matthewmcvickar + class 5
Susan P. Crawford: Internet Access and the New Divide (NYTimes.com)
february 2012 by matthewmcvickar
‘Over the last 10 years, we have deregulated high-speed Internet access in the hope that competition among providers would protect consumers. The result? We now have neither a functioning competitive market for high-speed wired Internet access nor government oversight.’
government
internet
class
society
february 2012 by matthewmcvickar
David Morris: Challenging the Republican's Five Myths on Inequality (Common Dreams)
january 2012 by matthewmcvickar
‘The Republican position on inequality rests on five statements, all false.’
republican
politics
poverty
class
january 2012 by matthewmcvickar
Squashed, Occupy, Inequality, Envy, and Class Warfare
december 2011 by matthewmcvickar
‘Nobody wants a recession. Nobody wants historically high poverty rates and unemployment rates. Curiously, it’s the Occupy Wall Street folks who are most passionate about making whatever changes are necessary to ensure the next recession doesn’t happen. The financial industry, on the other hand, is fighting any effort at common-sense regulation tooth and nail.’
finance
corporations
government
america
ows
poverty
class
december 2011 by matthewmcvickar
Vulture: Nitsuh: Watch the Throne: Uneasy Heads Wear Gaudy Crowns
august 2011 by matthewmcvickar
“It’s a portrait of two black men thinking through the idea of success in America; what happens when your view of yourself as a suppressed, striving underdog has to give way to the admission that you’ve succeeded about as much as it’s worth bothering with; and how much your victory can really relate to (or feel like it’s on behalf of) your onetime peers who haven’t got a shred of what you’ve won. It’s not a topic that deserves to be scrubbed up, either; there are things about Kanye’s tiresome self-involvement and moody debauchery — the way he sounds like some sullen hip-hop emperor, stalking around the crumbling gilded palace of his own psyche, muttering angrily and getting aggressive with the help — that belong in any such portrait.”
hihop
kanyewest
jayz
writing
music
culture
america
class
money
august 2011 by matthewmcvickar
Grantland: Hua Hsu on Kanye and Jay-Z's Watch the Throne
august 2011 by matthewmcvickar
“What makes hip-hop such a durable form is its capacity to scramble fiction and fact; the artifice and the realities that art conceals or amplifies become one. In this way, Watch the Throne feels astonishingly different. It captures two artists who no longer need dreams; art cannot possibly prophesy a better future for either of them.”
music
hiphop
economy
class
america
august 2011 by matthewmcvickar
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