How to split an ul into columns

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center an element using position absolute

Lateral is “special” because of its people – the quality of the team is outstanding. We take great pride in our people, who are our most valued asset.
Lateral is a small company with a big ambition, focused on delivering innovation and results.
Design & Technology with passion. Work with fun!Lead us with carelessness and…Also, you can press keyboard keys “a”,”s”,”d” … “l” and “space”

CSS (short for "Cascading Style Sheets") is the markup that makes the internet look the way it does.
CSS Killswitch works by creating a unique, inconspicuous, and innocuous stylesheet that you'll link the potentially problematic client's site to. Should negotiations go south and passwords get changed before you receive payment, that stylesheet can be activated to superficially black out the site, returning to you the upper hand. *
When relations return and you've received payment, the killswitch is easily deactivated and its traces removed.
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45 Free eBooks for Developers and Designers via @speckyboy

Except IE7 doesn't understand inline-block properly.

It's to do with a hidden property called hasLayout the mention of which can cause seasoned web developers to tear their hair out, see you can't set it explicitly no such thing as hasLayout: on; it's set when other properties get applied and surprise surprise it's an IE only creation.

So to call this elusive hasLayout you need to set a property of "zoom:1;" to any element you want to work correctly. It doesn't do anything; if you set it to 2 it'll make things twice as large, but 1 nowt.

So that's that - nope, see if you set hasLayout as above for an element that is by default a block and then try to make it an inline-block IE7 still ignores it. So you need to add in one extra little snippet "*display: inline;" the star is important as every other correct browser will ignore that item, but dumb-old Internet Explorer won't and amusingly despite setting it to plain old inline it'll happily apply block properties to it too.

20 Free Web UI Element Kits and Stencils

50 Fantastically Clever Logos /via @jonpdx

Designing LinkedIn Faceted Search

how to redesign a website

How to display a lot of data using tables or grids.

Mockingbird is an online tool that makes it easy for you to create, link together, preview, and share mockups of your website or application.

Here is the slide deck from a talk I gave last week at Delve, a two-day masterclass held in Brooklyn, NY.

The talk is in three parts, with each part focusing on a specific problem in software. Each problem is a major hurdle in what I call the usage lifecycle, or the stages people go through as they use and adopt software over time. These three hurdles come directly out of the work I do with clients…I’ve been focusing almost exclusively on these specific problems…I hope the slides help you focus on them as well.

The feedback from my talk has been great…lots of folks like to see these steps broken down…I think it helps make design challenges a little more manageable so you don’t feel overwhelmed with “so much is broken…what should I fix first?”. I would love any feedback you have as this new content will make its way into the 2nd edition of my book.

One of the most keenly-anticipated CSS3 properties is border-radius. Web designers will no longer have to resort to complex table structures using custom-made corner graphics or including arcane JavaScript files in order to produce designs with rounded corners.

While Internet Explorer doesn't support many (or any) advanced CSS properties, you can get started using Firefox and any of the 'Mozilla' family of browsers. Apple's WebKit web browser engine also supports rounded corners making them available in the Safari and Chrome web browsers, the iPhone and other devices running WebKit.

Eric Gill, Adrian Frutiger and Max Miedinger are names we associate with the classic typefaces designers use on a daily basis. Their font creations are timeless designs that look right at home no matter what century we’re in. This collection of 25 classic fonts is a round up of the best and most popular fonts every designer should own. You can be sure that they will last your whole design career.

Colecció d'explorers, tipus MutipleIE però funcionant amb vista

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# Browse the collections to find your favorite design elements.
# Use the User Sets like lightboxes to keep your favorites organized.

While I might use some different language today, this technique I posted in 2004 (inspired by Alexander) is still a major help when I’m designing a UI with many elements to juggle. The reason I come back to it is that it helps me design with language first instead of empty templates. Too often a design starts top-down with empty content areas (maybe a main column and a sidebar) and then we fill those boxes in until its “done.” Filling in the boxes would work fine, except having a bunch of stuff on the page doesn’t mean we served the design goals.

The biggest challenge for web designers is the unthinkably huge number of possible ways to solve any given problem. We usually don't think of this because we have our habits and traditions to fall back on, but there are literally billions of possible pixel combinations for each page we make.

There is a better way to manage this vast complexity than by making big decisions up front and hoping for the best. To make better sites — sites that are functional, beautiful, and "usable" — we have to break our design problems up into small independent chunks based on the real issues within our requirements. Christopher Alexander, who came up with this stuff, calls these chunks patterns.

I'm going to show you how to sidestep your habits and assumptions and use patterns to make better design decisions. A lot of fancy stuff has been written about patterns. To be simple and clear in this introduction, I'll just call them chunks.

Web design is all about conveying information to the users in the most direct, clean and usable manner.

A corporate website also needs to capture the feel of the company and its purpose, while remaining professional in order to attain a solid and lasting impression to its customers.

Graphics, layouts and color palettes are all essential in how the customers perceive a company when visiting their website. Dark color designs, for example, can be interpreted as serious, while blue hues give a feeling of trust.

Here are 50 corporate website designs that you can use for inspiration in your own corporate designs.