“Blogging has been declared at least five times,” he said. “But that’s like saying creativity is dead, or personal expresion is dead. Ultimately some percentage of the people who get a taste for it through Facebook and Twitter want their own space. And for the most part, that’s a blog.”

"I have done, and still do, a significant amount of programming in other languages. I've written blocks of code like rangeCheck a hundred times before. I could do it, you could do it. The idea that someone would copy that when they could do it themselves just as fast, it was an accident. There's no way you could say that was speeding them along to the marketplace. You're one of the best lawyers in America, how could you even make that kind of argument?"

"There's basically one thing you have to do: you have to make every single detail perfect, and you have to limit the number of details."

"Too often in technology, design is applied like a veneer after the hard work is done. That approach ignores how essential design is in our lives. Our lives are beset by clutter, not just of physical goods but of ideas and options and instructions—and design, at its best, lets us prioritize. Think of a supremely honed technology: the book. It elegantly organizes information, delivering it in a compact form, easily scanned asynchronously or in one sitting. The ebook is a worthy attempt to reverse-engineer these qualities—a process that has taken decades and chewed up millions in capital. But still, despite the ingenuity and functionality of the Kindle and the Nook, they don’t entirely capture the charms of the original technology. Good design is hard."

"So the talk became “Waving at the machines”, a 50-minute, 120-slide vector through the idea, an idea that still seems massive and nebulous, but which it is possible to fire a laser through and illuminate some motes. I’m not sure I managed to phrase the camouflage stuff quite right, and the need for an ending always feels like a cop-out, but nevertheless, I cover many of the bases. (Web Directions have also transcribed the entire talk, should you be so crazy as to attempt to read it.)"

"James Bridle talks about literature and storytelling when everything has become digital, the construction of knowledge and collaborating with robots. Ham, spam, word salad, and what is important in a tent."

"People who say print is going away aren’t looking at what is happening to the technology of printing books. Digital technology doesn’t just make it easier to move bits; it often makes it easier to move atoms, too."

"If you started out building a dating site and instead ended up  building a video sharing site (YouTube) that handles 4 billion views a day, then it’s just possible you learned something along the way. And indeed, Mike Solomon, one of the original engineers at YouTube, did learn a lot and he has given a talk about it at PyCon: Scalability at YouTube."

"The Little Coder’s Predicament arises from the following problem: We live in world of astonishingly advanced technologies, easy to use and all around us. Your grandmother has a smartphone. Your 2-year-old can play with an iPad. But the technology behind such marvels is complex and invisible, abstracted away from the human controlling it. Nor do these technologies offer us many ready chances to do basic programming on them. For nearly all of us, code, the language that controls these objects and in a way controls our world, is mysterious and indecipherable."

Remember when you were willing to wait a few seconds for a computer to respond to a click on a Web site or a tap on a keyboard? These days, even 400 milliseconds — literally the blink of an eye — is too long, as Google engineers have discovered. That barely perceptible delay causes people to search less.

Steve Jobs smelled so foul that none of his co-workers at Atari in the seventies would work with him. Entreating him to shower was usually futile; he’d inevitably claim that his strict vegan diet had rid him of body odor, thus absolving him of the need for standard hygiene habits. Later, friends would theorize that he had been exercising what would prove a limitless capacity for sustained and gratuitous lying that came to be nicknamed the “reality distortion field.”

You have to ask yourself how you allow people to communicate what's in their lives," says Systrom. "I don't like the idea of Instagram as a photo sharing service, and I don't think it is," says Systrom, "it's very much a communication tool, it's a visual communications tool."

The best stories about Mark Zuckerberg and his company.

In this special edition of the Macworld Podcast, recorded on the Macworld | iWorld show floor, I'm joined by a pair of Mac luminaries—Daring Fireball's John Gruber and Chicago Sun-Times columnist Andy Ihnatko. Our topic: The State of Apple.

Mike and Katie sit down with John Gruber himself and discuss the trouble with “booth babes,” conferences, and iconic jerseys from the biggest asshole teams in the USA.

Science fiction writers and fans are prone to lauding the predictive value of the genre, prompting weird questions like ‘‘How can you write science fiction today? Aren’t you worried that real science will overtake your novel before it’s published?’’ This question has a drooling idiot of a half-brother, the strange assertion that ‘‘science fiction is dead because the future is here.’’

Clearly, YouTube would benefit from premium content, the kind of stuff you could watch on Netflix and Hulu. But the owners of that content were reluctant to license it to YouTube, either because they could make more money selling it elsewhere or because they didn’t trust YouTube/Google. Kamangar needed someone who would make content owners realize how valuable YouTube’s audience could be to them.

Facebook is building a phone because Facebook *has* to build a phone.

Chaos Monkey randomly kills instances and services within Netflix's AWS infrastructure to help developers to make sure each individual component returns something even when system dependencies aren't responding.

So let me say it simply - hackers are nothing like painters.

The “split browser” notion is that Amazon will use its EC2 back end to pre-cache user web browsing, using its fat back-end pipes to grab all the web content at once so the lightweight Fire-based browser has to only download one simple stream from Amazon’s servers. But what this means is that Amazon will capture and control every Web transaction performed by Fire users. Every page they see, every link they follow, every click they make, every ad they see is going to be intermediated by one of the largest server farms on the planet. People who cringe at the privacy and data-mining implications of the Facebook Timeline ought to be just floored by the magnitude of Amazon’s opportunity here.

I want to increase all the things that help people discover and use their talents. Can you imagine a world where Mozart did not have access to a piano? I want to promote the invention of things that have not been invented yet, with a sense of urgency, because there are young people born today who are waiting upon us to invent their aids. There are Mozarts of this generation whose genius will be hidden until we invent their equivalent of a piano—maybe a holodeck or something.

As far as I can tell the impossible things that happen now are in every case manifestations of a new, bigger level of organization. They are the result of large-scale collaboration, or immense collections of information, or global structures, or gigantic real-time social interactions. Just as a tissue is a new, bigger level of organization for a bunch of individual cells, these new social structures are a new bigger level for individual humans. And in both cases the new level breeds emergence.

The last 20 years have seen revolutions in technology that have transformed our lives. How have art and its institutions reacted?