matthewmcvickar + television   8

Lindsay Zoladz: The Only Girl (In The World)
Now I am older than Keats was when he died and I live in a room whose walls somebody else painted this very soothing shade of taupe and I’m still the same age as Lena Dunham but I’m not jealous of her anymore. I am making a living doing a different thing that I love and I feel as lucky as she has probably at some point felt, and I catch myself whenever I start buying into a worldview that mandates I see anyone a little bit like me as my competition. So good luck to her. May she make the space expand.
girls  tv  television  women  writing  success  age 
3 days ago by matthewmcvickar
Sasha Frere-Jones: The Grammy Awards: Chris Brown Overload (The New Yorker)
‘Woman-beating rage-broccoli Chris Brown lip-synced his single “Turn Up the Music” (without being threatened by Sir Elton John) and danced roughly as well as a third-rate Chicago footwork dancer. He ended his performance by back-flipping off the stage, though sadly not off the earth.’
music  writing  grammys  awards  television  culture  domesticviolence  from instapaper
february 2012 by matthewmcvickar
The Atlantic: What If Journalists Stopped Trying to Be Political Insiders? (Conor Friedersdorf)
‘news coverage that treats politics as an insiders’ game invites the public to become “cognoscenti of their own bamboozlement.”’
politics  media  president  television 
august 2011 by matthewmcvickar
Vulture: Nitsuh Abebe: What’s Really Wrong with the Grammys
“The people complaining about the loss of these "non-mainstream" categories aren't really asking for a fair distribution of categories; they're asking for patronage. They're asking for the Recording Academy to act as a booster club and preservation society — to recognize and support these traditions as a special interest. Never mind that this is a kind of support new and fragile musical traditions don't get. Never mind that people in each of these genres are more than capable of recognizing their own achievements, and probably more effectively than the Academy does.”
music  musicbusiness  television 
june 2011 by matthewmcvickar
Too Much Joy: Budweiser Bought My Baby
Too Much Joy’s Tim Quirk tells the story of his band’s jingle for Budweiser in the early 90s, and how he feels about bands and advertising then and since. A good companion to Matt LeMay’s ‘Art vs Content’ post from late 2010 (http://www.mbvmusic.com/2010/10/19/living-in-the-age-of-art-vs-content).
music  musicbusiness  advertising  television  culture 
march 2011 by matthewmcvickar
AlterNet: How TV Superchef Jamie Oliver’s ‘Food Revolution’ Flunked Out
It’s not terribly shocking that a reality show about an ignorant millionaire trying to fix a school’s lunch program with his own special menu was a costly, exploitative, and ruinous failure, but the disastrous state of school lunch programs nationwide *is* shocking.
food  health  nutrition  america  education  television 
january 2011 by matthewmcvickar
Balkinization: Copyright: The Elephant in the Middle of Glee
"The fictional high school chorus at the center of Fox’s Glee has a huge problem — nearly a million dollars in potential legal liability. For a show that regularly tackles thorny issues like teen pregnancy and alcohol abuse, it’s surprising that a million dollars worth of lawbreaking would go unmentioned." This is a very interesting look at the frequency with which this show (that I have never seen) addresses copyright issues without actually addressing copyright issues. And it's dead-on about the potential for a television show or other media of this popularity to effect social change in the realm of copyright perception.
copyright  television  culture  america 
june 2010 by matthewmcvickar

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