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Why don’t Americans walk more? The crisis of pedestrianism. - Slate Magazine
Look on online travelers forums and you’ll see one of the most common threads is people on the verge of visiting Europe (or New York City), embarking on a panicked quest for “walking shoes”—as if they were taking up some exotic new sport, procuring strange equipment. For these people, one must assume, walking is as foreign as the place they are visiting.
from instapaper
3 days ago
Jack McDonald: Joseph Kony and Crowdsourced Intervention (Kings of War)
Joseph Kony deserves to be put in cuffs and dragged before the ICC. Raising the profile of the heinous nature of the guy’s crimes is awesome. The idea that popular opinion can be leveraged with viral marketing to induce foreign military intervention is really, really dangerous. It is immoral to try and sell a sanitised vision of foreign intervention that neglects the fact that people will die as a result.
kony  world  news  from instapaper
12 weeks ago
Jonathan Coulton: Megaupload
Make good stuff, then make it easy for people to buy it. There’s your anti-piracy plan.
So I have a lot of trouble with the idea that the federal government is directing resources toward an ultimately ineffective game of piracy whack-a-mole (with some unknown amount of collateral damage to law-abiding citizens), when we are not even sure that piracy is a problem.
music  piracy  filesharing  indie  diy  from instapaper
12 weeks ago
Daniel B. Roberts: Much Ado About Whatever (The Morning News)
Tao Lin and his band of followers at Muumuu House are some of the most vehemently disliked—and discussed—writers on the internet. Critics call them hip. Haters call them frauds. But their fiction may be just what our digital lives deserve.
writing  internet  millenials  from instapaper
12 weeks ago
“Aaliyah would have been on Twitter. It is fucked up that she is dead.”: An Interview with Patricia Lockwood, Poet Laureate of Twitter (HTMLGIANT)
The art we like the best is generally the art that has the greatest access to us. So. This tweet has tremendous access to my feelings about Aaliyah. Aaliyah’s voice had tremendous access to me.
twitter  internet  humor  aaliyah  rnb  music  from instapaper
12 weeks ago
Two Poems By Patricia Lockwood (The Awl)
He Marries the Stuffed Owl Exhibit
At the Indiana Welcome Center

and

The Feeling of Needing a Pen
poetry  internet  writing  from instapaper
12 weeks ago
Hyping classroom technology helps tech firms, not students - latimes.com
‘It’s great to suggest that every student should be equipped with a laptop or given 24/7 access to Wi-Fi, but shouldn’t our federal bureaucrats figure out how to stem the tidal wave of layoffs in the teaching ranks and unrelenting cutbacks in school programs and maintenance budgets first? School districts can’t afford to buy enough textbooks for their pupils, but they’re supposed to equip every one of them with a $500 iPad?’
education  technology  corporations  politics  from instapaper
12 weeks ago
Faruk Ateş: Gamification Fatigue
‘Most gamification sucks because it breaks down our humanity like it is no more than a computer program that needs to be understood and then rewritten for maximum reward—reward for the company behind it, rather than for the player. That's how gamification is disrespectful: because it no longer treats us like people.’
gamification  business  games  videogames  from instapaper
12 weeks ago
dream hampton: Too $hort: “This Is a Wake-Up Call for Me” (Ebony)
‘The rapper talks with dream hampton about his now-infamous XXL video and what he has learned from the backlash.’
domesticviolence  sex  sexualassault  misogyny  interview  hiphop  rap  from instapaper
february 2012
Eric Harvey: Grimes, 'Visions' (SPIN.com)
‘Like so many spotlit debuts, Visions displays a young singer developing a relationship with her own voice and the seemingly infinite possibilities for shaping and representing it. The mirror stage for emergent artists who spend a lot of time online and work alone with inexpensive tools often can (and does) lead to merely replicating the surface qualities of the stuff that streams their way. Boucher's talent lies in the balance of exploiting her gifts and leveraging what's come before her, but judiciously.’
music  writing  review  criticism  from instapaper
february 2012
Nitsuh Abebe: Embarrassment Rock (Pitchfork)
‘Pity the poor rock fan? Well, no: Rock fans have launched enough snobby, pernicious bits of language at other genres that they could afford to do some penance resurrecting their own.’
rockism  music  writing  culture  boomers  rock  from instapaper
february 2012
Mike Barthel: Sleigh Bells' Positive Rock (The Atlantic)
‘Sleigh Bells' music has always been about overwhelming your senses, making things so loud and so blurred that you don't know where one thing stops and another ends, how fast the day is passing. Slow things run at double-time, fast things run at half-time; the world runs backwards, slows down, speeds up.’
music  writing  sound  emotion  from instapaper
february 2012
Chris Parker: You Are Not Ruthless Enough
‘Being ruthless to yourself is having the discipline to become a better developer - not letting yourself get away with the easy or convenient.’
programming  development  from instapaper
february 2012
Philip Sherburne: Dance Music at the Grammys: What Skrillex, Deadmau5, David Guetta, et al. Mean (or Don't) (SPIN.com)
‘I don't want to come across as rockist, but this matters. And to pretend otherwise, and try to cover it up with dance steps and glow sticks and an uncomfortable, kind-of-almost-but-not-really mash-up between Deadmau5 and Foo Fighters, is to treat dance music as just another fad to be chewed up by Big Entertainment and bottled up like a noxious pot of 5-Hour Energy.’
music  dance  grammys  awards  culture  electronica  from instapaper
february 2012
David Wallace-Wells: Nicki Minaj's Kaleidoscopic Genius (New York Magazine)
‘Once upon a time, dance pop was about self-affirmation, and the thing being affirmed was usually some sort of identity—ethnicity, gender, sometimes class, and maybe even sexuality. The Nicki generation seizes a whole new subject for pop: not who you are and how you made it, but the meaning and experience of celebrity once you have it. In place of identity, these prima donnas are performing fame. And doing it with what you might even call “taste”: an idiosyncratic aesthetic vision for everyday life, one that has nothing to do with where they’ve been and everything to do with synthetic aspiration. Minaj isn’t being inauthentic about celebrity—celebrity is the most authentic thing about her.’
celebrity  fame  music  writing  pop  from instapaper
february 2012
Sasha Frere-Jones: The Grammy Awards: Chris Brown Overload (The New Yorker)
‘Woman-beating rage-broccoli Chris Brown lip-synced his single “Turn Up the Music” (without being threatened by Sir Elton John) and danced roughly as well as a third-rate Chicago footwork dancer. He ended his performance by back-flipping off the stage, though sadly not off the earth.’
music  writing  grammys  awards  television  culture  domesticviolence  from instapaper
february 2012
Eric Harvey: “The big question here is not: Is she real? But, rather, why it seems impossible to believe that she could be.”
‘Songs are always already their own advertisements; that’s what makes them such a compelling commodity. But my main problem with BTD is that it steps beyond the necessary function of pop song-as-ad and embodies the form of advertising as well. It doesn’t mean that LDR critiques thus can’t be (unconsciously) gendered (even this one), but to me it’s impossible to get past. We can both embrace the multiple pleasures of pop artifice while simultaneously critiquing its most craven examples.’
ldr  music  writing  from instapaper
february 2012
Sasha Frere-Jones: Lana Del Rey’s Image on “Born to Die” (The New Yorker)
‘Why is pop music the only art form that still inspires such arrantly stupid discussion? The debates that surround authenticity have no relationship to popular music as it’s been practiced for more than a century. Artists write material, alone or with assistance, revise it, and then present a final work created with the help of professionals who are trained for specific and relevant production tasks. This makes popular music similar to film, television, visual art, books, dance, and related areas like food and fashion. And yet no movie review begins, “Meryl Streep, despite not being a Prime Minister, is reasonably convincing in ‘The Iron Lady.’”‘
ldr  music  writing  from instapaper
february 2012
Judy Berman: Just the Music: An Experimental Review of Lana Del Rey’s ‘Born to Die’ (Flavorwire)
‘So, here’s where this experiment fails. This is the point where I concede that it’s impossible to talk about Lana Del Rey without delving into the reams of criticism that attack, defend, or otherwise analyze her existence. It’s the lyrics to her songs themselves that prove there’s no way to think about her on her own terms — she doesn’t have her own terms. What she wants so desperately is to know what we — that is, the default heterosexual male listener — make of her.’
ldr  music  writing  from instapaper
february 2012
Amy Rebecca Klein: The Last Thing I'll Ever Write About Lana Del Rey
‘Exploring “what a woman should be” is boring and cliche in the 21st century, and perhaps that is why Lana Del Rey seems to many to be so bored and sad on stage. So let’s take Lana Del Rey for what she is—a pop star playing a role, a woman whose real life we know nothing about—and learn from what she’s taught us about our own insufferable addiction to a vapid version of femininity. In the future, I’m hoping we’ll accept more female artists who are interested in mining the depths of who they really are.’
ldr  gender  sex  music  writing  culture  from instapaper
february 2012
Simon Reynolds: Maximal Nation (Pitchfork)
On maximalism in electronic music.

‘Meanwhile, the software's scope for tweaking the parameters of any given sonic event opens up a potential "bad infinity" abyss of fiddly fine-tuning. When digital software meshes with the minimalist aesthetic you get what Ingram calls "audio trickle": a finicky focus on sound-design, intricate fluctuations in rhythm, and other minutiae that will be awfully familiar to anyone who has followed mnml or post-dubstep during the last decade. But now that same digital technology is getting deployed to opposite purposes: rococo-florid riffs, eruptions of digitally-enhanced virtuosity, skyscraping solos, and other "maxutiae," all daubed from a palette of fluorescent primary colors. Audio trickle has given way to audio torrent-- the frothing extravagance of fountain gardens in the Versailles style.’
edm  music  writing  from instapaper
february 2012
Dena Levitz: The Awkward Art of Neighborhood Naming (The Atlantic Cities)
On efforts to rebrand/rename/codify neighborhoods in major cities, and the effects thereof.
city  urbanplanning  government  community  from instapaper
january 2012
Simon Reynolds: New York Brooklyn's Noise Scene Catches Up to Oneohtrix Point Never (Village Voice)
“So I’m painting these pictures, not of the actual world, but of us watching that world.”
music  interview  from instapaper
january 2012
Marco Arment: Fanboy theory
‘Hence, fanboy: a derogatory term that means someone who is blindly and irrationally devoted to a product that I believe is inferior to what I bought when faced with a similar choice, and whose opinions and arguments can therefore be completely disregarded.’
phone  market  consumerism  from instapaper
january 2012
Anil Dash: Foursquare: Today's best-executing startup
‘There are lots of loud, pointless headlines about companies getting money from venture capitalists or angel investors. What I’d love to see more of in 2012 (and beyond!) is headlines about how a few small successes with users are a demonstration of a small company outperforming and out-innovating the biggest companies in the tech industry by being focused and disciplined in their execution. That, actually, is my most favorite Foursquare feature.’
web  iOS  apps  from instapaper
january 2012
Eric Lichtblau: Economic Downturn Took a Detour at Capitol Hill (NYTimes.com)
Fuck this guy: ‘“I don’t see myself as a man of great wealth,” he said. “To say that I’m enjoying a millionaire’s lifestyle — well, I can tell you, I guess a millionaire’s income doesn’t go very far these days.”’
government  congress  wealth  money  corruption  from instapaper
december 2011
On Shari'a Law
‘The vast majority of the formally codified doctrines that the West shows aversion to are, in my opinion, absolutely contradictory to Islam. Instead of being concerned with Shari’a law in general, I think one should be concerned with precisely who is interpreting it and how.’
shari'a  Islam  government  law  from instapaper
december 2011
Maciej Ceglowski: Don’t Be a Free User
‘Like a service? Make them charge you or show you ads. If they won’t do it, clone them and do it yourself. Soon you’ll be the only game in town!’
internet  software  business  from instapaper
december 2011
For 29 Dead Miners, No Justice by David M. Uhlmann
‘We should not underestimate, however, the difficulty of prosecuting high-ranking officials in large corporations. This case may be an exception, but senior corporate officers rarely have sufficient personal involvement to be charged with crimes. To reach the boardroom, where policies are formed that can lead to tragedy, we must be willing to hold corporations criminally responsible.’
business  government  crime  corporations  from instapaper
december 2011
luo.ma: Answers and Questions
‘the church’s desire for “answers” has not served it well. Whether that was the church insisting that Galileo recant his position that the earth was not the center of the universe or whether it’s trying to come up with easy ways for Americans to not have to think critically about how we live and consume and participate in the capitalist society which is willing to let the rich get richer and the poor get poorer.’
faith  church  society  america  from instapaper
december 2011
James Fallows: 'All Electronic Devices Must Now Be Powered Off'—But Why? (The Atlantic)
‘No. Of course not. The rule is pure theater.’ The writer suspects that the real reason is to keep passengers undistracted in case of emergency.
airplane  flight  safety  from instapaper
december 2011
Brian Stelter: ‘We Are the 99 Percent’ Joins the Cultural and Political Lexicon (NYTimes.com)
‘Most of the biggest Occupy Wall Street camps are gone. But their slogan still stands.’
ows  from instapaper
december 2011
TechCrunch: Racism and Meritocracy
‘What we need to do is to build meritocratic selection processes, and then go our of our way to tell people about them. We should emphasize the objectivity of the selection process and our efforts to weed out all forms of bias.’
race  technology  from instapaper
november 2011
Democracy Now! — Former Seattle Police Chief Norm Stamper on Paramilitary Policing From WTO to Occupy Wall Street
‘For example, there are many compassionate, decent, competent police officers who do a terrific job day in and day out. There are others who are, quote, “bad apples.” What both of them have in common is that they occupy, as it were, a system, a structure that itself is rotten. And I am talking about the paramilitary bureaucracy.’
ows  police  from instapaper
november 2011
The shocking truth about the crackdown on Occupy (by Naomi Wolf)
‘So, when you connect the dots, properly understood, what happened this week is the first battle in a civil war; a civil war in which, for now, only one side is choosing violence. It is a battle in which members of Congress, with the collusion of the American president, sent violent, organised suppression against the people they are supposed to represent.’
ows  government  from instapaper
november 2011
Marc Hogan: In an iTunes age, do we need the record store? (Salon.com)
‘As CD sales plummet and famed shops close, brave entrepreneurs are trying to reinvent the model. Is it too late?’
musicbusiness  music  from instapaper
november 2011
Maciej Cegłowski: The Social Graph is Neither (Pinboard Blog)
‘Asking computer nerds to design social software is a little bit like hiring a Mormon bartender.’
technology  web  social  from instapaper
november 2011
Alexis Madrigal: Why I Feel Bad for the Pepper-Spraying Policeman, Lt. John Pike (The Atlantic)
‘I am sure that he is a man like me, and he didn’t become a cop to shoot history majors with pepper spray. But the current policing paradigm requires that students get shot in the eyes with a chemical weapon if they resist, however peaceably. Someone has to do it.’
ows  police  society  from instapaper
november 2011
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