justice is hot: hi
justice is hot: a/s/l?
Yagami Raito: Oh, but I'd much like you know your name, first.
Yagami Raito: Maybe you can send a picture of yourself, as well?
justice is hot: initial reaction to strangers similar to that of kira's... 80%, now

Ryuk keeps offering to 'make the change' with me, but I do not think that means what he thinks that means.

Have solved first serial killer case. Kind of like serial killers. A seme always knows another seme.

He misses the look L sends him, which is just as well, because it probably would've made him freak out and overanalyze everything and he never would've gotten any sleep, and then L's surprisingly fine tastes in bedsheets would've gone to waste.

But L's only good at cryptography, not dealing with Raito when he's acting like a fourteen year old girl--serial killer or not, he still whines like a teenager.

That's the last time the illustrator thinks it's a good idea to draw L eating a banana.

He stores it up for later, all that raw hysteria, to relish in a moment when he is alone. He stores L’s stricken look away too, and can barely contain himself. The weeks without the Death Note have given him time to imprint L’s face on his mind – he can see it, the gaze of friendship, the eyes that are by now too comfortable watching him, too warm, even as they widen in suspicion.

The fourth time Raito comes to the hotel room in the middle of the night, L knows.

Giving Raito an excuse to tap 'fuck you' in binary on his own mouse was the best birthday present he'd got yet.

L will probably never know – and knowing him as he does now, Light doubts he would have cared of he did – that he is largely responsible for Kira's persistence and ruthlessness.

The plan is this: Raito, under the guise of following Watari's not-so-subtle suggestions, will attempt to inflict a little holiday cheer into L through his only notable weakness -- his sweet tooth.

L dislikes: socks; uniforms; spinach; driving; having to carry heavy objects; large, exuberant dogs with muddy paws; people who talk in the cinema; pan pipe renditions of popular hits; getting rained on; durian; cabbage; criminals.

Ryuzaki seems surprisingly unembarrassed by this intimacy, seems to regard it as an inevitable consequence of his decision to have them handcuffed together, no worse than having an audience when he uses the lavatory, no worse than being a third wheel on Light's dates with Misa. Since he is pretty certain that Ryuzaki has never shared a bed with another person before in his life, Light had expected the other man to be rather more sheepish, and is irritated to find him so matter-of-fact about it all.