Formulary for a New Urbanism (Ivan Chtcheglov)
1950s 1953 20th.century affect amusement amusement.parks architecture boredom castles cold.war coney.island delicious-export delight dérive eccentricity emotions exoticism friends hp imagery imaginary.cities imagination imagineering infrastructure knockturn.alley malls midcentury myth mythogeography neoliberalism new.urbanism nostalgia paris picturesque pleasure psychogeography remains remix remnants reuse romanticism ruins situationism surprise terror theory urban urban.design urbandesign urbanism urbanplanning
february 2011 by jannon
1950s 1953 20th.century affect amusement amusement.parks architecture boredom castles cold.war coney.island delicious-export delight dérive eccentricity emotions exoticism friends hp imagery imaginary.cities imagination imagineering infrastructure knockturn.alley malls midcentury myth mythogeography neoliberalism new.urbanism nostalgia paris picturesque pleasure psychogeography remains remix remnants reuse romanticism ruins situationism surprise terror theory urban urban.design urbandesign urbanism urbanplanning
february 2011 by jannon
The Last Days of Philip K. Dick
20th.century amusement amusement.parks anaheim anecdotes animation belief blade.runner california capitalism castles cold.war conspiracy copyright delicious-export disney disneyland faith fandom fantastic fantasy fidelity film larry.niven literature mass.culture mass.production mickey.mouse movies narrative passholes performance pilgrimage pkdick praxis ray.nelson scifi socal stories writing
february 2011 by jannon
20th.century amusement amusement.parks anaheim anecdotes animation belief blade.runner california capitalism castles cold.war conspiracy copyright delicious-export disney disneyland faith fandom fantastic fantasy fidelity film larry.niven literature mass.culture mass.production mickey.mouse movies narrative passholes performance pilgrimage pkdick praxis ray.nelson scifi socal stories writing
february 2011 by jannon
The Society of the Spectacle (8) (Debord)
20th.century against audiovisual cold.war counter.culture counterculture culture daniel.boorstin debord delicious-export détournement events history images mass.culture mass.media mass.production masses media not.quoting plagiarism postmodernism power pseudoevents reference remix remixology remnants research reuse reworking ruins situationism society.of.the.spectacle spectacle spectatorship theory visual writing
february 2011 by jannon
20th.century against audiovisual cold.war counter.culture counterculture culture daniel.boorstin debord delicious-export détournement events history images mass.culture mass.media mass.production masses media not.quoting plagiarism postmodernism power pseudoevents reference remix remixology remnants research reuse reworking ruins situationism society.of.the.spectacle spectacle spectatorship theory visual writing
february 2011 by jannon
Tara McPherson | Color Coding
1960s 1968 20th.century academia civil.rights clouds code coding cold.war color computers computing connections control culture cybernetics delicious-export digital explicit fragments implicit integration kyriarchy mainframe media metaphor network networks organization organizations pcs perception power race racism systems technology theory turns users video white.supremacy
january 2011 by jannon
1960s 1968 20th.century academia civil.rights clouds code coding cold.war color computers computing connections control culture cybernetics delicious-export digital explicit fragments implicit integration kyriarchy mainframe media metaphor network networks organization organizations pcs perception power race racism systems technology theory turns users video white.supremacy
january 2011 by jannon
The Cold War's Influence on Art: 1945-1970 - Photo Essays - TIME (2007)
1940s 1945 1950s 1960s 1970 20th.century american art capitalism cold.war cold.war.modern coldwar culture delicious-export design europe european exhibition exhibitions history ideology images modernism photography power socialism soviet style technology time.magazine v&a
november 2010 by jannon
1940s 1945 1950s 1960s 1970 20th.century american art capitalism cold.war cold.war.modern coldwar culture delicious-export design europe european exhibition exhibitions history ideology images modernism photography power socialism soviet style technology time.magazine v&a
november 2010 by jannon
Martin Iddon | School of Music, University of Leeds
april 2010 by jannon
"In between my various academic lives I have also spent several years being complained at by disgruntled British Gas customers, opening accountants’ letters, and headhunting managers for Britain’s leading biscuit and cake companies. I continue to bore anyone who will listen regarding the precise distinctions that can be made between class 2 and decorative gas fires or why a Jaffa cake cannot accurately be described as a biscuit. Outside the worlds of music, gas appliances, envelopes, and confectionery, my interests lie predominantly in French philosophy, Italian coffee, and American zombie movies.’"
20th.century
academics
aesthetics
america
art
brd
cold.war
composers
darmstadt
david.tudor
delicious-export
details
german
germany
historians
historiography
history
instruments
leeds
martin.iddon
music
musicians
musicologist
new.media
new.music
people
politics
pure.delight
stockhausen
work
april 2010 by jannon
The Irascibles
20th.century abstract.expressionism academia academy aesthetics art artists avant-garde barnett.newman cold.war criticism critics culture delicious-export history judgment metropolitan modernism museum museums nyc painters painting people politics salons the.irascibles the.met
march 2010 by jannon
20th.century abstract.expressionism academia academy aesthetics art artists avant-garde barnett.newman cold.war criticism critics culture delicious-export history judgment metropolitan modernism museum museums nyc painters painting people politics salons the.irascibles the.met
march 2010 by jannon
Clinton Robert Starr—Bohemian Resonance: The Beat Generation and Urban Countercultures in the United States during the Late 1950s and Early 1960s (PDF)
1950s 1960s 20th.century aesthetics affect affinity americana art austin beat beat.generation beats being bohemian bohemianism charles.brittin cold.war community coolness counter.culture delicious-export dissertation filetype:pdf historiography history losangeles media:document poetry politics practice praxis resonance urban
march 2010 by jannon
1950s 1960s 20th.century aesthetics affect affinity americana art austin beat beat.generation beats being bohemian bohemianism charles.brittin cold.war community coolness counter.culture delicious-export dissertation filetype:pdf historiography history losangeles media:document poetry politics practice praxis resonance urban
march 2010 by jannon
Burj Chalifa: So deutsch ist das höchste Haus der Welt - SPIEGEL ONLINE - Nachrichten - Reise
january 2010 by jannon
apparently the saga of the palast der republik/stadtschloß can get more depressing: "Von 'Erichs Lampenladen' nach Dubai: In dem am Montag eingeweihten höchsten Gebäude der Welt, dem Burj Chalifa, wurde tonnenweise Stahl mit DDR-Vergangenheit verbaut. Denn die Stahlträger des Palastes der Republik in Berlin wurden nach dessen Abriss im Jahr 2006 eingeschmolzen und gelangten über Sachsen-Anhalt in die Türkei. Eine dort ansässige Stahlfirma brachte das recycelte Material schließlich zur Baustelle in Dubai. So entstand auch aus Teilen eines staatlichen Prunkbaus der Vergangenheit ein Prunkbau der Zukunft: das mit 828 Metern höchste Gebäude der Welt."
20.jahrhundert
20th.century
architecture
architektur
berlin
bubble.trouble
building
buildings
burj.chalifa
burj.dubai
burj.khalifa
capitalism
cities
cold.war
components
ddr
delicious-export
demolished
depressing
deutschland
dubai
dubai.is.crazy
germany
geschichte
history
lampen
lampenladen
oil
palast.der.republik
parts
places
politics
pyramids
socialism
socialist
spiegel
stadtschloß
symbolism
technik
uae
united.arab.emirates
wealth
january 2010 by jannon
Whitey on the Moon - Lyrics
december 2009 by jannon
1969—40 years after the riots in watts, newark, detroit, baltimore, etc and 40 years after the moon landing: we're spending more on prison in california than on education, we're in a state of mass incarceration, and we don't have flying cars and vacations on the moon, either.
1969
20th.century
capitalism
capitalism.is.war.and.crisis
class
cold.war
colonialism
delicious-export
future
futurism
gil.scott.heron
history
modernism
music
poetry
politics
priorities
race
racism
resources
science
science.fiction
scifi
space
space.race
the.actual.past
wealth
december 2009 by jannon
k-punk: The Spy who never came in from the cold world (June 2009)
december 2009 by jannon
"And there are some of us, aren't there, who are ... nothing, who are so labile that we astound ourselves. We're the chameleons. I read a story once about a poet who bathed himself in cold fountains so that he could tell he actually existed from the pain of it. [...] People like that, they can't feel anything inside them: no pleasure or pain, no love or hate. They're ashamed and frightened that they can't feel, and their shame, this shame, [....] drives them to extravagance and colour. They have to feel that cold water. Without it, they're nothing. The world sees them as showmen, fantastists, liars, as sensualists perhaps, not for what they are: the living dead." / "Note the slide, in the quotation above, from first-person identification... to third-person disavowal... Smiley is no dysphoric by (un)natural inclination, but dysphoria is an occupational hazard to which he—so labile, so chameon-like, so at home in the zone where no-one warm and full can be at home—is far from immune."
a.murder.of.quality
aesthetics
affect
anhedonia
animals
books
chameleons
change
class
cold
cold.war
cold.world
criticism
dead
dejection
delicious-export
der.mann.ohne.eigenschaften
devastation
dominic.fox
dysphoria
emptiness
existence
fear
feelings
fountains
hate
inclination
john.le.carré
k-punk
lability
literature
living
living.dead
love
occupation
pain
pleasure
politics
psychology
qualities
quality
shame
spying
subjectivity
tenor
the.man.without.qualities
tone
zombies
december 2009 by jannon
Home - Cold War Modern - Victoria and Albert Museum (2008–9)
november 2009 by jannon
ought to read the exh. cat. at least
1970
2008
architecture
art
capitalism
cold
cold.war
coldwar
consumption
culture
delicious-export
design
display
eames
england
exhibit
exhibition
exhibitions
form
goods
history
image
images
industrial
london
microsite
midcentury
modern
modernism
museum
politics
power
propaganda
purpose
shape
socialism
society
soviet
the.ten.thousand.things
things
v&a
november 2009 by jannon
The Fire Station « Article Magazine
november 2009 by jannon
"Sheffield’s former central fire station will soon be demolished to make way for redevelopment. This is a major part of the Sevenstone plan for the city centre, which will bring a greater number of shops into the empty spaces via a half billion pound mixture of Liverpool One outdoor style shopping complexes and more familiar American Mall style structures. The monetary and civic values of this project are highly debatable. As of now, however, only demolition of the fire station will take place, as the development has stalled indefinitely. Once the fire station has gone, Sheffield city centre will be left with a giant hole. . . . Under the fire station is a block designed solely for catastrophe. Constructed as the command centre in the case of nuclear war, this is a massive concrete, climate controlled war room from which the remains of the city could be overseen. . . . Regeneration follows a similar disaster narrative." (via danched; tho, most new ones here are also "malls w/o walls")
access
architecture
blank.canvas
bunkers
cold.war
consumerism
control
delicious-export
demolition
economics
england
fantasy
firestations
fortifications
malls
meltdown
new.urbanism
pacification
pacification.by.capuccino
privatization
recession
regeneration
security
sevenstone
sheffield
streets
threads
uk
urbanism
november 2009 by jannon
Memoirs of Anthony Blunt, British Spy, Made Public - NYTimes.com
anthony.blunt archives art british british.library cambridge cold.war culture curation curators delicious-export disillusionment disloyalty england history kim.philby loyalty marxism memoir monarchy nicolas.poussin nytimes people poussin regret spy spying stalin thatcher treue uk untreue
july 2009 by jannon
anthony.blunt archives art british british.library cambridge cold.war culture curation curators delicious-export disillusionment disloyalty england history kim.philby loyalty marxism memoir monarchy nicolas.poussin nytimes people poussin regret spy spying stalin thatcher treue uk untreue
july 2009 by jannon
Art of Two Germanys, Cold War Cultures - we make money not art
april 2009 by jannon
great exhibition indeed -- I need to go and find out how the potatoes & chocolate are doing
20.jahrhundert
20th.century
art
art.of.two.germanys
artists
ausstellung
brd
cold.war
ddr
delicious-export
deutschland
exhibition
kunst
lacma
losangeles
ostalgie
review
reviews
rezension
wmmna
april 2009 by jannon
Joanna Moorhead reveals what Lee Miller and her gang of subversives were actually doing in deepest Sussex | UK news | The Guardian
1940s 1950s MI5 art artists british cold.war delicious-export espionage farley.farm history joanna.moorhead lee.miller picasso roland.penrose salons surveillance sussex the.guardian uk
march 2009 by jannon
1940s 1950s MI5 art artists british cold.war delicious-export espionage farley.farm history joanna.moorhead lee.miller picasso roland.penrose salons surveillance sussex the.guardian uk
march 2009 by jannon
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