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It would be a tragedy to tear down a barn simply to make a desk. But I believe it is an art to take the planks from a barn that has already been condemned, and make a lovely desk from them.

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Just where is baseline reality in this segment? What’s a role and what’s reality? Just what is being staged, and by whom?

There’s a heft and grandeur in Chernobog that is worthy of Milton’s Satan in Paradise Lost. Without Tytla’s powerful acting, his powerful realization of Chernobog, Night on Bald Mountain would only be a magnificent swirling freak show. Tytla gave it the weight of Greek tragedy.