"With Whitehouse, the way you get around the 'noise issue', if we can call it that, is through the use of language. There I'd apply the same principles linguistically, where you're overloading the brain with very complex linguistic structures very fast - too fast for the brain to cope with. ... I remember there was one concert in Vienna, and there was this barrage of abuse and loud abrasive noise, for an entire hour, but at the end it was extraordinary - the entire audience had these huge, silly grins on their faces, and their hands were in the air like some sort of exaltation."

As.. uh, title..