lonelysandwich - “Final Cut Pro: The New Class”
june 2011 by coldbrain
According to David Pogue, Apple says they’ve rewritten the app to accommodate changes on the technological landscape. What could these changes possibly be? Could it be that Apple has a very clear and well-rendered vision of the future of video? Could it be that the Apple sees a future where source material is assembled in real time by an engine that works on the viewer side rather than the author side? Where editing is something that happens in process of distribution, and not (as it has always been) well before? Think of this new vision of video as the HTML5 to Flash. Where elements are lightweight and rendered on the fly, rather than pre-baked and packaged into chunky deliverables. I firmly believe that this is Apple’s vision of the future of video and media, and that Final Cut Pro X is a new, bold (ill-timed and hastily executed) flagship to support this vision.
finalcutpro
fcpx
video
editing
future
adamlisagor
apple
distribution
june 2011 by coldbrain
Paris Review - The Art of Fiction No. 76, Raymond Carver
may 2011 by coldbrain
I write the first draft quickly, as I said. This is most often done in longhand. I simply fill up the pages as rapidly as I can. In some cases, there’s a kind of personal shorthand, notes to myself for what I will do later when I come back to it. Some scenes I have to leave unfinished, unwritten in some cases; the scenes that will require meticulous care later. I mean all of it requires meticulous care—but some scenes I save until the second or third draft, because to do them and do them right would take too much time on the first draft. With the first draft it’s a question of getting down the outline, the scaffolding of the story. Then on subsequent revisions I’ll see to the rest of it. When I’ve finished the longhand draft I’ll type a version of the story and go from there. It always looks different to me, better, of course, after it’s typed up. When I’m typing the first draft, I’ll begin to rewrite and add and delete a little then. The real work comes later, after I’ve done three or four drafts of the story. It’s the same with the poems, only the poems may go through forty or fifty drafts. Donald Hall told me he sometimes writes a hundred or so drafts of his poems. Can you imagine?
raymondcarver
theparisreview
interviews
drafting
editing
writing
from instapaper
may 2011 by coldbrain
Paris Review - A Humorist at Work, Fran Lebowitz
april 2011 by coldbrain
I used to love to write. As a child I used to write all the time. I loved to write up until the second I got my first professional writing job. It turns out it’s not that I hate to write. I hate, simply, to work. I just hate to work, period. I am profoundly slothful. Practically inert. I have no energy. I never have. I just have no desire to be productive. Now that I realize I don’t hate to write, that I just hate to work, it makes writing easier.
franlebowitz
interview
writing
career
work
editing
humour
from instapaper
april 2011 by coldbrain
56% of Peoples' 1st Wikipedia Edits Are Good
april 2011 by coldbrain
If you thought Wikipedia had seen its heyday, you'd have thought wrong. A small study performed by Wikipedia staff and published today found that new Editors are signing up and making edits to the site at a far greater rate than they were years ago. A slight majority of their first edits are acceptable or better.
via:popular
wikipedia
editing
accuracy
quality
april 2011 by coldbrain
The Rolling Stone Interview: Stanley Kubrick in 1987 | Rolling Stone Culture
april 2011 by coldbrain
You’ve quoted Pudovkin to the effect that editing is the only original and unique art form in film.
I think so. Everything else comes from something else. Writing, of course, is writing, acting comes from the theater, and cinematography comes from photography. Editing is unique to film. You can see something from different points of view almost simultaneously, and it creates a new experience.
stanleykubrick
film
cinema
interview
editing
fullmetaljacket
process
perfectionism
1987
from instapaper
I think so. Everything else comes from something else. Writing, of course, is writing, acting comes from the theater, and cinematography comes from photography. Editing is unique to film. You can see something from different points of view almost simultaneously, and it creates a new experience.
april 2011 by coldbrain
Video 101 on Vimeo Video School
february 2011 by coldbrain
Are you curious about how to make videos but can't tell a camcorder from a coffee maker? Do the terms 'pan' and 'tilt' conjour up thoughts of tv cooking shows instead of movie making terminology? Or maybe you're tired of always being the audience member and want to start making videos yourself? Well look no further, Video 101 is here! Join the friendly Vimeo Staff as we cover all the basics of shooting and editing videos you can be proud of. We've handcrafted these lessons for beginners of all backgrounds, check it out!
video
tutorial
editing
from delicious
february 2011 by coldbrain
Ayelet Waldman, Author of Bad Mother and Red Hook Road, on Writing Well - WSJ.com
december 2010 by coldbrain
Though you won't find it in Webster's, there's a word to describe the kind of meticulously constructed writing that bores even its author. A "bore-geous" novel is one that is packed with gorgeous, finely wrought descriptions of places and people, with entire paragraphs extolling the slope of one character's nose, whole chapters describing another's perambulations through a city. These novels are often historical or set in foreign lands, their bore-geousness inspired by the author's anxiety about making an unfamiliar world feel convincing and true. It's not that the sentences aren't well-constructed, even lovely. They are. That's part of the problem. Bore-geousness happens when you are writing beautifully but pointlessly.
writing
editing
ayeletwaldman
descriptions
from delicious
december 2010 by coldbrain
Adactio: Journal—Drafty
november 2010 by coldbrain
I think keeping drafts can be counterproductive. The problem is that, once something is a draft rather than a blog post, it’s likely to stay a draft and never become a blog post. And the longer something stays in draft, the less likely it is to ever see the light of day.
blogging
drafting
workflow
publishing
editing
writing
via:robertogreco
november 2010 by coldbrain
52 Tiger » Using Apple’s Preview as an image editor
november 2010 by coldbrain
Recently I was looking for a lightweight image editor. After auditioning great candidates like Acorn and Pixelmator, I realized that Apple’s own Preview offers nearly everything I need. Here’s why and how I’m using Apple’s built-in PDF file viewer.
apple
mac
osx
preview
image
editing
cropping
resizing
workflow
november 2010 by coldbrain
Ten Photo-Editing Tips From a Pro - NYTimes.com
october 2010 by coldbrain
But I don’t have many tricks in my Lightroom photo-doctoring bag. In fact, everything I was doing I had learned from a brief demonstration by Tyler Stableford, an outdoor sports and adventure photographer who uses Lightroom to make his photos just a bit more dazzling.
photography
photoshop
editing
lightroom
tutorial
howto
adobe
resources
october 2010 by coldbrain
Rapid Fire « SixThings
september 2010 by coldbrain
Quick Fireworks tutorials
fireworks
editing
image
nesltd
adobe
graphics
september 2010 by coldbrain
What It's Really Like To Be A Copy Editor - The Awl
august 2010 by coldbrain
The word is douche bag. Douche space bag. People will insist that it’s one closed-up word—douchebag—but they are wrong. When you cite the dictionary as proof of the division, they will tell you that the entry refers to a product women use to clean themselves and not the guy who thinks it’s impressive to drop $300 on a bottle of vodka. You will calmly point out that, actually, the definition in Merriam-Webster is “an unattractive or offensive person” and not a reference to Summer’s Eve. They will then choose to ignore you and write it as one word anyway.
copyediting
writing
web
language
journalism
online
publishing
english
grammar
editing
content
august 2010 by coldbrain
Write drunk; edit sober. - Goodmorning & Goodnight
august 2010 by coldbrain
RT @Dabydenko: I've never liked hemingway - give me steinbeck every day. But in four simple words, I'm inspired http://bit.ly/bp225U
ernesthemingway
writing
editing
idioms
advice
august 2010 by coldbrain
A List Apart: Articles: How to Write a Better Weblog
may 2010 by coldbrain
"There’s been a recent retread of the weblogging phenomenon following a few articles at PC Mag, Time, and The Morning News. After posting my own short list of things that ought to be banned from weblogs, I realized that a list of things to be encouraged would be more useful. Some people are new to weblogging. Others want to raise the bar. In the end, everybody wants better sites, and some of these suggestions might help."
advice
blogging
editing
writing
may 2010 by coldbrain
Mr. Coffee And Mr. Fixit | The New Republic
march 2010 by coldbrain
Just how much of Carver's spare writing style was down to him, and how much was his editor, Gordon Lish?
raymondcarver
writing
editing
march 2010 by coldbrain
How the Web Made Me a Better Copywriter — AIGA | the professional association for design
november 2009 by coldbrain
"In 1999, when I left a staff job at a newspaper to start my own copywriting business, I never even thought about writing for the web. A decade later, most of my work consists of web projects. It struck me recently that this medium has led me to develop a different way of writing—tighter, simpler, more transparent. The results, I believe, are greater clarity and persuasiveness, and a speedier, more user-friendly read."
copywriting
online
writing
internet
editing
blogging
journalism
web
november 2009 by coldbrain
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