Legendary headlines from years past (some of which verge on the mythical) include “Giant Waves Down Queen Mary’s Funnel,” “MacArthur Flies Back to Front” and “Eighth Army Push Bottles Up Germans.” The Columbia Journalism Review even published two anthologies of ambiguous headlinese in the 1980s, with the classic titles “Squad Helps Dog Bite Victim” and “Red Tape Holds Up New Bridge.”

For years, there was no good name for these double-take headlines. Last August, however, one emerged in the Testy Copy Editors online discussion forum. Mike O’Connell, an American editor based in Sapporo, Japan, spotted the headline “Violinist Linked to JAL Crash Blossoms” and wondered, “What’s a crash blossom?” (The article, from the newspaper Japan Today, described the successful musical career of Diana Yukawa, whose father died in a 1985 Japan Airlines plane crash.)

ha ha, this is fun

Welcome to Dr. Johnson’s Dictionary, a word-a-day dictionary from Samuel Johnson’s A Dictionary of the English Language (London: Printed by W. Strahan for J. and P. Knapton, [1755]), one of the first dictionaries to document the daily working life of the English language.

In celebration of the three hundredth anniversary of Johnson’s birth in 1709, a definition from the first edition of the dictionary will be posted each day for readers’ lexiconic delight, beginning on January 1, 2009. Words will be taken from the annotated proof copy of the first edition, extra-illustrated with Johnson’s and his helpers’ manuscript corrections, which is held in the collections of Yale University’s Beinecke Rare Book and Manuscript Library.

Milton had carried his epic around inside him for many years, and any number of calamities—including the outbreak of bubonic plague from 1664 to 1665, which killed seventy-five thousand Londoners—might have prevented him from getting it all down on paper. Its very completion must have seemed like divine Providence to Milton. Even while writing it, he believed that he shared a muse with Moses and King David and that she visited him nightly in his dreams; he woke up and dictated his poem in seemingly preformed stanzas. The palpable exhilaration of the poem’s composition, and the heavy burden of its complex meanings, contributes to the thrilling tension of “Paradise Lost.”

"A professor is one who talks in someone else's sleep." — W. H. Auden

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