These fascinating black and white pictures taken by photographer John Thompson show the reality of existence in the 1800s when photography was in its infancy.

In 1876 he set out with writer Adolphe Smith and together the pair spoke to people and the shots were later published in magazine, Street Life in London.

In the project “Fatescapes,” the visual artist Pavel Maria Smejkal goes a step further and forces us to reconsider the veracity of historical images and the photographer’s role by digitally removing the people that made these images resonant. What is left is the scene as it might have looked just minutes before or after the photographer passed by. These images are reminiscent of a time, before Photoshop, when photographs were believed to be a reflection of reality. Mr. Smejkal’s alterations question whether photographs should be viewed as accurate representation.

We used to think agriculture gave rise to cities and later to writing, art, and religion. Now the world’s oldest temple suggests the urge to worship sparked civilization.

Smarthistory.org is a free and open, not-for-profit, art history textbook. We use multimedia to deliver unscripted conversations between art historians about the history of art. We are seeking contributors—especially for canonical non-Western material and other survey topics not yet covered. We welcome comments, feedback and corrections.

New archaeological discoveries show that Iceland was inhabited around AD 800 – nearly 70 years before the traditional dating of its Viking settlement.
One possibility is that these early inhabitants may have been related to Irish monastic communities found throughout the Scottish islands at that time, and described in Viking-Age and medieval texts.

ravel back in time and around the world with The Travel Film Archive. The Travel Film Archive is a collection of travelogues and educational and industrial films -- many of them in color - that show the world the way it was between 1900 and 1970. Our holdings include archives of the renowned travel filmmakers Burton Holmes, Andre de la Varre, and James A. FitzPatrick, as well as footage shot by many other intinerant cameramen.