jannon + pleasure   38

YouTube - From disco to disco
been thinking a lot about this song/video lately. and the 20th century and labor/art/pleasure/politics/racism/modernism/disco/love.
1990s  1997  20th.century  art  dance  delicious-export  disco  drugs  gender  german  germanness  germany  internationalism  labor  love  minimalism  modernism  music  performance  pleasure  politics  post-rave  queer  race  racism  sex  sexuality  techno  viva  youtube 
march 2011 by jannon
theysaid: Ghazal by Dilruba Ahmed
in my family, burning the rice always means you are in love.
authors  delicious-export  dilruba.ahmed  faith  food  form  ghazal  language  livejournal  lj  love  others  pleasure  poem  poems  poetry  religion  rice  vice  wine  words  writing 
june 2010 by jannon
Beyond Beauty: The Sublime and the Picturesque | GSAPPonline
"Manfredo Tafuri delineates...the "inherent opposition" of practitioners in modern art and architecture: "those who search into the very bowels of reality in order to know and assimilate its values and wretchedness; and those who desire to go beyond reality, who want to construct ex novo new realities, new values, and public symbols." ... this division ... stems from...the emergence of the eighteenth-century capitalist city and a new view of nature as both reason and sensation. ...the "reason" underlying nature serves as a model for notions such as structural articulation, type, and functionalism;...nature's emotional effects become the basis of a "science of sensations." Reason and "unreason" are...not distinct entities but...integrally related responses to the same conditions: the collapse of earlier aesthetic models in the face of new contradictions and tensions arising from changing conditions--economic, political, scientific, and cultural--that emerge...in the eighteenth century."
18th.century  19th.century  20th.century  21st.century  aesthetics  architecture  beauty  boullée  british  burke  camillo.sitte  choisy  columbia  delicious-export  england  form  frank.gehry  gordon.cullen  gsapp  john.locke  kames  kant  le.corbusier  libeskind  lyotard  manfredo.tafuri  mary.mcleod  modernism  peter.eisenman  pevsner  philosophy  piranesi  pleasure  postmodernism  reason  reyner.banham  richard.payne.knight  rowe  ruskin  sensation  sensationalism  shape  smithsons  soane  sublime  the.picturesque  the.sublime  theory  tschumi  uk  uvedale.price 
may 2010 by jannon
Lombard Street: Capitalist Realism - Belief in the Possibility of a Different Reality
"Like beleaguered figures in Kafka’s literary work Fisher presents our own horrific ontological confinement within capitalism, often drawn from his own lived experience, where every aspect of our lives seem to have been reduced, banalised, consumed and excreted out onto serving plates at an infinite banquet with only with one injunction—consume more . The tedious festival of capitalist realism described by Fisher reminded me of the Duke in Pasolini’s Salo screaming ‘Mangia! Mangia!’at the victims during the notorious ‘shit’ banquet. Some of the most memorable passages in Fisher’s book concern forms of popular culture which revel in this circle of shit, work which merely reproduces the flat one-dimensional ontology of capitalist realism."
affect  belief  books  capitalism  capitalism.is.crisis  capitalism.is.war.and.crisis  capitalist.realism  consumption  delicious-export  eat.it  enjoyment  finding.no.pleasure  implication  negation  negative  negative.capability  pasolini  pleasure  possibilities  production  reality  reviews  sadomasochism  salo  shit  things 
january 2010 by jannon
k-punk: '... and when the groove is dead and gone...' (2009)
"And when the groove is dead and gone/ you know that love survives/"——in my project of re-reading things later, I'm struck here by parallel between jackson's body as our "the king's body" vs chaplin's body in the 1920s (as explicated by the hath)
1980s  2009  academic  african.american  article  billie.jean  blog  blogs  body  capitalism  celebrity  class  commodity  consumer  consumerism  creativity  culture  cyborgs  dancing  death  delicious-export  disco  fantastic  greil.marcus  history  identification  k-punk  logic  marketing  mechanization  michael.jackson  music  off.the.wall  pepsi  performance  pleasure  pop  puppets  race  rule  sex.pistols  situationist  soul  spectacle  the.beatles  theory  undead  utopia  vampires  work  zombies 
january 2010 by jannon
k-punk: The Spy who never came in from the cold world (June 2009)
"And there are some of us, aren't there, who are ... nothing, who are so labile that we astound ourselves. We're the chameleons. I read a story once about a poet who bathed himself in cold fountains so that he could tell he actually existed from the pain of it. [...] People like that, they can't feel anything inside them: no pleasure or pain, no love or hate. They're ashamed and frightened that they can't feel, and their shame, this shame, [....] drives them to extravagance and colour. They have to feel that cold water. Without it, they're nothing. The world sees them as showmen, fantastists, liars, as sensualists perhaps, not for what they are: the living dead." / "Note the slide, in the quotation above, from first-person identification... to third-person disavowal... Smiley is no dysphoric by (un)natural inclination, but dysphoria is an occupational hazard to which he—so labile, so chameon-like, so at home in the zone where no-one warm and full can be at home—is far from immune."
a.murder.of.quality  aesthetics  affect  anhedonia  animals  books  chameleons  change  class  cold  cold.war  cold.world  criticism  dead  dejection  delicious-export  der.mann.ohne.eigenschaften  devastation  dominic.fox  dysphoria  emptiness  existence  fear  feelings  fountains  hate  inclination  john.le.carré  k-punk  lability  literature  living  living.dead  love  occupation  pain  pleasure  politics  psychology  qualities  quality  shame  spying  subjectivity  tenor  the.man.without.qualities  tone  zombies 
december 2009 by jannon

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