jnchapel + interviews   7

Gary Shteyngart talks to Robert Birnbaum
"Ha, it's always awful. There is a restaurant in Petersburg called 1913. I ask, why 1913? 'The only good year in Russian history.' (Both laugh)"
literature  books  writing  interviews  gary-shteyngart 
december 2010 by jnchapel
Paris Review - The Art of Fiction No. 136, Ken Kesey
"Cassady had a theory about betting he’d learned in jail from someone named Knee-Walking Jackson. His theory was that the third favorite at post time is often the horse most likely to upset the winner and make big money. Cassady’s strategy was to step up to the tellers at the ticket booths just at post time. He’d glance up to see who was third favorite and put money on that horse. He didn’t look at the horses, the jockeys, or the racing sheets. He said to me, This is going to be the one, I can feel it. He asked me for ten bucks and I gave it to him. He put three dollars down with my ten. Given the odds we would have made some good money."
horseracing  writers  ken-kesey  san-francisco  interviews 
october 2010 by jnchapel
Paris Review - The Art of Poetry No. 27, Elizabeth Bishop
"I went to Yaddo twice, once in the summer for two weeks, and for several months the winter before I went to Brazil. Mrs. Ames was very much in evidence then. I didn’t like it in the summer because of the incessant coming and going, but the winter was rather different. There were only six of us, and just by luck we all liked each other and had a very good time. I wrote one poem, I think, in that whole stretch. The first time I liked the horse races, I’m afraid. In the summer—I think this still goes on—you can walk through the Whitney estate to the tracks. A friend and I used to walk there early in the morning and sit at the track and have coffee and blueberry muffins while they exercised the horses. I loved that. We went to a sale of yearlings in August and that was beautiful. The sale was in a big tent. The grooms had brass dustpans and brooms with brass handles and they’d go around after the little colts and sweep up the manure. That’s what I remember best about Yaddo."
horseracing  writers  saratoga  elizabeth-bishop  interviews 
october 2010 by jnchapel
Why diversity turns into conformity in online news
"The first thing I’d want them to consider is that, ironically, in the age of the Internet, more news has become less news. So you need to figure how less can become more, instead. To me, it’s evident that the growth and the speed at which information circulates has created some negative consequences for news agencies, negative consequences for consumers, and negative consequences for journalists, because they don’t like how their work is going these days. Nobody has gone into the news profession to replicate other people’s stories and to basically rehash material that already exists. The question is how to go into that situation so that it is a situation in which less is more. What the research on consumers clearly shows is that, yes, there is some appetite for news headlines and maybe leads, but for the most part, all people really want to read is headlines." An interview with communications scholar Pablo Boczkowski.
media  journalism  web-publishing  blogging  interviews 
october 2010 by jnchapel
Writing about writers
"The Didion Rule: When in doubt, ask writers about writing."
writing  writers  interviews 
january 2010 by jnchapel
The Believer Interview with Lydia Davis
"What I liked was the plain, Anglo-Saxon vocabulary; the intelligence; the challenge to my intelligence; the humor that undercut what might have been a heavy message; and the self-consciousness about language." ... "I am simply not interested, at this point, in creating narrative scenes between characters."
writing  lydia-davis  interviews 
october 2009 by jnchapel

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