cluebucket + film   16

Jonny Greenwood, Radiohead’s Runaway Guitarist - NYTimes.com
"Greenwood tends to wince when he walks into a room, as if in anticipation of mortification to come. He was wearing a wrinkled white dress shirt; his black pants were tight but hung low on his hips; and his hair was a heedless mop. The overall schoolboy vibe was enhanced by the fact that he was still wearing his backpack, which contained a pinkish-orange T-shirt, a copy of the manga master Yoshihiro Tatsumi’s graphic novel 'Abandon the Old in Tokyo,' a MacBook and a spiralbound copy of the score for Pen­derecki’s 'Polymorphia.'"

omg he's carrying around Tatsumi!
jonny_greenwood  radiohead  musician  composer  orchestra  nytimes  alex_pappademas  thom_yorke  poland  krzysztof_penderecki  soundtrack  paul_thomas_anderson  film  popcorn  polymorphia  audio  music  there_will_be_blood  2000s  1990s  2010s  mtv  conductor  yoshihiro_tatsumi  creep  electronic 
9 weeks ago by cluebucket
In Which Pedro Almodóvar Is Both Violator And Violated - Home - This Recording
"Therapeutic capture is familiar territory for Almodóvar, who more than any filmmaker parses the paradoxes of violence."
2011  2010s  thisrecording  karina_wolf  pedro_almodóvar  movie  film  review  writing  violation  audience  behavior  plot  skin_i_live_in  louise_bourgeois  artist 
december 2011 by cluebucket
SHAKEDOWN (2012)
wanna see. "Shakedown, the club, emerged from a post-RIOTS, post-OJ, post-integration but still very racially divided Los Angeles. In this divided city Shakedown is an independent, all black and all female cash economy."
shakedown  film  movie  homepage  2012  2010s  los_angeles  club  dancer  leilah_weinraub  documentary  black  women  lesbian  lgbt  culture 
november 2011 by cluebucket
Self-Reliant Film » Blog Archive » The Pornography of the Real
Jill Godmilow: The “pornography of the real” involves the highly suspect, psychic pleasure of viewing “the moving picture real” … a powerful pornographic interest in real people, real death, real destruction and real suffering, especially of “others”, commodities in film. These “pleasures” are not brought to our attention...

P. Harrill: "I think of storytelling as a kind of citizenship, so I don’t blame people for wanting to know the stories unfolding in Blacksburg, nor do I blame journalists for telling those stories. Still, how one gathers the facts, why you gather them, and the way you tell them can’t be separated from the story you’re telling."
self-reliant_film  paul_harrill  virginia_tech  massacre  reality  disaster  writing  essay  2007  jill_godmilow  film  journalism  decency  victim  witness  tv  blacksburg  virginia 
october 2011 by cluebucket

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