robertogreco + audience 29
Making smart on Env
9 days ago by robertogreco
"Smart people can take something complex and express it faithfully in different, especially simper, terms. They can interpret and reinterpret. If you want to make something smart, it’s tempting to do smartness to your topic until you’ve condensed it into some admirably lucid interpretation, then hand that to the audience and wait for the applause. Sometimes this is what’s needed. But it isn’t how to make smart things. A smart thing is something for a smart person. However many interpretations you put in it, however fertile they are, you leave room for more.
You do this because you respect what you are interpreting and you do it because you respect your audience. It’s a lot like being considerate. And that’s how you make smart things."
making
writing
subjectivities
balance
interpretation
dryness
comments
audience
clever
cleverness
criticism
superiority
disdain
milankundera
kitsch
storytelling
airs
malcolmgladwell
ted
smartness
authenticity
entertainment
art
nervio
thomaskincade
beauty
humor
neilgaiman
2012
consideration
smarts
smart
charlieloyd
You do this because you respect what you are interpreting and you do it because you respect your audience. It’s a lot like being considerate. And that’s how you make smart things."
9 days ago by robertogreco
The Listserve Hopes To Revitalize The Quality Of Online Conversation Through The Oldest Online Social Network -- Email | TechPresident
7 weeks ago by robertogreco
"…five students at NYU's Interactive Telecommunications Program…intriguing class project/online social interaction experiment The Listserve, in which one person is chosen by lottery, & given the platform & opportunity to speak to a mass audience through e-mail in a one-shot deal…
"This project is about context, it’s about medium, it’s about messing with the dials, & pushing up the scale, & having this very free-flowing conversation."
Yet at the same time, it's going to be a very controlled conversation because only one person gets to post a day, & the goal is to get the self-selected readers to actually sit back, read & absorb the text from a stranger w/ whom they have nothing in common…
…there is no topic. Also, unlike regular community e-mail mailing lists, subscribers can't respond directly. The students have designed it so that readers have to respond elsewhere…the focus of the project is on the individual…"
communication
scale
audience
individuals
via:taryn
listserve
experiments
online
conversation
massaudience
commenting
socialobjects
2012
clayshirky
email
thelistserve
from delicious
"This project is about context, it’s about medium, it’s about messing with the dials, & pushing up the scale, & having this very free-flowing conversation."
Yet at the same time, it's going to be a very controlled conversation because only one person gets to post a day, & the goal is to get the self-selected readers to actually sit back, read & absorb the text from a stranger w/ whom they have nothing in common…
…there is no topic. Also, unlike regular community e-mail mailing lists, subscribers can't respond directly. The students have designed it so that readers have to respond elsewhere…the focus of the project is on the individual…"
7 weeks ago by robertogreco
Cowbird · And now comes good sailing
february 2012 by robertogreco
[Jonathan Harris tells three stories about his fourth grade teacher, Baz
1. What make a great teacher?
2. How to engage your audience
3. On death]
relationships
creativity
living
cv
self
audience
mystery
uncertainty
vulnerability
weakness
baz
wisdom
teaching
writing
2012
cowbird
jonathanharris
_vulnerability
from delicious
1. What make a great teacher?
2. How to engage your audience
3. On death]
february 2012 by robertogreco
The Aporeticus - by Mills Baker · How to Listen to Jazz
december 2011 by robertogreco
"…part of life is finding new things to love and new ways to love things more deeply, and understanding the creative arts —their scope, history, contemporary contexts, intentionality— opens them up for ever-deeper appreciation. But the most obvious way to learn an art is to become a practitioner of that art, a time-consuming and difficult task, and one impossible to pursue across all fields.
Fields that make such demands have a high barrier to audience entry.
…when I talk to people who find jazz musically intimidating, or unintelligible in its refusal to be as repetitive as popular music, I sometimes tell them to try to hear in the solos little musical structures, any one of which could be a song in itself, but each of which is built, explored, and discarded with breakneck speed. Popular music relies on the ecstasy of trance: repetition of what resonates. Jazz relies more on restless exploration."
millsbaker
jazz
music
appreciation
listening
learning
understanding
audience
2011
exploration
trance
repetition
craft
intentionality
from delicious
Fields that make such demands have a high barrier to audience entry.
…when I talk to people who find jazz musically intimidating, or unintelligible in its refusal to be as repetitive as popular music, I sometimes tell them to try to hear in the solos little musical structures, any one of which could be a song in itself, but each of which is built, explored, and discarded with breakneck speed. Popular music relies on the ecstasy of trance: repetition of what resonates. Jazz relies more on restless exploration."
december 2011 by robertogreco
Les Petites Échos, The Kids Are All Right// The Meaning is the...
december 2011 by robertogreco
"In the end, the film worked for the same reasons any piece of art works: it was very well made. The handheld shots and playful editing seamlessly accompanied the whimsical pop navigations of Girl Talk’s music; the movie built up a slow, compelling love triangle between Marsen and the two nameless male dancers as they drifted through the urban landscape, meeting and parting, meeting and parting. This gave me hope: craft still matters. Despite the evening’s hispterish veneer, despite all of its Web 2.0 trappings, a piece of art must still stand on its own. An audience will still respond to quality and shun mediocrity."
reiflarsen
kickstarter
film
art
glvo
making
generations
socialnetworking
mashups
meaning
facebook
millennials
communication
sharing
inbetweeness
girltalk
girlwalk
annemarsen
2011
audience
craft
quality
mediocrity
happiness
from delicious
december 2011 by robertogreco
Represent / from a working library
december 2011 by robertogreco
"But there’s a point just a few steps beyond belonging that is perhaps even more important: advocating. Belonging to a community means participating, observing, and generally being in attendance (either physically or virtually). But being an advocate requires stepping forward and helping to articulate that community’s needs, or advance their interests, or—when necessary—protect their rights. You need to both amplify and clarify the values of a community, not merely share them.
In practice, this means identifying what your community needs to prosper, and either providing that directly or advocating for its provisioning. There are many ways to do this. You can lobby for changes the community needs (…); you can facilitate discussions (e.g., by hosting and supporting safe, productive forums); you can challenge the status quo (e.g., by bringing in ideas from outside the community and fostering discussion); and so on."
advocacy
community
belonging
tcsnmy
presence
commitment
participation
observation
understanding
lcproject
organizations
leadership
administration
publishing
mandybrown
audience
internet
In practice, this means identifying what your community needs to prosper, and either providing that directly or advocating for its provisioning. There are many ways to do this. You can lobby for changes the community needs (…); you can facilitate discussions (e.g., by hosting and supporting safe, productive forums); you can challenge the status quo (e.g., by bringing in ideas from outside the community and fostering discussion); and so on."
december 2011 by robertogreco
The Aporeticus - by Mills Baker · A Problem with Path
december 2011 by robertogreco
"Path believes that it can make performative, broadcast behavior intimate.
That is: by limiting the number of connections, but shaping their nature, by imbuing the entirety of their product with a substantiality and a quality that emphasizes real human engagement, they can create an intimate network.
But there can be no such thing; real intimacy can never, ever be broadcast. It must be either one-to-one or one-off."
"…rather than email our wedding invitations, we make use of ludicrously anachronistic methods in obedience not solely to tradition, but to this principle: efficiency is the enemy of intimacy.
Path is an incredibly easy way to efficiently share life’s moments with your closest friends and family in a centralized way, and for that reason it subverts its own premise, which always makes me sad; it’s beautiful work in service to a flawed idea. Any broadcast is inauthentic; a general audience kills intimacy; there is no such thing as a static social network of quality."
path
intimacy
audiencesofone
millsbaker
communication
relationships
sharing
gifts
giftgiving
2011
audience
cv
from delicious
That is: by limiting the number of connections, but shaping their nature, by imbuing the entirety of their product with a substantiality and a quality that emphasizes real human engagement, they can create an intimate network.
But there can be no such thing; real intimacy can never, ever be broadcast. It must be either one-to-one or one-off."
"…rather than email our wedding invitations, we make use of ludicrously anachronistic methods in obedience not solely to tradition, but to this principle: efficiency is the enemy of intimacy.
Path is an incredibly easy way to efficiently share life’s moments with your closest friends and family in a centralized way, and for that reason it subverts its own premise, which always makes me sad; it’s beautiful work in service to a flawed idea. Any broadcast is inauthentic; a general audience kills intimacy; there is no such thing as a static social network of quality."
december 2011 by robertogreco
Danny O’Brien’s Oblomovka » Blog Archive » organically-grown audiences
november 2011 by robertogreco
"In the end, the conversation moved away from “building traffic” and we ended up talking about how slowly you can grow a blog: avoiding ending up with a mass-produced audience, and instead taking the time to organically grow a smaller, perhaps more costly, but ultimately more satisfying bunch of readers."
slow
introverts
blogs
blogging
media
attention
shyness
audience
2008
dannyo'brien
growth
slowblogging
scale
scaling
conversation
snarkmarket
from delicious
november 2011 by robertogreco
Diversity Conversation: Ta-Nehisi Coates - YouTube
november 2011 by robertogreco
"GRCC English professor Mursalata Muhummad interviews journalist and author Ta-Nehisi Coates. Presentend by the Bob and Aliecia Woodrick Diversity Learning Center at Grand Rapids Community College."
ta-nehisicoates
experience
writing
2011
journalism
storytelling
education
parenting
mentorship
learning
voice
audience
self
identity
influence
dungeonsanddragons
childhood
adolescence
geekdom
fiction
history
dropouts
boys
november 2011 by robertogreco
43f Podcast: John Gruber & Merlin Mann's Blogging Panel at SxSW | 43 Folders
september 2011 by robertogreco
"My pal, John Gruber (from daringfireball.net), and I presented a talk at South by Southwest Interactive on Saturday, March 14th. We talked about building a blog you can be proud of, trying to improve the quality of your work, reaching the people you admire, and maybe even making a buck (in a way that doesn’t blow your deal). Here’s what we had to say:"
art
writing
creativity
business
media
blogging
delight
obsessiveness
obsession
passion
2009
sxsw
adamlisagor
purpose
risktaking
trying
making
doing
web
online
internet
twitter
credibility
favar
howwework
audience
idealreader
from delicious
september 2011 by robertogreco
Punchdrunk
july 2011 by robertogreco
"Since 2000, Punchdrunk has pioneered a game changing form of immersive theatre in which roaming audiences experience epic storytelling inside sensory theatrical worlds. Blending classic texts, physical performance, award-winning design installation and unexpected sites, the company's infectious format rejects the passive obedience usually expected of audiences. Lines between space, performer and spectator are constantly shifting. Audiences are invited to rediscover the childlike excitement and anticipation of exploring the unknown and experience a real sense of adventure. Free to encounter the installed environment in an individual imaginative journey, the choice of what to watch and where to go is theirs alone."
art
culture
alternative
interactive
storytelling
london
theater
immersive
sleepnomore
classideas
sensory
experiencedesign
space
performance
audience
from delicious
july 2011 by robertogreco
What Twitter users asked the president - Boston.com
july 2011 by robertogreco
"At a town hall Tuesday, President Obama will answer a few of the thousands of questions posed by Twitter users in the past week. Below, the percent of recent questions asked by Twitter users, and White House journalists, that mention selected topics."
media
twitter
audience
2011
politics
disconnect
importance
government
sensationalism
discord
journalism
from delicious
july 2011 by robertogreco
cloudhead - The Anti-Manifesto Manifesto
june 2011 by robertogreco
"Manifestos are from an era when information moved slowly, but at the speed of light, there’s no time to declare your intentions … everything is made public as it happens. <br />
<br />
Today a traditional manifesto arrives as a footnote to reality, just in time to make sense of a motion that’s already transpired. <br />
<br />
Our actions and the reactions they excite are now the only meaningful declaration possible. The manifesto can no longer be separated from the reality it hopes to manifest. <br />
<br />
New crowd funding platforms like Kickstarter point to a new kind of manifesto - one that merges declaration, action, and response into a single connective motion.<br />
<br />
The new manifesto turns goals into roles for both actors and audience alike … before the environment or the goals have a chance to change."
shiftctrlesc
headmine
cloudhead
crowdfunding
kickstarter
manifestos
action
change
declaration
response
connectivism
connectivity
connectedness
audience
from delicious
<br />
Today a traditional manifesto arrives as a footnote to reality, just in time to make sense of a motion that’s already transpired. <br />
<br />
Our actions and the reactions they excite are now the only meaningful declaration possible. The manifesto can no longer be separated from the reality it hopes to manifest. <br />
<br />
New crowd funding platforms like Kickstarter point to a new kind of manifesto - one that merges declaration, action, and response into a single connective motion.<br />
<br />
The new manifesto turns goals into roles for both actors and audience alike … before the environment or the goals have a chance to change."
june 2011 by robertogreco
Frank Chimero - Sharing and Giving, Collections and Gifts
may 2011 by robertogreco
"This is what good gifts feel like. We are educated to the nature of them so that we may appreciate them more fully. This is the point of sharing something…For us to properly value it, we must understand the quality of it & have a story to understand why it is so precious. Something travels from me to you, & in the process, we both gain.
…odd when we talk about writing: our modes are at extreme ends of spectrum in size of audience. We typically discuss writing for ourselves vs publishing for many, but don’t spend a great deal of time thinking about what it is like to write for 1 person. We may write for 1 individual frequently thru things like email, but it is not often considered, & hardly ever celebrated. My friend Rob Giampietro said “there’s something about writing for 1 other person, the epistle, the letter, the thought that’s offered to someone specifically—it’s very special indeed.” He said this in an email…makes the point self-referential in the best possible way."
sharing
gifts
collections
storytelling
frankchimero
robgiampietro
audience
audiencesofone
explaining
description
sensemaking
meaning
social
cv
oneonone
2011
from delicious
…odd when we talk about writing: our modes are at extreme ends of spectrum in size of audience. We typically discuss writing for ourselves vs publishing for many, but don’t spend a great deal of time thinking about what it is like to write for 1 person. We may write for 1 individual frequently thru things like email, but it is not often considered, & hardly ever celebrated. My friend Rob Giampietro said “there’s something about writing for 1 other person, the epistle, the letter, the thought that’s offered to someone specifically—it’s very special indeed.” He said this in an email…makes the point self-referential in the best possible way."
may 2011 by robertogreco
INTHECONVERSATION: Notes on Social Architectures as Art Forms by Sal Randolph
march 2011 by robertogreco
"To put it differently, sculpture and architecture can both be meaningful, but they typically mean in different ways. Nicholas Bourriaud, in his more recent book Postproduction offers, "why wouldn't the meaning of a work have as much to do with the use one makes of it as with the artists intentions for it." Or, Bourriaud again, quoting Tiravanija, quoting Wittgenstein: "Don't look for the meaning, look for the use.""
wittgenstein
architecture
urban
psychogeography
design
art
socialarchitectures
salrandolph
nicholasbourriaud
josephbeuys
johncage
dadaism
alankaprow
fluxus
gutai
situationist
performance
performanceart
rirkrittiravanija
johndewey
robertirwin
perception
consciousness
niklasluhmann
structure
urbanism
communication
audience
observation
from delicious
march 2011 by robertogreco
Magpie
february 2011 by robertogreco
"Magpie is a trans-national, interdisciplinary, and interactive performative public art collective. Magpie’s projects invite unusual cross-disciplinary collaborations. All our projects exist in public places and are dependent on audience interaction. We aim to inspire wonder by redefining the notion of “public art” to mean not only public access, but public as collaborative contributor to the work."
art
sandiego
interactive
california
artists
melindabarnadas
taehwang
collective
collaboration
publicart
glvo
audience
performance
interdisciplinary
trans-national
interaction
from delicious
february 2011 by robertogreco
Closing Keynote: Vernacular Video on Vimeo
brucesterling media mediaenvironment vimeo video vernacularvideo future futurism andreaallen online vimeofestival saffo'slaw paulsaffo futureofvideo marytylermoore dickvandykeshow onlinevideo expressivematurity tv television history audience internet webvideo berg berglondon levmanovich caseyreas reas from delicious
january 2011 by robertogreco
brucesterling media mediaenvironment vimeo video vernacularvideo future futurism andreaallen online vimeofestival saffo'slaw paulsaffo futureofvideo marytylermoore dickvandykeshow onlinevideo expressivematurity tv television history audience internet webvideo berg berglondon levmanovich caseyreas reas from delicious
january 2011 by robertogreco
Future Perfect » The 3 Audiences
november 2010 by robertogreco
"There are 3 audiences to every presentation: the people in the room; the people tuning in online in real or close to real time; and history. The presenter needs to consider all three.
‘History’ is increasingly the digital memory of event – it starts with the conversations leading up to, during and after the event – it’s the photos posted online, the retweeted quotes, the barbs, the likes, the references, the downloads. The presenter can’t control history but she can nudge it in the right direction.
For any given presentation what artifacts do you leave behind? Where are they linked from? How can they be repurposed, reused? And what is the thread that links them back to you and what you’ve done?
Who is the gatekeeper of your history?
What is their motivation both now and in the future?"
[Related: http://snarkmarket.com/2009/4056 AND http://snarkmarket.com/2010/5979 ]
presentations
janchipchase
history
events
generativeevents
backchannel
reuse
ideas
momentum
artifacts
conversation
audience
trends
live
digitalmemory
digitalhistory
digitalartifacts
generativewebevent
media
memory
sharing
generativewebevents
from delicious
‘History’ is increasingly the digital memory of event – it starts with the conversations leading up to, during and after the event – it’s the photos posted online, the retweeted quotes, the barbs, the likes, the references, the downloads. The presenter can’t control history but she can nudge it in the right direction.
For any given presentation what artifacts do you leave behind? Where are they linked from? How can they be repurposed, reused? And what is the thread that links them back to you and what you’ve done?
Who is the gatekeeper of your history?
What is their motivation both now and in the future?"
[Related: http://snarkmarket.com/2009/4056 AND http://snarkmarket.com/2010/5979 ]
november 2010 by robertogreco
Frank Chimero - Cooking, Magic, Jamming Your Own Stuff Through the Machine & Changing Everything
august 2010 by robertogreco
[Frank: Thanks. That Grant Achatz piece came along while digging around online after seeing "A Day at El Bulli" [Phaidon] at the bookstore—some old-fashioned serendipity there. Don't miss this (bookmarked a year ago): http://hbswk.hbs.edu/item/6105.html &, for the record, on Sunday, my kids were remarking about my actual sense of smell.]
"I’m not sure I know specifically what magic is, but maybe it is encountering a good impossibility. We don’t run into many Willy Wonkas or Walt Disneys in our lives: someone who has a completely different viewpoint than our own, & somehow, through sheer talent or brute force, builds a temple to that point of view."… "I think the future belongs to designers who can create their own content; to designers who have a point of view about the world. To folks who can make people respond to what they make and build an audience and then let them support that point of view." … "At this point in my life, I believe the future of design is the polymath."
frankchmero
magic
design
ferranadrià
elbulli
vision
meaning
purpose
ego
serendipity
frankchimero
polymaths
generalists
future
cv
glvo
experience
surprise
delight
creativity
imagination
personality
audience
from delicious
"I’m not sure I know specifically what magic is, but maybe it is encountering a good impossibility. We don’t run into many Willy Wonkas or Walt Disneys in our lives: someone who has a completely different viewpoint than our own, & somehow, through sheer talent or brute force, builds a temple to that point of view."… "I think the future belongs to designers who can create their own content; to designers who have a point of view about the world. To folks who can make people respond to what they make and build an audience and then let them support that point of view." … "At this point in my life, I believe the future of design is the polymath."
august 2010 by robertogreco
Theater - ‘You Me Bum Bum Train’ in London Is a Wild Ride for One - NYTimes.com
august 2010 by robertogreco
"How elastic can a single ego be? Mine was stretched in all directions during the ~40 minutes I spent being pushed through halls &, it seemed, of an office building in East London this month. I was exalted & excoriated, hailed as a genius, reviled as a charlatan and mistaken for both a rock star & a bag of garbage.
theater
experimental
interaction
participatory
2010
audience
august 2010 by robertogreco
Weblogg-ed » Nervous Writing / Well-Trained Teachers
july 2010 by robertogreco
"Last week when I told this story, a tech director raised her hand and said “You know, I think it’s interesting that your son is nervous about sharing his writing. Does he ever get nervous about his writing for school?” I thought for a second and said “Um, no…you know you’re right. He hardly thinks twice about that stuff.” She said “I’m guessing he’d be more motivated to work on his Percy Jackson story to make it good than he is his homework.” And ever since I’ve been wondering why we can’t instill a healthy nervousness every now and then into our writing process, now that we have these ready made audiences (or at least easily found audiences). All it would take is a willingness on our parts to let kids write about the things they truly love from time to time and connect that to an audience larger than the classroom. Shouldn’t be too hard these days…"
fanfiction
education
willrichardson
writing
apprehension
children
audience
importance
authenticity
tcsnmy
unschooling
deschooling
learning
anonymity
sharing
criticism
constructivecriticism
discussion
schools
teaching
july 2010 by robertogreco
The future of media? Bet on events « Snarkmarket
november 2009 by robertogreco
"I like the idea of the event as a fundamental unit of media, specifically because at its best, it can be generative. And the media it generates—that growing data shadow—is what builds the audience over time. But its urgency—its liveness, human vitality, and, frankly, its risk and unpredictability—is what makes it more than just another link in the stream.
robinsloan
snarkmarket
media
newmedia
web
ted
culture
future
online
creativity
events
conferences
howto
tcsnmy
lcproject
glvo
phootcamp
generative
trends
zeitgeist
creation
community
entertainment
collaboration
unconferences
publishing
literature
music
albums
performance
serial
attention
innovation
audience
futureofmedia
socialmedia
cocreation
journalism
barcamp
inspiration
generativeevents
generativewebevents
november 2009 by robertogreco
Clive Thompson on the New Literacy [more here: http://snarkmarket.com/blog/snarkives/books_writing_such/reading_revolutions/]
august 2009 by robertogreco
""I think we're in the midst of a literacy revolution the likes of which we haven't seen since Greek civilization"...For Lunsford, technology isn't killing our ability to write. It's reviving it—& pushing our literacy in bold new directions...The fact that students today almost always write for an audience gives them a different sense of what constitutes good writing. In interviews, they defined good prose as something that had an effect on the world. For them, writing is about persuading & organizing & debating, even if it's over something as quotidian as what movie to go see. The Stanford students were almost always less enthusiastic about their in-class writing because it had no audience but the professor: It didn't serve any purpose other than to get them a grade. As for those texting short-forms & smileys defiling serious academic writing? Another myth. When Lunsford examined the work of first-year students, she didn't find a single example of texting speak in an academic paper."
writing
audience
research
teaching
schools
socialmedia
digitalliteracy
communication
clivethompson
21stcenturyskills
education
learning
technology
internet
trends
newliteracies
newliteracy
rhetoric
literacy
digital
blogging
texting
change
newmedia
students
tcsnmy
august 2009 by robertogreco
Half an Hour: Whatever
july 2009 by robertogreco
"think...about the classroom itself. What does it say? It says learning is an information dump. We dump it from the stage. It says learning is scarce & hard to find, that's why you must come to the dumpage. It says, trust authority for information. And it says authorized information is beyond discussion. Trust authority & follow along...They say questions drive the learning. But we hear, "how many points is this worth?" "How many pages?" These are representations of the crisis of significance. We are missing things of importance...Instead of focusing on self, [Diana Degarmo] focused on the beauty of the audience & the whole event. And I allowed myself to do the same thing. I never let that leave me. I would start with that...with loving my students. & it's striking how much my teaching has changed in five years, as a result of that. It's basically about shifting from getting people to love you to you loving them. It has four parts: - caring - responsibility - respect - knowledge"
education
michaelwesch
teaching
learning
change
reform
universities
colleges
pedagogy
media
networks
powerpoint
engagement
trust
authority
responsibility
respect
knowledge
caring
tcsnmy
audience
love
culture
july 2009 by robertogreco
What Getting Buzzed Says About Yahoo - GigaOM
july 2008 by robertogreco
"In a few hours, story...was viewed > 200,000 times...attracted > 350 comments...lot of traffic and a gigantic amount of engagement by Yahoo visitors...traffic sent our way by Yahoo was many times traffic we get from, say, Digg or StumbleUpon."
yahoo
web
yahoobuzz
internet
audience
july 2008 by robertogreco
stevenberlinjohnson.com: Brooks/Cheney
march 2008 by robertogreco
"whole concept of applying Jacobs' urban theories to way we think about web...now much more familiar connection to people, so much so that Brooks can made an offhand reference to it without even walking though the logic. That's pretty cool to see."
janejacobs
stevenjohnson
change
politics
davidbrooks
social
2008
barackobama
influence
audience
voice
writing
books
via:preoccupations
march 2008 by robertogreco
Dawn of the digital natives - is reading declining? | Technology | The Guardian
february 2008 by robertogreco
"challenge NEA to track economic status of obsessive novel readers & obsessive computer programmers over next 10 yrs. Which group will have more professional success? more likely to found next Google/Facebook, go from college to $80K job?"
books
reading
stevenjohnson
children
programming
online
internet
technology
trends
research
culture
audience
digitalnatives
generations
literacy
media
teens
youth
publishing
statistics
education
coding
february 2008 by robertogreco
socialmedia.com » Blog Archive » Web 2.0 has 2 very different audiences, only 1 is scalable
october 2007 by robertogreco
"Facebook is the new TV! Only this medium is social and engaging not passive and linear. Time with media has already dramatically shifted for this generation which foreshadows what is coming - a massive behavioral shift. It happened 12 years ago. It’s h
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october 2007 by robertogreco
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