SuperCollider is an object oriented programming environment for
real-time audio and video processing. It is one of the finest and most
versatile environments for signal processing and especially for
creating music applications of all kinds, such as complete
compositions, interactive performances, installations etc

SW_Gui is a tabbed GUI interface that keeps the most useful tools at your fingertips in a single window and has a customizable launcher so you can access anything else you may need.

LNX_Studio is a way of bring people together to make music with new and innovative tools. Its all about creating and sharing ideas. There are many features in LNX_Studio and it's strength lies in putting the creative process at the forefront of a networked collaboration. Making music with your friends is now wonderfully simple.

sample rate conversion comparisons

Qt's text widgets are able to display rich text, specified using a subset of HTML 4 markup. Widgets that use QTextDocument, such as QLabel and QTextEdit, are able to display rich text specified in this way.

motus sonoris diligenter ordinatus

Easily control SuperCollider sound server from python

SuperCollider "UGen" plugins are extensions for the SuperCollider audio synthesis server (see also quarks to extend the programming language). For community discussion and support see the SuperCollider mailing lists.

Course Notes For Sound Synthesis in SuperCollider:

This site serves as a hub of information. Here you can find the music, video, code, and ideas of Scott Petersen (aka scacinto,) and a number of new music groups, in particular for El MuCo and FridayNightThing

Marinos Koutsomichalis (b. Athens, Greece 1981).

Active internationally in both academic and non academic milieus, Marinos Koutsomichalis is being working as an artist since the mid '00s using a variety of mediums. He is primary interested in sound. Hitherto, he has performed and exhibited works internationally in acclaimed galleries, academias, festivals, churches, independent venues, etc and has released albums in variety of labels that were met with enthusiasm by critics worldwide. He has collaborated with Z'EV, Francisco Lopez, Robiin McGinley, Marc Behrens, Kasper T. Toeplitz and many others in various projects. He has lectured at the Technical University of Crete and at the Centre of Contemporary Music Research (KSYME).

thread: [sc-users] new to programming...

Anonymous Pro is a family of four fixed-width fonts designed especially with coding in mind. Characters that could be mistaken for one another (O, 0, I, l, 1, etc.) have distinct shapes to make them easier to tell apart in the context of source code.

Anonymous Pro also features an international, Unicode-based character set, with support for most Western and European Latin-based languages, Greek, and Cyrillic. It also includes special "box drawing" characters for those who need them

This is an online notebook about Audio and Visual arts. I share here work that I do at the Department of Audio and Visual Arts of the Ionian University, together with other persons that work on joint projects.

Iannis Zannos teaches audio and interactive media arts at the Department of Audiovisual Arts and at the postgraduate course in Arts and Technologies of Sound of the Music Department at the Ionian University, Corfu since 2004. He has a background in music composition, ethnomusicology and interactive performance. He has worked as Director of the Music Technology and Documentation section at the State Institute for Music Research (S.I.M.) in Berlin, Germany, and Research Director at the Center for Research for Electronic Art Technology (CREATE) at the University of California, Santa Barbara. He has taken part at numerous international collaborative Media Arts projects and has realized multimedia performances both alone and in cooperation with other artists.

The TAI Studio is an invention of Till Bovermann who also runs it. It is hosted by the Media Lab Helsinki.

The project provides a high level electro-instrumental model that can be assembled in a wide variety of ways. Users develop instruments based 
on the generalized internal model either by using the Modality GUIs, by directly writing configuration files, and/or via direct access to objects via 
the SuperCollider environment and 3rd party plugins

source code

Fourier analysis of the shape of a signal's log-power spectrum. Because this transform applies to magnitudes and not the phases (i.e. it ignores half of the data), the cepstral Buffer is half the size of the FFT Buffer.

Help
Documentation home

For Ann (rising) by James Tenney

Roger Shepard invented a method for creating a musical scale which can seem to increase in pitch forever. Jean-Claude Risset extended this and applied it to rhythm as well as pitch, realising that a sound could be created whose tempo appeared to speed up (or slow down) indefinitely.

Here's one way to achieve this effect in SuperCollider, taking a recorded breakbeat as a basis:

ean-Claude Risset described an “eternal accelerando” il- lusion, related to Shepard tones, in which a rhythm can be constructed to give the perception of continuous ac- celeration. The effect can in principle be derived from any rhythmic template, producing patterns with aspects of fractal self-similarity. Any attempt to use it composition- ally must address the difficult issue of scheduling events (notes, beats) and structural changes in a way that inte- grates with the multi-layered self-similar rhythmic struc- ture. In this paper we develop an approach to scheduling rhythms, melodies and structural changes over a Risset accelerando (or decelerando) framework. We derive the mappings which allow note sequences and sample play- back to be incorporated. We discuss some compositional choices available within this framework, and demonstrate them via audio examples

SuperCollider addon for openFrameworks

Kontur is the successor of a project named Bosque. Bosque provides a timeline system in the SuperCollider environment, allowing you not only to place and arrange regions of audio files, but also code regions, triggering interactive reactions in SuperCollider or controlling sound parameters.

The audio file editor, baptised 'Eisenkraut', came into existance (as a scaffold) during a project class on audio programming in Java at the SeaM in Weimar. It is distinguished by a number of traits which makes it particularly interesting in the field of computer music: There are no restrictions with regard to the number of channels in a file, and there is an OSC interface via which the functionality can be extended, for example using the SuperCollider language. Possible applications of such extensions are the transfer of marker information or the maintainance of meta data for segmented files, the algorithmic editing (cut/copy/paste) of files, or the addition of your own sound transformations or special decoders (e.g. an MS matrix).

XiiLang, a live coding language interpreter
- version 3 : November 2011
- http://www.ixi-audio.net
- feedback to: thor[]ixi...

The ixi lang live coding environment is a simple visual system presenting a high entry-level control over synth definitions and samples in SuperCollider. The core idea is to represent events in a spatial layout, thus merging musical code and musical scores. The score is active, i.e., if a method is performed upon the score, it changes in real time.

Autocousmatic

(2009-2011) Autocousmatic by Nick Collins: a program for automatic generation of electroacoustic works, incorporating machine listening

Overtone is an open source audio environment being created to explore musical ideas from synthesis and sampling to instrument building, live-coding and collaborative jamming. We use the SuperCollider synth server as the audio engine, with Clojure being used to develop the APIs and the application. Synthesizers, effects, analyzers and musical generators can be programmed in Clojure.

These forums are archives of the SuperCollider Users (sc-users) and SuperCollider Developers (sc-dev) mailing lists.

N.B. You must subscribe to sc-users / sc-dev or sc-users-acl / sc-dev-acl (for non-delivery) in order to post from these forums.

A back-end for SuperCollider for integration with Lilypond music notation

We present ScalaCollider, a new client framework to connect to the SuperCollider sound synthesis server. It builds on top of the general purpose language Scala. Scala's ambition is to allow for the development of scalable systems, being equally comfortable both for small-scale scripting and large-scale modular projects

branching strategy and release management

Welcome to the Hochschule für bildende Künste [HFBK], the University of Fine Arts
of Hamburg, Germany

NEW ELECTRONIC AND ACOUSTIC SOUNDS

I make code look goooood :)
jQuery.Syntax is an extremely fast and lightweight syntax highlighter written in JavaScript. It has dynamic loading of syntax source files and integrates cleanly using CSS or modelines. Try it online right now!

James is a computer musician from the USA, with composition training from Butler (B.Mus.) and Duke (M.A, Ph.D.) Universities. Recently relocated to South China, in preparation for a teaching post to begin in fall 2010.

SuperFomus is a project that aims to integrate the features of the language SuperCollider (incluing support for Events, Routines and Streams) with the automatic music notation system FOMUS (FOrmat MUSic).

Compiling SuperCollider from the source code

TextMate bundle for supercollider.app

Work is based on http://github.com/rfwatson/supercollider-tmbundle by Rob W. This implementation uses pipes for communication instead of OSC messages. This means you don't have to start the supercollider cocoa app to use the bundle and you don't have a ~300 character limit to send messages to SC.

Short preview: http://vimeo.com/12853571

supercollider learning resources

DFM1 is a port for SuperCollider of Tony Hardie-Bick's DFM1 digital filter module. It is an accurate model of an analog filter and provides low-pass and high-pass filtering. The filter can be overdriven and will self-oscillate at high resonances.

A TextMate Bundle for SuperCollider
Work is based on http://github.com/rfwatson/supercollider-tmbundle by Rob W. This implementation uses pipes for communication instead of OSC messages. This means you don't have to start the supercollider cocoa app to use the bundle and you don't have a ~300 character limit to send messages to SC.

These files were made for a course I created and taught at the University of Washington's Center for Digital Arts and Experimental Media (DXARTS) in Summer 2010.

Miguel Negrão is a sound artist born in 1981 in Lisbon, Portugal.  Under the alias ZLB he has been active with  Drone and Ambient music projects, having released one album “I Was Vaguely Aware of Something” on Friendly Virus, an independent record label and collective of which he is part and helped create

released 4/2011
SuperCollider is one of the most important domain-specific audio programming languages, with potential applications that include real-time interaction, installations, electroacoustic pieces, generative music, and audiovisuals. The SuperCollider Book is the essential reference to this powerful and flexible language, offering students and professionals a collection of tutorials, essays, and projects. With contributions from top academics, artists, and technologists that cover topics at levels from the introductory to the specialized, it will be a valuable sourcebook both for beginners and for advanced users.

Code examples for “Designing Sound” textbook

This is a repository for integration of Qt GUI into SuperCollider

Media output of Andrew Friend

Experimental fork of Pieter's nice git GUI for OS X. Includes: sidebar, fetch, pull, push, add remote, merge, cherry-pick, rebase, clone, clone to. Mac OS X 10.5+

Experimental fork of Pieter's nice git GUI for OS X. Includes: sidebar, fetch, pull, push, add remote, merge, cherry-pick, rebase, clone, clone to. Mac OS X 10.5+ (see wiki for screenshot)