robertogreco + howwework 194
Max Tabackman Fenton
17 days ago by robertogreco
[The delightful copy from May 15, 2012.]
"Hello, I'm Max Fenton.
Knowingly or not, I've enlisted friends, peers, and strangers to unpack a puzzle that involves reading and writing on networks and screens.
You can follow along or participate by reading, clipping, grokking, assembling, questioning, and sharing—while making a path. You'll need electrons, a wish to explore, and an eye for how these pieces might fit together in novel shapes and forms.
My trails are charted through twitter, tumblr, pinboard, readmill, reading, and 2nd hand [flavors.me]."
[As shared on Twitter:
"Made my site a little more accurate [http://maxfenton.com] then read @pieratt's "Transparency" http://pieratt.tumblr.com/post/23108094947/transparency-in-the-evolution-of-technology — Yes."
http://twitter.com/maxfenton/status/202477843534454784 ]
[See also: http://twitter.com/rogre/status/202481485633159168 ]
stockandflow
flow
commonplacebooks
friends
peers
talktostrangers
strangers
networkedlearning
benpieratt
transparency
comments
peoplelikeme
howwethink
howwecreate
socialmedia
participation
pinboard
readmill
flavors.me
reading.am
tumblr
twitter
2012
sensemaking
meaningmaking
clipping
assembling
sharing
questioning
crumbtrails
conversation
howwelearn
howwework
cv
online
web
trails
wayfinding
pathfinding
maxfenton
from delicious
"Hello, I'm Max Fenton.
Knowingly or not, I've enlisted friends, peers, and strangers to unpack a puzzle that involves reading and writing on networks and screens.
You can follow along or participate by reading, clipping, grokking, assembling, questioning, and sharing—while making a path. You'll need electrons, a wish to explore, and an eye for how these pieces might fit together in novel shapes and forms.
My trails are charted through twitter, tumblr, pinboard, readmill, reading, and 2nd hand [flavors.me]."
[As shared on Twitter:
"Made my site a little more accurate [http://maxfenton.com] then read @pieratt's "Transparency" http://pieratt.tumblr.com/post/23108094947/transparency-in-the-evolution-of-technology — Yes."
http://twitter.com/maxfenton/status/202477843534454784 ]
[See also: http://twitter.com/rogre/status/202481485633159168 ]
17 days ago by robertogreco
Metropolis M » Magazine » 2011 No5 » dOCUMENTA (13) Thinks Ahead
17 days ago by robertogreco
"A collection of notes is a curious archive of attempts. Attempts to understand the language we use, the logic we trace, and the images we generate to understand life today. Carolyn Christov-Bakargiev, the artistic director of dOCUMENTA (13), would say that these notebooks are “worlding” exercises, weaving and stringing together different potentials.’"
"we are really interested in exploring artistic research. Artists, like scientists, are pioneers when it comes to creating new forms of connectivity between worlds that seem to have nothing in common with each other. They embark on the endless study of everything that contributes to different formulations of what we call reality. Taking artistic research seriously means accepting disorganisation within the relationship between disciplines that deal with contemporary art. The rise of cultural studies, critical theory, and the many variations of post-Marxist understanding of the relationship between art and economics is the fruit of…"
sketchbooks
worldbuilding
worlding
sensemaking
meaningmaking
meaning
cv
howwethink
howwecreate
howwelearn
howwework
research
art
multidisciplinary
crossdisciplinary
crosspollination
interdisciplinary
interdisciplinarity
artisticresearch
connections
potentials
sketching
drawing
language
logic
deschooling
unschooling
glvo
notebooks
2012
carolynchristov-bakargiev
chusmartinez
documenta(13)
documenta
understanding
notetaking
notes
learning
from delicious
"we are really interested in exploring artistic research. Artists, like scientists, are pioneers when it comes to creating new forms of connectivity between worlds that seem to have nothing in common with each other. They embark on the endless study of everything that contributes to different formulations of what we call reality. Taking artistic research seriously means accepting disorganisation within the relationship between disciplines that deal with contemporary art. The rise of cultural studies, critical theory, and the many variations of post-Marxist understanding of the relationship between art and economics is the fruit of…"
17 days ago by robertogreco
The Leonard Lopate Show: Video: Questions for Teju Cole - WNYC
20 days ago by robertogreco
"What are your favorite books/who are your favorite authors?
Poets inform my ear and my way of seeing the world. I read poetry much more than I read prose…"
"Do you have any writing rituals or habits? Where and when do you write?
I make notes all the time. There are little fragments of experience that somehow call out to me, and I make note of them: either something I’ve read in a book, or something I see on the subway, or a thought that occurs to me in the shower. And this archive of fragments after a while begins to show family resemblance, and could lead to a work, fictional or otherwise. Other than that, I have no particular rituals. I write longhand or on a computer, usually the latter, in the morning or late at night, usually the latter, in silence or with music, usually the latter."
"How does your photography inform you writing?
I try to see things from a different angle, in photography and in writing. Not novelty for its own sake but something that comes from an…"
noticing
patterns
patternrecognition
howwework
seamusheaney
derekwalcott
poetry
nyc
walking
experience
interviews
2012
notetaking
writing
opencity
cities
perspective
seeing
looking
photography
adjectives
words
tejucole
from delicious
Poets inform my ear and my way of seeing the world. I read poetry much more than I read prose…"
"Do you have any writing rituals or habits? Where and when do you write?
I make notes all the time. There are little fragments of experience that somehow call out to me, and I make note of them: either something I’ve read in a book, or something I see on the subway, or a thought that occurs to me in the shower. And this archive of fragments after a while begins to show family resemblance, and could lead to a work, fictional or otherwise. Other than that, I have no particular rituals. I write longhand or on a computer, usually the latter, in the morning or late at night, usually the latter, in silence or with music, usually the latter."
"How does your photography inform you writing?
I try to see things from a different angle, in photography and in writing. Not novelty for its own sake but something that comes from an…"
20 days ago by robertogreco
An interview with Daniel Sinker
4 weeks ago by robertogreco
"What would be your dream setup?
Honestly, I’m not wanting for a lot setup-wise. I love my machine [13" MacBook Air], I like my phone [Google Nexus S 4g]. Clearly, I have a thing for the pens [Sharpie pen] and notebooks [Field Notes and Moleskines] and other shit I use. The one thing I dream about is having a space where I’m working along side some very close friends. Currently, I spend most of my time working at my dining room table and while that’s awesome in a lot of ways, I do miss having physical colleagues close at hand.
So yeah: A place to do awesome shit with awesome people, that’s my dream setup."
[Pen referenced, found by Allen: http://www.amazon.com/Sharpie-Stainless-Steel-Point-1800702/dp/B0067VHVNA/ ]
2012
notetaking
notebooks
setups
toolkits
howwework
software
tools
cv
collegiality
thesetup
danielsinker
from delicious
Honestly, I’m not wanting for a lot setup-wise. I love my machine [13" MacBook Air], I like my phone [Google Nexus S 4g]. Clearly, I have a thing for the pens [Sharpie pen] and notebooks [Field Notes and Moleskines] and other shit I use. The one thing I dream about is having a space where I’m working along side some very close friends. Currently, I spend most of my time working at my dining room table and while that’s awesome in a lot of ways, I do miss having physical colleagues close at hand.
So yeah: A place to do awesome shit with awesome people, that’s my dream setup."
[Pen referenced, found by Allen: http://www.amazon.com/Sharpie-Stainless-Steel-Point-1800702/dp/B0067VHVNA/ ]
4 weeks ago by robertogreco
Back to the Futurist: Anab Jain | URBNFUTR
4 weeks ago by robertogreco
"In our studio, we try to balance thinking about the future with making in the here-and-now, exploring the possibilities of new technologies while tinkering with laser cutters, 3D printers, and similar – getting stuck into the process of making prototypes for a wide range of projects."
"We are no longer going to be able to separate ourselves from these technologies, tools and phenomena, remaining detached – aloof – from the manufacturing and distribution processes. Where will we, as designers, makers, and futurists be best placed to situate ourselves?"
"While it may be more common for men to refer to themselves as ‘futurists’, there are many influential women whose work focuses explicitly on the future – Wendy Schultz, Heather Schlegel, and Danah Boyd, among many others. Then there are those who are exploring the edges of the future field, without necessarily calling themselves ‘futurists’, women like Fiona Raby, Natalie Jeremijenko, Paola Antonelli, and Vandana Shiva."
beamerbees
acresgreen
mutation
mutations
messyspace
drones
robotreadableworld
machinevision
biology
smart-objects
smartdevices
machineintelligence
risk
emergingtechnologies
criticaldesign
deviantglobalization
narrative
storytelling
3dprinting
futurescaping
suturism
futurists
heatherschlegel
wendyschultz
danahboyd
vandanashiva
paolaantonelli
nataliejeremijenko
fionaraby
superflux
scifi
sciencefiction
howwework
process
interviews
2012
prototyping
designfiction
futurism
design
anabjain
from delicious
"We are no longer going to be able to separate ourselves from these technologies, tools and phenomena, remaining detached – aloof – from the manufacturing and distribution processes. Where will we, as designers, makers, and futurists be best placed to situate ourselves?"
"While it may be more common for men to refer to themselves as ‘futurists’, there are many influential women whose work focuses explicitly on the future – Wendy Schultz, Heather Schlegel, and Danah Boyd, among many others. Then there are those who are exploring the edges of the future field, without necessarily calling themselves ‘futurists’, women like Fiona Raby, Natalie Jeremijenko, Paola Antonelli, and Vandana Shiva."
4 weeks ago by robertogreco
Responding to Responses to “What Automated Essay Grading Says To Children” | Bud the Teacher
5 weeks ago by robertogreco
"I wrote a post the other day about what I feel like the use of machine scoring for student writing looks like to children. The responses were strong. I thought it made sense for me to clarify what I was saying, what I wasn’t saying, and what I didn’t say. #
Let’s tackle the last one first. I didn’t say that I’m unsympathetic to the idea that more writing would happen if there was less grading to do. Certainly, one reason that writing isn’t happening enough in classrooms now is that there’s a perception that every piece written must be “marked” or “graded” or “bled upon” by a teacher. That’s completely false and a terrible idea. #
What our students need isn’t so many end comments or suggestions for grammatical or technical correction, but they need to be responded to as writers by readers who are reading their work. Peter Elbow says this far smarter than I ever could, but we teachers should be doing less evaluating and more responding. #
So, yes. Teachers are taking too long with papers. The answer isn’t to stop reading them. It’s to read them differently. Or to have more teachers reading fewer students’ writing. And we don’t need to read everything that a student writes. We certainly don’t need to grade everything a student writes. #"
machinescoring
via:lukeneff
standardizedtesting
grades
grading
writing
assessment
teaching
feedback
cv
howwework
howwelearn
budhunt
automatedgrading
essaysgrading
essays
peterelbow
2012
Let’s tackle the last one first. I didn’t say that I’m unsympathetic to the idea that more writing would happen if there was less grading to do. Certainly, one reason that writing isn’t happening enough in classrooms now is that there’s a perception that every piece written must be “marked” or “graded” or “bled upon” by a teacher. That’s completely false and a terrible idea. #
What our students need isn’t so many end comments or suggestions for grammatical or technical correction, but they need to be responded to as writers by readers who are reading their work. Peter Elbow says this far smarter than I ever could, but we teachers should be doing less evaluating and more responding. #
So, yes. Teachers are taking too long with papers. The answer isn’t to stop reading them. It’s to read them differently. Or to have more teachers reading fewer students’ writing. And we don’t need to read everything that a student writes. We certainly don’t need to grade everything a student writes. #"
5 weeks ago by robertogreco
Technology, Art, And Why The Future Of Branding Is Nonfiction | Co.Create: Creativity \ Culture \ Commerce
7 weeks ago by robertogreco
"…relationship of artsy to techy people…reversed over the last 20 years. The artsiest people went into tech & it feels now like…that the arts people are the nerds. The tech people are the people coming up w/ wild ideas & going forward & building them & the arts people are the ones who say, “This is a sort of Schopenhauer-influenced post-modern blah, blah, blah.” They’re the ones creating the documentation & historical framework around projects that are pure imagination. So it looks to me like the nature of the partnerships between artists & tech people are the opposite of what they might have been back in the day, where the art boys were the crazy, wild people, pairing up with nerds to sort of envision this technological future. And now it’s wild-eyed technologists pairing up with educated, almost PhD-like artists, in order to contextualize what they’re doing more responsibly."
"An artist’s job is to sit outside what’s happening and reflect back to us where the human is in this."
change
howwework
context
socialmedia
2012
design
business
branding
douglasrushkoff
doug
technology
art
from delicious
"An artist’s job is to sit outside what’s happening and reflect back to us where the human is in this."
7 weeks ago by robertogreco
David Cole's answer to Quora Employees: How did David Cole get recruited to Quora? - Quora
february 2012 by robertogreco
"I tried to make my presentation explicitly (and perhaps exaggeratedly) personal. I wanted to work at a company that liked me exactly how I am, and I don't consider myself a very good employee. I have a very specific relationship with my work, my coworkers, and my bosses. I get upset easily, I have an anti-authoritarian streak, my interests wax and wane unpredictably, I swear a lot. Yet, they still wanted me, and it's not totally clear to me why.
This was in September of 2011, so I've been biting my nails for months in anticipation of this week (my first at the job). It's exactly what I was hoping for. I had long wanted to work for Rebekah, as she's built a phenomenal space for design, organizationally speaking. I get to make product decisions, design the interactions, and code it all. Not many companies have a place for someone who wants to do all three of those, while also having established momentum and scale. Quora does, so here I happily reside."
workenvironment
rebekahcox
design
self-knowledge
unpredictability
anti-authoritarians
howwework
work
deschooling
unschooling
dropouts
2012
quora
davidcole
from delicious
This was in September of 2011, so I've been biting my nails for months in anticipation of this week (my first at the job). It's exactly what I was hoping for. I had long wanted to work for Rebekah, as she's built a phenomenal space for design, organizationally speaking. I get to make product decisions, design the interactions, and code it all. Not many companies have a place for someone who wants to do all three of those, while also having established momentum and scale. Quora does, so here I happily reside."
february 2012 by robertogreco
Taming the Wandering Mind | The Moral Sciences Club | Big Think
february 2012 by robertogreco
"Reconciling oneself to the fact that projects "take the time they take" can be a necessary step in finishing projects at all. My mind is not simply prone to distraction, it is prone to rebellion. The wrong kind of pressure makes it resist its own commands, sends it spinning out of its own control. Bearing down, reining in, whipping harder doesn't get "me" back on track so much as set me against myself in a showdown I always lose winning. Better to just glide on the thermal of whim until the destination once again comes into sight and a smooth approach becomes finally possible.
Not to say that one can drift one's way to success. Aims must be fixed and kept in mind, even if one knows it's worse than useless to charge right at them. One must develop a sense of one's attention as one develops a sense of a powerful but skittish horse, calmly riding wide of known dangers…
We need to reconcile ourselves to our own temperaments, stop trying to fight or drug ourselves into submission…"
medicine
drugs
howwework
howwewrite
allsorts
productivity
focus
willpower
self-mastery
self-improvement
self-accommodation
gtd
effort
adhd
2012
hanifkureishi
attention
distraction
willwilkinson
from delicious
Not to say that one can drift one's way to success. Aims must be fixed and kept in mind, even if one knows it's worse than useless to charge right at them. One must develop a sense of one's attention as one develops a sense of a powerful but skittish horse, calmly riding wide of known dangers…
We need to reconcile ourselves to our own temperaments, stop trying to fight or drug ourselves into submission…"
february 2012 by robertogreco
The Speculist » Blog Archive » In the Future Everything Will Be A Coffee Shop
february 2012 by robertogreco
"Eventually you could have local campuses becoming places where MITx students seek tutoring, network, & socialize—reclaiming some of the college experience they’d otherwise have lost.
Phil thought this sounded like college as a giant coffee shop. I agree. Every education would be ad hoc. It would be student-directed toward the job market she’s aiming for.
This trend toward…coffeeshopification…is changing more than just colleges:
Book Stores Will Shrink to Coffee Shops…
The Coffee Shop Will Displace Most Retail Shops…
Offices Become Coffee Shops…Again…
What Doesn’t Become a Coffee Shop?…
…houses of worship…
What will remain other than coffee shops? Upscale retail will remain…[for] experience…Restaurants remain. Grocery stores remain.
Brick and mortar retail stores will be converted to public spaces. Multi-use space will be in increasing demand as connectivity tools allow easy coordination of impromptu events…"
restaurants
multipurpose
multi-usespace
impromptuevents
events
coffeeshopification
thirdspaces
thirdplaces
howwelearn
howwework
work
enlightenment
stevenjohnson
amazonprime
amazon
shopping
espressobookmachine
coffeehouses
coffeeshops
coffee
on-demandprinting
highereducation
higheredbubble
highered
information
reading
ebooks
stephengordon
future
retail
deschooling
unschooling
sociallearning
self-directedlearning
mitx
mit
learning
srg
glvo
2011
_universities
colleges
education
opencoffeeclubdresden
3dprinting
ondemand
ondemandprinting
bookfuturism
books
Phil thought this sounded like college as a giant coffee shop. I agree. Every education would be ad hoc. It would be student-directed toward the job market she’s aiming for.
This trend toward…coffeeshopification…is changing more than just colleges:
Book Stores Will Shrink to Coffee Shops…
The Coffee Shop Will Displace Most Retail Shops…
Offices Become Coffee Shops…Again…
What Doesn’t Become a Coffee Shop?…
…houses of worship…
What will remain other than coffee shops? Upscale retail will remain…[for] experience…Restaurants remain. Grocery stores remain.
Brick and mortar retail stores will be converted to public spaces. Multi-use space will be in increasing demand as connectivity tools allow easy coordination of impromptu events…"
february 2012 by robertogreco
Rhythms
february 2012 by robertogreco
"I like what Kelli Anderson says about her work. For every project, she figures out everything that she hates about the conventional approaches, and proceeds to rage and spit at them, and then tries to channel all of that energy into a different approach. This is how many of her projects turn out to be fantastical.
I see a similar rhythm in the way I like to work. Build up a set of frustrations, in public or in private, and then use them as fuel to light a path forward."
flow
habits
meditation
2012
self-knowledge
energy
frustration
rage
howwework
allentan
kellianderson
rhythms
rhythm
from delicious
I see a similar rhythm in the way I like to work. Build up a set of frustrations, in public or in private, and then use them as fuel to light a path forward."
february 2012 by robertogreco
Realizing Empathy: An Inquiry into the Meaning of Making by Slim — Kickstarter
february 2012 by robertogreco
"At the heart of it is an inquiry into the meaning of making. I am deeply interested in how making works (as a process), what it means (to make something), and why it matters (to our lives).
One of the central theme is the relationship between the act of empathizing with the act of making…
The second theme is exploring how we can design a space that facilitates the act of making, especially in the digital space…
The book is structured around a number of stories that talk about the humbling experiences I've had in art school. These are experiences that have lead to epiphanies, which changed my understanding of what it means to make something.
In response to these experiences are conversations I've had with an interdisciplinary group of friends (an animator, a programmer, a neuroscientist, a human-computer interaction researcher, and a theologian) about these epiphanies.
Weaving together the stories and conversations are both reflective and analytic essays that model…"
integrity
honesty
acting
knowledge
workspace
space
metaphors
trust
courage
comfort
computers
computing
safety
technology
seungchanlim
perspective
risktaking
risk
dignity
humility
meaningmaking
meaning
scale_slim
tools
howwework
openstudioproject
making
empathy
design
2012
language
One of the central theme is the relationship between the act of empathizing with the act of making…
The second theme is exploring how we can design a space that facilitates the act of making, especially in the digital space…
The book is structured around a number of stories that talk about the humbling experiences I've had in art school. These are experiences that have lead to epiphanies, which changed my understanding of what it means to make something.
In response to these experiences are conversations I've had with an interdisciplinary group of friends (an animator, a programmer, a neuroscientist, a human-computer interaction researcher, and a theologian) about these epiphanies.
Weaving together the stories and conversations are both reflective and analytic essays that model…"
february 2012 by robertogreco
Field Report: Project Argo | Contents Magazine
january 2012 by robertogreco
"Project Argo’s Thompson is among those explaining why more open sharing of processes, code, and theory is good for everyone, for reasons both selfish and altruistic…
The gift of Project Argo’s resources and practices marks an opportunity to move more industries toward openness, but this sort of public learning and teaching doesn’t schedule or pay for itself. Genuinely helpful public resources appear when we recognize their value and set aside resources to make them happen. Whether we’re coding, editing, or running projects, that’s something each of us can work toward in the year to come."
florilegium
npr
cv
howweshouldwork
howwework
publicresources
altruism
collectivegood
2012
workinginpublic
publicteaching
publiclearning
processes
process
theory
code
opensource
sharing
journalism
mattthompson
projectargo
argo
contentsmagazine
erinkissane
The gift of Project Argo’s resources and practices marks an opportunity to move more industries toward openness, but this sort of public learning and teaching doesn’t schedule or pay for itself. Genuinely helpful public resources appear when we recognize their value and set aside resources to make them happen. Whether we’re coding, editing, or running projects, that’s something each of us can work toward in the year to come."
january 2012 by robertogreco
The Aporeticus - by Mills Baker · Design & Compromise [So much more within, read the whole thing and the comments too.]
january 2012 by robertogreco
"…why does compromise have its “undeservedly high reputation”?…b/c we are discomfited by philosophical implications of fact that some ideas are objectively better. We exempt science from our contemporary anxieties because its benefits are too explicit to deny, but in most creative fields we are no longer capable of accepting the superiority of some solutions to others; unable to sustain confidence in soundness of artistic problem-solving process, we will not provoke interpersonal/organizational conflict for sake of mere ideas.
This sad, mistaken epistemological cowardice turns competing hypotheses into groundless, subjective opinions, & reasonable course of action when managing conflicting, groundless opinions…is to compromise, because there is no better answer.
But the creative arts are not so subjective as we tend to think, which is why a talented, dictatorial auteur will produce better work than polls, fcus groups, or hundreds of compromising committees."
creativecontrol
dictatorship
dictators
dictatorialcreativity
violence
stevejobs
wateringdown
choice
debate
persuasion
2011
waste
stagnation
innovation
creativity
madetofail
setupforfailure
problemsolving
hypotheses
brokenbydesignprocess
democracy
control
procedure
process
inferiority
superiority
average
averages
means
politics
policy
howwework
meetings
committees
mediocrity
epistemology
philosophy
authoritarianism
cowardice
ideas
science
art
design
millsbaker
compromise
This sad, mistaken epistemological cowardice turns competing hypotheses into groundless, subjective opinions, & reasonable course of action when managing conflicting, groundless opinions…is to compromise, because there is no better answer.
But the creative arts are not so subjective as we tend to think, which is why a talented, dictatorial auteur will produce better work than polls, fcus groups, or hundreds of compromising committees."
january 2012 by robertogreco
Collaborative Workspaces: Not All They're Cracked Up to Be - Design - The Atlantic Cities
january 2012 by robertogreco
"Being a part of group is awesome (go team!) but so is individual effort. The uncritical embrace of collaboration above all else can lead, as a social scientist at the SPUR panel remarked, to the reverse of what was intended: group-think, conformity, consensus for the sake of peace-making. Further, the suburban corporate campus, even when it attempts, as Facebook and Google are, to approximate urban environment, can often serve to exacerbate the type of self-reinforcing behaviors Bill Bishop explored a few years ago in his book, The Big Sort: Why the Clustering of Like-Minded America is Tearing Us Apart. Forest City’s Alexa Arena, another participant in the SPUR panel, says that her company’s anthropological research while working on the more iterative workspace model seen in its 5M Project revealed that employees working in these environments found that their best ideas came not while in that bustling, lively office but more likely when they were in their own neighborhoods hanging…"
schooldesign
classroomdesign
2012
variety
adaptability
flexibility
work
attention
furniture
openstudioproject
openstudio
lcproject
tcsnmy
allornothing
unintendedconsequences
brainstorming
collaboration
susancain
extroverts
introverts
howwework
officedesign
architecture
design
workplace
workspace
allisonarieff
groupthink
solitude
productivity
_architecture
from delicious
january 2012 by robertogreco
The Rise of the New Groupthink - NYTimes.com
january 2012 by robertogreco
"But even if the problems are different, human nature remains the same. And most humans have two contradictory impulses: we love and need one another, yet we crave privacy and autonomy.
To harness the energy that fuels both these drives, we need to move beyond the New Groupthink and embrace a more nuanced approach to creativity and learning. Our offices should encourage casual, cafe-style interactions, but allow people to disappear into personalized, private spaces when they want to be alone. Our schools should teach children to work with others, but also to work on their own for sustained periods of time. And we must recognize that introverts like Steve Wozniak need extra quiet and privacy to do their best work."
committees
susancain
socialnetworks
socialnetworking
online
web
internet
communication
proust
efficiency
howwelearn
learning
interruption
freedom
privacy
schooldesign
lcproject
officedesign
tranquility
distraction
meetings
thinking
quiet
brainstorming
teamwork
introverts
stevewozniak
innovation
mihalycsikszentmihalyi
flow
cv
collaboration
howwework
groupthink
solitude
productivity
creativity
To harness the energy that fuels both these drives, we need to move beyond the New Groupthink and embrace a more nuanced approach to creativity and learning. Our offices should encourage casual, cafe-style interactions, but allow people to disappear into personalized, private spaces when they want to be alone. Our schools should teach children to work with others, but also to work on their own for sustained periods of time. And we must recognize that introverts like Steve Wozniak need extra quiet and privacy to do their best work."
january 2012 by robertogreco
Focused dabbling - Neven Mrgan's tumbl
december 2011 by robertogreco
"The hardest thing for humans to persuade each other of is priorities. Should you be an exercise freak? A computer wiz? A classical-literature buff? A badass hiker? A game maker? A dedicated volunteer? A great cook? These are all worthy activities, each enriching your life and likely the lives of others. Our pasts lead us to a mix of a few obsessions, and hopefully we keep our minds open to many more. Those of us who commit to honing that one art may index excel at it. But for my doomed attempt at convincing you of how to arrange your life, I suggest a solid interest in, oh, three or five Big Things. They will compete for your attention, and the vagaries of fate will lead you toward one, then another. Things you learn in the first will improve you in the second, then bring you to a whole new third. You will be a happier and better person for branching out a bit."
howwework
work
attention
meaning
creativegeneralists
generalists
interdisciplinary
learning
hobbies
dabbling
focus
2011
nevenmrgan
from delicious
december 2011 by robertogreco
How Anime is Made
december 2011 by robertogreco
"In mid October 2010, the Culture Japan crew went along to the headquarters of Production IG to see what goes on behind the scenes of making hit anime titles such as Ghost in the Shell, East of Eden and recently Sengoku Basara. Today we get to take a look and try some of the processes that are involved in making anime.
I remember when I could hardly speak Japanese back in the UK. Ghost in the Shell was released on video and I remembering it being such an inspiring movie. Was great to be able to visit the company responsible for the movie."
animation
ghostintheshell
productionig
srg
edg
design
art
process
japan
2011
howwework
manga
anime
from delicious
I remember when I could hardly speak Japanese back in the UK. Ghost in the Shell was released on video and I remembering it being such an inspiring movie. Was great to be able to visit the company responsible for the movie."
december 2011 by robertogreco
AU 2011: Otherlab's Saul Griffith, Part 1 - Pneubotics Yields Soft Robots on Vimeo
december 2011 by robertogreco
"At Autodesk University 2011, Saul Griffith, founder of Otherlab, discusses his pioneering work in Pneubotics. Otherlab is working on soft, fabric-based robots that are actuated by compressed air."
"At Autodesk University 2011, Saul Griffith, founder of Otherlab, talks about inventing and the type of follow-up required to see that invention go out into the world." [ http://vimeo.com/33131553 ]
"Part 3 of our video chat with Saul Griffith, co-founder of Otherlab, at Autodesk University 2011. Griffith answers questions about Theory vs. Making Stuff in education, advice for design students, and how to enable yourself to make truly unique things." [ http://vimeo.com/33131913 ]
design
tools
toolmaking
saulgriffith
education
projectbasedlearning
2011
core77
glvo
making
doing
learning
learningbydoing
advice
robots
invention
failure
howwework
howwelearn
pneubotics
otherlab
"At Autodesk University 2011, Saul Griffith, founder of Otherlab, talks about inventing and the type of follow-up required to see that invention go out into the world." [ http://vimeo.com/33131553 ]
"Part 3 of our video chat with Saul Griffith, co-founder of Otherlab, at Autodesk University 2011. Griffith answers questions about Theory vs. Making Stuff in education, advice for design students, and how to enable yourself to make truly unique things." [ http://vimeo.com/33131913 ]
december 2011 by robertogreco
Nintendo's Miyamoto Stepping Down, Working on Smaller Games | Game|Life | Wired.com
december 2011 by robertogreco
"What I really want to do is be in the forefront of game development once again myself," Miyamoto said. "Probably working on a smaller project with even younger developers. Or I might be interested in making something that I can make myself, by myself. Something really small."
[via: http://kottke.org/11/12/shigeru-miyamoto-to-step-down-at-nintendo ]
nintendo
shigerumiyamoto
small
scale
humanscale
organizations
2011
cv
howwework
howwelearn
meaningmaking
gaming
videogames
edg
srg
glvo
tcsnmy
unschooling
deschooling
audiencesofone
teams
groupsize
slow
simplicity
simple
from delicious
[via: http://kottke.org/11/12/shigeru-miyamoto-to-step-down-at-nintendo ]
december 2011 by robertogreco
“Sometimes the stories are the science…” – Blog – BERG
november 2011 by robertogreco
"About a decade ago – I saw Oliver Sacks speak at the Rockerfeller Institute in NYC, talk about his work.
A phrase from his address has always stuck with me since. He said of what he did – his studies and then the writing of books aimed at popular understanding of his studies that ‘…sometimes the stories are the science’.
Sometimes our film work is the design work.
Again this is a commercial act, and we are a commercial design studio.
But it’s also something that we hope unpacks the near-future – or at least the near-microfutures – into a public where we can all talk about them."
oliversacks
learning
deschooling
unschooling
education
berg
berglondon
mattjones
timoarnall
storytelling
design
understanding
newgrammars
conversation
meaning
meaningmaking
glvo
tcsnmy
classideas
art
paulklee
domains
interdisciplinarity
interdisciplinary
crossdisciplinary
multidisciplinary
crosspollination
perspective
mindset
wbrianarthur
jackschulze
mattwebb
technology
future
dansaffer
rulespace
simulation
believability
materialquality
film
video
invention
creativity
time
adamlisagor
brucesterling
vernacularvideo
victorpapanek
jasonkottke
andybaio
johnsculley
apple
stevejobs
knowledgenavigator
prototypes
prototyping
iteration
process
howwework
howwelearn
communication
from delicious
A phrase from his address has always stuck with me since. He said of what he did – his studies and then the writing of books aimed at popular understanding of his studies that ‘…sometimes the stories are the science’.
Sometimes our film work is the design work.
Again this is a commercial act, and we are a commercial design studio.
But it’s also something that we hope unpacks the near-future – or at least the near-microfutures – into a public where we can all talk about them."
november 2011 by robertogreco
Coworking Is Better for You Than Previously Thought
november 2011 by robertogreco
"In this European study, "93% and 86% of people say their personal and business circles have grown, respectively, and 76% say they're more productive. More importantly, 88% said their isolation has decreased, which probably influences their productivity (and happiness)."
work
communities
happiness
isolation
coworking
howwework
tcsnmy
lcproject
social
productivity
glvo
via:jbushnell
lifehacks
communitites
november 2011 by robertogreco
via Frank : I was asked to speak at the AIGA National...
october 2011 by robertogreco
"Truth is, this phase, this time when you’re on the cusp of finishing one life and starting a new one, is usually laced with fear, but the bleary-eyed moment of wonder that happens when you step out of the dark cave has the potential to be one of the most thrilling things that has ever happened to you."
"We gain the opportunity to talk about other things in a very sympathetic way. Type and kerning are great. Paper is wonderful. Clients pretty much make this job possible. But what are we saying, and what is it for, and where is it going? What do we want to get out of this, and what do we want to do with it? Those are the sorts of questions you only arrive at from the seat of a plane."
"There is a part of me that will always design for the joy of making it, but I now understand that the point of it all is not for me to enjoy myself, but for the ones using whatever I make to have some sort of wonder when doing so."
frankchimero
change
life
design
cv
2011
purpose
glvo
making
empathy
work
howwework
conferences
aigapivot
aiga
from delicious
"We gain the opportunity to talk about other things in a very sympathetic way. Type and kerning are great. Paper is wonderful. Clients pretty much make this job possible. But what are we saying, and what is it for, and where is it going? What do we want to get out of this, and what do we want to do with it? Those are the sorts of questions you only arrive at from the seat of a plane."
"There is a part of me that will always design for the joy of making it, but I now understand that the point of it all is not for me to enjoy myself, but for the ones using whatever I make to have some sort of wonder when doing so."
october 2011 by robertogreco
The Fierce Imagination of Haruki Murakami - NYTimes.com
october 2011 by robertogreco
"“I live in Tokyo,” he told me, “a kind of civilized world — like New York or Los Angeles or London or Paris. If you want to find a magical situation, magical things, you have to go deep inside yourself. So that is what I do. People say it’s magic realism — but in the depths of my soul, it’s just realism. Not magical. While I’m writing, it’s very natural, very logical, very realistic and reasonable.”
Murakami insists that, when he’s not writing, he is an absolutely ordinary man — his creativity, he says, is a “black box” to which he has no conscious access. He tends to shy away from the media and is always surprised when a reader wants to shake his hand on the street. He says he much prefers to listen to other people talk — and indeed, he is known as a kind of Studs Terkel in Japan…"
harukimurakami
writing
2011
howwecreate
howwework
1Q84
books
interviews
running
japan
tokyo
travel
culture
literature
from delicious
Murakami insists that, when he’s not writing, he is an absolutely ordinary man — his creativity, he says, is a “black box” to which he has no conscious access. He tends to shy away from the media and is always surprised when a reader wants to shake his hand on the street. He says he much prefers to listen to other people talk — and indeed, he is known as a kind of Studs Terkel in Japan…"
october 2011 by robertogreco
Creativity Is Hustle: Make Something Every Day - Kasia Cieplak-Mayr von Baldegg - Video - The Atlantic
october 2011 by robertogreco
"I think doing something start to finish each day not only helps you get over the fear of starting a project, but also the fear of finishing one. I know it can be hard to let stuff go when you know you could make it better, but at some point in every project, at some level you need to be like, "fine, good enough." That's really hard for some people, but this can definitely help.
I've think a project like this also helps with the notion that you need to be in some totally inspired state of zen to create art. Art is like taking a dump, it's not always fun or convenient but it's something you gotta do everyday and you shouldn't get to hung up if the product looks like pile of crap. Yer not gonna make a masterpiece everyday or even 95% of the time, but it's a numbers game and the you've got to get rid of all those crappy ideas before you can get to the good ones. Just showing up is 90% of the battle."
faketv
mikewinkelman
glvo
making
doing
howwework
ideas
creativity
cv
projects
plp
focus
2011
kasiacieplak-mayrvonbaldegg
interviews
animation
art
from delicious
I've think a project like this also helps with the notion that you need to be in some totally inspired state of zen to create art. Art is like taking a dump, it's not always fun or convenient but it's something you gotta do everyday and you shouldn't get to hung up if the product looks like pile of crap. Yer not gonna make a masterpiece everyday or even 95% of the time, but it's a numbers game and the you've got to get rid of all those crappy ideas before you can get to the good ones. Just showing up is 90% of the battle."
october 2011 by robertogreco
The Believer - Interview with Kenneth Goldsmith
october 2011 by robertogreco
"My books are better thought about than read…insanely dull & unreadable…But they’re wonderful to talk about and think about, to dip in and out of, to hold, to have on your shelf. In fact, I say that I don’t have a readership, I have a thinkership. I guess this is why what I do is called “conceptual writing.” The idea is much more important than the product.
My favorite books on my shelf are the ones that I can’t read, like Finnegans Wake, The Making of Americans, Boswell’s Life of Johnson, or The Arcades Project. I love the idea that these books exist. I love their size and scope; I adore their ambition; I love to pick them up, open them at random, and always be surprised; I love the fact that I will never know them."
[via: http://snarkmarket.com/2011/7470 ]
kennygoldsmith
poetry
writing
cv
books
reading
classics
finneganswake
lifeofjohnson
themakingofamericans
thearcadesproject
conceptualwriting
thinking
ideas
howwework
howwelearn
unschooling
deschooling
conceptualpoetry
referencebooks
pataphysics
ubuweb
newradicalism
from delicious
My favorite books on my shelf are the ones that I can’t read, like Finnegans Wake, The Making of Americans, Boswell’s Life of Johnson, or The Arcades Project. I love the idea that these books exist. I love their size and scope; I adore their ambition; I love to pick them up, open them at random, and always be surprised; I love the fact that I will never know them."
[via: http://snarkmarket.com/2011/7470 ]
october 2011 by robertogreco
How would classrooms be different if teachers came to class not with a lesson plan, but with a concept? « Re-educate Seattle
october 2011 by robertogreco
"So here’s a question: how would classrooms be different if teachers came to class not with a lesson plan, but with a concept? The class could take that concept in new and unpredictable directions based on the dynamic interaction between teacher and students. Doesn’t that sound like fun?"
curriculumisdead
teaching
pedagogy
unschooling
deschooling
education
learning
schools
tcsnmy
howwework
cv
stevemiranda
2011
from delicious
october 2011 by robertogreco
Geoff Mulgan: A short intro to the Studio School | Video on TED.com
october 2011 by robertogreco
"Some kids learn by listening; others learn by doing. Geoff Mulgan gives a short introduction to the Studio School, a new kind of school in the UK where small teams of kids learn by working on projects that are, as Mulgan puts it, "for real.""
geoffmulgan
studioschool
studioclassroom
lcproject
tcsnmy
learning
education
uk
2011
wordofmouth
learningbydoing
collaboration
howwework
cv
schools
schooldesign
projectbasedlearning
resilience
employability
teens
motivation
non-cognitiveskills
from delicious
october 2011 by robertogreco
43f Podcast: John Gruber & Merlin Mann's Blogging Panel at SxSW | 43 Folders
september 2011 by robertogreco
"My pal, John Gruber (from daringfireball.net), and I presented a talk at South by Southwest Interactive on Saturday, March 14th. We talked about building a blog you can be proud of, trying to improve the quality of your work, reaching the people you admire, and maybe even making a buck (in a way that doesn’t blow your deal). Here’s what we had to say:"
art
writing
creativity
business
media
blogging
delight
obsessiveness
obsession
passion
2009
sxsw
adamlisagor
purpose
risktaking
trying
making
doing
web
online
internet
twitter
credibility
favar
howwework
audience
idealreader
from delicious
september 2011 by robertogreco
Patterns of Creativity in Japan
september 2011 by robertogreco
"Lessons from Successful Japanese Companies – A Resource"
creativity
japan
chrisberthelsen
ideas
patterns
management
tokyo
howwework
culture
process
a-small-lab
from delicious
september 2011 by robertogreco
Figure Out Who’s On Your Team « John’s Blog
september 2011 by robertogreco
"One of the best pieces of advice I ever got, back when I was 23 and newly out of school, is this: look around and figure out who you want to be on your team. Figure out the people around you that you want to work with for the rest of your life. Figure out the people who are smart & awesome, who share your values, who get things done — and maybe most important, who you like to be with and who you want to help win. And treat them right, always. Look for ways to help, to work together, to learn. Because in 20 years you’ll all be in amazing places doing amazing things.<br />
<br />
That’s turned out to be true for me. Knowing who’s on your team — or as Reid likes to say, who’s in your “tribe” — has been critically important for me, even though I don’t see them all as much as I’d like."<br />
<br />
[via: http://sinker.tumblr.com/post/10358919069/via-john-lilly-one-of-the-best-pieces-of-advice ]
advice
teams
aspirationalnetworks
aspirationalfriends
tribes
making
doing
learning
mindset
surroundings
surroundyourselfwithgoodpeople
lcproject
networks
work
howwework
howwelearn
johnlilly
2011
from delicious
<br />
That’s turned out to be true for me. Knowing who’s on your team — or as Reid likes to say, who’s in your “tribe” — has been critically important for me, even though I don’t see them all as much as I’d like."<br />
<br />
[via: http://sinker.tumblr.com/post/10358919069/via-john-lilly-one-of-the-best-pieces-of-advice ]
september 2011 by robertogreco
Developing Your Creative Practice: Tips from Brian Eno :: Tips :: The 99 Percent
september 2011 by robertogreco
"1. Freeform capture. Grab from a range of sources without editorializing…<br />
<br />
2. Blank state. Start with new tools, from nothing, and toy around…<br />
<br />
3. Deliberate limitations. Before a project begins, develop specific limitations…<br />
<br />
4. Opposing forces. Sometimes it’s best to generate a forced collision of ideas…<br />
<br />
5. Creative prompts. In the ‘70s Eno developed his Oblique Strategies cards, a series of prompts modeled after the I Ching to disrupt the process and encourage a new way of encountering a creative problem. On the cards are statements and questions like: “Would anybody want it?” “Try faking it!” “Only a part, not the whole.” “Work at a different speed.” “Disconnect from desire.” “Turn it upside down.” “Use an old idea."…<br />
<br />
In the end, don’t underestimate your personal feelings about a project. Eno states: “Nearly all the things I do that are of any merit at all start off as just being good fun.” Amen to that."
art
creativity
music
productivity
brain
neuroscience
via:preoccupations
brianeno
2011
jonahlehrer
ideation
classideas
innovation
noticing
limitations
constraints
making
doing
glvo
howwework
process
idleness
boredom
thinking
ideas
has:via
from delicious
<br />
2. Blank state. Start with new tools, from nothing, and toy around…<br />
<br />
3. Deliberate limitations. Before a project begins, develop specific limitations…<br />
<br />
4. Opposing forces. Sometimes it’s best to generate a forced collision of ideas…<br />
<br />
5. Creative prompts. In the ‘70s Eno developed his Oblique Strategies cards, a series of prompts modeled after the I Ching to disrupt the process and encourage a new way of encountering a creative problem. On the cards are statements and questions like: “Would anybody want it?” “Try faking it!” “Only a part, not the whole.” “Work at a different speed.” “Disconnect from desire.” “Turn it upside down.” “Use an old idea."…<br />
<br />
In the end, don’t underestimate your personal feelings about a project. Eno states: “Nearly all the things I do that are of any merit at all start off as just being good fun.” Amen to that."
september 2011 by robertogreco
You Are Solving The Wrong Problem « Aza on Design
september 2011 by robertogreco
"MacCready’s insight was that everyone working on solving human-powered flight would spend upwards of a year building an airplane on conjecture & theory w/out the grounding of empirical tests. Triumphantly, they’d complete their plane & wheel it out for a test flight. Minutes latter, a years worth of work would smash into the ground. Even in successful flights…would end with the pilot physically exhausted. W/ that single new data point, the team would work for another year…Progress was slow…<br />
The problem was the problem. Paul realized that what we needed to be solved was not, in fact, human powered flight. That was a red-herring. The problem was the process itself, and along with it the blind pursuit of a goal without a deeper understanding how to tackle deeply difficult challenges. He came up with a new problem that he set out to solve: how can you build a plane that could be rebuilt in hours not months. And he did…"
learning
design
creativity
itteration
azaraskin
gossamereagle
gossamercondor
paulmaccready
problemsolving
definingtheproblem
problems
iteration
process
innovation
research
rapidprototyping
howwework
howwelearn
from delicious
The problem was the problem. Paul realized that what we needed to be solved was not, in fact, human powered flight. That was a red-herring. The problem was the process itself, and along with it the blind pursuit of a goal without a deeper understanding how to tackle deeply difficult challenges. He came up with a new problem that he set out to solve: how can you build a plane that could be rebuilt in hours not months. And he did…"
september 2011 by robertogreco
Infovore » Technology As A Material
august 2011 by robertogreco
"To make art with technology, one does not use it as a tool; one must understand it as a material. Technology is not always a tool, an engineering substrate; it can be something to mould, to shape, to sculpt with.<br />
Materials have desires, affordances, and textures; they have grains. We can work with that grain, understanding what the material wishes to be, wishes to do – or we can deliberately choose to work against it. We must understand that grain and make a deliberate choice."
design
technology
art
culture
data
materiality
2011
tomarmitage
glvo
tools
howwework
howwethink
creativity
materials
from delicious
Materials have desires, affordances, and textures; they have grains. We can work with that grain, understanding what the material wishes to be, wishes to do – or we can deliberately choose to work against it. We must understand that grain and make a deliberate choice."
august 2011 by robertogreco
AIGA | Video: Jonathan Harris [Cold + Bold]
august 2011 by robertogreco
"Combining elements of computer science, architecture, statistics, storytelling and design, Jonathan Harris’s online projects create large-scale living portraits of the human world—portraits that both simplify and complicate our understanding of it. Jonathan discusses his recent work and poses intriguing questions about what kind of space the digital world is becoming and what that world is doing to us as individuals."
[I find myself on a Jonathan Harris binge about one a year. This time sparked by an article: http://designmind.frogdesign.com/articles/the-never-ending-story.html . Hadn't seen this video before.]
[The passage he reads in the video was originally posted here: http://www.number27.org/today.php?d=20100319 ]
design
art
jonathanharris
storytelling
coding
coldness
2010
thewhy
purpose
meaning
meaningfulness
human
digital
life
empathy
programming
depression
glvo
relationships
feelings
emotions
rationality
determinism
problemsolving
detachment
expression
web
internet
abstraction
humanity
control
learning
resistance
resistanceofthemedium
howwework
process
cold+bold
identity
individuality
diversity
outcomes
scale
sociopaths
jaronlanier
culture
behavior
introspection
self-reflection
time
computation
from delicious
[I find myself on a Jonathan Harris binge about one a year. This time sparked by an article: http://designmind.frogdesign.com/articles/the-never-ending-story.html . Hadn't seen this video before.]
[The passage he reads in the video was originally posted here: http://www.number27.org/today.php?d=20100319 ]
august 2011 by robertogreco
Google+ Audrey Watters on Cell Phone Bans in Schools
august 2011 by robertogreco
"A little rant here: my iPhone is my most important computing device. It's mobile, so I have it with me always. It contains all my information -- or, rather, access to all my data -- all my Google Docs, all my Evernotes, all my address book, the e-books I'm reading, the story articles I'm working on, photos, etc. It's a camera. It's a video camera. It's a phone. At my fingertips, I have access to the Web and by extension access to just everything -- Hooray for knowledge. Hooray for WiFi, for 3G, etc.<br />
<br />
So it boggles my mind, yes, but mostly it just infuriates me that schools would tell students that the mobile computing devices they carry -- devices that likely contain just as personal and important information for them -- are forbidden. Or worse: that they're subject to confiscation and search…"<br />
<br />
[Response to: http://mindshift.kqed.org/2011/08/to-ban-or-not-to-ban-schools-must-decide-cell-phone-policies/ ]
audreywatters
education
schools
mobile
phones
policies
learning
iphone
howwework
howwelearn
rights
students
studentrights
2011
from delicious
<br />
So it boggles my mind, yes, but mostly it just infuriates me that schools would tell students that the mobile computing devices they carry -- devices that likely contain just as personal and important information for them -- are forbidden. Or worse: that they're subject to confiscation and search…"<br />
<br />
[Response to: http://mindshift.kqed.org/2011/08/to-ban-or-not-to-ban-schools-must-decide-cell-phone-policies/ ]
august 2011 by robertogreco
Kicker Studio: Six Questions from Kicker: Robert Brunner
august 2011 by robertogreco
"What are 5 things all designers should know?<br />
<br />
1. Perseverance. It’s hard to make great stuff. Never say die (for as long as you can).<br />
<br />
2. Responsibility. You are driving things that will affect a lot of people, from your development partners and your clients, to the people who use the things you create. Don’t let it scare you or cause you to freeze up, but always be cognizant of the impact of your decisions.<br />
<br />
3. How to communicate. Most designers do not know how to do this. Learn to write and speak well about your work. It will serve you for a long time and can be the difference maker.<br />
<br />
4. Empathy. Learn how to put yourself in other’s shoes and see the situation and opportunities you’d miss from your eyes. It will make you very valuable<br />
<br />
5. How to enjoy the journey. You have one of the best jobs in the world. It’s a long, wild ride, so have fun with it and don’t dwell too much on what went wrong. Keep your feet moving."
robertbrunner
design
designers
perseverance
responsibility
communication
writing
speaking
empathy
understanding
process
glvo
howwework
2011
from delicious
<br />
1. Perseverance. It’s hard to make great stuff. Never say die (for as long as you can).<br />
<br />
2. Responsibility. You are driving things that will affect a lot of people, from your development partners and your clients, to the people who use the things you create. Don’t let it scare you or cause you to freeze up, but always be cognizant of the impact of your decisions.<br />
<br />
3. How to communicate. Most designers do not know how to do this. Learn to write and speak well about your work. It will serve you for a long time and can be the difference maker.<br />
<br />
4. Empathy. Learn how to put yourself in other’s shoes and see the situation and opportunities you’d miss from your eyes. It will make you very valuable<br />
<br />
5. How to enjoy the journey. You have one of the best jobs in the world. It’s a long, wild ride, so have fun with it and don’t dwell too much on what went wrong. Keep your feet moving."
august 2011 by robertogreco
Future Perfect » Caco
august 2011 by robertogreco
"Day 1 in Lagos – setting up our pop-up design studio. 2 weeks on the ground with a strong local crew, so much to learn, to much to do. Highlight? Taking an okada across town to pick up supplies and outrunning the union guys trying to collect their daily levy – somehow managing it despite their optimal vantage point at the edge of a gridlocked round-about. These are the days."<br />
<br />
[See also: http://en.wikipedia.org/wiki/Okada_(commercial_motorcycle) ]
janchipchase
lagos
nigeria
okada
transportation
motorcycles
2011
play
work
howwework
popup
popupstudio
lcproject
learning
pop-updesignstudio
studios
design
pop-ups
from delicious
<br />
[See also: http://en.wikipedia.org/wiki/Okada_(commercial_motorcycle) ]
august 2011 by robertogreco
LESS AND MORE (The 15 Things Charles and Ray Eames Teach Us)
august 2011 by robertogreco
"1. Keep good company
2. Notice the ordinary
3. Preserve the ephemeral
4. Design not for the elite but for the masses
5. Explain it to a child
6. Get lost in the content
7. Get to the heart of the matter
8. Never tolerate “O.K. anything.”
9. Remember your responsibility as a storyteller
10. Zoom out
11. Switch
12. Prototype it
13. Pun
14. Make design your life… and life, your design
15. Leave something behind
Excerpt from The 15 Things Charles and Ray Eames Teach Us by Keith Yamashita"
eames
keithyamashita
design
glvo
explanation
zoom
zooming
prototyping
making
life
howto
wisdom
lists
noticing
company
purpose
howwework
via:preoccupations
2. Notice the ordinary
3. Preserve the ephemeral
4. Design not for the elite but for the masses
5. Explain it to a child
6. Get lost in the content
7. Get to the heart of the matter
8. Never tolerate “O.K. anything.”
9. Remember your responsibility as a storyteller
10. Zoom out
11. Switch
12. Prototype it
13. Pun
14. Make design your life… and life, your design
15. Leave something behind
Excerpt from The 15 Things Charles and Ray Eames Teach Us by Keith Yamashita"
august 2011 by robertogreco
The Messiness of “With” | Rush the Iceberg
august 2011 by robertogreco
"Education is not a “I learned from” concept; rather, it is a “I learned with” concept.
“From” is clean.“With” is messy.
“From” is binary.“With” is human.
“From” is instant.“With” takes time.
“From” is passive.“With” is active.
“From” is singular.“With” is together.
“From” is shallow.“With” is deep.
“From” is informative.“With” is transformative.
Do you interact WITH your students the same way you tweet?
Which word describes your pedagogy in the classroom and tweets on Twitter?"
stephendavis
with
and
thisandthat
nuance
teaching
learning
conversation
from
messiness
education
collaboration
collaborative
depthoverbreadth
transformation
behavior
howwework
human
time
slow
“From” is clean.“With” is messy.
“From” is binary.“With” is human.
“From” is instant.“With” takes time.
“From” is passive.“With” is active.
“From” is singular.“With” is together.
“From” is shallow.“With” is deep.
“From” is informative.“With” is transformative.
Do you interact WITH your students the same way you tweet?
Which word describes your pedagogy in the classroom and tweets on Twitter?"
august 2011 by robertogreco
show and tell - storify.com [Luke Neff]
july 2011 by robertogreco
"a cursory guide to the desktop pictures of my most frequently used spaces"
lukeneff
howwework
desktops
mac
osx
lion
spaces
productivity
compartmentalization
2011
storify
visualization
metaphor
from delicious
july 2011 by robertogreco
The Auteur Myth | Wired Science | Wired.com
july 2011 by robertogreco
"…it’s also important to remember that nobody creates Vertigo or the iPad by themselves; even auteurs need the support of a vast system. When you look closely at auteurs, what you often find is that their real genius is for the the assembly of creative teams, trusting the right people with the right tasks at the right time. Sure, they make the final decisions, but they are choosing between alternatives created by others. When we frame auteurs as engaging in the opposite of collaboration, when we obsess over Hitchcock’s narrative flair but neglect Lehman’s script, or think about Jobs’ aesthetic but not Ive’s design (or the design of those working for Ives), we are indulging in a romantic vision of creativity that rarely exists. Even geniuses need a little help."
jonahlehrer
creativity
collaboration
alfredhitchcock
stevejobs
johngruber
design
film
decisionmaking
auteurs
howwework
constraints
support
making
business
teamwork
leadership
2011
from delicious
july 2011 by robertogreco
TeachPaperless: I Am Not A Great Teacher [This rings so true. Shelly is me with hair!?]
july 2011 by robertogreco
"I am not a great teacher. Many of my former students would probably agree. I'm at times flaky. And I can certainly be absent minded. I tend to ask students to do too much work all at once, probably because that's the way I do things.
I'm a terrible test-prepper. When I do give lectures, I tend to go on tangents. Sometimes I mix up names, dates, events; this happens at family BBQs, too. [Many more examples follow.]…
I am far more interested in being a conduit for ideas. A conduit for conversation. A conduit for debate. For real learning. Connecting. Rethinking. Reframing debates. Debates and discussions. The stuff of humanity…
But I'm willing to not know.
I take a lot of solace in the example of Socrates. Not because I think I'm like Socrates, but because I think deep down Socrates is a lot like all of us. Socrates was a guy who both boastfully and intimately explained that in the end, he really didn't know anything.
And that was enough to change everything."
education
teaching
learning
socrates
shellyblake-pock
cv
howwework
howwelearn
inquiry-basedlearning
conversation
relationships
human
humanism
vulnerability
uncertainty
notknowing
collaboration
professionaldevelopment
pd
honesty
openness
pedagogy
humility
improvisation
preparation
from delicious
I'm a terrible test-prepper. When I do give lectures, I tend to go on tangents. Sometimes I mix up names, dates, events; this happens at family BBQs, too. [Many more examples follow.]…
I am far more interested in being a conduit for ideas. A conduit for conversation. A conduit for debate. For real learning. Connecting. Rethinking. Reframing debates. Debates and discussions. The stuff of humanity…
But I'm willing to not know.
I take a lot of solace in the example of Socrates. Not because I think I'm like Socrates, but because I think deep down Socrates is a lot like all of us. Socrates was a guy who both boastfully and intimately explained that in the end, he really didn't know anything.
And that was enough to change everything."
july 2011 by robertogreco
Uncovered Gem: Steve Jobs on Paul Rand | Brain Pickings
july 2011 by robertogreco
"I asked him if he would come up with a few options. And he said, ‘No, I will solve your problem for you, and you will pay me. And you don’t have to use the solution — if you want options, go talk to other people. But I’ll solve your problem for you the best way I know how, and you use it or not, that’s up to you — you’re the client — but you pay me.’"<br />
<br />
"He’s a very deep, thoughtful person who’s tried to express in every part of his life what his principles are. And you don’t meet so many people like that today."
art
design
stevejobs
paulrand
problemsolving
clients
work
pay
trust
glvo
howwework
from delicious
<br />
"He’s a very deep, thoughtful person who’s tried to express in every part of his life what his principles are. And you don’t meet so many people like that today."
july 2011 by robertogreco
Musicians and cooks talk shop on "Treme" - Treme - Salon.com
july 2011 by robertogreco
"David Simon's New Orleans drama "Treme" is very good at many different things, but it has a special knack for showing how artists make art, and what it actually means to make a living from creative work. It's not easy; in fact it's often infuriating, because society at large tends to see creative work as somehow "easier" than other kinds, and because artists themselves tend to be somewhat more eccentric or even volatile than other kinds of people, and more likely to be disconnected from mundane reality. <br />
<br />
To say that "Treme" gets all this would be an understatement. In fact, the creative process is often the glue holding the show's other disparate elements together."
treme
creativity
thecreativeprocess
howwework
howwecreate
davidsimon
2011
jazz
music
craft
food
cooking
sewing
glvo
artists
art
from delicious
<br />
To say that "Treme" gets all this would be an understatement. In fact, the creative process is often the glue holding the show's other disparate elements together."
july 2011 by robertogreco
Think before wiping that whiteboard - FT.com
july 2011 by robertogreco
"A few years ago, Intel, the US technology giant, permitted a couple of social anthropologists to explore its Seattle offices. The two researchers, Dawn Nafus and Ken Anderson, duly started observing the rituals of everyday life in Intel’s corporate “jungle”, in much the same way that anthropologists might study the social life of an Amazonian tribe, say, or a far-flung Indian village.
However, there was a twist; instead of simply looking at how Intel made products, or how the staff related to each other, Nafus and Anderson focused on Intel’s “project rooms” as their “field-site”. More specifically, they watched how different Intel employees and researchers (including other ethnographers) used whiteboards, colourful charts, photographs and graphs to convey company messages, stimulate debate – and “brainstorm” innovative ideas."
via:hrheingold
intel
observation
anthropology
howwework
innovation
whiteboards
postits
post-its
brainstorming
ideas
workspace
permanence
powerpoint
projectbasedlearning
projects
ethnography
2011
from delicious
However, there was a twist; instead of simply looking at how Intel made products, or how the staff related to each other, Nafus and Anderson focused on Intel’s “project rooms” as their “field-site”. More specifically, they watched how different Intel employees and researchers (including other ethnographers) used whiteboards, colourful charts, photographs and graphs to convey company messages, stimulate debate – and “brainstorm” innovative ideas."
july 2011 by robertogreco
Drive - by Daniel Pink | Derek Sivers
july 2011 by robertogreco
"Your best approach is to have already established the conditions of a genuinely motivating environment. The baseline rewards must be sufficient. That is, the team’s basic compensation must be adequate and fair - particularly compared with people doing similar work for similar organizations. Your nonprofit must be a congenial place to work. And the people on your team must have autonomy, they must have ample opportunity to pursue mastery, and their daily duties must relate to a larger purpose. If these elements are in place, the best strategy is to provide a sense of urgency and significance - and then get out of the talent’s way.
Any extrinsic reward should be unexpected and offered only after the task is complete. Holding out a prize at the beginning of a project - and offering it as a contingency - will inevitably focus people’s attention on obtaining the reward rather than on attacking the problem."
[via: http://gaiwan.tumblr.com/post/7206114293 ]
books
drive
danielpink
motivation
extrinsicmotivation
teams
teamwork
autonomy
nonprofit
urgency
significance
talent
work
management
administration
congeniality
howwework
from delicious
Any extrinsic reward should be unexpected and offered only after the task is complete. Holding out a prize at the beginning of a project - and offering it as a contingency - will inevitably focus people’s attention on obtaining the reward rather than on attacking the problem."
[via: http://gaiwan.tumblr.com/post/7206114293 ]
july 2011 by robertogreco
Charlie Trotter, a Leader Left Behind - NYTimes.com
july 2011 by robertogreco
“You know the old adage that the customer’s always right?” he said. “Well, I kind of think that the opposite is true. The customer is rarely right. And that is why you must seize the control of the circumstance and dominate every last detail: to guarantee that they’re going to have a far better time than they ever would have had if they tried to control it themselves.”<br />
<br />
[via: http://metacool.typepad.com/metacool/2011/06/metacool-thought-of-the-day-charlie-trotter-1-1.html ]
charlietrotter
toomanychefs
tcsnmy
lcproject
creativecontrol
control
design
glvo
counter-practices
howwework
cv
consensus
compromise
mediocrity
from delicious
<br />
[via: http://metacool.typepad.com/metacool/2011/06/metacool-thought-of-the-day-charlie-trotter-1-1.html ]
july 2011 by robertogreco
SpeEdChange: The art of seeing (Part II) The Practice
june 2011 by robertogreco
"When I observe a school I start by watching how I, and how kids, approach it. I watch how the corridors operate, both when filled with movement and (if) when empty. Empty corridors during a school day speak loudly to me. So do classrooms with one kind of seating, one kind of lighting, or one "teaching wall." I watch the feet of kids in a class. I watch them fidget… [many more examples]…<br />
<br />
This multiply-focused kind of observation helps me to begin to deep map a school…<br />
<br />
the linearity and single-focus of traditional education has, perhaps, robbed you of, or severely limited, your human observation skills. Tens of thousands of hours of single subject lessons, of staring at teachers, of conference sessions divided into "tracks," have stunted the human abilities you had before you entered school. So, if you feel out of practice, here are a few ideas: Eavesdrop…Look for something you haven't looked for before in a place you've been a million times…Stare…Talk to strangers"
irasocol
noticing
observation
learning
schools
teaching
unschooling
deschooling
schooldesign
lcproject
tcsnmy
students
perspective
eavesdropping
staring
strangers
conversation
understanding
2011
howto
tutorials
adhdvision
adhdwalk
deepmapping
sensemaking
publicschools
sla
chrislehmann
pammoran
children
people
howwework
howwelearn
from delicious
<br />
This multiply-focused kind of observation helps me to begin to deep map a school…<br />
<br />
the linearity and single-focus of traditional education has, perhaps, robbed you of, or severely limited, your human observation skills. Tens of thousands of hours of single subject lessons, of staring at teachers, of conference sessions divided into "tracks," have stunted the human abilities you had before you entered school. So, if you feel out of practice, here are a few ideas: Eavesdrop…Look for something you haven't looked for before in a place you've been a million times…Stare…Talk to strangers"
june 2011 by robertogreco
SLA, 3i, Finding Common Ground and Looking Backward to Go Forward. - Practical Theory
june 2011 by robertogreco
Too much to quote, both in the post and in the comments. Update: Already bookmarked this back in February with a different URL, but leaving this here because it's so good.
education
pedagogy
inquiry
irasocol
chrislehmann
sla
neilpostman
alanshapiro
democraticschools
democracy
alternativeeducation
learning
unschooling
deschooling
student-centered
students
3iprogram
charlesweingartner
newrochellehighschool
newrochelle
tcsnmy
lcproject
educon
inquiry-basedlearning
teaching
cv
life
burnout
humanism
scalability
replicability
progressive
howwelearn
howwework
structure
individualism
communitarianism
community
from delicious
june 2011 by robertogreco
8 Big Ideas of the Constructionist Learning Lab « Generation YES Blog
june 2011 by robertogreco
"learning by doing…We all learn better when learning is part of doing something we find really interesting…
technology as building material…If you can use technology to make things you can make a lot more interesting things…
hard fun…We learn best & work best if we enjoy what we are doing…doesn’t mean “easy”…
learning to learn…Many students get the idea that “the only way to learn is by being taught.” This is what makes them fail in school & life…
taking time…students at school get used to being told every 5 minutes or every hour: do this, then do that…If someone isn’t telling them what to do they get bored. Life is not like that. To do anything important you have to learn to manage time for yourself…
you can’t get it right without getting it wrong…To succeed you need the freedom to goof on the way…
do unto ourselves what we do unto our students…
we are entering a digital world…where knowing about digital technology is as important as reading and writing…"
education
learning
technology
teaching
curriculum
tcsnmy
sylviamartinez
garystager
seymourpapert
constructionism
1999
howwework
howwelearn
cv
lcproject
unschooling
deschooling
learningbydoing
projects
projectbasedlearning
openstudio
time
persistence
interestdriven
failure
timemanagement
freedom
modeling
schools
digital
making
constructing
technology as building material…If you can use technology to make things you can make a lot more interesting things…
hard fun…We learn best & work best if we enjoy what we are doing…doesn’t mean “easy”…
learning to learn…Many students get the idea that “the only way to learn is by being taught.” This is what makes them fail in school & life…
taking time…students at school get used to being told every 5 minutes or every hour: do this, then do that…If someone isn’t telling them what to do they get bored. Life is not like that. To do anything important you have to learn to manage time for yourself…
you can’t get it right without getting it wrong…To succeed you need the freedom to goof on the way…
do unto ourselves what we do unto our students…
we are entering a digital world…where knowing about digital technology is as important as reading and writing…"
june 2011 by robertogreco
Now, we make projects « Re-educate Seattle
june 2011 by robertogreco
"we don’t live in a factory economy anymore. There’s no such thing as “set it & forget it.” The pace of change in the digital age is too rapid, & the competition too relentless. You’d think that Facebook, w/ it’s hundreds of millions of users, would be able to sit back & simply let the profits come rolling in. But it recently recruited the CEO of Netflix to its Board of Directors because it knows that it’s not 2009 anymore. Times have changed since then.
We don’t go to work in factories anymore. Now, we work on projects. Sometimes those projects last 3 months, or they might last 9 years. These projects typically involve either solving a specific problem or, if you’re doing truly innovative work, identifying a problem before it becomes a problem & being the first to market with a solution. The have a beginning, middle, & end. When the project is finished—remember, there’s no specific timetable for how long any given project will take—then it’s time to get busy on the next one."
projects
projectbasedlearning
education
tcsnmy
toshare
sethgodin
stevemiranda
learning
factoryschools
unschooling
deschooling
facebook
making
doing
self-directedlearning
problemsolving
criticalthinking
2011
thisiswhatwedo
howwework
howwelearn
pscs
pugetsoundcommunityschool
from delicious
We don’t go to work in factories anymore. Now, we work on projects. Sometimes those projects last 3 months, or they might last 9 years. These projects typically involve either solving a specific problem or, if you’re doing truly innovative work, identifying a problem before it becomes a problem & being the first to market with a solution. The have a beginning, middle, & end. When the project is finished—remember, there’s no specific timetable for how long any given project will take—then it’s time to get busy on the next one."
june 2011 by robertogreco
A VC: Subconscious Information Processing
june 2011 by robertogreco
"My dad made me stay up very late that night until I had completed it. And he stayed up with me. He made sure I understood two things that evening. The first one is obvious. When assigned something, you do it and you do it on time.<br />
<br />
But the second thing he explained to me was more subtle and way more powerful. He explained that I should start working on a project as soon as it was assigned. An hour or so would do fine, he told me. He told me to come back to the project every day for at least a little bit and make progress on it slowly over time. I asked him why that was better than cramming at the very end (as I was doing during the conversation).<br />
<br />
He explained that once your brain starts working on a problem, it doesn't stop. If you get your mind wrapped around a problem with a fair bit of time left to solve it, the brain will solve the problem subconsciously over time and one day you'll sit down to do some more work on it and the answer will be right in front of you."
fredwilson
projectbasedlearning
creativity
business
information
productivity
time
procrastination
subconscious
thinking
attention
subconsciousinformationprocessing
2011
persistence
howwework
howwelearn
timeliness
parenting
tcsnmy
advice
wisdom
from delicious
<br />
But the second thing he explained to me was more subtle and way more powerful. He explained that I should start working on a project as soon as it was assigned. An hour or so would do fine, he told me. He told me to come back to the project every day for at least a little bit and make progress on it slowly over time. I asked him why that was better than cramming at the very end (as I was doing during the conversation).<br />
<br />
He explained that once your brain starts working on a problem, it doesn't stop. If you get your mind wrapped around a problem with a fair bit of time left to solve it, the brain will solve the problem subconsciously over time and one day you'll sit down to do some more work on it and the answer will be right in front of you."
june 2011 by robertogreco
Children learning by themselves and progressive inquiry | FLOSSE Posse [via: http://www.downes.ca/post/55666/ ]
june 2011 by robertogreco
"…children learn even better if they have a “granny figure” supporting them…<br />
<br />
…good teachers is a bit like a granny: supports students, is interesting in their work and praise them. I think, however, even better teachers than a random granny is an expert of a domain acting the granny way. An excellent expert-teachers (can be a granny, too) is able to guide pupils in their inquiry by challenging their thinking and by providing new perspectives to the students inquiry. The point is to guide, not to instruct.<br />
<br />
The progressive inquiry learning, a pedagogical model that has been widely studied, experimented and partly took in use in Finland, is close to Mitra’s way of teaching (I call it teaching, although there is very little teaching in a traditional sense). In my talk in Ankra I explained how progressive inquiry learning works and how pupils and students in all levels of education—from kindergartens to universities—can be guided to do research."<br />
<br />
[Examples follow]
teemuleinonen
progressiveinquiry
tcsnmy
learning
education
pedagogy
teaching
student-centered
studentdirected
learner-centered
learner-ledcommunities
sugatamitra
grandmothers
guideontheside
2011
via:steelemaley
inquiry
inquiry-basedlearning
unschooling
deschooling
mentoring
modeling
instruction
guidance
lcproject
cv
howwelearn
howwework
informallearning
autodidacts
outdoctrination
research
toshare
unconferences
openstudio
openworkshops
prototyping
from delicious
<br />
…good teachers is a bit like a granny: supports students, is interesting in their work and praise them. I think, however, even better teachers than a random granny is an expert of a domain acting the granny way. An excellent expert-teachers (can be a granny, too) is able to guide pupils in their inquiry by challenging their thinking and by providing new perspectives to the students inquiry. The point is to guide, not to instruct.<br />
<br />
The progressive inquiry learning, a pedagogical model that has been widely studied, experimented and partly took in use in Finland, is close to Mitra’s way of teaching (I call it teaching, although there is very little teaching in a traditional sense). In my talk in Ankra I explained how progressive inquiry learning works and how pupils and students in all levels of education—from kindergartens to universities—can be guided to do research."<br />
<br />
[Examples follow]
june 2011 by robertogreco
Week 113 - Helsinki Design Lab
june 2011 by robertogreco
"If I had a time machine…could change one thing I would hop back to beginning of last week & remove all post-it notes from studio space…reason for this is simple: post-it notes trick people into being lazy.
…way post-it notes are commonly used in workshop settings is to capture an idea on portable piece of paper…can then be moved around at will & eventually accumulated on bigger piece of paper…rolled up & put into closet & kept forever. Ideas captured…
Post-it notes record ideas & allow them to be easily migrated & reorganized, but it's not a good medium for mutating & synthesizing ideas.
One of the reasons that we prefer large sheets of paper or whiteboards is that they encourage collaborative mutation. If you realize that something is drawn in wrong place, it must be erased & re-drawn or somehow altered to meet the new intent. By drawing & redrawing, writing & rewriting, opportunities to adjust the content & format—to literally re-present the ideas—continually emerge."
sitra
bryanboyer
helsinkidesignlab
post-its
whiteboards
process
recording
ideas
sharing
mobility
mutation
synthesis
howwework
classideas
2011
from delicious
…way post-it notes are commonly used in workshop settings is to capture an idea on portable piece of paper…can then be moved around at will & eventually accumulated on bigger piece of paper…rolled up & put into closet & kept forever. Ideas captured…
Post-it notes record ideas & allow them to be easily migrated & reorganized, but it's not a good medium for mutating & synthesizing ideas.
One of the reasons that we prefer large sheets of paper or whiteboards is that they encourage collaborative mutation. If you realize that something is drawn in wrong place, it must be erased & re-drawn or somehow altered to meet the new intent. By drawing & redrawing, writing & rewriting, opportunities to adjust the content & format—to literally re-present the ideas—continually emerge."
june 2011 by robertogreco
Valence Theory of Organization / FrontPage
may 2011 by robertogreco
"In a nutshell, my research finds that [Bureaucratic, Administratively controlled, & Hierarchical] organizations…replace the complexity of human dynamics in social systems with the complication of machine-analogous procedures that enable individual independence, responsibility, and accountability. In contrast, [Ubiquitously Connected & Pervasively Proximate] organizations encourage and enable processes of continual emergence by valuing and promoting complex interactions even though doing so necessitates ceding legitimated control in an environment of individual autonomy and agency, collective responsibility, and mutual accountability. The consequential differences in how each type of organization operates day-to-day are like comparing the societies of Ancient Greece, the medieval Church, the Industrial Age, and today's contemporary reality of Ubiquitous Connectivity and Pervasive Proximity."
[via: https://twitter.com/bopuc/status/71130524705492992 ]
complexity
hierarchy
bureaucracy
organizations
tcsnmy
leadership
management
administration
lcproject
learning
networkedlearning
networkculture
autonomy
agency
howwework
howwelearn
organization
accountability
innovation
valencetheory
toread
markfederman
emergentcurriculum
emergent
society
industrial
ubiquitousconnectivity
ubiquitouslearning
relationships
responsibility
independence
freedom
from delicious
[via: https://twitter.com/bopuc/status/71130524705492992 ]
may 2011 by robertogreco
The School of the Art Institute of Chicago: Profiles: Nick Cave
may 2011 by robertogreco
"My work, clothing & fiber-based sculptures, collages, installations, & performances, explore use of textiles & clothing as conceptual modes of expression & pose fundamental questions about human condition in social & political realm…<br />
<br />
I believe that what happens in my studio & living life as an artist are the single most important things I bring to the classroom. Artists must design their own pathways, work through plateaus in their work & understand that they will find themselves humbled by the very process of art-making.<br />
I encourage my students to build their work w/ conviction, come face-to-face w/ truth of what they are attempting to create, & be open to experimentation.<br />
I have been lucky to have been mentored by talented artists who taught me to challenge myself & build level of confidence & trust in my creative judgment…I hope to provide my students w/ knowledge that their art making holds the possibility for acting as a vehicle for change on a larger, global scale."
nickcave
art
performance
textiles
classideas
performanceart
design
collage
assemblage
life
living
teaching
education
learning
artists
glvo
cv
sound
interactive
sculpture
installation
expression
humancondition
society
politics
sensemaking
experimentation
doing
making
understanding
self
confidence
trust
wearable
fabric
sewing
change
costumes
dance
soundsuits
tcsnmy
interdisciplinary
multidisciplinary
crossdisciplinary
pedagogy
howwework
from delicious
<br />
I believe that what happens in my studio & living life as an artist are the single most important things I bring to the classroom. Artists must design their own pathways, work through plateaus in their work & understand that they will find themselves humbled by the very process of art-making.<br />
I encourage my students to build their work w/ conviction, come face-to-face w/ truth of what they are attempting to create, & be open to experimentation.<br />
I have been lucky to have been mentored by talented artists who taught me to challenge myself & build level of confidence & trust in my creative judgment…I hope to provide my students w/ knowledge that their art making holds the possibility for acting as a vehicle for change on a larger, global scale."
may 2011 by robertogreco
Zadie Smith's rules for writers | Books | guardian.co.uk
april 2011 by robertogreco
"1 When still a child, make sure you read a lot of books. Spend more time doing this than anything else.<br />
2 When an adult, try to read your own work as a stranger would read it, or even better, as an enemy would.<br />
3 Don't romanticise your "vocation". You can either write good sentences or you can't. There is no "writer's lifestyle". All that matters is what you leave on the page.<br />
4 Avoid your weaknesses. But do this without telling yourself that the things you can't do aren't worth doing. Don't mask self-doubt with contempt.<br />
5 Leave a decent space of time between writing something and editing it.<br />
6 Avoid cliques, gangs, groups. The presence of a crowd won't make your writing any better than it is.<br />
7 Work on a computer that is disconnected from the internet.<br />
8 Protect the time and space in which you write. Keep everybody away from it, even the people who are most important to you.<br />
9 Don't confuse honours with achievement…"
zadiesmith
writing
advice
writers
2010
honors
achievement
reading
howwework
from delicious
2 When an adult, try to read your own work as a stranger would read it, or even better, as an enemy would.<br />
3 Don't romanticise your "vocation". You can either write good sentences or you can't. There is no "writer's lifestyle". All that matters is what you leave on the page.<br />
4 Avoid your weaknesses. But do this without telling yourself that the things you can't do aren't worth doing. Don't mask self-doubt with contempt.<br />
5 Leave a decent space of time between writing something and editing it.<br />
6 Avoid cliques, gangs, groups. The presence of a crowd won't make your writing any better than it is.<br />
7 Work on a computer that is disconnected from the internet.<br />
8 Protect the time and space in which you write. Keep everybody away from it, even the people who are most important to you.<br />
9 Don't confuse honours with achievement…"
april 2011 by robertogreco
I fucking hate organization charts : peterme.com
april 2011 by robertogreco
"organization charts…are emblematic of how broken standard business practice is. Command-&-control hierarchies are appropriate for Industrial Age mindset that favors control in order to achieve consistency, efficiency, & quantifiability…Departmental silos are no longer practical…<br />
<br />
…related to org charts, are job titles…associated w/ set of qualifications & responsibilities, w/ idea that anyone who has that job title can do same activities…interchangeable…any fan knows that [basketball players] w/ same title are far from identical & secret to success is chemistry that emerges from combination of right set of individuals…<br />
<br />
If we’re going to get away from bureaucratic thinking that defined Industrial Age, we need to set aside outmoded tools that were created for wholly different needs than what we have now…need to stop assuming that way we were taught is way it always was (& always should be) done, & we need to come up w/ new models & approaches to address our current reality."
petermerholz
bureaucracy
hierarchy
interchangability
quanitifcation
organizations
management
administration
leadership
jobtitles
jobs
work
teams
collaboration
creativity
departmentalsilos
messiness
control
commandandcontrol
unschooling
deschooling
2011
industrialage
business
teamwork
howwework
lcproject
tcsnmy
from delicious
<br />
…related to org charts, are job titles…associated w/ set of qualifications & responsibilities, w/ idea that anyone who has that job title can do same activities…interchangeable…any fan knows that [basketball players] w/ same title are far from identical & secret to success is chemistry that emerges from combination of right set of individuals…<br />
<br />
If we’re going to get away from bureaucratic thinking that defined Industrial Age, we need to set aside outmoded tools that were created for wholly different needs than what we have now…need to stop assuming that way we were taught is way it always was (& always should be) done, & we need to come up w/ new models & approaches to address our current reality."
april 2011 by robertogreco
Eide Neurolearning Blog: The Wrong Environment
april 2011 by robertogreco
"In How Brain Science Can Save You from the Wrong Job, child psychiatrist Edward Hallowell makes the analogy between a child who is struggling in the classroom and adults who can't get engaged in their workplace."<br />
<br />
"Specific person + environment = crisis"<br />
<br />
[Includes] "Hallowells's checklist for "Is your job a good fit?""
work
crisis
howwework
mismatches
tcsnmy
learning
education
cv
change
culture
fit
workplace
environment
schools
organizations
personalcrisis
organizationalculture
from delicious
<br />
"Specific person + environment = crisis"<br />
<br />
[Includes] "Hallowells's checklist for "Is your job a good fit?""
april 2011 by robertogreco
Learning Through Digital Media » Follow, Heart, Reblog, Crush: Teaching Writing with Tumblr
april 2011 by robertogreco
"The other wonderful outcome is that since Tumblr is an easy, informal platform for content sharing, students often share additional, unsolicited posts that are their own writings or images, or reblogs of other Tumblelogs. This added content opens up a window for a broader understanding of who my students are, what interests them, and how they relate to their peers. Working on their Tumblr sites can blend into the time they spend active on other social media sites and feels less like the discrete mental and physical space of “doing homework,” with the pressure to cut off other distractions. Of course this can have drawbacks if students start to use Tumblr too casually or get too easily distracted with reblogging photos of their friends rather than writing an analytical essay."<br />
<br />
[That's just a clip. There a lot of parallels with my Tumblr/teaching experience, but several additional points that I could make.]
tumblr
learning
teaching
media
tcsnmy
mobilityshifts
education
pedagogy
schools
adrianavaldezyoung
blogs
blogging
cv
dashboard
reblogging
howwework
socialmedia
from delicious
<br />
[That's just a clip. There a lot of parallels with my Tumblr/teaching experience, but several additional points that I could make.]
april 2011 by robertogreco
Week 304 – Blog – BERG
april 2011 by robertogreco
"I’m looking forward to travel pausing for a bit, and having everyone back in the same room. There have been lots of changes recently, and the Room – which in my head I’ve started capitalising, Room not room – is nothing if not a culture – a particular stance to design and the world, and shared values – a way to work which is beautiful, popular and inventive – and a network of people in which ideas transmit, roll round and mutate, and come back in new forms and hit you in the back of the head. The Room is what it’s all about. It’s a broth that requires more investment than we’ve been giving it recently. So, yeah, that."
mattwebb
theroom
openstudio
work
howwework
networkedlearning
networks
berg
berglondon
sharedspace
space
place
learningplaces
learningspaces
2011
schooldesign
lcproject
tcsnmy
culture
sharedvalues
invention
creativity
cv
socialemotionallearning
shaedspace
sharedtime
community
communities
howwelearn
from delicious
april 2011 by robertogreco
The Setup: Frank Chimero
april 2011 by robertogreco
"I’d like a more flexible, faster all-in-one inbox for my digital detritus. For some reason, DevonThink, Yojimbo, & Evernote aren’t cutting it for me. Tumblr is close, but not quite it. I’d like something that successfully handles images in tandem w/ text, because that’s how my brain works. I have this dream of having a management interface very similar to a hybrid of LittleSnapper & Yojimbo, & then a “serendipity engine” application for iPad. It’d be a bit like Flipboard where things are served up at random from your collection for browsing. That’s the flaw of all of these things, in my mind: they encourage you to get things in, but aren’t optimized for revisiting it in a way that lacks linearity or classification. If you’re looking to make constellations of content, I think the way your collection is presented back to you matters. I guess what I’m asking for is a digital rendition of the commonplace book, & serious rethinking of what advantages digital could provide…"
frankchimero
hardware
software
thesetup
tools
howwework
commonplacebooks
dropbox
devonthink
yojimbo
evernote
macbookair
photoshop
illustrator
muji
notebooks
tumblr
serendipity
discovery
iphone
kindle
lumixgf1
appletv
netflix
texteditor
gmail
instapaper
simplenote
rdio
itunes
reeder
2011
from delicious
april 2011 by robertogreco
Gaby Wood meets David Remnick, the New Yorker's big-brained editor | From the Observer | The Observer
april 2011 by robertogreco
"You might say that what looks at first like common sense is David Remnick’s most winning eccentricity."<br />
<br />
[via: http://tumble77.com/post/4526059297/you-might-say-that-what-looks-at-first-like-common ]
newyorker
journalism
media
magazines
davidremnick
standingout
risk
eccentricity
risktaking
cv
notforeveryone
commonsense
2011
boldness
tcsnmy
lcproject
unschooling
deschooling
howwework
from delicious
<br />
[via: http://tumble77.com/post/4526059297/you-might-say-that-what-looks-at-first-like-common ]
april 2011 by robertogreco
HORT [See also: http://vimeo.com/20949186 ]
april 2011 by robertogreco
"HORT began its inhabitance back in 1994, under the previous stage name of EIKES GRAFISCHER HORT. Who the hell is Eike? Eike is the creator of HORT. HORT - a direct translation of the studio's mission. A creative playground. A place where 'work and play' can be said in the same sentence. An unconventional working environment. Once a household name in the music industry. Now, a multi-disciplinary creative hub. Not just a studio space, but an institution devoted to making ideas come to life. A place to learn, a place to grow, and a place that is still growing. Not a client execution tool. HORT has been known to draw inspiration from things other than design.
It is encouraged that you don't see the work displayed on this website as a library of ideas and visual styles to pick and choose from, but a showcase of our capabilities and achievements. HORT are willing to give most things a go. I mean how are you supposed to learn if you don't try. Right?"
hort
design
lcproject
learning
tcsnmy
studios
studioclassroom
learningenvironments
illustration
germany
berlin
creativity
curiosity
play
eikekönig
cv
multidisciplinary
crossdisciplinary
interdisciplinary
collaboration
children
safety
work
howwework
sharing
systems
education
unschooling
deschooling
growing
uncertainty
failure
risk
risktaking
schooldesign
freedom
autonomy
revolution
from delicious
It is encouraged that you don't see the work displayed on this website as a library of ideas and visual styles to pick and choose from, but a showcase of our capabilities and achievements. HORT are willing to give most things a go. I mean how are you supposed to learn if you don't try. Right?"
april 2011 by robertogreco
Zettelkasten – Wikipedia [See also: http://www.delicious.com/cervus/zettelkasten AND http://www.flickr.com/people/zettel/ AND http://zettelkasten.tumblr.com/]
april 2011 by robertogreco
"Der Zettelkasten ist ein Hilfsmittel bei der Erstellung einer literarischen oder wissenschaftlichen Arbeit. Wichtig erscheinende Sachverhalte, die man z. B. in einem Buch gefunden hat, werden mit Quellenangabe…"<br />
<br />
Google translation: "The card catalog is a tool in creating a literary or scientific work. Appears important issues that we found in a book, for example, has to be the source is noted on slips of paper and kept in boxes and sorted."<br />
<br />
By using a list box or a breakdown Editors will read information is not lost. The card catalog serves as a reminder. Card indexes are shown in the qualitative text analysis were used. <br />
<br />
A major advantage of a card index with respect to a linear text, in the form of a notebook without references, is the networking of content by indexing and cross-reference is created. <br />
<br />
Using electronic media can be obtained by linking with hyperlinks virtual card indexes to create, for example in the form of a wiki or a blog."
words
german
cardcatalog
notetaking
cv
process
howwework
hypertext
hyperlinks
del.icio.us
pinboard
wikis
blogs
cross-referencing
productivity
science
web
management
tools
from delicious
<br />
Google translation: "The card catalog is a tool in creating a literary or scientific work. Appears important issues that we found in a book, for example, has to be the source is noted on slips of paper and kept in boxes and sorted."<br />
<br />
By using a list box or a breakdown Editors will read information is not lost. The card catalog serves as a reminder. Card indexes are shown in the qualitative text analysis were used. <br />
<br />
A major advantage of a card index with respect to a linear text, in the form of a notebook without references, is the networking of content by indexing and cross-reference is created. <br />
<br />
Using electronic media can be obtained by linking with hyperlinks virtual card indexes to create, for example in the form of a wiki or a blog."
april 2011 by robertogreco
How To Steal Like An Artist (And 9 Other Things Nobody Told Me) - Austin Kleon
april 2011 by robertogreco
"All advice is autobiographical.<br />
<br />
It’s one of my theories that when people give you advice, they’re really just talking to themselves in the past. This list is me talking to a previous version of myself.<br />
<br />
Your mileage may vary…<br />
<br />
1. Steal like an artist… 2. Don’t wait until you know who you are to start making things… 3. Write the book you want to read… 4. Use your hands… 5. Side projects and hobbies are important… 6. The secret: do good work and put it where people can see it… 7. Geography is no longer our master… 8. Be nice. The world is a small town… 9. Be boring. It’s the only way to get work done… 10. Creativity is subtraction…"
glvo
howto
wisdom
austinkleon
design
creativity
writing
work
howwework
calendars
routine
life
kindness
invention
make
making
do
doing
geography
location
boring
boringness
sharing
cv
projects
sideprojects
hobbies
manual
starting
via:steelemaley
from delicious
<br />
It’s one of my theories that when people give you advice, they’re really just talking to themselves in the past. This list is me talking to a previous version of myself.<br />
<br />
Your mileage may vary…<br />
<br />
1. Steal like an artist… 2. Don’t wait until you know who you are to start making things… 3. Write the book you want to read… 4. Use your hands… 5. Side projects and hobbies are important… 6. The secret: do good work and put it where people can see it… 7. Geography is no longer our master… 8. Be nice. The world is a small town… 9. Be boring. It’s the only way to get work done… 10. Creativity is subtraction…"
april 2011 by robertogreco
12 Paradoxes of Graphic Design | Abduzeedo | Graphic Design Inspiration and Photoshop Tutorials
march 2011 by robertogreco
"These 12 graphic design paradoxes were designed and written by Tobias Bergdahl and it's great advice for young graphic designers out there. Each piece has it's own paradox followed by an important message."
via:lukeneff
design
paradox
outsiders
graphics
graphicdesign
tobiasbergdahl
clients
education
work
howwework
writing
verbalskills
ideas
professionalism
perspective
self-promotion
understanding
from delicious
march 2011 by robertogreco
CCK11: Educurator? « Connexions
march 2011 by robertogreco
"As a teacher/tutor, I will…create the space where learning can happen…create conditions that highlight know-how and “know-where.”…welcome learner interests…curate materials that learners may not know…model and demonstrate particular skills or approaches…enable learners to reflect and practice those skills or approaches…allow learners to teach each other (and me)…am extremely busy being present (an attentiveness to the network itself )."
connectivism
teaching
lcproject
tcsnmy
stephendownes
sugatamitra
via:steelemaley
curation
curating
learning
schools
presence
cv
studentdirected
interestdriven
modeling
accessibility
sharing
community
howwelearn
howwework
educurator
generalists
reflection
from delicious
march 2011 by robertogreco
Sarah Vowell | Books | Interview | The A.V. Club [via: http://snarkmarket.com/2011/6762]
march 2011 by robertogreco
"And when I first saw one of those [banyan] trees, I thought, “That is how I think.” Little thoughts just sprout off and drip down and take root, and then they end up supporting more and more tendrils of thought, until it all coheres into one thing, but it’s still rickety-looking and spooky. I like to think that my tangents have a point. I do love a tangent. I think part of it is inherent within the discipline of non-fiction.<br />
I always found that when I was a college student and researching my papers always the night before—and this was before the Internet—I’d be in the library and I’d find one thing, and see something else and want to follow that, which now is how the Internet has taught us to think, to click on link after link after link. But there is something inherent in research that fosters that way of thinking, and then there’s this other interesting thing, and that builds and builds…"
classideas
tangents
libraries
howwework
howwelearn
distraction
cv
christianity
colonialism
hawaii
indigenousrights
missionaries
sarahvowell
nonfiction
fiction
writing
mind
internet
web
exploration
meandering
thinking
connections
from delicious
I always found that when I was a college student and researching my papers always the night before—and this was before the Internet—I’d be in the library and I’d find one thing, and see something else and want to follow that, which now is how the Internet has taught us to think, to click on link after link after link. But there is something inherent in research that fosters that way of thinking, and then there’s this other interesting thing, and that builds and builds…"
march 2011 by robertogreco
Blocked - Ta-Nehisi Coates - Culture - The Atlantic
march 2011 by robertogreco
"The panel I was on at SXSW dealt a lot with the distractions that seduce content-makers, particularly on the web. For a long time, I considered myself ADD & dreamed of a pill that could make it alright. But the longer I write, the more I think my problems have less to do w/ ADD, & more to do with my desire to avoid pain.<br />
<br />
It's painful to write. It's painful to take a clear look at your finances, at your health, at your relationships. At least it's painful when you have no confidence that you can actually improve in those areas. I would not speak for anyone else, but most of my distractions are traceable to a deep-seated fear that I may not ultimately prevail. <br />
<br />
I guess I could have taken a pill to ease that anxiety, and I would not disparage those who do. But there's something powerful…in knowing that the anxiety is not mystical. Surely, I still often procrastinate. But conceptualizing it as fear has really helped. I don't want to be a chump. I refuse to punked by the work."
ta-nehisicoates
writing
add
pain
anxiety
howwework
fear
risk
risktaking
2011
sxsw
work
cv
procrastination
distraction
web
online
internet
from delicious
<br />
It's painful to write. It's painful to take a clear look at your finances, at your health, at your relationships. At least it's painful when you have no confidence that you can actually improve in those areas. I would not speak for anyone else, but most of my distractions are traceable to a deep-seated fear that I may not ultimately prevail. <br />
<br />
I guess I could have taken a pill to ease that anxiety, and I would not disparage those who do. But there's something powerful…in knowing that the anxiety is not mystical. Surely, I still often procrastinate. But conceptualizing it as fear has really helped. I don't want to be a chump. I refuse to punked by the work."
march 2011 by robertogreco
Let Kids Rule the School - NYTimes.com
march 2011 by robertogreco
"Schools everywhere could initiate an Independent Project. All it takes are serious, committed students and a supportive faculty. These projects might not be exactly alike: students might apportion their time differently, or add another discipline to the mix. But if the Independent Project students are any indication, participants will end up more accomplished, more engaged and more knowledgeable than they would have been taking regular courses.<br />
<br />
We have tried making the school day longer and blanketing students with standardized tests. But perhaps children don’t need another reform imposed on them. Instead, they need to be the authors of their own education."
[See also: http://learning.blogs.nytimes.com/2011/03/21/independence-day-developing-self-directed-learning-projects/ AND http://www.youtube.com/watch?v=MTmH1wS2NJY ]
education
innovation
change
tcsnmy
lcproject
democratic
schools
unschooling
deschooling
howwework
choice
collaboration
curriculum
emergentcurriculum
studentdirected
cv
democraticschools
freeschools
independentproject
plp
inquiry-basedlearning
learning
freedom
independence
responsibility
theindependentproject
self-directed
self-directedlearning
autodidacts
autodidactism
student-led
from delicious
<br />
We have tried making the school day longer and blanketing students with standardized tests. But perhaps children don’t need another reform imposed on them. Instead, they need to be the authors of their own education."
[See also: http://learning.blogs.nytimes.com/2011/03/21/independence-day-developing-self-directed-learning-projects/ AND http://www.youtube.com/watch?v=MTmH1wS2NJY ]
march 2011 by robertogreco
The Mavenist | I also have this tremendous sense of urgency, like...
march 2011 by robertogreco
"I also have this tremendous sense of urgency, like if I don’t get everything out now and do everything now, while the iron is hot, everything I’ve worked for will just fall away. For the first time, I truly understand why workaholics are workaholics. You can’t stop working, because if you do, it unravels all the work you’ve already done. You have to keep going, or you’ll die."<br />
<br />
—Amanda Hocking’s Blog: Some Things That Need to Be Said [http://amandahocking.blogspot.com/2011/03/some-things-that-need-to-be-said.html ]
work
urgency
despair
cv
howwework
momentum
workaholics
writing
creating
glvo
creativity
publishing
from delicious
<br />
—Amanda Hocking’s Blog: Some Things That Need to Be Said [http://amandahocking.blogspot.com/2011/03/some-things-that-need-to-be-said.html ]
march 2011 by robertogreco
Feynman's Nobel Ambition
march 2011 by robertogreco
"Feynman on curiosity-driven learning (or how to recover from burnout)" http://twitter.com/zephoria/status/44450982616248320
richardfeynman
curiosity
passion
learning
play
playethic
burnout
yearoff
education
invention
physics
science
tcsnmy
unschooling
deschooling
motivation
intrinsicmotivation
cv
howwework
howwelearn
toshare
from delicious
march 2011 by robertogreco
Frank Chimero ["We work because it’s a chain reaction, each subject leads to the next." —Charles Eames]
march 2011 by robertogreco
"And so this is my favorite quote in regards to design. The Eames are heroes of mine: such virtuosity over such a wide array of practices. Products for the home, patterns, architecture, movies, I mean, it’s just silly. People have said that doing so was easier back then because the walls between the practices were lower, just like how Da Vinci was able to be on the cusp of understanding in science because we knew so little. I think that’s partially true, but not a convincing enough argument to stand on its own.<br />
<br />
The Eames were sharks. One just has to read what Charles said. In work, it’s not that one project leads to the next, it’s that one subject leads to the next. If we’re really sniffing out solutions to the problems of people, then we’ll be going down some serious rabbit holes.<br />
<br />
We don’t need to say “multi-disciplinary designer” any more. If we’re truly trying to make things that help all of us to live better, it’s implied and redundant."
design
quotes
eames
charleseames
multidisciplinary
interdisciplinary
generalists
crossdisciplinary
doing
making
work
glvo
working
howwework
curiosity
learning
unschooling
deschooling
postdisciplinary
from delicious
<br />
The Eames were sharks. One just has to read what Charles said. In work, it’s not that one project leads to the next, it’s that one subject leads to the next. If we’re really sniffing out solutions to the problems of people, then we’ll be going down some serious rabbit holes.<br />
<br />
We don’t need to say “multi-disciplinary designer” any more. If we’re truly trying to make things that help all of us to live better, it’s implied and redundant."
march 2011 by robertogreco
Twitter / @Jay Rosen : My way of blogging: Essay: ...
february 2011 by robertogreco
"My way of blogging: Essay: http://jr.ly/87kq Curation after: http://jr.ly/6vxv Search: http://jr.ly/6yyf "<br />
<br />
[The example he uses: http://pressthink.org/2011/02/the-twitter-cant-topple-dictators-article/ ]
jayrosen
methods
howwework
blogs
blogging
curation
essays
search
process
writing
classideas
journalism
from delicious
<br />
[The example he uses: http://pressthink.org/2011/02/the-twitter-cant-topple-dictators-article/ ]
february 2011 by robertogreco
Without Thought | Metropolis Magazine
february 2011 by robertogreco
"At IDEO…international interdisciplinary team…included engineers, designers, and even a clinical psychologist."<br />
<br />
"tossed around the idea of inviting weekly speakers to make meetings productive. Fukasawa…thought it would be more useful if team members spoke about their own philosophies & how their cultures influenced them. They all agreed on one condition: that Fukasawa go first."<br />
<br />
"…result was a presentation on hari…Eastern philosophy, distilled down into design language…"usually translated as ‘tension,' but that’s not correct…It’s very hard to explain.” [Explains.]"<br />
<br />
"“That’s why it was important for him to go back to Japan,” Brown says. “One of the things that released him was the ability to work and tell the story of his work in his own language. Naoto has gone from somebody who crafts objects to somebody who crafts relationships with objects.”"<br />
<br />
“I think objects or things are shifting toward the surrounding walls for integration or otherwise into our body for integration,”
design
interview
japan
philosophy
hari
tension
naotofukasawa
glvo
ideo
via:preoccupations
reflection
identity
culture
howwework
conversation
leadership
interdisciplinary
multidisciplinary
crossdisciplinary
language
japanese
objects
evocativeobjects
muji
simplicity
slow
presentations
meetings
relationships
socialobjects
architecture
industrialdesign
craft
from delicious
<br />
"tossed around the idea of inviting weekly speakers to make meetings productive. Fukasawa…thought it would be more useful if team members spoke about their own philosophies & how their cultures influenced them. They all agreed on one condition: that Fukasawa go first."<br />
<br />
"…result was a presentation on hari…Eastern philosophy, distilled down into design language…"usually translated as ‘tension,' but that’s not correct…It’s very hard to explain.” [Explains.]"<br />
<br />
"“That’s why it was important for him to go back to Japan,” Brown says. “One of the things that released him was the ability to work and tell the story of his work in his own language. Naoto has gone from somebody who crafts objects to somebody who crafts relationships with objects.”"<br />
<br />
“I think objects or things are shifting toward the surrounding walls for integration or otherwise into our body for integration,”
february 2011 by robertogreco
Kicker Studio: The Behavior of Magazines
february 2011 by robertogreco
"[with] Digital magazines … I should be able to do all those things I do with my current magazines, only better, faster, and with way more ease. … instantly tag, share/email, bookmark, rip out and organize my tear sheets … look only at the things I’ve saved, regardless of their source. … magazines are appealing because they are curated. The fact that the reader can rely on a trusted advisor (read: editor) to compile and deliver information on a given topic is a relief. They don’t have to go out and gather the sources, someone else did. Also, they like to see content presented in an orchestrated order. This method of delivery is innately satisfying. Additionally, readers appreciate that the content is not going to change from when they first sit down to read the magazine til they finally finish with it. The fact that in our rapidly-moving society something stays inert is reassuring and comfortable. People rely on magazines as an opportunity to tune out, as Bonnier calls it “Quiet mode.”
sharing
publishing
via:preoccupations
magazines
2011
kicker
bonnier
functionality
reading
howwework
attention
content
commonplacebooks
from delicious
february 2011 by robertogreco
Behind the TEDTalk 2010 on Vimeo
february 2011 by robertogreco
"Behind the TEDTalk is the touching story of two extraordinary people [Raghava KK and Ken Robinson] who shared the stage at the 2010 TED Conference."
presenting
presentations
ted
howto
howwework
performance
kenrobinson
2010
raghavakk
speaking
from delicious
february 2011 by robertogreco
Our experimental rockets are our people – Blog – BERG
february 2011 by robertogreco
"Our culture and way of working is what makes us BERG. And our culture is made by our people. Everyone here has a colossal impact on the life of the room. Nobody just “fits in,” we grow together — learning, teaching and developing as we go. Tom and Matt B are irreplaceable, we’ll miss them enormously!<br />
<br />
That said, one of the things that makes me most pleased is that the studio is a place that people travel through and move on from. I’m proud of our alumni! When they achieve great things, I admit I take a good deal of satisfaction that a fellow traveller has carried a little bit of BERG into the world.<br />
<br />
We keep it quiet, but the secret history of our name is that is stands for the British Experimental Rocket Group. Our experimental rockets are our people.<br />
<br />
So what next?<br />
<br />
The studio will grow and change. We’re established enough that we can treat these moments as opportunities."
berglondon
berg
mattwebb
culture
learning
openstudio
lcproject
howwework
howwelearn
people
hr
teaching
from delicious
<br />
That said, one of the things that makes me most pleased is that the studio is a place that people travel through and move on from. I’m proud of our alumni! When they achieve great things, I admit I take a good deal of satisfaction that a fellow traveller has carried a little bit of BERG into the world.<br />
<br />
We keep it quiet, but the secret history of our name is that is stands for the British Experimental Rocket Group. Our experimental rockets are our people.<br />
<br />
So what next?<br />
<br />
The studio will grow and change. We’re established enough that we can treat these moments as opportunities."
february 2011 by robertogreco
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