br />
<br />
That sentiment is echoed by Breyer, who points to Proust, Stendhal & Montesquieu as his inspirations. Justice Anthony Kennedy loves Hemingway, Shakespeare, Solzhenitsyn, Dickens & Trollope.<br />
<br />
Justice Thomas says a good legal brief reminds him of the TV show 24. Justice Ruth Bader Ginsburg says one of the great influences on her writing was her European literature professor at Cornell, Vladimir Nabokov…<br />
<br />
Many of the justices admit to linguistic pet peeves. Kennedy hates adverbs & disdains nouns that are converted to verbs — "incentivize," for example. Scalia readily admits to being a snoot.<br />
<br />
"Snoots are those who are nitpickers for the mot juste, for using a word precisely the way it should be used, not dulling it by misuse. I'm a snoot."…"
june 2011 by robertogreco
Notes from a Literary Apprenticeship : The New Yorker
june 2011 by robertogreco
"My reading was my mirror, & my material; I saw no other part of myself…<br />
<br />
For though they had created me, & reared me, & lived w/ me day after day, I knew that I was a stranger to them, an American child…<br />
Even after I received the Pulitzer, my father reminded me that writing stories was not something to count on…I listen to him, & at the same time I have learned not to listen, to wander to the edge of the precipice & to leap. & so, though a writer’s job is to look and listen, in order to become a writer I had to be deaf & blind.<br />
<br />
I see now that my father, for all his practicality, gravitated toward a precipice of his own, leaving his country and his family, stripping himself of the reassurance of belonging. In reaction, for much of my life, I wanted to belong to a place, either the one my parents came from or to America, spread out before us. When I became a writer my desk became home; there was no need for another…Born of my inability to belong, it is my refusal to let go."
writing
literature
narrative
identity
thirdculture
jhumpalahiri
risk
glvo
art
craft
residence
place
belonging
2011
libraries
books
home
life
reading
classideas
india
parenting
schools
memory
experience
childhood
from delicious
<br />
For though they had created me, & reared me, & lived w/ me day after day, I knew that I was a stranger to them, an American child…<br />
Even after I received the Pulitzer, my father reminded me that writing stories was not something to count on…I listen to him, & at the same time I have learned not to listen, to wander to the edge of the precipice & to leap. & so, though a writer’s job is to look and listen, in order to become a writer I had to be deaf & blind.<br />
<br />
I see now that my father, for all his practicality, gravitated toward a precipice of his own, leaving his country and his family, stripping himself of the reassurance of belonging. In reaction, for much of my life, I wanted to belong to a place, either the one my parents came from or to America, spread out before us. When I became a writer my desk became home; there was no need for another…Born of my inability to belong, it is my refusal to let go."
june 2011 by robertogreco
Alan Jacobs, The Pleasures of Reading in an Age of Distraction - storify.com
june 2011 by robertogreco
"Q: how does reading fiction help you become a nonfiction writer? A: I'm a southerner, started school early (and tiny): I'm a storyteller."<br />
<br />
"I talked with Alan about this afterwards, and we both agreed that the structure of reading-as-morally-virtuous vs reading-as-guilty-pleasure has metastasized to virtually every kind of media: newspapers, movies, television. We all want to be reading and watching the right things, the best things, and can be the subject of shame when we're not. It's a structure."<br />
<br />
"Q: What about audiobooks? What is reading? A: We're rooted in storytelling, but for me, it's rooted in reading aloud, that connection."
alanjacobs
timcarmody
reading
literature
distraction
storytelling
pleasure
shame
audiobooks
books
internet
web
online
storify
structure
fiction
life
nonfiction
2011
from delicious
<br />
"I talked with Alan about this afterwards, and we both agreed that the structure of reading-as-morally-virtuous vs reading-as-guilty-pleasure has metastasized to virtually every kind of media: newspapers, movies, television. We all want to be reading and watching the right things, the best things, and can be the subject of shame when we're not. It's a structure."<br />
<br />
"Q: What about audiobooks? What is reading? A: We're rooted in storytelling, but for me, it's rooted in reading aloud, that connection."
june 2011 by robertogreco
Dark Materials: Reflecting on Dystopian Themes in Young Adult Literature - NYTimes.com
june 2011 by robertogreco
"Are today’s young adult novels darker in theme than in years past? What’s behind the current wave of dystopia in young adult literature? In this lesson, students reflect on some of the reasons dystopian and post-apocalyptic stories appeal to young readers by engaging in one of six different activities."
classideas
books
literature
dystopia
utopia
post-apocalyptic
youngadult
reading
from delicious
june 2011 by robertogreco
john mullan, clapham & the no-fuck vampire novel | the m john harrison blog
may 2011 by robertogreco
"Literary fiction as described here is the fiction of a generation which discovered “good” novels via B-format in 1980. It is a fiction so very clearly generic that when I read John Mullan’s description of it (complete with successful business model, strict boundary conditions and committed fanbase which won’t read anything else) as not genre fiction, I weep with laughter at the sheer depth of his self-deception. Still, by the usual Freudian processes he has said what he really means, & that’s a step forward. The sooner literary fiction recognises & accepts its generic identity, the sooner it can get help. One of the more obvious results of generification is that–as with gentrification–blandness sets in, whether you’re knocking out no-fuck vampire romances or contributing to the high-performing post-Austen industry…"
literary
literature
literaryfiction
fiction
2011
genre
generification
mjohnharrison
blandness
self-deception
novels
from delicious
may 2011 by robertogreco
tcsnmy8 - Introduction to Poetry Analysis
may 2011 by robertogreco
"…I want them to waterski<br />
across the surface of a poem<br />
waving at the author’s name on the shore.<br />
<br />
But all they want to do<br />
is tie the poem to a chair with rope<br />
and torture a confession out of it.<br />
<br />
They begin beating it with a hose<br />
to find out what it really means."<br />
<br />
[See also: http://tcsnmy8.tumblr.com/post/3166146510/the-art-of-poetry-no-83-billy-collins ]
billycollins
analyasis
poetry
tcsnmy8
teaching
education
learning
literature
from delicious
across the surface of a poem<br />
waving at the author’s name on the shore.<br />
<br />
But all they want to do<br />
is tie the poem to a chair with rope<br />
and torture a confession out of it.<br />
<br />
They begin beating it with a hose<br />
to find out what it really means."<br />
<br />
[See also: http://tcsnmy8.tumblr.com/post/3166146510/the-art-of-poetry-no-83-billy-collins ]
may 2011 by robertogreco
MARGINALIA – BILLY COLLINS « BOOKER ENGLISH
may 2011 by robertogreco
"Sometimes the notes are ferocious,<br />
skirmishes against the author<br />
raging along the borders of every page<br />
in tiny black script.<br />
If I could just get my hands on you,<br />
Kierkegaard, or Conor Cruise O’Brien,<br />
they seem to say,<br />
I would bolt the door and beat some logic into your head.<br />
<br />
Other comments are more offhand, dismissive -“Nonsense.” “Please!” “HA!!” -that kind of thing.I remember once looking up from my reading,my thumb as a bookmark,trying to imagine what the person must look likewhy wrote “Don’t be a ninny”alongside a paragraph in The Life of Emily Dickinson…"
billycollins
poetry
marginalia
teaching
annotation
via:rushtheiceberg
literature
from delicious
skirmishes against the author<br />
raging along the borders of every page<br />
in tiny black script.<br />
If I could just get my hands on you,<br />
Kierkegaard, or Conor Cruise O’Brien,<br />
they seem to say,<br />
I would bolt the door and beat some logic into your head.<br />
<br />
Other comments are more offhand, dismissive -“Nonsense.” “Please!” “HA!!” -that kind of thing.I remember once looking up from my reading,my thumb as a bookmark,trying to imagine what the person must look likewhy wrote “Don’t be a ninny”alongside a paragraph in The Life of Emily Dickinson…"
may 2011 by robertogreco
The Effort by Billy Collins | The Writer's Almanac with Garrison Keillor
may 2011 by robertogreco
"Would anyone care to join me
in flicking a few pebbles in the direction
of teachers who are fond of asking the question:
"What is the poet trying to say?""
[via: http://twitter.com/houstfriend/status/71981296313831424 retweeted by Luke Neff]
literature
poetry
billycollins
teaching
analysis
2008
education
schooliness
from delicious
in flicking a few pebbles in the direction
of teachers who are fond of asking the question:
"What is the poet trying to say?""
[via: http://twitter.com/houstfriend/status/71981296313831424 retweeted by Luke Neff]
may 2011 by robertogreco
Frantz Fanon - Wikipedia
may 2011 by robertogreco
"Frantz Fanon (July 20, 1925 – December 6, 1961) was a French psychiatrist, philosopher, revolutionary and writer whose work is influential in the fields of post-colonial studies, critical theory and Marxism. Fanon is known as a radical existential humanist[1] thinker on the issue of decolonization and the psychopathology of colonization.[2]Fanon supported the Algerian struggle for independence and became a member of the Algerian National Liberation Front. His life and works have incited and inspired anti-colonial liberation movements for more than four decades."<br />
<br />
[via: http://steelemaley.posterous.com/taiaiake-alfred ]
politics
history
psychology
books
literature
algeria
decolonization
psychopathology
colonization
frantzfanon
via:steelemaley
marxism
criticaltheory
humanism
radicals
radicalism
existentialhumanism
freedom
liberation
paulofreire
barackobama
ernestocheguevara
blackpanthers
lumenproletariat
rageagainstthemachine
indigenous
thewretchedearth
class
race
activism
from delicious
<br />
[via: http://steelemaley.posterous.com/taiaiake-alfred ]
may 2011 by robertogreco
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