78 gorgeous icons.

"I'll see what I can do," Mycroft says, at last. And there's a lot that he can do.

“Holmes, you presented the facts of Jameson’s crimes quite clearly, but I am still in the dark on one point.”

In the beginning, there was Sherlock Holmes. And Holmes brought forth the brilliant doctor House, embodied by the lovely Hugh Laurie. Who prior to that in Fortysomething played a slightly less brilliant doctor, Paul Slippery, who begat three sons, the eldest of whom was played by the equally-lovely-if-somewhat-peculiarly-named Benedict Cumberbatch. Who of course grew up to play Sherlock. And the Universe looked upon its work and pronounced it good.

Music: Mind Heist by Zack Hemsey aka Inception theme.
An Inception AU.

Artist: The Dollyrots
Spoilers: Through episode 2.03, The Reichenbach Fall
Length: 2:18 min (on youtube or download, .avi and mp4)
Summary: ‎Please don't feel obliged to tell me that was remarkable or amazing, John's expressed that in every possible variant available to the English language.

After John's released and back home at Baker St, Sherlock still feels it. Down the centre of his chest there's an ache like a healing wound. A physical awareness of a body he usually ignores as much as he can. It's psychosomatic, nothing more interesting than that.

Amazing crops, lovely clean style and colouring.

Gorgeous, detailed digital painting. [Drafts here: http://zenyr.livejournal.com/5788.html]

"How's a woman supposed to prove her husband's a murderer, dammit?"

On the eve of a planned voyage to Brittany, Marjorie Jameson starts her day with no problems more pressing than forcing a boatyard to do an emergency repair to the family yacht. A chance encounter at the Cowes hi-speed ferry terminal begins to unravel a web of conspiracy and murder, with her charming, untrustworthy husband Julian right at the centre and Marjorie as the next intended victim.

But no-one's going to trust the word of an aging housewife whose complaints of abuse the police have previously dismissed as delusions.

He's halfway to Sarah's when he realizes that it's really weird that Sherlock offered to buy milk (and beans) (!), and it's really weird that Sherlock did nothing to stop him from leaving (for an entire evening and possibly all night), and it's really weird that John's angry about it (there's no good reason to be angry). John looks down at his balled fists and stops. Sherlock, an infinite mystery; and he's apparently deeply under John's skin.

She had studied the Legend of John more than any other. Now one of the protagonists of that story is standing in front of her in the flesh.

As Moriarty keeps baiting him with seemingly random acts of violence, Sherlock struggles to keep up and keep John safe, but then there's one puzzle that shakes Sherlock's support system entirely. The story is ostensibly a modern-day spin on hiatus fic - John thinks Sherlock is dead, Sherlock is trying to destroy Moriarty's criminal network. But it's really about Sherlock working through what John and Mycroft mean to him.

Where Mycroft is an angel, Sherlock is a demon, and John is still John. [Good Omens fusion. American English.]

20 'The Great Game' episode icons.

Sherlock walks into a room and takes all the space right out of it. He does the same inside John's head.

"Anyway. Enough of my embarrassing sibling brothel stories. Tell me yours."

Music: Ane Brun
Source: Sherlock
Summary: John hums along.
Download: 43MB XviD or stream on Vimeo

Sherlock can see his way through most problems in a single glance. John is something of an anomaly.

Five times someone warned John about Sherlock, and one time someone warned Sherlock about John.

In the year 2207, John Watson went to war.

Discoveries at sea, swash buckling, strip poker, and the occasional sea creature. Illustrations cataloging a week at sea for Holmes, Watson and crew.

The fire crackles in a pleasant counterpoint to the torrent of rain upon the glass, and Watson awkwardly clears his throat. When he finally speaks, his voice is a disgraceful rasp. "I'm so sorry, Holmes."