Philip Sherburne: Dance Music at the Grammys: What Skrillex, Deadmau5, David Guetta, et al. Mean (or Don't) (SPIN.com)
february 2012 by matthewmcvickar
‘I don't want to come across as rockist, but this matters. And to pretend otherwise, and try to cover it up with dance steps and glow sticks and an uncomfortable, kind-of-almost-but-not-really mash-up between Deadmau5 and Foo Fighters, is to treat dance music as just another fad to be chewed up by Big Entertainment and bottled up like a noxious pot of 5-Hour Energy.’
music
dance
grammys
awards
culture
electronica
from instapaper
february 2012 by matthewmcvickar
Sasha Frere-Jones: The Grammy Awards: Chris Brown Overload (The New Yorker)
february 2012 by matthewmcvickar
‘Woman-beating rage-broccoli Chris Brown lip-synced his single “Turn Up the Music” (without being threatened by Sir Elton John) and danced roughly as well as a third-rate Chicago footwork dancer. He ended his performance by back-flipping off the stage, though sadly not off the earth.’
music
writing
grammys
awards
television
culture
domesticviolence
from instapaper
february 2012 by matthewmcvickar
Sasha Pasulka: I’m Not Okay with Chris Brown Performing at the Grammys and I’m Not Sure Why You Are (HelloGiggles)
february 2012 by matthewmcvickar
‘The Grammys. Think. That they. Were the victim. Of Chris Brown. Hitting. Rihanna. In the face.’
grammys
women
domesticviolence
violence
february 2012 by matthewmcvickar
Vulture: Arcade Fire, and the ‘Never Heard of It’ Grammys by Nitsuh Abebe
february 2011 by matthewmcvickar
”…the tweets offer a funny reminder that one kind of center really does hold: That no matter how dominant and predictable something might be in your world, it is still a weird, marginal thing to most everyone else.”
music
culture
society
twitter
grammys
thearcadefire
february 2011 by matthewmcvickar
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