Since the beginning of the 'webfont revolution' we've relied on somewhat hacky @font-face declarations to get webfonts loading cross-browser. Could there be a better way? One that's clear and compatible with future browsers?

The WebFont Loader tells you when the following events happen as a browser downloads web fonts (or loads them from cache):

As you'll read below, it's something that we added because we felt it mattered. Even if it helped only a small number of designers solve a subtle and esoteric problem, we couldn't rest knowing that an unsettling typographic moment might otherwise lie in wait. We've always believed that a good typeface is the product of thousands of decisions like these, so we invite you to join us on a behind-the-scenes look at some of the invisible details that go into every font from H&FJ.

Hand Crafted, Infinitely Scalable & Royalty-Free Icons for User Interface Designers

Following is a list of names and their correct pronunciations (using English orthography):

The difference between an amateur document and a professional one can be a matter of details. The following topics cover some of the most commonly overlooked or incorrectly handled details of typography.

Lately I've been wondering if it might be possible to abstract from these examples some generalities about font pairings, and have come up with a couple of thoughts. Curiously, everything seems to revolve around a single idea about how fonts relate: you’ll find the whole story below. —JH

Serious efforts are being made to get more typeface choices on the web to enhance web typography. Still, most of us prefer web-safe fonts like: Verdana, Georgia, Times New Roman and Arial. Though choices are limited, yet the number can be increased by exploring other pre-installed fonts.

a wonderfully ambitious project hoping to assemble a collection of some 20,000 photos of initials, ornaments and type from Royal Library, The Hague, and the Archive at Alkmaar.

One of the things that terrifies me most about a new project is the starting point. How is the content laid out? What colors do I pick? Once things like that are decided, it becomes significantly easier to continue design, but it’s the blank page where I spend the most time.

To that end, I often start by choosing type. I don’t need to worry about colors or layout or anything else… just the right typefaces that support the art direction.

Cool little typographic effect in case I ever need to steampunk some text out, yo.

Consider using these daily drop caps.

I guess this one can go on the wish list.

inset letterpress type treatment

Interviews about typefaces with their designers, archived by face.

Example of TypeKit in use.

View how type will look on screen.

Not super helpful, but maybe a last ditch resource. Basically a huge list of various glossaries.

great fonts, type tools, etc.

photoshop type tutorials and explanations

eBay-style 3d letters.