robertogreco + film 648
Regina Spektor Still Doesn't Write Anything Down : NPR
5 days ago by robertogreco
"I am so lucky, because almost from the beginning, people would record the shows," Spektor says. "I am just so thankful to them, first of all, for taking the time and putting it up online and sharing it with other listeners, but also mainly [for] myself, because there are so many songs I would not know how to play. It gives me so much relief to know that they're somewhere."
"I grew up poor, and there are a lot of people that grew up a lot poorer than I am. Though, to me, I think that if somebody doesn't have an easy life, they should at least have access to free books and film and music. I think that I feel very lucky to live in this time where people can go online and get everything I've ever made, whether they have a lot of money or not."
recordings
memory
books
film
perspective
life
libraries
drm
reginaspektor
interviews
2012
music
web
online
sharing
from delicious
"I grew up poor, and there are a lot of people that grew up a lot poorer than I am. Though, to me, I think that if somebody doesn't have an easy life, they should at least have access to free books and film and music. I think that I feel very lucky to live in this time where people can go online and get everything I've ever made, whether they have a lot of money or not."
5 days ago by robertogreco
A Brief History of John Baldessari - YouTube
13 days ago by robertogreco
"The epic life of a world-class artist, jammed into six minutes.
Narrated by Tom Waits.
Commissioned by LACMA for their first annual "Art + Film Gala" honoring John Baldessari and Clint Eastwood.
directed by Henry Joost & Ariel Schulman (http://gosupermarche.com/)
edited by Max Joseph (http://www.maxjoseph.com/)
written by Gabriel Nussbaum (http://www.bankstreetfilms.com)
cinematography by Magdalena Gorka (http://magdalenagorka.com/)
& Henry Joost
produced by Mandy Yaeger & Erin Wright
Thank you to John Baldessari and his studio. (http://www.baldessari.org/)"
gabrielnussbaum
arielschulman
henryjoost
photography
sandiego
nationalcity
jean-lucgodard
2012
tomwaits
clinteastwood
documentaries
film
artists
art
johnbaldessari
from delicious
Narrated by Tom Waits.
Commissioned by LACMA for their first annual "Art + Film Gala" honoring John Baldessari and Clint Eastwood.
directed by Henry Joost & Ariel Schulman (http://gosupermarche.com/)
edited by Max Joseph (http://www.maxjoseph.com/)
written by Gabriel Nussbaum (http://www.bankstreetfilms.com)
cinematography by Magdalena Gorka (http://magdalenagorka.com/)
& Henry Joost
produced by Mandy Yaeger & Erin Wright
Thank you to John Baldessari and his studio. (http://www.baldessari.org/)"
13 days ago by robertogreco
Emphas.is
7 weeks ago by robertogreco
"On Emphas.is photojournalists pitch their projects directly to the public. By agreeing to back a story, for a minimum contribution of $10, you are making sure that the issues you care about receive the in-depth coverage they deserve. In exchange you are invited along on the journey.
NEW: The Emphas.is Book Collection
In 2012 we are taking the Emphas.is concept one step further by introducing Emphas.is Books. You can now help make a photography book project see the light simply by pre-ordering a copy. Your copy will be a signed and numbered collector's edition accompanied by a print."
film
documentaries
books
emphas.is
crowdsourcing
funding
photojournalism
photography
journalism
crowdfunding
from delicious
NEW: The Emphas.is Book Collection
In 2012 we are taking the Emphas.is concept one step further by introducing Emphas.is Books. You can now help make a photography book project see the light simply by pre-ordering a copy. Your copy will be a signed and numbered collector's edition accompanied by a print."
7 weeks ago by robertogreco
Beyond Good Intentions – The Movie
7 weeks ago by robertogreco
"Humanitarian crises caused by civil wars or natural disasters, such as in Haiti, often trigger a wave of support from us, the public. But our support raises two difficult questions: first, do our generous donations actually have the desired effect – or any positive effect? and second, what kind of evidence is available to ensure that any debate about aid is well-informed, and that the people most affected are given a prominent voice?
The politics of aid were brought back into sharp focus with the recent publication in The Atlantic of The White Savior Industrial Complex by Teju Cole . In a trenchant piece, Cole wrote: “If we are going to interfere in the lives of others, a little due diligence is a minimum requirement.”
But how?
To answer that question, the film maker Alice Smeets has pitched the idea of a documentary called Beyond Good Intentions…"
[See also: http://www.emphas.is/web/guest/discoverprojects?projectID=600 ]
development
haiti
beyondgoodintentions
journalism
film
documentaries
emphas.is
alicesmeets
ngo
humanitarianism
humanitariandesign
humanitarian
whitesaviorindustrialcomplex
tejucole
2012
johnthackara
from delicious
The politics of aid were brought back into sharp focus with the recent publication in The Atlantic of The White Savior Industrial Complex by Teju Cole . In a trenchant piece, Cole wrote: “If we are going to interfere in the lives of others, a little due diligence is a minimum requirement.”
But how?
To answer that question, the film maker Alice Smeets has pitched the idea of a documentary called Beyond Good Intentions…"
[See also: http://www.emphas.is/web/guest/discoverprojects?projectID=600 ]
7 weeks ago by robertogreco
Ràdio Web MACBA: Conversation with Rick Prelinger on his film collection [.pdf]
7 weeks ago by robertogreco
"MEMORABILIA. COLLECTING SOUNDS WITH…
Conversation with Rick Prelinger on his film collection"
ephemeralfilms
prelingerarchives
ràdiowebmacba
prelingerlibrary
libraries
collections
collecting
film
interview
archives
2011
rickprelinger
from delicious
Conversation with Rick Prelinger on his film collection"
7 weeks ago by robertogreco
First Run Features: SURVIVING PROGRESS
7 weeks ago by robertogreco
"Technological advancement, economic development, population increase - are they signs of a thriving society? Or too much of a good thing? Based on the best-selling book A Short History of Progress, this provocative documentary explores the concept of progress in our modern world, guiding us through a sweeping but detailed survey of the major "progress traps" facing our civilization in the arenas of technology, economics, consumption, and the environment.
Featuring powerful arguments from such visionaries as Jane Goodall, Margaret Atwood, Stephen Hawking, Craig Venter, Robert Wright, Michael Hudson, and Ronald Wright, this enlightening and visually spectacular film invites us to contemplate the progress traps that destroyed past civilizations and that lie treacherously embedded in our own…"
[See also: http://survivingprogress.com/ ]
progress
history
2012
technology
consumption
society
latecapitalism
economics
film
environment
sustainability
documentaries
haroldcrooks
mathieuroy
from delicious
Featuring powerful arguments from such visionaries as Jane Goodall, Margaret Atwood, Stephen Hawking, Craig Venter, Robert Wright, Michael Hudson, and Ronald Wright, this enlightening and visually spectacular film invites us to contemplate the progress traps that destroyed past civilizations and that lie treacherously embedded in our own…"
[See also: http://survivingprogress.com/ ]
7 weeks ago by robertogreco
"TCHOUPITOULAS" -- a new film by Bill & Turner Ross by the Ross Brothers & Co. — Kickstarter
8 weeks ago by robertogreco
"THE LONG AND THE SHORT OF IT: Our new film is about 3 kids, New Orleans at night, and MUSIC -- but we need to raise money to clear the music in order to release the film! Besides some other work by us, we've chosen rewards that commemorate New Orleans, music, and our personal commitment to you if you help us out (e.g., we'll make a movie for you!). If we don't raise at least $38,000, the music in Tchoupitoulas will remain uncleared, the film unreleaseable, and we'll never be able to show it to everyone. The bottom line: WE WANT TO BE ABLE TO SHOW YOU THIS MOVIE!"
music
children
turnerross
billross
tchoupitoulas
film
kickstarter
2012
neworleans
nola
from delicious
8 weeks ago by robertogreco
The Future of Mud: A Tale of Houses and Lives in Djenne - Earth Architecture
march 2012 by robertogreco
"The Future of Mud: A Tale of Houses and Lives in Djenne, a new film by Susan Vogel and presented by the Musée National du Mali, is the story of Komusa, master mason and heir to the secrets of Djenne architecture. He hopes his son will continue the family profession and maintain their world heritage city - but Djenne is connected to a global world now, and competing ideas about the future have arrived. Documentary footage and staged scenes tell an intimate story of family tensions, contemporary building practices, and the precarious future of the renowned mud architecture of Mali.
Treehugger writes of the film:
A "collective connection to earthen architecture is best seen in the film’s footage of the annual re-plastering of the town’s pride, the Great Mosque, which is the world’s largest earth building, in addition to being a distinguished UNESCO World Heritage site. The first earthen structure here on this site dates back to the 13th century and is re-plastered every year…"
2007
komusa
craft
tradition
cities
film
mud
worldheritage
unesco
documentaries
susanvogel
architecture
design
africa
mali
_mud
from delicious
Treehugger writes of the film:
A "collective connection to earthen architecture is best seen in the film’s footage of the annual re-plastering of the town’s pride, the Great Mosque, which is the world’s largest earth building, in addition to being a distinguished UNESCO World Heritage site. The first earthen structure here on this site dates back to the 13th century and is re-plastered every year…"
march 2012 by robertogreco
Don't Make Me Steal
february 2012 by robertogreco
"1. Pricing: In general I want the pricing model to be simple & transparent. I don't mind a slight difference in pricing between movies with regard to the age of the movie.
* Rentals should not exceed 1/3 of the cinema price.
* Purchases should not exceed the cinema price.
* Monthly flat rate prices should not exceed 3 visits to the cinema.
* TV shows should cost 1/3 the price of movies.
* Payments are for the content, not bandwidth.
2. Languages
* I can obtain the audio in every language produced for the content.
* After purchasing a movie, all the languages are available.
* Fans are legally allowed to create and share subtitles for any content.
3. Convenience
* The content I paid for is instantly available.
* Content is delivered without ads, or disrupting infringement warnings.
* I can find movies or TV shows by year, director, language, country, genre, iMDB ID, etc.
4. Choice And Release Dates
* The release date is global. There are no limits regarding the country I live in…"
media
consumption
2012
manifesto
cinema
campaign
piracy
downloads
film
movies
copyright
from delicious
* Rentals should not exceed 1/3 of the cinema price.
* Purchases should not exceed the cinema price.
* Monthly flat rate prices should not exceed 3 visits to the cinema.
* TV shows should cost 1/3 the price of movies.
* Payments are for the content, not bandwidth.
2. Languages
* I can obtain the audio in every language produced for the content.
* After purchasing a movie, all the languages are available.
* Fans are legally allowed to create and share subtitles for any content.
3. Convenience
* The content I paid for is instantly available.
* Content is delivered without ads, or disrupting infringement warnings.
* I can find movies or TV shows by year, director, language, country, genre, iMDB ID, etc.
4. Choice And Release Dates
* The release date is global. There are no limits regarding the country I live in…"
february 2012 by robertogreco
Can I Stream...
february 2012 by robertogreco
"Can I Stream is a simple search engine to find what Movies and TV shows are available for legal streaming on the web. Instead of slogging through several sites trying to find the movie you want to watch online, you can search Can I Stream and find out immediately.
To search for a Movie or TV Show, just click the dotted line above and enter your search. Expert users can skip right to the results straight from the URL by typing in their title split by dashes - for example, http://canistre.am/back-to-the-future.
Can I Stream is a side project from Chris Dary, a developer at Arc90."
canistream
onlinetoolkit
chrisdary
video
film
movies
tv
streaming
from delicious
To search for a Movie or TV Show, just click the dotted line above and enter your search. Expert users can skip right to the results straight from the URL by typing in their title split by dashes - for example, http://canistre.am/back-to-the-future.
Can I Stream is a side project from Chris Dary, a developer at Arc90."
february 2012 by robertogreco
Twitter / @ThisMoiThisMoi: Right after I dropped out ...
february 2012 by robertogreco
"Right after I dropped out of high school I worked at a video store where we got free rentals. Truffaut's were my first ones...
and like any self-respecting "artsy" high school drop out I immediately became obsessed with Antoine Doinel."
[That second half is from here: http://twitter.com/ThisMoiThisMoi/status/166561097753694208 ]
self-directedlearning
autodidactism
autodidacts
learning
2012
francoistruffaut
antoinedoinel
film
dropouts
kartinarichardson
and like any self-respecting "artsy" high school drop out I immediately became obsessed with Antoine Doinel."
[That second half is from here: http://twitter.com/ThisMoiThisMoi/status/166561097753694208 ]
february 2012 by robertogreco
Tim and Eric’s comedy of repulsion - Salon.com
february 2012 by robertogreco
"This repulsion toward vulnerability is really a resentment at being put in charge of a person who doesn’t know how to play the game of affecting invincibility. The main purpose of this game is pretending death will never come; the smaller goal is to pretend that we are all perfectly self-sufficient. This is why so many people were outraged at Lana del Rey’s “Saturday Night Live” performance: She stopped playing the game and forced us to bear witness to her crippling fear. This is also why people abuse the elderly and disabled and animals — their vulnerability is too obvious and provokes hostile resentment."
"It’s important to mess with the spiritual structure of the world — the architecture of ideas, institutions, identities and even the structure of filmmaking. Only by doing this can the ludicrous nature of the game be revealed. Maybe one day we will overcome our repulsion toward weakness and admit our fragility on a daily basis…"
humor
human
identity
vulnerability
_2012
film
timanderic
celeryman
paulrudd
kartinarichardson
"It’s important to mess with the spiritual structure of the world — the architecture of ideas, institutions, identities and even the structure of filmmaking. Only by doing this can the ludicrous nature of the game be revealed. Maybe one day we will overcome our repulsion toward weakness and admit our fragility on a daily basis…"
february 2012 by robertogreco
NFB/Interactive - Bear 71
february 2012 by robertogreco
[an interactive film about grizzly bears from the National Film Board of Canada]
"It's hard to say where the wild world ends and the wild one begins."
"The forest has its own language."
"If you look backward from any single point in time, everything seems to lead up to that moment."
"They'll have to learn *not* to do what comes naturally, and I wonder. Maybe the lesson is too hard."
deschooling
unschooling
parenting
flash
video
film
2012
tracking
visualization
classideas
storytelling
interactivenarratives
nationalfilmboardofcanada
nfb
bear71
bears
nature
animals
documentary
interactive
cyoa
interactivefiction
"It's hard to say where the wild world ends and the wild one begins."
"The forest has its own language."
"If you look backward from any single point in time, everything seems to lead up to that moment."
"They'll have to learn *not* to do what comes naturally, and I wonder. Maybe the lesson is too hard."
february 2012 by robertogreco
DeleuzeCinema.com |
february 2012 by robertogreco
"Deleuzecinema.com facilitates international networking and collaboration amongst people interested in Gilles Deleuze and cinema. The site contains a database of people and resources related to Deleuze and cinema (including TV, new media and visual culture). It enables discussion of topics of interest to its members, and disseminates announcements and news items.
The site is open access and its content available to everyone. Registered users can contribute content, build a profile for themselves, enter discussion, or post news items. We welcome participation from people all over the world in any language."
gillesdeleuze
film
deleuze
from delicious
The site is open access and its content available to everyone. Registered users can contribute content, build a profile for themselves, enter discussion, or post news items. We welcome participation from people all over the world in any language."
february 2012 by robertogreco
Old-School Instagram Filters | 1000memories
february 2012 by robertogreco
"At 1000memories, we have a particular fondness for old stuff (if you can’t tell by our homepage). That’s why we’ve always liked Instagram. It celebrates the old, vintage aesthetic of the film photos of yore. But there’s a lot of history behind the photo filter that many folks are not aware of—in fact, none of the photo apps you know today would exist without the vintage photography that inspired them. So we set out to hack the formula to recreate the look of the analog Instagram filters using the technology that inspired them in the first place—vintage cameras and film."
1000memories
cameras
2011
filters
film
polaroid
processing
lomo
instagram
photography
february 2012 by robertogreco
Dr. Chris Mullen, The Visual Telling of Stories, illustration, design, film, narrative sequences, magazines, books, prints etc
january 2012 by robertogreco
"A lyrical encyclopedia of visual proportions…Rugged design in opposition to elegance…It's bigger than you could ever think—just explore—no clues from me…big letter and no fancy-dan embroidery—on opposition to the fey…"
"This site records a range of material dedicated to the study of the Visual Narrative. The original site, intended by me for part-time students and other interested parties was closed down by the University of Brighton in 2004. I was subsequently denied access to the original images most of which, however, were in my own collection. I have developed the site on a daily basis thereafter. It remains exclusively educational and is in constant use. Many thanks to those in the UK and beyond who shared my irritation at events. Contact me on chris@fulltable.com "
writing
stories
narrativesequences
magazines
_narrative
film
treasure
susia
philbeard
rebeccamarywilson
hypertext
ruthrix
janecouldrey
clarestrand
grammercypark
petruccelli
jackiebatey
jaynewilson
dickbriel
chrismullen
america
visual
visualcodes
advertising
comics
classideas
tcsnmy
srg
edg
glossary
reference
books
images
visualization
wcydwt
art
design
illustration
storytelling
via:litherland
"This site records a range of material dedicated to the study of the Visual Narrative. The original site, intended by me for part-time students and other interested parties was closed down by the University of Brighton in 2004. I was subsequently denied access to the original images most of which, however, were in my own collection. I have developed the site on a daily basis thereafter. It remains exclusively educational and is in constant use. Many thanks to those in the UK and beyond who shared my irritation at events. Contact me on chris@fulltable.com "
january 2012 by robertogreco
Music Of Bayaka Pygmies Featured In New Film : NPR
january 2012 by robertogreco
"ROBERT SIEGEL, HOST:
And I'm Robert Siegel. Now, a new movie that does a very good job with a familiar old theme - man from economically developed, formerly known as civilized world, goes off to live and find meaning in traditional, formerly known as primitive society. The movie is "Oka." The society in question is a clan of Bayaka pygmies who live in the Central African Republic and what elevates this twist on the old trope is the stunning music of the pygmies, their voices...
(SOUNDBITE OF MUSIC)
SIEGEL: ...and their use of virtually everything around them, trees, even the water in the stream, as musical instruments."
centralafricanrepublic
filmmaking
laviniacurrier
louissarno
oka
film
2012
pygmies
africa
bayakapygmies
bayaka
music
sound
from delicious
And I'm Robert Siegel. Now, a new movie that does a very good job with a familiar old theme - man from economically developed, formerly known as civilized world, goes off to live and find meaning in traditional, formerly known as primitive society. The movie is "Oka." The society in question is a clan of Bayaka pygmies who live in the Central African Republic and what elevates this twist on the old trope is the stunning music of the pygmies, their voices...
(SOUNDBITE OF MUSIC)
SIEGEL: ...and their use of virtually everything around them, trees, even the water in the stream, as musical instruments."
january 2012 by robertogreco
Playtime (Spielzeit) by Lucas Mireles — Kickstarter
january 2012 by robertogreco
"Inspired by Billy Wilder’s People On Sunday (1930), Playtime is a seamless journey through the lives of German youth on a Sunday afternoon. Jan (Jan Müller) awaits his date with the sexy Matilda (Marylu Poolman). But when Matilda shows up with Andy (Markus Klauk), Jan realizes she has more in mind for their afternoon together. Not interested in this ménage à trois, Jan leaves Matilda and Andy to their own fun. But their rendezvous is quickly interrupted by a group of children at play. The boys poke fun at Andy’s shortcomings, until he finally chases them away to a mysterious graveyard. There, one of the boys (Tim Lingens) gets lost in his imagination as the sun sets on this ordinary Sunday experienced through extraordinary lives."
[See also http://www.playtimemovie.com ]
ryanslattery
uclafilm
ucla
cologne
germany
2012
innocence
youth
playtime
1930
billywilder
filmmaking
lucasmireles
play
children
film
kickstarter
[See also http://www.playtimemovie.com ]
january 2012 by robertogreco
designswarm thoughts » I make things: mapping the creative industries
january 2012 by robertogreco
"As I work my way through my notes on the event, I also wanted to start to unpick who was using the word “make” and what they were making. This is a first stab and not really about creating collaborative connections yet. I might also be missing some things, do let me know. In this, I think we can see where the “creative industries” overlap and therefore where skill sets overlap. This also proves perhaps that one should be quite careful with using any one term. Designer, artists, engineer…when you look close enough, can become one and the same."
mapping
maps
web
software
video
film
developers
engineers
hacking
crafts
craft
engineering
marloestenbhomer
adrianbowyer
brepettis
glvo
creativity
design
alexandradeschamps-sonsino
making
make
from delicious
january 2012 by robertogreco
Charles & Ray Eames: The Architect and the Painter - Watch the Full Documentary Film | American Masters | PBS
january 2012 by robertogreco
"From 1941 to 1978, this husband-and-wife team brought unique talents to their partnership. He was an architect by training, she was a painter and sculptor. Together they are considered America’s most important and influential designers, whose work helped, literally, shape the second half of the 20th century and remains culturally vital and commercially popular today. They are, perhaps, best remembered for their mid-century modern furniture, built from novel materials like molded plywood, fiberglass-reinforced plastic, bent metal wire and aluminum – offering consumers beautiful, functional, yet inexpensive products. Revered for their designs and fascinating as individuals, Charles and Ray have risen to iconic status in American culture. But their influence on significant events and movements in American life – from the development of modernism, to the rise of the computer age – has been less widely understood. Charles and Ray Eames are now profiled as part of American Masters."
design
inspiration
pbs
film
furniture
architecture
glvo
california
history
2011
documentary
eames
from delicious
january 2012 by robertogreco
Tilda Swinton Discusses Her Career - NYTimes.com
january 2012 by robertogreco
"“For me that is grace,” she says of her character’s dumbstruck confusion in the face of her irrevocably altered life. “I am really interested in silence. In inarticulacy also, which isn’t the same as silence. As a performer I like looking at the gaps between what people want to communicate and what they can communicate,” she adds. “I love good filmmaking that isn’t just about really proficient writers of dialogue, who think that everybody’s really articulate and everybody can hear each other really well. That doesn’t feel true to me, actually. I mean, that’s a fantastical universe.”"
[via: http://snarkmarket.com/2011/7583 ]
realism
reality
believability
filmmaking
articulation
inarticulacy
silence
grace
2011
film
writing
tildaswinton
from delicious
[via: http://snarkmarket.com/2011/7583 ]
january 2012 by robertogreco
Raiders of the Lost Archives - YouTube
january 2012 by robertogreco
"Shot-by-shot comparison of "Raiders of the Lost Ark" vs. scenes from 30 different adventure films made between 1919-1973."
filmmaking
comparison
everythingisaremix
film
raidersofthelostark
raidersofthelostarchives
from delicious
january 2012 by robertogreco
Patricio Guzmán’s ‘Nostalgia for the Light’ to Open - NYTimes.com
january 2012 by robertogreco
"What finally enabled Mr. Guzmán to make “Nostalgia for the Light,” which opens on Friday at the IFC Center in Greenwich Village, was his realization that the subjects he wanted to address did have a point in common: the preservation of memory. The women who comb the desert looking for the remains of loved ones who disappeared under the dictatorship of Gen. Augusto Pinochet share that trait with the archaeologists and geologists who work in the shadow of the astronomical observatories that dot the Atacama, drawn by its clear skies.
Remembrance has, of course, also been the main theme of Mr. Guzmán’s own body of work, which has been primarily political. But his best-known film, the three-part, four-and-a-half-hour “Battle of Chile,” has come to be regarded as something more than just the record of a particular historical moment."
light
nostalgiadelaluz
nostalgiaforthelight
history
remembrance
salvadorallende
chile
archaeology
geology
pinochet
patricioguzmán
astronomy
memory
documentary
film
2011
atacama
from delicious
Remembrance has, of course, also been the main theme of Mr. Guzmán’s own body of work, which has been primarily political. But his best-known film, the three-part, four-and-a-half-hour “Battle of Chile,” has come to be regarded as something more than just the record of a particular historical moment."
january 2012 by robertogreco
A Cinematic Novel: ‘Historias extraordinarias’ | Hydra Magazine
january 2012 by robertogreco
"The pleasure of watching Historias extraordinarias derives in large part from the sheer magnitude of the multiple narratives that propel the film forward.
…One such episode recounts a brutal robbery and mass killing using only photographs for visualization, creating suspense and terror from a deft sequencing of photo stills, a technique reminiscent of Chris Marker’s canonical masterwork, La jetée (1962). Another memorable section ingeniously weaves the actual work and biography of obscure Argentine architect, Francisco Salamone, into one of the central plot threads. To Llinás, fiction and nonfiction are perpetually on level terms.
The graphic textuality of Historias extraordinarias owes much also to the comic book and graphic novel medium. In an interview with Argentine novelist Alan Pauls, Llinás explains that one of the chief inspirations for the scenario was Hergé’s classic comic-strip series, Les Aventures de Tintin…"
intertextuality
narrative
storytelling
literature
alanpauls
franciscosalamone
narration
fiction
nonfiction
towatch
argentina
borges
2011
film
tintin
hergé
marianollinás
historiasextraordinarias
andrébazin
from delicious
…One such episode recounts a brutal robbery and mass killing using only photographs for visualization, creating suspense and terror from a deft sequencing of photo stills, a technique reminiscent of Chris Marker’s canonical masterwork, La jetée (1962). Another memorable section ingeniously weaves the actual work and biography of obscure Argentine architect, Francisco Salamone, into one of the central plot threads. To Llinás, fiction and nonfiction are perpetually on level terms.
The graphic textuality of Historias extraordinarias owes much also to the comic book and graphic novel medium. In an interview with Argentine novelist Alan Pauls, Llinás explains that one of the chief inspirations for the scenario was Hergé’s classic comic-strip series, Les Aventures de Tintin…"
january 2012 by robertogreco
Nostalgia for the Light / Trailer - YouTube
january 2012 by robertogreco
"Nostalgia for the Light takes place 10,000 feet above sea level to the driest place on earth, the Atacama Desert, where atop the mountains astronomers from all over the world gather to observe the stars. The sky is so translucent that it allows them to see right to the boundaries of the universe. The Atacama is also a place where the harsh heat of the sun keeps human remains intact: those of Pre-Columbian mummies; 19th century explorers and miners; and the remains of political prisoners, "disappeared" by the Chilean army after the military coup of September, 1973."
[See also: http://www.imdb.com/title/tt1556190/combined ]
nostalgiaforlight
science
astronomy
space
2011
atacama
patricioguzmán
chile
documentary
film
from delicious
[See also: http://www.imdb.com/title/tt1556190/combined ]
january 2012 by robertogreco
notgames: YouTube vs videogames
december 2011 by robertogreco
"Claiming that watching a movie on YouTube produces the same effect as actually interacting with a videogame that is not action-based, is like saying that looking at a person is the same as looking at Bernini’s sculpture or Velasquez’ painting of that person."
interaction
art
2011
youtube
videogames
film
gaming
games
from delicious
december 2011 by robertogreco
THE MODEL - Chapter 1: Marcello in Limbo on Vimeo
december 2011 by robertogreco
"…a short film duo entiled “The Model,” inspired by the recently released Seu Jorge and Almaz album by Brazilian singer and actor Seu Jorge…
The first part "Chapter 1: Marcello in Limbo" [ http://vimeo.com/15577008 ] is a one-take affair that follows Jorge as he weaves through a cliff-side mansion in the Hollywood Hills. The film showcases three cover songs from the album (Roy Ayers’ “Everybody Loves The Sunshine,” Martinho da Vila and João de Aquino's “Cirandar” and Kraftwerk’s “The Model”) and features the members of his band Almaz, producer Mario C and keyboardist Money Mark.
In chapter two [ http://vimeo.com/17345609 ] we get treated to Marcello's (Seu Jorge) hypnotic take on his dreams and how they involve music and the image of a mysterious woman that have come to consume him. Struggling to decifer his dreams from reality, Marcello attempts to make sense of it all."
khaliljoseph
dreams
video
film
music
seujorge
from delicious
The first part "Chapter 1: Marcello in Limbo" [ http://vimeo.com/15577008 ] is a one-take affair that follows Jorge as he weaves through a cliff-side mansion in the Hollywood Hills. The film showcases three cover songs from the album (Roy Ayers’ “Everybody Loves The Sunshine,” Martinho da Vila and João de Aquino's “Cirandar” and Kraftwerk’s “The Model”) and features the members of his band Almaz, producer Mario C and keyboardist Money Mark.
In chapter two [ http://vimeo.com/17345609 ] we get treated to Marcello's (Seu Jorge) hypnotic take on his dreams and how they involve music and the image of a mysterious woman that have come to consume him. Struggling to decifer his dreams from reality, Marcello attempts to make sense of it all."
december 2011 by robertogreco
FOLLOWING SEAN - official website
december 2011 by robertogreco
"Filmmaker Ralph Arlyck first met Sean while living as a graduate student in San Francisco's Haight Ashbury neighborhood at the height of the 1960s.
The city was awash with the trappings of America's cultural revolution-the San Francisco State University campus flooded with cops in riot gear, the Haight filled with drifters and idealists, and, on the third floor of Arlyck's building, a come-one-come-all crashpad apartment. It was from this top floor commune that the precocious 4-year-old Sean would occasionally wander downstairs to visit and talk-and one day Arlyck turned on his camera‌
Thirty years, three generations, and a lifetime later, Arlyck has returned to San Francisco in search of who the adult Sean might have become‌"
economics
philosophy
cities
thechildinthecity
children
via:litherland
hippies
sanfrancisco
california
documentary
film
from delicious
The city was awash with the trappings of America's cultural revolution-the San Francisco State University campus flooded with cops in riot gear, the Haight filled with drifters and idealists, and, on the third floor of Arlyck's building, a come-one-come-all crashpad apartment. It was from this top floor commune that the precocious 4-year-old Sean would occasionally wander downstairs to visit and talk-and one day Arlyck turned on his camera‌
Thirty years, three generations, and a lifetime later, Arlyck has returned to San Francisco in search of who the adult Sean might have become‌"
december 2011 by robertogreco
Les Petites Échos, The Kids Are All Right// The Meaning is the...
december 2011 by robertogreco
"In the end, the film worked for the same reasons any piece of art works: it was very well made. The handheld shots and playful editing seamlessly accompanied the whimsical pop navigations of Girl Talk’s music; the movie built up a slow, compelling love triangle between Marsen and the two nameless male dancers as they drifted through the urban landscape, meeting and parting, meeting and parting. This gave me hope: craft still matters. Despite the evening’s hispterish veneer, despite all of its Web 2.0 trappings, a piece of art must still stand on its own. An audience will still respond to quality and shun mediocrity."
reiflarsen
kickstarter
film
art
glvo
making
generations
socialnetworking
mashups
meaning
facebook
millennials
communication
sharing
inbetweeness
girltalk
girlwalk
annemarsen
2011
audience
craft
quality
mediocrity
happiness
from delicious
december 2011 by robertogreco
OMG Everywhere! |
november 2011 by robertogreco
"OMG Everywhere! was born when a few of us music video folks decided we wanted to share what we did with the next generation. We set out to organize a week-long series of workshops, the goal being to provide kids with a unique opportunity to experiment creatively, develop artistically, and learn new skills. We’d hoped that by looking through the lens of a camera, they’d be able to expand their worldview and start seeing the universe as a place subject to their own creativity, open to manipulation by their imaginations.
But after our pilot program, we realized we couldn’t just go back to the old way of doing things. We missed our kids! So we took a look at our schedules, wrangled the crew back together, and decided to give the nonprofit business a whirl. As OMG Everywhere, we hope to establish our program as a place for kids to collaborate, develop confidence in their work, and just be kids for awhile."
omgeverywhere
lcproject
nonprofit
education
learning
projectideas
film
video
creativity
But after our pilot program, we realized we couldn’t just go back to the old way of doing things. We missed our kids! So we took a look at our schedules, wrangled the crew back together, and decided to give the nonprofit business a whirl. As OMG Everywhere, we hope to establish our program as a place for kids to collaborate, develop confidence in their work, and just be kids for awhile."
november 2011 by robertogreco
Frieze Magazine | Archive | Twenty Years Fore & Aft
november 2011 by robertogreco
"People are never scared by the commonplaces of daily life, no matter how risky they are; in 2031, people choose to be alarmed by exotic, eye-catching stuff, like rare diseases and psycho serial killers…
There are no political parties. They were entirely hollowed-out and disrupted by social networks. That happened fast.…
Suburbs are the new favelas, while the prosperous live cheek-by-jowl in repurposed downtowns. Architecture guts entire city blocks, preserving the historicized skins around flats packed to Hong Kong densities. Cars are rental-shared. Furniture is mobile. Most objects have IDs…
Nothing can be ‘innovative’ unless you are convinced that change makes a difference. Without the magic patter, the semantic context that sets expectations, a rabbit in a hat is not a wonder, it’s just a weird accident. A true network society cannot progress, because it reticulates; it’s all snakes and ladders, rockets and potholes, mash-ups and short circuits."
brucesterling
2031
futurism
favelachic
cities
risk
commonplace
magic
mystery
technology
future
fiction
speculativerealism
designfiction
scifi
sciencefiction
2011
nostalgia
atemporality
books
publishing
film
reality
chernobyl
fear
life
art
glvo
classideas
projectideas
from delicious
There are no political parties. They were entirely hollowed-out and disrupted by social networks. That happened fast.…
Suburbs are the new favelas, while the prosperous live cheek-by-jowl in repurposed downtowns. Architecture guts entire city blocks, preserving the historicized skins around flats packed to Hong Kong densities. Cars are rental-shared. Furniture is mobile. Most objects have IDs…
Nothing can be ‘innovative’ unless you are convinced that change makes a difference. Without the magic patter, the semantic context that sets expectations, a rabbit in a hat is not a wonder, it’s just a weird accident. A true network society cannot progress, because it reticulates; it’s all snakes and ladders, rockets and potholes, mash-ups and short circuits."
november 2011 by robertogreco
“Sometimes the stories are the science…” – Blog – BERG
november 2011 by robertogreco
"About a decade ago – I saw Oliver Sacks speak at the Rockerfeller Institute in NYC, talk about his work.
A phrase from his address has always stuck with me since. He said of what he did – his studies and then the writing of books aimed at popular understanding of his studies that ‘…sometimes the stories are the science’.
Sometimes our film work is the design work.
Again this is a commercial act, and we are a commercial design studio.
But it’s also something that we hope unpacks the near-future – or at least the near-microfutures – into a public where we can all talk about them."
oliversacks
learning
deschooling
unschooling
education
berg
berglondon
mattjones
timoarnall
storytelling
design
understanding
newgrammars
conversation
meaning
meaningmaking
glvo
tcsnmy
classideas
art
paulklee
domains
interdisciplinarity
interdisciplinary
crossdisciplinary
multidisciplinary
crosspollination
perspective
mindset
wbrianarthur
jackschulze
mattwebb
technology
future
dansaffer
rulespace
simulation
believability
materialquality
film
video
invention
creativity
time
adamlisagor
brucesterling
vernacularvideo
victorpapanek
jasonkottke
andybaio
johnsculley
apple
stevejobs
knowledgenavigator
prototypes
prototyping
iteration
process
howwework
howwelearn
communication
from delicious
A phrase from his address has always stuck with me since. He said of what he did – his studies and then the writing of books aimed at popular understanding of his studies that ‘…sometimes the stories are the science’.
Sometimes our film work is the design work.
Again this is a commercial act, and we are a commercial design studio.
But it’s also something that we hope unpacks the near-future – or at least the near-microfutures – into a public where we can all talk about them."
november 2011 by robertogreco
Warren Ellis » Tomorrow’s World: The Near Future Of Pop
november 2011 by robertogreco
"Not that my sixteen year old daughter knows anything about that. The thing about an early-stage networked culture where everything is available on demand means that you have to know about it to demand it. It’s why companies like last.fm, and most social networks, have always put “music discovery” towards the top of their priorities. They know that common culture has been fractured by the internet and the remains bought and paid for by scum. But my daughter has a t-shirt that reads OF COURSE I’M NOT ON FUCKING FACEBOOK. She uses YouTube playlists, and her friends’ tastes, and even music magazines, and plots her own course through pop.
And she doesn’t know, or care to be told, what her favourite pop bands owe to the Pixies or Bowie or Velvet Underground. Atemporality means nothing to her. This is hers, and that’s how it should be. And pop, in relation to the wreckage of mainstream media, has gone underground, and perhaps that’s how it should be too. Underground and everywhere, at the speed of light."
warrenellis
music
spacetime
whosonfirst
popculture
atemporality
nearfuture
adolescence
film
youtube
facebook
socialnetworking
socialnetworks
via:straup
2011
last.fm
discovery
And she doesn’t know, or care to be told, what her favourite pop bands owe to the Pixies or Bowie or Velvet Underground. Atemporality means nothing to her. This is hers, and that’s how it should be. And pop, in relation to the wreckage of mainstream media, has gone underground, and perhaps that’s how it should be too. Underground and everywhere, at the speed of light."
november 2011 by robertogreco
Life In A Day - YouTube
november 2011 by robertogreco
"Director Kevin Macdonald (The Last King of Scotland) and producer Ridley Scott (Alien, Gladiator) team up to offer this candid snapshot of a single day on planet Earth. Compiled from over 80,000 YouTube submissions by contributors in 192 countries, Life in a Day presents a microcosmic view of our daily experiences as a global society. From the mundane to the profound, everything has its place as we spend 90 minutes gaining greater insight into the lives of people who may be more like us than we ever suspected, despite the fact that we're separated by incredible distances."
documentary
ridleyscott
lifeinaday
earth
classideas
humans
film
2011
towatch
society
nature
from delicious
november 2011 by robertogreco
Ranu Mukherjee: Contemporary Nomads on Vimeo
october 2011 by robertogreco
"Artist Ranu Mukherjee builds expansive video visions of nomadic existence, based on fragments of experiences by strangers. Her works draws from nomadic lifestyles of all sorts, from geopolitical displacement to daily business travel."
travel
nomads
nomadism
neo-nomads
art
video
2011
ranumukherjee
glvo
film
from delicious
october 2011 by robertogreco
How To Start A Revolution | a film by Ruaridh Arrow
october 2011 by robertogreco
"Half a world away from Cairo’s Tahrir Square, an ageing American intellectual shuffles around his cluttered terrace house in a working-class Boston neighbourhood. His name is Gene Sharp. White-haired and now in his mid-eighties, he grows orchids, he has yet to master the internet and he hardly seems like a dangerous man. But for the world’s dictators his ideas can be the catalyst for the end of their regime.
Few people outside the world of academia have ever heard his name, but his writings on nonviolent revolution (most notably ‘From Dictatorship to Democracy’, a 93-page, 198-step guide to toppling dictators, available free for download in 40 languages) have inspired a new generation of protesters living under authoritarian regimes who yearn for democratic freedom."
genesharp
revolution
nonviolence
documentary
activism
film
2011
politics
from delicious
Few people outside the world of academia have ever heard his name, but his writings on nonviolent revolution (most notably ‘From Dictatorship to Democracy’, a 93-page, 198-step guide to toppling dictators, available free for download in 40 languages) have inspired a new generation of protesters living under authoritarian regimes who yearn for democratic freedom."
october 2011 by robertogreco
WorkBook Project :: an open creative network
october 2011 by robertogreco
"The WorkBook Project is for those who want to be creative in the digital age. An open creative network that provides insight into the process of funding, creating, distributing and sustaining from one's creative efforts.
At the heart of WBP is a story R&D; lab. Current R&D; projects include DIY DAYS, Robot <3 Stories and Wicked Solutions for a Wicked Problem.
WBP is always looking for collaborators to join our growing global community of storytellers. If you're interested let us know we'd love to hear from you."
theworkbookproject
film
filmmaking
community
diy
distribution
social
media
creativity
classideas
from delicious
At the heart of WBP is a story R&D; lab. Current R&D; projects include DIY DAYS, Robot <3 Stories and Wicked Solutions for a Wicked Problem.
WBP is always looking for collaborators to join our growing global community of storytellers. If you're interested let us know we'd love to hear from you."
october 2011 by robertogreco
The ASC: Thom Andersen: “Los Angeles Plays Itself,” Part One « John Bailey's Bailiwick
september 2011 by robertogreco
"Los Angeles Plays Itself is an insider’s tour of the city that “manufactures” movies. It glosses through dozens of film clips, mainly Hollywood studio features—from Hal Roach shorts to mid-nineties feature films of white paranoia and malaise such as Falling Down and Grand Canyon. Along the way, we explore other faces of Los Angeles: from the dystopian, nightmare future of Blade Runner; the cop corruptions and violence of L.A. Confidential; the bare bones iconography and nighttime streets of post WWII “film noir” with its McCarthy-esque conspiratorial overtones; the relentless crunching of sheet metal in car chases that are its own timeless genre—to the satiric “LaLa Land” clichés of L.A. Story and Annie Hall; and the slapstick delights of Laurel and Hardy’s The Music Box."<br />
<br />
Part two: http://www.theasc.com/blog/2011/08/08/thom-andersen-“los-angeles-plays-itself-part-two/<br />
<br />
Part three: http://www.theasc.com/blog/2011/08/15/thom-andersen-“los-angeles-plays-itself”-part-three/
losangeles
film
thomandersen
2011
history
cities
media
from delicious
<br />
Part two: http://www.theasc.com/blog/2011/08/08/thom-andersen-“los-angeles-plays-itself-part-two/<br />
<br />
Part three: http://www.theasc.com/blog/2011/08/15/thom-andersen-“los-angeles-plays-itself”-part-three/
september 2011 by robertogreco
The Lives of Others - Wikipedia
september 2011 by robertogreco
"The Lives of Others (German: Das Leben der Anderen) is a 2006 German drama film, marking the feature film debut of filmmaker Florian Henckel von Donnersmarck. The film involves the monitoring of the cultural scene of East Berlin by agents of the Stasi, the GDR's secret police. It stars Ulrich Mühe as Stasi Captain Gerd Wiesler, Ulrich Tukur as his boss Anton Grubitz, Sebastian Koch as the playwright Georg Dreyman, and Martina Gedeck as Dreyman's lover, a prominent actress named Christa-Maria Sieland."
history
film
germany
towatch
from delicious
september 2011 by robertogreco
blackoystercatcher: Taking history back from the "storytellers"
september 2011 by robertogreco
"Some of the most interesting documentary films take their structures from organic phenomena like the hours of the day, or the trajectory of a river from source to mouth. Others are essays that follow a structured thought process. Still others divide into sequences or parts that need to be understood and compared as discrete units for the film to generate meaning in the viewer. In fact, there are nearly infinite possible documentary structures, of which I think we've only seen a small fraction. By contrast, the mainstream documentary focuses on what's now called "storytelling," a highly traditional representational strategy…<br />
<br />
Of course, there's nothing wrong with storytelling, whatever it may be, and not all stories are bad. What's wrong is the assumption, which has become not only pervasive but compulsory, that documentaries need characters, that the narrative arc must reign supreme, and that we're obliged to show people wrestling with and resolving problems."
storytelling
history
culture
documentary
stories
film
rickprelinger
2009
filmmaking
structure
from delicious
<br />
Of course, there's nothing wrong with storytelling, whatever it may be, and not all stories are bad. What's wrong is the assumption, which has become not only pervasive but compulsory, that documentaries need characters, that the narrative arc must reign supreme, and that we're obliged to show people wrestling with and resolving problems."
september 2011 by robertogreco
The Mavenist: Augmented Identity
september 2011 by robertogreco
Another great back and forth from Frank and Rob. This line sums it up for me: <br />
<br />
"Where does the identifiable part of an identity reside?"
identity
2011
frankchimero
robgiampietro
jeanarp
art
artists
sherryturkle
stewartbrand
donaldbrown
universals
humans
human
humanuniversals
collectivism
manet
muppets
danielbejar
googlegängers
google
search
internet
northbynorthwest
carygrant
film
tv
television
omarlittle
michaelkwilliams
thewire
jacknicholson
theshining
simpsons
marcelduchamp
jimhenson
from delicious
<br />
"Where does the identifiable part of an identity reside?"
september 2011 by robertogreco
PROBLEMA the film
august 2011 by robertogreco
"Who are we in the 21st Century?<br />
<br />
A cinematic interpretation of the world's largest round table gathering, PROBLEMA is a visually imaginative, thought-provoking invitation to a world of global dilemmas. Spanning seventeen questions confronting who we are and where we're going, the film follows the insights, perceptions, reflections and views of over 100 people from more than 50 nations sat together in one circle.<br />
A not-for-profit production, PROBLEMA is freely available to watch and to download via this website. If you'd like to support the film, we encourage you to host a screening, to sign our guestbook or to consider making a micro-donation to help further its human connection."
film
activism
classideas
capitalism
documentary
thinking
dilemmas
problemsolving
criticalthinking
teaching
global
philosophy
2011
via:cervus
from delicious
<br />
A cinematic interpretation of the world's largest round table gathering, PROBLEMA is a visually imaginative, thought-provoking invitation to a world of global dilemmas. Spanning seventeen questions confronting who we are and where we're going, the film follows the insights, perceptions, reflections and views of over 100 people from more than 50 nations sat together in one circle.<br />
A not-for-profit production, PROBLEMA is freely available to watch and to download via this website. If you'd like to support the film, we encourage you to host a screening, to sign our guestbook or to consider making a micro-donation to help further its human connection."
august 2011 by robertogreco
Making Cutting-Edge Animation On A DIY Homestead : NPR
august 2011 by robertogreco
"It's pretty common these days for young people to live with their parents after college, but few have managed to transform their old homestead quit like filmmaker Isaiah Saxon has.<br />
<br />
With the help of filmmaking buddies Sean Hellfritsch and Daren Rabinovitch, Saxon has transformed 10 hilly acres surrounding his mother's house in Aptos, Calif. into Trout Gulch, a kind of rural hacker space where they build their own houses, grow organic vegetables, milk goats and produce state-of-the-art digital animation.<br />
<br />
Saxon explains how his group of 21st-century pioneers takes a do-it-yourself approach to just about everything."
sustainability
film
diy
green
california
troutgulch
homesteading
2011
animation
meaning
well-being
design
glvo
architecture
agriculture
farming
gardening
from delicious
<br />
With the help of filmmaking buddies Sean Hellfritsch and Daren Rabinovitch, Saxon has transformed 10 hilly acres surrounding his mother's house in Aptos, Calif. into Trout Gulch, a kind of rural hacker space where they build their own houses, grow organic vegetables, milk goats and produce state-of-the-art digital animation.<br />
<br />
Saxon explains how his group of 21st-century pioneers takes a do-it-yourself approach to just about everything."
august 2011 by robertogreco
Dear Cooper Union community, We regret to inform... - Fresser.
august 2011 by robertogreco
"Damn. I make no secret of the fact that I didn’t like Cooper Union much when I went there. But I loved Bob Breer. He taught me how to see some things I’d never really looked at, and was the kind of professor who taught from the margins, from the edges, and respected the work that came from those same places. <br />
<br />
Among everything else, Bob was — like my dad — a product of the period immediately following WW2, when America (and in Bob’s case, Paris) provided opportunities for veterans who would otherwise never have had them. Which is just a reminder of the value of such things, because that was value that was passed on to at least two generations of his students. He was generous with his ideas and his time, and I have thought of him often. RIP, Bob Breer."
kevinslavin
teaching
bobbreer
margins
edges
opportunity
cooperunion
2011
film
animation
legends
generosity
whatmatters
relationships
tcsnmy
cv
from delicious
<br />
Among everything else, Bob was — like my dad — a product of the period immediately following WW2, when America (and in Bob’s case, Paris) provided opportunities for veterans who would otherwise never have had them. Which is just a reminder of the value of such things, because that was value that was passed on to at least two generations of his students. He was generous with his ideas and his time, and I have thought of him often. RIP, Bob Breer."
august 2011 by robertogreco
singapore art biennale 2011: candice breitz
august 2011 by robertogreco
"contemplate the idea of individuality, the process of individuation, and one's relationship to a larger community…the process of individuation, and one's relationship to a larger community. in her most recent piece entitled 'factum' 2010, she interviews seven sets of identical twins and one set of triplets (age ranging from teens to grandmothers), that have been edited into dual-channel presentations…<br />
all are mono-zygotic twins who spent their formative lives together and are able to draw upon shared memory and experiences. filmed in a setting of their choosing (in one of the homes of a twin) and asked to dress as identically as possible, the twins were individually interviewed by breitz for about 5 - 7 hours giving both individuals the opportunity to narrate their own story as they chose to. covering intimate topics including childhood, sibling rivalry and family history, and at the same time allowing each subject to address their relationship to the world at large."
candicebreitz
film
interviews
art
identity
community
classideas
individuality
twins
triplets
families
genetics
genes
video
towatch
from delicious
all are mono-zygotic twins who spent their formative lives together and are able to draw upon shared memory and experiences. filmed in a setting of their choosing (in one of the homes of a twin) and asked to dress as identically as possible, the twins were individually interviewed by breitz for about 5 - 7 hours giving both individuals the opportunity to narrate their own story as they chose to. covering intimate topics including childhood, sibling rivalry and family history, and at the same time allowing each subject to address their relationship to the world at large."
august 2011 by robertogreco
Spoilers Don’t Spoil Anything | Wired Science | Wired.com [See also: http://www.salon.com/entertainment/movies/feature/2011/08/11/we_like_spoilers ]
august 2011 by robertogreco
"I’ve got a weak spot for pulp fiction, especially when it involves a mysterious twist…unironic thrillers & mediocre Agatha Christie imitations…any kind of fiction that lets me forget for vast stretches of time that I’m sitting in an airport terminal.
I read these books in an unusual way: I begin with the last five pages, seeking out the final twist first. The twist won’t make sense at this point, but that doesn’t matter—I enjoy reading the story with the grand finale in mind…
I’ve always assumed that this reading style is a perverse personal habit, a symptom of a flawed literary intelligence. It turns out…I was just ahead of the curve, because spoilers don’t spoil anything. In fact, a new study suggests that spoilers can actually increase our enjoyment of literature. Although we’ve long assumed that the suspense makes the story—we keep on reading because we don’t know what happens next—this new research suggests that the tension actually detracts from our enjoyment."
jonahlehrer
psychology
literature
spoilers
endings
film
reading
classideas
writing
research
2011
I read these books in an unusual way: I begin with the last five pages, seeking out the final twist first. The twist won’t make sense at this point, but that doesn’t matter—I enjoy reading the story with the grand finale in mind…
I’ve always assumed that this reading style is a perverse personal habit, a symptom of a flawed literary intelligence. It turns out…I was just ahead of the curve, because spoilers don’t spoil anything. In fact, a new study suggests that spoilers can actually increase our enjoyment of literature. Although we’ve long assumed that the suspense makes the story—we keep on reading because we don’t know what happens next—this new research suggests that the tension actually detracts from our enjoyment."
august 2011 by robertogreco
Chile, los héroes están fatigados [See also: http://www.imdb.com/title/tt0388834/ AND Also in parts on YouTube: http://www.youtube.com/watch?v=2eFrZbBXhDc AND http://es.wikipedia.org/wiki/Miguel_Enr%C3%ADquez ]
august 2011 by robertogreco
"Hijo de una de las figuras claves de la Unidad Popular, el cineasta Marco Enríquez sale a la calle decidido a pasar revista a la evolución de los compañeros de ruta de su padre. ¿Cómo fue que antiguos veteranos de la lucha popular y el socialismo terminaron asesorando multinacionales y coordinando empresas en el corazón de la cultura neoliberal? A través de entrevistas y vagabundeos callejeros, Enríquez va exponiendo su tesis: el desgaste de los viejos estandartes, el recambio cruel de una ideología por otra. Amargo, pero a la vez muy divertido -Enríquez no tiene pudor en reírse, por ejemplo, de esas circulares e inútiles discusiones políticas de sobremesa- este documental es un vaso de refrescante agua fría entre tanto megafilme pomposo. Toda una curiosidad en su género."
[Interviewed: http://es.wikipedia.org/wiki/Jos%C3%A9_Joaqu%C3%ADn_Brunner + http://es.wikipedia.org/wiki/%C3%93scar_Guillermo_Garret%C3%B3n + Carlos Ominami (see Wikipedia)]
meo
marcoenríquesominami
politics
chile
documentary
film
history
left
josébrunner
óscargarretón
enriquecorrea
ricardolagos
lagos
socialists
carlosominami
[Interviewed: http://es.wikipedia.org/wiki/Jos%C3%A9_Joaqu%C3%ADn_Brunner + http://es.wikipedia.org/wiki/%C3%93scar_Guillermo_Garret%C3%B3n + Carlos Ominami (see Wikipedia)]
august 2011 by robertogreco
Jelly Helm Studio
august 2011 by robertogreco
""We are a communication studio in Portland, Oregon.<br />
We work with purpose-driven people and companies to authentically and powerfully express their stories.<br />
Our work builds community.<br />
Clients include the Portland Timbers, Chinook Book, Oregon Humanities, Wikipedia, Imperial Woodpecker, Infectious Diseases Research Institute, Forest Ethics, Nike, Red Hat, Dell, University of California and Youth, Rights & Justice.<br />
Jelly Helm is formerly Executive Creative Director of Wieden+Kennedy in Portland and Amsterdam, Associate Professor at Virginia Commonwealth University Adcenter, Group Creative Director at The Martin Agency, and Founder/Director of W+K 12, Wieden+Kennedy’s experimental in-house school.<br />
I’m interested in story, artisan values, and the open/free/sharedknowledge movement.I’m interested in the role of story in the emerging culture."
design
art
film
advertising
portland
oregon
jellyhelm
wk
wk12
wieden+kennedy
from delicious
We work with purpose-driven people and companies to authentically and powerfully express their stories.<br />
Our work builds community.<br />
Clients include the Portland Timbers, Chinook Book, Oregon Humanities, Wikipedia, Imperial Woodpecker, Infectious Diseases Research Institute, Forest Ethics, Nike, Red Hat, Dell, University of California and Youth, Rights & Justice.<br />
Jelly Helm is formerly Executive Creative Director of Wieden+Kennedy in Portland and Amsterdam, Associate Professor at Virginia Commonwealth University Adcenter, Group Creative Director at The Martin Agency, and Founder/Director of W+K 12, Wieden+Kennedy’s experimental in-house school.<br />
I’m interested in story, artisan values, and the open/free/sharedknowledge movement.I’m interested in the role of story in the emerging culture."
august 2011 by robertogreco
Very Deep in America by Lorrie Moore | The New York Review of Books
august 2011 by robertogreco
"“Rooting is in our blood,” Janet Malcolm has written, and when traveling around this country one would be hard-pressed not to notice that sports stadiums have become to the United States what opera houses are to Germany. Every community has one, even ones without much money. Friday Night Lights, whose final season has just come to a close, is a weekly hour-long dramatic series (forty-three minutes without commercials) whose focus is a high school football team and its place in a particular Texas town by the fictional name of Dillon—inspired by the real-life town of Odessa."
tv
fridaynightlights
lorriemore
television
2011
books
film
texas
sports
americanfootball
football
us
culture
from delicious
august 2011 by robertogreco
SpeEdChange: Hulu in the Classroom: Building Literacy
august 2011 by robertogreco
""I've never understood our classroom commitment to "the book," but, I've really never understood our classroom commitment to "the chapter book."
What skills are learned from reading a book which are not learned from watching a film? I'm not saying books are "bad," just asking, "why are they 'better'?"
And why is longer 'better'?
[Short stories discussion]
But then I thought, why do we start with text on a page. I thought back to discovering books of those Twilight Zonestories after years of watching the show, and how much I loved "reading" them (or really, listening to them via audiobook, but I think that's the same).
And I thought that, as part of our effort to make kids want to read, want to write, we must first get them interested in stories, in wanting to know stories, and in how stories are told, and why.
And one great way to do that is to use short fiction in another medium - the short fiction of Hulu and other free sources of video - film and television."
irasocol
classideas
shortstories
reading
writing
hulu
youtube
film
learning
stories
storytelling
narrative
dialogue
2011
lists
video
tv
television
twiliightzone
huma8
literature
from delicious
What skills are learned from reading a book which are not learned from watching a film? I'm not saying books are "bad," just asking, "why are they 'better'?"
And why is longer 'better'?
[Short stories discussion]
But then I thought, why do we start with text on a page. I thought back to discovering books of those Twilight Zonestories after years of watching the show, and how much I loved "reading" them (or really, listening to them via audiobook, but I think that's the same).
And I thought that, as part of our effort to make kids want to read, want to write, we must first get them interested in stories, in wanting to know stories, and in how stories are told, and why.
And one great way to do that is to use short fiction in another medium - the short fiction of Hulu and other free sources of video - film and television."
august 2011 by robertogreco
U B U W E B : Jorge Luis Borges
august 2011 by robertogreco
"Although honors came late in life to Jorge Luis Borges, his unique worldview had begun to emerge even as a child. This program examines the life and literary career of the charismatic Argentine writer, as well as the thematic, symbolic, and mythological underpinnings of his works. Archival interviews with Borges; his mother, Leonor Acevedo de Borges; his second wife, Maria Kodama; and collaborator Adolfo Bioy Casares provide insights into the private Borges, while readings from “The Mirrors,” “Dreamtigers,” “The Plot,” “The South,” “The Aleph,” and other landmarks of Latin American fiction demonstrate his virtuosity as a transformer of experiences."
borges
film
ubuweb
adolfobioycásares
maríakodama
documentary
towatch
from delicious
august 2011 by robertogreco
BorDocs '11
august 2011 by robertogreco
"…un espacio pionero en México en el campo de la educación y exhibición especializada en formas emergentes del cine y video agrupadas generalmente bajo el término documental.<br />
…El Foro es…un sitio de encuentro entre jóvenes cineastas, productores, académicos y especialistas en la no ficción. Bordocs es también una oportunidad para degustar de los más destacado documentales y conocer las tendencias en el área.<br />
El documental ha retomado su papel protagónico como una vía multifacética y vanguardista para contar historias, abordar temas de denuncia social o para emitir discursos reflexivos, personales a partir de formas interactivas o hibridas. En los últimos años el documental goza de un auge internacional y se ha convertido en el núcleo donde convergen múltiples disciplinas artísticas y educativas. Bordocs Foro Documental aporta en la frontera Tijuana-San Diego un granito de arena y propone un lugar común para la formación y el disfrute del este cine que nos mira."
togo
tijuana
2011
adrianatrujillo
joséinerzia
itzelmartínezdelcañizo
documentary
classideas
film
bordocs
nonfiction
education
toshare
billnichols
danielaalatorre
everardogonzález
joséluisfigueroalewis
robertocanales
danielrosas
claudiorocha
joepmaríacatalà
jenniferfox
sergiodelatorre
anapaolarodríguezespaña
borders
mexico
sandiego
from delicious
…El Foro es…un sitio de encuentro entre jóvenes cineastas, productores, académicos y especialistas en la no ficción. Bordocs es también una oportunidad para degustar de los más destacado documentales y conocer las tendencias en el área.<br />
El documental ha retomado su papel protagónico como una vía multifacética y vanguardista para contar historias, abordar temas de denuncia social o para emitir discursos reflexivos, personales a partir de formas interactivas o hibridas. En los últimos años el documental goza de un auge internacional y se ha convertido en el núcleo donde convergen múltiples disciplinas artísticas y educativas. Bordocs Foro Documental aporta en la frontera Tijuana-San Diego un granito de arena y propone un lugar común para la formación y el disfrute del este cine que nos mira."
august 2011 by robertogreco
Advanced Style: Age and Beauty - NOWNESS
july 2011 by robertogreco
"We're having a senior moment: From textile mogul Iris Apfel in her trademark owl spectacles to artist Ilona Royce Smithkin in DIY orange eyelashes, the stars of photographer Ari Seth Cohen’s Advanced Style blog represent the most fashionable older ladies and gentlemen of New York and beyond. Today on NOWNESS we feature Cohen’s iconic style mavens in an exclusive short by filmmaker Lina Plioplyte. “Hearing them speak about clothing is so fascinating,” says Cohen, who launched his site in 2008 and also has a documentary in the works. “There is history and memories in what they are wearing and I think it’s important to show that storytelling aspect, as well as their vitality and creativity.” Cohen spoke to NOWNESS about silver-haired confidence."
documentary
film
fashion
elderly
age
expression
via:kottke
style
beauty
art
from delicious
july 2011 by robertogreco
In Time trailer
july 2011 by robertogreco
"Here's a four-minute teaser trailer for In Time, a sci-fi action thriller directed by Andrew Niccol (Gattaca) and starring Justin Timberlake and Amanda Seyfried.<br />
<br />
"In the late 21st century, time has replaced money as the unit of currency. At 25 years old, aging stops and each person is given one more year to live. Unless you replenish your clock, you die."<br />
<br />
Nice to see someone taking the attention economy literally."
time
sciencefiction
sicfi
attentioneconomy
classideas
writingprompts
film
from delicious
<br />
"In the late 21st century, time has replaced money as the unit of currency. At 25 years old, aging stops and each person is given one more year to live. Unless you replenish your clock, you die."<br />
<br />
Nice to see someone taking the attention economy literally."
july 2011 by robertogreco
NBF: Stand by Me
july 2011 by robertogreco
This is great! A Nerd Boyfriend post for the film Stand by Me.
nerdboyfriend
film
standbyme
from delicious
july 2011 by robertogreco
The Auteur Myth | Wired Science | Wired.com
july 2011 by robertogreco
"…it’s also important to remember that nobody creates Vertigo or the iPad by themselves; even auteurs need the support of a vast system. When you look closely at auteurs, what you often find is that their real genius is for the the assembly of creative teams, trusting the right people with the right tasks at the right time. Sure, they make the final decisions, but they are choosing between alternatives created by others. When we frame auteurs as engaging in the opposite of collaboration, when we obsess over Hitchcock’s narrative flair but neglect Lehman’s script, or think about Jobs’ aesthetic but not Ive’s design (or the design of those working for Ives), we are indulging in a romantic vision of creativity that rarely exists. Even geniuses need a little help."
jonahlehrer
creativity
collaboration
alfredhitchcock
stevejobs
johngruber
design
film
decisionmaking
auteurs
howwework
constraints
support
making
business
teamwork
leadership
2011
from delicious
july 2011 by robertogreco
How To Be Alone - YouTube
july 2011 by robertogreco
"A video by fiilmaker, Andrea Dorfman, and poet/singer/songwriter, Tanya Davis.
Davis wrote the beautiful poem and performed in the video which Dorfman directed, shot, animated by hand and edited. The video was shot in Halifax, Nova Scotia and was produced by Bravo!FACT http://www.bravofact.com/
For more information on Tanya, go to http://www.tanyadavis.ca or visit her facebook page at http://www.facebook.com/?ref=home#!/pages/Tanya-Davis/8063194647?ref=sgm You can purchase her first two CDs Make A List and Gorgeous Morning on iTunes and look out for her third CD which will be released in the fall!
For more information on Andrea Dorfman, visit her facebook page http://www.facebook.com/pages/Andrea-Dorfman-Films/110789945626226?ref=mf or http://www.andreadorfman.com "
alone
solitude
andeadorfman
tanyadavid
howto
art
psychology
film
animation
poetry
society
stillness
loneliness
silence
acceptance
well-being
peace
from delicious
Davis wrote the beautiful poem and performed in the video which Dorfman directed, shot, animated by hand and edited. The video was shot in Halifax, Nova Scotia and was produced by Bravo!FACT http://www.bravofact.com/
For more information on Tanya, go to http://www.tanyadavis.ca or visit her facebook page at http://www.facebook.com/?ref=home#!/pages/Tanya-Davis/8063194647?ref=sgm You can purchase her first two CDs Make A List and Gorgeous Morning on iTunes and look out for her third CD which will be released in the fall!
For more information on Andrea Dorfman, visit her facebook page http://www.facebook.com/pages/Andrea-Dorfman-Films/110789945626226?ref=mf or http://www.andreadorfman.com "
july 2011 by robertogreco
Film psychology THE SHINING spatial awareness and set design 1of2 - YouTube
july 2011 by robertogreco
"How Stanley Kubrick used Escher-styled spacial awareness & set design anomolies to disorientate viewers of his horror classic The Shining. This is a must for serious Kubrick fans and psychology students. Written, narrated and edited by Rob Ager"<br />
<br />
[Part 2: http://www.youtube.com/watch?v=IfJ8rK7eJeQ ]
architecture
psychology
filmmaking
stanleykubrick
theshining
film
spatialawareness
from delicious
<br />
[Part 2: http://www.youtube.com/watch?v=IfJ8rK7eJeQ ]
july 2011 by robertogreco
a reGeneration (a unique documentary from leave it better) by Graham Meriwether — Kickstarter
july 2011 by robertogreco
"All across the world, youth are beginning to take action. <br />
<br />
Kids are building gardens, sharing stories, inspiring friends and family to change the way we relate to our food, to our community and ultimately, to our planet. <br />
<br />
Our unique documentary project provides children with gardening supplies and cameras, and allows them to share the story as they learn to compost, plant seeds and ultimately harvest food they've grown themselves. <br />
<br />
Throughout the project, footage will be shared on Leave It Better, so you can follow the incredibly inspiring youth who are the stars and co-directors of our documentary. <br />
<br />
Starting in New York City, we will see the story grow organically as kids share stories with other youth gardeners in other states, countries, and continents. <br />
<br />
In the 2010-2011 school year, our pilot/research year, we've given gardens and cameras to 10 schools in New York…"
film
activism
food
green
documentary
via:alexpappas
children
kickstarter
gardening
gardens
from delicious
<br />
Kids are building gardens, sharing stories, inspiring friends and family to change the way we relate to our food, to our community and ultimately, to our planet. <br />
<br />
Our unique documentary project provides children with gardening supplies and cameras, and allows them to share the story as they learn to compost, plant seeds and ultimately harvest food they've grown themselves. <br />
<br />
Throughout the project, footage will be shared on Leave It Better, so you can follow the incredibly inspiring youth who are the stars and co-directors of our documentary. <br />
<br />
Starting in New York City, we will see the story grow organically as kids share stories with other youth gardeners in other states, countries, and continents. <br />
<br />
In the 2010-2011 school year, our pilot/research year, we've given gardens and cameras to 10 schools in New York…"
july 2011 by robertogreco
Weekend At Kermie's: The Muppets' Strange Life After Death | The Awl
july 2011 by robertogreco
"A character without specificity is not one."
"To demonize is to become the demon."
"When I say that the Muppets’ art direction is makeshift, I don’t mean that it’s shoddy. But it celebrates human limitation. As we watch one of these movies, we never lose our awareness that these scenes were made by men and women. Craftmanship, the game of how good any one artist can be, is presented—not hidden—and as such it can inspire others."
"What matters in the Muppet universe isn’t perfection, but expression. Dancing across the screen, they embody the philosophy that it is not what you look like that matters, but what you do."
art
creativity
film
copyright
muppets
puppets
perfection
human
humanism
specificity
makeshift
making
craft
limitations
constraints
via:rushtheiceberg
doing
meaning
purpose
glvo
jasonsegel
jimhenson
remix
remixing
remixculture
craftsmanship
from delicious
"To demonize is to become the demon."
"When I say that the Muppets’ art direction is makeshift, I don’t mean that it’s shoddy. But it celebrates human limitation. As we watch one of these movies, we never lose our awareness that these scenes were made by men and women. Craftmanship, the game of how good any one artist can be, is presented—not hidden—and as such it can inspire others."
"What matters in the Muppet universe isn’t perfection, but expression. Dancing across the screen, they embody the philosophy that it is not what you look like that matters, but what you do."
july 2011 by robertogreco
Otis Visiting Critic in Residence: Dick Hebdige - YouTube
july 2011 by robertogreco
"Visiting Critic in Residence Dick Hebdige presents a lecture at the Broad Stage, Santa Monica. "After the fall: from punk to pornetration to 'let's be Facebook Frendz!!' The lecture is in partnership with Santa Monica College Dept of Art, sponsored by SMC Associates. His talk scans contemporary art and media culture to see how far ideas about and attitudes toward youth and youth culture, consumerism, embodiment and bonding, the power of perversion, the politics of insubordination, friendship, sex and love have changed in the three decades since punk first exploded on the scene."<br />
<br />
[Text at (although his presos are very visual): http://www.otis.edu/alumni/hebdige.html AND http://www.otis.edu/alumni/hebdige_page2.html ]
dickhebdige
otis
punk
youth
art
insubordination
youthculture
culture
mediaculture
2010
film
history
from delicious
<br />
[Text at (although his presos are very visual): http://www.otis.edu/alumni/hebdige.html AND http://www.otis.edu/alumni/hebdige_page2.html ]
july 2011 by robertogreco
The Bully Project
july 2011 by robertogreco
"The Bully Project, a year in the life of America's bullying crisis<br />
<br />
The Film is coming.......The Bully Project film is a new feature-length documentary that follows "a year in the life" of America's bullying crisis, and offers an intimate look at how bullying has touched the lives of five kids and their families. About the Film<br />
<br />
The Movement is spreading.......With the film at its center, The Bully Project is a grassroots movement to educate and empower kids, parents, teachers and all school staff, to build stronger communities where empathy and respect rule. We are building an alliance to turn the tide on bullying. Are you with us?"
education
children
bullying
film
activism
behavior
documentary
schools
classideas
from delicious
<br />
The Film is coming.......The Bully Project film is a new feature-length documentary that follows "a year in the life" of America's bullying crisis, and offers an intimate look at how bullying has touched the lives of five kids and their families. About the Film<br />
<br />
The Movement is spreading.......With the film at its center, The Bully Project is a grassroots movement to educate and empower kids, parents, teachers and all school staff, to build stronger communities where empathy and respect rule. We are building an alliance to turn the tide on bullying. Are you with us?"
july 2011 by robertogreco
The Finland Phenomenon – a film about schools « Cooperative Catalyst [Great detail in the post, some valuable comments too]
july 2011 by robertogreco
"key takeaways…<br />
1. Finland does not have high stakes tests<br />
2. …worked to develop national consensus about public schools<br />
3. Having made a commitment to public schools…few private schools.<br />
4. …RE accountability, Finns point out they…don't have tests nor an inspectorate…find trusting people leads to them being accountable…<br />
5. …don't have incredibly thick collections of national standards…have small collections of broadly defined standards, & allow local implementation.<br />
6. Qualifying to become teacher is difficult<br />
7. Teachers are well trained, supported, & given time to reflect…including during school day.<br />
8. Finns start school later in life than we do<br />
9. …little homework.<br />
10. …meaningful technical education in Finnish Schools<br />
<br />
[Also]…All students in primary & secondary schools get free meals…grow up learning Swedish & English as well as Finnish…health care in the schools…teaching force is 100% unionized. Administrators function in support of teachers, not in opposition."
education
schools
teaching
film
finland
2011
politics
policy
us
learning
standardizedtesting
testing
accountability
control
publicschools
standards
nationalstandards
trust
unions
professionalism
professionaldevelopment
reflection
poverty
healthcare
homework
training
support
technicalschools
vocational
from delicious
1. Finland does not have high stakes tests<br />
2. …worked to develop national consensus about public schools<br />
3. Having made a commitment to public schools…few private schools.<br />
4. …RE accountability, Finns point out they…don't have tests nor an inspectorate…find trusting people leads to them being accountable…<br />
5. …don't have incredibly thick collections of national standards…have small collections of broadly defined standards, & allow local implementation.<br />
6. Qualifying to become teacher is difficult<br />
7. Teachers are well trained, supported, & given time to reflect…including during school day.<br />
8. Finns start school later in life than we do<br />
9. …little homework.<br />
10. …meaningful technical education in Finnish Schools<br />
<br />
[Also]…All students in primary & secondary schools get free meals…grow up learning Swedish & English as well as Finnish…health care in the schools…teaching force is 100% unionized. Administrators function in support of teachers, not in opposition."
july 2011 by robertogreco
Postcards from Berlin BETA
july 2011 by robertogreco
"There are 32 places in America named Berlin. We are collecting true stories about these Berlins in the form of video, text and images. The idea is to create a space for collaborative storytelling, in which participants can share their stories as well as contribute perspective to the stories of others. Our plan is to pick your 12 most interesting stories and make an episodic feature film!In the mean time, we hope this website becomes an inspiring and fascinating territory for personal narrative. Along the way we’ll be announcing new ways to get involved, as well as sharing stories from our friends and project partners in Berlin, Germany. It’s a chance for Americans and Germans to learn about one another in a new way."
storytelling
berlin
us
germany
via:cervus
film
exchange
classideas
from delicious
july 2011 by robertogreco
Unsmiling Indians : Denver Museum of Nature & Science [See also "Smiling Indians": http://www.youtube.com/watch?v=ga98brEf1AU ]
july 2011 by robertogreco
"In an interview with the filmmaker, Ryan Red Corn, he talks about the lingering stereotyping of Native Americans in American contemporary culture. Think about the Washington Redskins, or even the military's use of the code name "Geronimo" for Osama bin Laden. Red Corn claims that even a cursory search on Google would prove his case.<br />
<br />
This passing comment led to Culture Lab's little experiment. A Google image search for different terms of American ethnicity-African American, Asian American, White American, Hispanic, and Native American-proved Red Corn's statement with astonishing precision.<br />
The image search results showed that only after some 200 photos can you find a Native Americans represented by a single contemporary, living person. The first eight pages of images are filled with feathered traditionalists, new age fantasies, and old black and white photos of stoic (that is, unsmiling) Indians."
nativeamericans
search
photography
images
film
fulmmaking
ryanredcorn
google
2011
via:javierarbona
indians
smilingindians
unsmilingindians
from delicious
<br />
This passing comment led to Culture Lab's little experiment. A Google image search for different terms of American ethnicity-African American, Asian American, White American, Hispanic, and Native American-proved Red Corn's statement with astonishing precision.<br />
The image search results showed that only after some 200 photos can you find a Native Americans represented by a single contemporary, living person. The first eight pages of images are filled with feathered traditionalists, new age fantasies, and old black and white photos of stoic (that is, unsmiling) Indians."
july 2011 by robertogreco
YouthFX | Inspiring and empowering youth in Albany’s South End neighborhoods through a hands-on exploration of digital film making.
july 2011 by robertogreco
"Inspiring and empowering youth in Albany’s South End neighborhoods through a hands-on exploration of digital film making."
albany
newyork
mediaarts
film
filmmaking
youth
lcproject
from delicious
july 2011 by robertogreco
Venus Zine: Venus Girl of the Month: Kartina Richardson
july 2011 by robertogreco
"I left film school for a number of reasons…frustrated by what seemed to be a fear among my peers—to be serious, thoughtful, or experimental…film department, in my experience, didn't approach making movies in a way that I believed in…<br />
<br />
I started writing plays in school because I found that the theater department was more open to the artistic or unusual. It is also a solitary activity, whereas making a film is collaborative…<br />
<br />
"The best advice I can give to any young lass who wants to do anything in film is to watch movies nonstop like it's your job. I mean, like, five movies a day if you have the time. In fact, make the time, dammit! Pick a director and watch all their films in chronological order. Keep a notebook and jot down your thoughts. You’ll absorb the rhythm of great filmmaking and though you may not think it’ll make a difference, it absolutely will."
kartinarichardson
film
theater
plays
classideas
learning
autodidacts
toshare
from delicious
<br />
I started writing plays in school because I found that the theater department was more open to the artistic or unusual. It is also a solitary activity, whereas making a film is collaborative…<br />
<br />
"The best advice I can give to any young lass who wants to do anything in film is to watch movies nonstop like it's your job. I mean, like, five movies a day if you have the time. In fact, make the time, dammit! Pick a director and watch all their films in chronological order. Keep a notebook and jot down your thoughts. You’ll absorb the rhythm of great filmmaking and though you may not think it’ll make a difference, it absolutely will."
july 2011 by robertogreco
YouTube - Your Editing Lacks Continuity
july 2011 by robertogreco
"Can you spot all the inconsistencies? Probably not. Yes, that IS a challenge. Dennis."
humor
film
filmmaking
editing
via:morgansully
toshare
continuity
from delicious
july 2011 by robertogreco
Nizo for iPhone
july 2011 by robertogreco
"S8 COMPACT / 9FPS TO 18FPS / AUTO-B / MULTI-CARTRIDGE / DYNAMIC AUDIO / ON-THE-FLY TELECINE / SFX<br />
<br />
Coming to the App Store"
iphone
ios
camera
video
nizo
super8
film
applications
from delicious
<br />
Coming to the App Store"
july 2011 by robertogreco
WASTE LAND
july 2011 by robertogreco
"Filmed over nearly three years, WASTE LAND follows renowned artist Vik Muniz as he journeys from his home base in Brooklyn to his native Brazil and the world's largest garbage dump, Jardim Gramacho, located on the outskirts of Rio de Janeiro. There he photographs an eclectic band of “catadores”—self-designated pickers of recyclable materials. Muniz’s initial objective was to “paint” the catadores with garbage. However, his collaboration with these inspiring characters as they recreate photographic images of themselves out of garbage reveals both the dignity and despair of the catadores as they begin to re-imagine their lives. Director Lucy Walker (DEVIL’S PLAYGROUND, BLINDSIGHT and COUNTDOWN TO ZERO) and co-directors João Jardim and Karen Harley have great access to the entire process and, in the end, offer stirring evidence of the transformative power of art and the alchemy of the human spirit."
art
urban
video
environment
film
documentary
vikmuniz
artists
ncmsd
glvo
towatch
riodejaneiro
brasil
from delicious
july 2011 by robertogreco
The Case of The Traveling Text Message - Michele Tepper - Interactions Everywhere
july 2011 by robertogreco
"Last year, the BBC and Masterpiece Mystery aired a new adaptation of the Sherlock Holmes stories called Sherlock. It’s available now on Netflix Watch Instantly, so if you haven’t seen it yet, go check it out.<br />
<br />
But I’m not here to talk about how fantastic the concept and the writing are, or how much I love the performances, or even how anxiously I’m awaiting the next series. I want to argue that the thing that makes this series really groundbreaking is something very subtle: the way director Paul McGuigan handles titles…<br />
<br />
…instead of cutting to the character’s screen, Sherlock takes over the viewer’s screen.<br />
<br />
But none of that takes away from the achievement, which screenwriter John August calls “the one to beat.” I fully expect the text messaging style McGuigan brought us in Sherlock to become part of the visual narrative vernacular, coming soon to a screen near you."
design
writing
television
ui
text
userinterface
narrative
film
tv
2011
sherlock
timcarmody
screens
computers
mobile
phones
storytelling
perspective
filmmaking
classideas
from delicious
<br />
But I’m not here to talk about how fantastic the concept and the writing are, or how much I love the performances, or even how anxiously I’m awaiting the next series. I want to argue that the thing that makes this series really groundbreaking is something very subtle: the way director Paul McGuigan handles titles…<br />
<br />
…instead of cutting to the character’s screen, Sherlock takes over the viewer’s screen.<br />
<br />
But none of that takes away from the achievement, which screenwriter John August calls “the one to beat.” I fully expect the text messaging style McGuigan brought us in Sherlock to become part of the visual narrative vernacular, coming soon to a screen near you."
july 2011 by robertogreco
Rude Voice Mail Becomes Viral Ad for Movie Chain - NYTimes.com
june 2011 by robertogreco
"When Mr. League and his wife, Karrie, opened the first Alamo Drafthouse location in Austin in 1997, they were not motivated by love of cinema alone.<br />
<br />
“Before we opened, we thought about all the things we hated about the movie-going experience,” Mr. League said.<br />
<br />
The theaters do not show advertising before movies, because “our stance is you’ve paid for this movie and that entitles you to a commercial-free experience,” Mr. League said.<br />
<br />
And because the Leagues had been annoyed by exorbitant concessions and unruly children, the Alamo has a full menu of reasonably priced food and alcoholic beverages and prohibits children under 6 from all but some G-rated movies and, for any movie, requires those under 18 to be accompanied by an adult.<br />
<br />
Most theaters run announcements to refrain from talking or using cellphones, of course, but such requests are ignored — or worse."
alamodrafthouse
timleague
friends
texting
mobile
phones
film
theaters
from delicious
<br />
“Before we opened, we thought about all the things we hated about the movie-going experience,” Mr. League said.<br />
<br />
The theaters do not show advertising before movies, because “our stance is you’ve paid for this movie and that entitles you to a commercial-free experience,” Mr. League said.<br />
<br />
And because the Leagues had been annoyed by exorbitant concessions and unruly children, the Alamo has a full menu of reasonably priced food and alcoholic beverages and prohibits children under 6 from all but some G-rated movies and, for any movie, requires those under 18 to be accompanied by an adult.<br />
<br />
Most theaters run announcements to refrain from talking or using cellphones, of course, but such requests are ignored — or worse."
june 2011 by robertogreco
49 Classics of Mid-Century Design We Need Your Help Identifying - Alexis Madrigal - Life - The Atlantic
june 2011 by robertogreco
"Collectors covet mid-century design for a reason: The clean lines and bright colors of the 1950s are beautiful. But there was more to the era's design considerations. The burst of creative energy that followed World War II spurred consumption by creating an endless array of new products, and when those were in short supply, new forms (and colors) for old products. The production of beauty was placed in the service of consumerism and anti-communism.<br />
<br />
American Look showcases this design-industrial complex of ideas in beautiful Technicolor. Created in 1958 by the Jam Handy Organization, a large commercial filmmaking concern, with funding from Chevrolet, the 23-minute film surveys the landscape of late-50s aspirational life from interior dining sets to new work machines to speed boats. Taken together, the objects in the film paint a portrait of the variety of things that only American capitalism could deliver."
design
video
film
documentary
alexismadrigal
modernism
furniture
industrialdesign
2011
consumerism
us
mid-centurymodern
from delicious
<br />
American Look showcases this design-industrial complex of ideas in beautiful Technicolor. Created in 1958 by the Jam Handy Organization, a large commercial filmmaking concern, with funding from Chevrolet, the 23-minute film surveys the landscape of late-50s aspirational life from interior dining sets to new work machines to speed boats. Taken together, the objects in the film paint a portrait of the variety of things that only American capitalism could deliver."
june 2011 by robertogreco
Bus screenings June 13-19 launch mobile community TV network – Out The Window
june 2011 by robertogreco
"Short videos, presented across the entire Los Angeles County Metro bus system, will share diverse perspectives on Los Angeles, as seen through the creative eyes of its young people for its 4400 existing TV screens on public buses."<br />
<br />
"The project links physical and virtual worlds through digital media portraits of places, offering views from different neighborhoods up to the city and region at large. Out the Window aims to create a mosaic of the many social, cultural, economic and creative layers of this complex American city. In reply, bus riders can text responses instantly or eventually to location-specific and thematic questions posed on the screens by youths, artists or community curators."
losangeles
video
film
metro
publictransit
buses
freewaves
perspective
urban
neighborhoods
diversity
youth
from delicious
<br />
"The project links physical and virtual worlds through digital media portraits of places, offering views from different neighborhoods up to the city and region at large. Out the Window aims to create a mosaic of the many social, cultural, economic and creative layers of this complex American city. In reply, bus riders can text responses instantly or eventually to location-specific and thematic questions posed on the screens by youths, artists or community curators."
june 2011 by robertogreco
Flavorwire » In Praise of “Boring” Films
june 2011 by robertogreco
"“Long movies,” Dargis writes, “take time away even as they restore a sense of duration, of time and life passing, that most movies try to obscure through continuity editing. Faced with duration not distraction, your mind may wander, but there’s no need for panic: it will come back. In wandering there can be revelation as you meditate, trance out, bliss out, luxuriate in your thoughts, think.”"
boredom
boring
boringness
film
via:rushtheiceberg
towatch
lists
slow
distraction
wanderingmind
from delicious
june 2011 by robertogreco
Popular Unrest
may 2011 by robertogreco
"Popular Unrest, is a multi-episode drama set in a future much like the present. Here, however, all exchange transactions and social interactions are overseen by a system called ‘the Spirit’. A rash of unexplained killings have broken out across the globe. They often take place in public but witnesses never see an assailant. Just as mysteriously, groups of unrelated people are suddenly coming together everywhere, amassing new members rapidly. Unaccountably, they feel a deep and persistent sense of connection to one another.<br />
<br />
The film explores a world in which the self is reduced to physical biology, directly subject to the needs of capital. Hotels offer bed-warming servants with every room, people are fined for not preventing foreseeable illness, weight watching foods eat the digester from the inside and the unemployed repay their debt to society in physical energy. If on the one hand this suggests the complete domination of life by exchange value do the groupings offer a way out?"
art
culture
politics
video
film
towatch
melaniegilligan
from delicious
<br />
The film explores a world in which the self is reduced to physical biology, directly subject to the needs of capital. Hotels offer bed-warming servants with every room, people are fined for not preventing foreseeable illness, weight watching foods eat the digester from the inside and the unemployed repay their debt to society in physical energy. If on the one hand this suggests the complete domination of life by exchange value do the groupings offer a way out?"
may 2011 by robertogreco
Embedded in Time. | Flickr - Photo Sharing!
may 2011 by robertogreco
"Time is a design material."<br />
"*Film* is important because the things we do are *embedded in time* and behavior. The have to be *unpacked in time*, even if they can be described or drawn."
time
behavior
design
mattjones
berglondon
designmaterials
film
from delicious
"*Film* is important because the things we do are *embedded in time* and behavior. The have to be *unpacked in time*, even if they can be described or drawn."
may 2011 by robertogreco
A prayer beneath the Tree of Life - Roger Ebert's Journal
may 2011 by robertogreco
"Many films diminish us. They cheapen us, masturbate our senses, hammer us with shabby thrills, diminish the value of life. Some few films evoke the wonderment of life’s experience, and those I consider a form of prayer. Not prayer “to” anyone or anything, but prayer “about” everyone and everything. I believe prayer that makes requests is pointless. What will be, will be. But I value the kind of prayer when you stand at the edge of the sea, or beneath a tree, or smell a flower, or love someone, or do a good thing. Those prayers validate existence and snatch it away from meaningless routine."<br />
<br />
[via: http://blog.frankchimero.com/post/5639441270/many-films-diminish-us-they-cheapen-us ]
terrencemalick
film
prayer
rogerebert
art
culture
media
life
space
nature
existence
meaning
meaningmaking
meaningfulness
2011
from delicious
<br />
[via: http://blog.frankchimero.com/post/5639441270/many-films-diminish-us-they-cheapen-us ]
may 2011 by robertogreco
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