on the whole I really dislike Clients from Hell, because as much fun as it must be to bash on people that you feel are below you, it puts the blame in the wrong place. It’s not their fault that they’re not as smart as you about things related to the Interwebs; it’s your fault for not treating them with the respect they deserve. Either by not hiring them in the first place, or by realizing that part of your job is to help make them better. They’re your clients. If they’re not treating you well or they’re not smart enough for you, that’s your fault...not theirs.

As far as company blogs go, @Typekit's is exemplary. Came across their contribution guidelines today. This is progress!

via @ftrain

I had no idea was more than a gimmick at first glance, thank @waxpancake for the amazing interview:

by Danah Boyd and Alice Marwick

The Variable Media Questionnaire is a project of Forging the Future, an alliance dedicated to building tools to help rescue digital culture from oblivion.

tantek is very against this, to keep an eye on
http://tantek.com/2011/3

An information (or informational) cascade occurs when people observe the actions of others and then make the same choice that the others have made, independently of their own private information signals. Because it is usually sensible to do what other people are doing, the phenomenon is assumed to be the result of rational choice. Nevertheless, information cascades can sometimes lead to arbitrary or even erroneous decisions. The concept of information cascades is based on observational learning theory and was formally introduced in a 1992 article by Sushil Bikhchandani, David Hirshleifer, and Ivo Welch.[1] A less technical article was released by the authors in 1998.[2][3][4][5]

We want to make all the world's content more accessible, interoperable and valuable. Some call it Web 2.0, Web 3.0, the Semantic Web or the Giant Global Graph - we call our piece of it Calais.

Calais is a rapidly growing toolkit of capabilities that allow you to readily incorporate state-of-the-art semantic functionality within your blog, content management system, website or application.

Alan Turing is one of the most important scientists who ever lived. He set in motion the digital revolution and his World War II code breaking helped save two million lives. Yet few people alive today have ever heard his name or know his story. A documentary film is being developed to change this. 100 years after his birth, an international production team is set to take viewers on a journey to rediscover the man and the mystery.

Alan Turing was a flamboyant Technicolor genius yet instead of accolades and respect, he faced prosecution by the British government because he was gay. In 1954, Turing committed suicide at age 41 after being forced to undergo hormone therapy to “fix” his sexual orientation. He left behind a lasting legacy and lingering questions about what else he might have accomplished if society had embraced his unique genius instead of rejecting it.

Research and development for this feature-length drama documentary is underway; with plans to reach many millions of viewers around the world online and through broadcast and theatrical release of the film.

“The process of technological developments is like building a cathedral,” he said in an interview in 1990. “Over the course of several hundred years, new people come along and each lays down a block on top of the old foundations, each saying, ‘I built a cathedral.’

“Next month another block is placed atop the previous one. Then comes along an historian who asks, ‘Well, who built the cathedral?’ Peter added some stones here, and Paul added a few more. If you are not careful you can con yourself into believing that you did the most important part. But the reality is that each contribution has to follow onto previous work. Everything is tied to everything else.”

Ugly but interesting!

"This Internet Timeline begins in 1962, before the word ‘Internet’ is invented. The world’s 10,000 computers are primitive, although they cost hundreds of thousands of dollars. They have only a few thousand words of magnetic core memory, and programming them is far from easy."

A range of the historical maps of ARPANET, the Internet, Usenet, and other computer networks, tracing how these pioneering networks grew and developed.

Power, authority and influence increasingly rely on information networks. Although networks seem to have abolished the old hierarchical structures, such structures are now recast through networking effects that reproduce the power divide between central actors and peripheral content. The race for visibility, both for ranking high in search engines and for accumulating influence in social networking platforms, produces an implicit behaviour of accumulation of links or 'friends'. The resulting ‘self-referentiality’ is aimed at confirming one's own position in the network and linking to actors who are always already central. The power gained by connections to and from these centres overrules most of peripheral connectivity and suppresses the potential for dissent within a sphere of influence. This social phenomenon directly accounts for the creation of new public spheres of a global order, which include the production of borders between these spheres.
Exodus is the compound name for a 'research engine' into algorithms and visual strategies for searching the internet, revealing the structural properties of web content and its inherent distribution of influence. Exodus promotes bridging behaviour across the web's new borders of power.

We all get carried away sometimes and end up posting embarrassing tweets and photos of ourselves and our friends, forgetting that all of our Facebook and Twitter contacts can see them, family included! Last Night Never Happened is the life-saving app that will help you avoid letting those posts spread on the internet and save you a lot of embarrassment. Delete multiple unwanted or embarrassing posts from your Facebook and Twitter accounts, including photos, comments, tweets, and direct messages. Available for iPhone, iPad and iPod touch.

HT 2005 - Sixteenth ACM Conference on Hypertext and Hypermedia
6.-9.Sept. 2005, Salzburg

The Open Feedback Publishing System (OFPS) is an O'Reilly experiment that tries to bridge the gap between private manuscripts and public blogs. Following on the let-them-comment-on-everything model established by the Django Book, Real World Haskell, and Mercurial: The Definitive Guide (among others), OFPS allows readers to read in-progress O'Reilly manuscripts, communicate suggestions with the authors, follow others' comments, and directly participate in the development of new books.

Manuscripts developed with OFPS sites allow the authors to publish the in-progress work as whenever they think it's ready for public comment and then update the site with new versions as the text is improved. Authors note sections of the text that they'd like comments on (potentially down to an individual paragraph) and that allows readers on the site to comment on that particular section.

First are the social connections, called your Elastic Network. All of your contacts are presented in a list of thumbnails ordered by how strong your connection is to that user. Whenever Color detects that you’re physically near another user (in other words, that you’re hanging out), your bond on the app gets a little stronger. So when you fire up the app and jump to your list of contacts, you’ll probably see your close friends and family members listed first. But if you don’t see a friend for a long time, they’ll gradually flow down the list, and eventually their photos will fade from color to black-and-white.

Just for kicks. Themes: semantic web (e.g. linked data, conversational interfaces — though these are considered to be web 4.0 by some?), metaverse (a.k.a. living in the ether/augmented reality), brain-computer interfaces(!)

had to look this up after seeing a form design categorized as "Web 2.0" and lolling all over the place

"biases in computer systems can be difficult to identify let alone remedy because of the way the technology engages and extenuates them. Computer systems, for instance, are compar- atively inexpensive to disseminate, and thus, once developed, a biased system has the potential for widespread impact. If the system becomes a standard in the field, the bias becomes pervasive. If the system is complex, and most are, biases can remain hidden in the code, difficult to pinpoint or explicate, and not necessarily disclosed to users or their clients. Further- more, unlike in our dealings with biased individuals with whom a potential victim can negotiate, biased systems offer no equivalent means for appeal."

Increasing use of computers and networks in business, government, recreation, and almost all aspects of daily life has led to a proliferation of online sensitive data, i.e., data that, if used improperly, can harm the data subjects. As a result, concern about the ownership, control, privacy, and accuracy of these data has become a top priority. This project focuses on both the technical challenges of handling sensitive data and the policy and legal issues facing data subjects, data owners, and data users.

The PORTIA goals are (1) to design and develop a next generation of technology for handling sensitive information that is qualitatively better than the current generation's and (2) to create an effective conceptual framework for policy making and philosophical inquiry into the rights and responsibilities of data subjects, data owners, and data users.

"Social software both creates and cures FOMO (fear of missing out)." —@caterina

Maintaining an orderly, peaceful, safe, and productive society will increasingly depend on maintaining trust in information systems. However, trust cannot be realized by technology alone. The notion of trust extends far beyond the narrow technical realms of information security. Engineering trustworthy systems requires an understanding of human psychology. It requires effective public policies and laws and must work within those policies and laws. It requires the right business models and incentives. And often, one needs all of these elements working in harmony. But the reality we witness today is different. Engineers work primarily with technical specifications to build information systems, and their success is often measured by purely technical metrics. This approach, by itself, does not address the broader issues that contribute to trust. To build a successful technology-enabled society, the entire cyber security paradigm must be re-examined and integrated with broader issues.

CRISSP combines security technology strengths with experts in psychology, law, public policy, and business from NYU. The goal of this center is to build new approaches to security and privacy that recognize that technology alone cannot provide the information security and privacy needed in today’s interconnected world. The center is founded by Anindya Ghose (NYU Stern), Ramesh Karri (NYU Poly), Nasir Memon (NYU Poly), Helen Nissenbaum (NYU Steinhardt), and Rae Zimmerman (NYU Wagner).

Online behavioral advertising (OBA) refers to the practice of tracking users across web sites in order to infer user interests and preferences. These interests and preferences are then used for selecting ads to present to the user. There is great concern that behavioral advertising in its present form infringes on user privacy. The resulting public debate -- which includes consumer advocacy organizations, professional associations, and government agencies -- is premised on the notion that OBA and privacy are inherently in conflict.

Adnostic is a practical architecture that enables targeting without compromising user privacy. Behavioral profiling and targeting in Adnostic takes place in the user's browser. The ad network remains agnostic to the user's interests.

Marketers are spying on Internet users -- observing and remembering people's clicks, and building and selling detailed dossiers of their activities and interests. The Wall Street Journal's What They Know series documents the new, cutting-edge uses of this Internet-tracking technology. The Journal analyzed the tracking files installed on people's computers by the 50 most popular U.S. websites, plus WSJ.com. The Journal also built an "exposure index" -- to determine the degree to which each site exposes visitors to monitoring -- by studying the tracking technologies they install and the privacy policies that guide their use.

Linked Data is about using the Web to connect related data that wasn't previously linked, or using the Web to lower the barriers to linking data currently linked using other methods. More specifically, Wikipedia defines Linked Data as "a term used to describe a recommended best practice for exposing, sharing, and connecting pieces of data, information, and knowledge on the Semantic Web using URIs and RDF."

"The Laboratory for Intelligent Imaging and Neural Computing (LIINC) was founded in September 2000 by Paul Sajda. The mission of LIINC is to study fundamental processing strategies and representations used by biological vision systems and apply these to develop artificial vision systems capable of sophisticated and adaptive image and scene analysis. Our laboratory pursues both basic and applied neuroscience research projects, with emphasis in the following:

Network models for visual processing
Neuroimaging
Statistical representation of natural signals
Machine Learning"

Automatically secure your Internet connection in unprotected wireless networks

Salman Khan talks about how and why he created the remarkable Khan Academy, a carefully structured series of educational videos offering complete curricula in math and, now, other subjects. He shows the power of interactive exercises, and calls for teachers to consider flipping the traditional classroom script -- give students video lectures to watch at home, and do "homework" in the classroom with the teacher available to help.

kind of embarrassing song and dance, but I like the idea

Clay Shirky discussed his new book, Here Comes Everybody: The Power of Organizing Without Organizations.

This website is intended to be an offloading point and information depot for a number of archiving projects, all related to saving websites or data that is in danger of being lost. Besides serving as a hub for team-based pulling down and mirroring of data, this site will provide advice on managing your own data and rescuing it from the brink of destruction.

Quora is interesting; StackOverflow is important.

Lately, though, Joel, his partner Jeff Atwood, and the StackOverflow community have spun off dozens of other Q&A sites under the “StackExchange” umbrella, in an attempt to beat Quora and the like at their own game. And are they ever screwing up. Their policy is to spin off new sites built around themes suggested and approved by their existing community. So what do you get as spinoffs from a coder community? A bunch of StackOverflow subsets for super users, sysadmins, etc., and a hodgepodge of sites focused on photography, mathematics, Apple, video games, board games, role-playing games, and science fiction. Interesting? Sure. Important? Hell, no.

Image Retouching: A Critical Approach for Media Arts Educators
I developed the following course unit on image tampering, retouching and manipulation for my Introduction to the Electronic Media Studio (EMS1) class at Carnegie Mellon. The semester course is intended for first-year students with little or no computer experience, and serves the purpose of introducing students to basic media-editing tools. The emphasis in the course is not on technical mastery but on understanding digital media technologies as tools for creative cultural practice.

The loosely-organized materials I’ve cited below provide starting points for discussions about image manipulation from several perspectives, including: photojournalistic standards of truthtelling; the construction of idealized beauty in vernacular advertising; and the early history of 19th-century photocollages as an extension of narrative romantic painting.

From the wonderful FAQ on UbuWeb

Quaquaversal:

Q: When did UbuWeb Start?
A: UbuWeb was founded in November of 1996, initially as a repository for visual, concrete and, later, sound poetry. Over the years, UbuWeb has embraced all forms of the avant-garde and beyond. Its parameters continue to expand in all directions.

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There is no giftshop:

Q: How do I purchase something from your site?
A: You can't. Nothing is for sale on UbuWeb. It's all free. We know it's a hard idea to get used to, but there's no lush gift shop waiting for you at the end of this museum.

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Stance on copyright:

Q: What is your policy concerning posting copyrighted material?
A: If it's out of print, we feel it's fair game. Or if something is in print, yet absurdly priced or insanely hard to procure, we'll take a chance on it. But if it's in print and available to all, we won't touch it. The last thing we'd want to do is to take the meager amount of money out of the pockets of those releasing generally poorly-selling materials of the avant-garde. UbuWeb functions as a distribution center for hard-to-find, out-of-print and obscure materials, transferred digitally to the web. Our scanning, say, an historical concrete poem in no way detracts from the physical value of that object in the real world; in fact, it probably enhances it. Either way, we don't care: Ebay is full of wonderful physical artifacts, most of them worth a lot of money.

Should something return to print, we will remove it from our site immediately. Also, should an artist find their material posted on UbuWeb without permission and wants it removed, please let us know. However, most of the time, we find artists are thrilled to find their work cared for and displayed in a sympathetic context. As always, we welcome more work from existing artists on site.

Let's face it, if we had to get permission from everyone on UbuWeb, there would be no UbuWeb.

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We're not here for that:

Q: How do I download MP3s?
A: There are thousands of resources on the web to learn how to do this. That's not what we're here for.

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An archive not a blog:

Q: Why isn't new content posted every day?
A: UbuWeb is an archive, not a blog. It has accumulated slowly and steadily and shall continue to far into the future.

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As if to say, "you come to us:"

Q: I'd like to receive notices of UbuWeb updates. How do I do this?
A: UbuWeb refuses to advertise or promote itself. Most of all, we detest the idea of filling inboxes with more unwanted material. A few times a year, we post our updates to select mailing lists; that's what they're for, aren't they? For UbuWeb updates, best to just keep checking back on the homepage, where notices of all new content appears.

“The approach to digital culture I abhor would indeed turn all the world’s books into one book, just as Kevin suggested,” writes Lanier in his book. “What happens next is what’s important. If the books in the cloud are accessed via user interfaces that encourage mashups of fragments that obscure the context and authorship of each fragment, there will be only one book. This happens today with a lot of content; often you don’t know where a quoted fragment from a news story came from, who wrote a comment, or who shot a video.”

The issue isn’t one of taste. “I want to define a line,” said Lanier, “between subjective judgment of what future generations might like or care about, and just this basic functioning mechanism of civilization and culture. If it’s the case that future generations don’t like things the length of books, and prefer things that have a graph structure and are made of little pieces, then my hope is that whatever they do with that is done well. But what I think is crucial for it to be sustainable, and to be more than a single generation’s fling before the collapse of civilization, is that whatever they do respects the integrity of each personal point of view and grants the idea of personhood with an almost mystical stature.”

Parenting in the internet age: "In the days since his birth, the sheer outpouring of support, advice, kind thoughts, and unabashed love for my boy that we've gotten online has made me as proud that he'll be part of my online community as I am that he'll be part of his community here in New York City. If it takes a village to raise him, that village is half in NYC and half online, just as I'd hoped. Plus, it's a kick just to see how man people are willing to follow @malcolmdash on Twitter."

This site documents Margaret Smith's ongoing work toward the archiving and longterm preservation of UbuWeb, an online collection of avant-garde texts, sounds, and moving images.

Liked watching a few random tweets today get posted and deleted before being pushed out of sight. Reminds me of:

When I first started blogging, I told myself it was ok to post half-formed thoughts; a blog was ephemeral, reactive—the medium cared not so much about completeness as about timeliness. I still believe that to be true, but with one important modification: it’s not that a blog post has permission to be rough so much as that roughness is its natural state. Meaning, blogging encourages exploration and experimentation. In this way, blogging is the kind of writing authors have done for centuries but which usually remained hidden away.
On the contrary, a book is the culmination of this writing: it’s what emerges after years of scratching around the same topic, when all the little pieces start to come together. Where the blog suggests paths, the book draws conclusions. Neither is superior to the other; rather, they represent different modes of writing—the first expansive, the latter convergent. Each mode suggests and learns from the other. And this is why, even if the form of the book perishes, the writing therein may survive—even if it happens on a blog.

Must all businesses be diagonal charts heading towards infinity? Read @AnilDash on the expanded field for mom & pops:

Who Google thinks you are based on your cookies (I'm a male who likes web design, architecture, and royalty) /via @jomc

4sq just released this roundup of 2010 in infographic form

Digital artworks are prone to different kinds of damage than physical ones, but obsolescence is no less damaging to a typeface than earthquakes and floods to a painting.

Interesting comment on Khoi's Google post about Apple firing usability experts. "Smart folks but not product people."

I watched "The Social Network" on my flight back from MUN last nite. Is that a Twitter logo in the very last scene?