Freedomain Radio -- #0204: Art Part 3: Shakespeare (MP3)
15 days ago by adamcrowe
"The False-Self views the Truth-Self as naked and insane and defenseless ... because, of course, the False-Self is created when the Truth-Self is utterly defenseless, usually when it is at the mercy of parental power, such mercy of which, of course, is not forthcoming."
art
artistheenemyofthepeople
propaganda
falseself
StefanMolyneux
15 days ago by adamcrowe
Ribbonfarm -- The Turpentine Effect
june 2011 by adamcrowe
'“I’d rather write programs to write programs than write programs.” That about sums it up. I think the turpentine effect is caused by — and I am treading on dangerous territory here — the lack of a truly artistic eye in the domain defined by a given tool (so it is ironic that it was Picasso who came up with the line). Interesting art arises out of a combination of refined skills and a peculiar, highly original way of looking at the world through that skill. If you have the eye without the skills, you become an idiosyncratic eccentric who is never taken seriously. If you have the skills without the eye, you become susceptible to the turpentine effect. There is a limit to how many people can be absorbed in safe and socially-useful turpentine-effect activities like tool-building or teaching. Let loose where a content-focus, artistic eyes and judgment are needed, it leads to over-engineered monstrosities, products nobody wants or needs, and a massive waste of resources.'
themediumisthemassage
learning
art
from delicious
june 2011 by adamcrowe
Wikipedia -- We Live in Public
february 2011 by adamcrowe
'Among Harris' experiments touched on in the film is the art project "Quiet: We Live in Public," an Orwellian, Big Brother type concept developed in the late '90s which placed more than 100 artists in a human terrarium under New York City, with myriad webcams following and capturing every move the artists made. The pièce de résistance was a Japanese-style capsule hotel outfitted with cameras in every pod, and screens that allowed each occupant to monitor the other pods installed in the basement by artist Jeff Gompertz. The film's website describes how, "With Quiet, Harris proved how, in the not-so-distant future of life online, we will willingly trade our privacy for the connection and recognition we all deeply desire. Through his experiments, including another six-month stint living under 24-hour live surveillance online which led him to mental collapse, he demonstrated the price we will all pay for living in public."'
documentaries
internet
panopticon
anonequiveillance
privacy
voyeurism
oversharing
selfservers
realitytv
performance
masks
contextcollapse
relationalaesthetics
liveart
art
surveillance
puppetry
equiveillance
from delicious
february 2011 by adamcrowe
YouTube -- John Berger: WAYS OF SEEING 1/4
february 2011 by adamcrowe
"Eye, the machine... freed from the boundaries of time and space, Eye co-ordinate any and all points of the uni-verse wherever Eye want them to be." -- Ear, the mesh-aeon
art
aesthetics
aura
gigantism
propaganda
repetition
rhetoric
culture
hierarchy
perspective
literaryculturevsoralculture
copy
reproduction
heterarchy
from delicious
february 2011 by adamcrowe
YouTube -- BUY $2 bill FOR ONLY $10!!! We live in the FUCKING Twilight Zone!
december 2010 by adamcrowe
"Art is whatever you can get away with." -- Andy Warhol
art
aura
dollar
from delicious
december 2010 by adamcrowe
The Daily Bell -- Demise of the Politically Correct?
november 2010 by adamcrowe
'...if one subscribes (as we do) to the idea of an Anglo-American power elite that uses its tremendous, familial banking wealth to move society toward one-world government, then the evolution we are observing makes a good deal of sense. Money power makes all the difference; it provides a formidable incentive for self-censorship. Money determines fashion; wealthy donors fund museums and theatres that make "gate-keeper" decisions. The subtlety of money power—as brutal as it can be—is wondrous to behold. What was resisted in one generation is welcomed in the next. The beauty of money power is that once a theme, trend or cultural direction is set into place, it tends to propagate on its own. Only a relative few gatekeepers are needed. Establish a trend and the mimetic elements of human behavior take over. People are inevitably tribal. It is a survival instinct and a success-instinct. One sees what is successful and wishes to emulate it. Within this context almost anything can be nurtured.'
metanarratives
statism
crimestop
goodthink
mimesis
memetics
forcedmemes
propaganda
art
culture
politicalcorrectness
usefulidiot
herd
puppetry
consensusreality
collectiveunconsciousness
from delicious
november 2010 by adamcrowe
The Independent -- Modern art was CIA 'weapon'
november 2010 by adamcrowe
'For decades in art circles it was either a rumour or a joke, but now it is confirmed as a fact. The Central Intelligence Agency used American modern art - including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko - as a weapon in the Cold War. To pursue its underground interest in America's lefty avant-garde, the CIA had to be sure its patronage could not be discovered. This was the "long leash". The centrepiece of the CIA campaign became the Congress for Cultural Freedom, a vast jamboree of intellectuals, writers, historians, poets, and artists which was set up with CIA funds in 1950 and run by a CIA agent. It would be the official sponsor of touring exhibitions; its magazines would provide useful platforms for critics favourable to the new American painting; and no one, the artists included, would be any the wiser.' -- Art?? We have no need of art! We simply do everything as best we can.
america
psychopolitics
psyops
propaganda
art
kipple
psychohistory
psychology
politics
from delicious
november 2010 by adamcrowe
Mediamatic.net -- Synthetic Aesthetics Salon
november 2010 by adamcrowe
'The emerging field of synthetic biology aims to transform biology as we know it into a discipline of engineering. The top-down BioBricks approach prefers to hack existing organisms. The more research-oriented field of so-called protocells aims to create minimal living machines and may on the way discover the nature of life itself. What both technosciences share is that, if successful, they will profoundly shift or even erase our distinction between nature and culture. After the first truly artificial life form has been created and employed, everything can potentially become technology. If their main subject is increasingly an object that is made, biologists are becoming creative. What will be the role of the arts in a future where life is a thing to be designed? Will scientists become the poets of the time, or do art, design and architecture need to play a role in this development? Can these possibilities be explored collaboratively?'
kipple
syntheticbiology
art
from delicious
november 2010 by adamcrowe
Adam Curtis Blog -- KABUL: CITY NUMBER ONE: PART 10
july 2010 by adamcrowe
'Lots of westerners came out to Afghanistan to help the Afghans become a modern democracy. Here is an art expert who has come to teach them about Conceptual Art. It starts with a group of young Afghan artists watching film of an installation in a western gallery, then she shows them Marcel Duchamp's 1917 urinal. She is very keen to get them to say that if anyone did what Duchamp did in today's Afghanistan then they would be put in prison. It is interesting that the Afghans in the room, though they are polite, seem to disagree.'
documentaries
afghanistan
art
indoctrination
AdamCurtis
from delicious
july 2010 by adamcrowe
Freedomain Radio -- #547 Art Part 2: Parents, [Capitalists], Children and Art (MP3)
july 2010 by adamcrowe
Gisted -- Parents have a very ambivalent relationship towards capitalists. To assuage parents' guilt about using the TV as a free babysitter, capitalists put anti-capitalist messages in kids cartoons to provide parents the excuse that by letting their children watch TV programming, they are in fact educating them about the 'selfishness' of capitalism. But when parents tell their children that self-interest is bad and that you shouldn't do things for your pleasure but rather you should do things for the pleasure of others – that's a really terrifying idea for children – it totally screws up their sense of security. A child is left with a very basic question: if self-interest is bad, why did my parents have me? Because to take pleasure in my existence would be selfish, right? But if selfishness is bad, then my parents must really not want not me. -- If you genuinely take joy in your children then your children are secure in their value to you—there's nothing 'selfless' about this at all.
emotionalintelligence
parenting
children
selfishness
selflessness
"capitalism"
altruism
guilt
statism
propaganda
art
philosophy
StefanMolyneux
from delicious
july 2010 by adamcrowe
The Independent -- Art traded for medicine and care
may 2010 by adamcrowe
'The artists provide a wide range of imaginative services. One artist, trained in yoga breathing and self-soothing, helps breast-cancer patients remain calm and centered while they are waiting to be seen. Others might read to pediatric patients in that waiting room. An actor might put on role-playing sessions for staff, helping them rehearse how to break bad news to patients and loved ones. Photographers taking pictures of newly-borns to give to the mother as a thank-you for choosing Woodhull hospital. In return, the artists earn 40 credits per hour of service. Uninsured patients at this public hospital pay a flat fee for doctor's visits, between $15 and $60 depending on their income. Most artists end up paying around $20 per service, which also includes emergency room and clinic visits. For each hour they devote to helping the hospital, they earn enough credits to pay for two medical visits. By the end of 2008, more than 400 artists had earned credit this way.'
art
health
trade
credit
LETS
economics
humanaction
mutualism
anarchism
voluntaryism
may 2010 by adamcrowe
Wikipedia -- The Course of Empire
march 2010 by adamcrowe
'The Course of Empire is a five-part series of paintings created by Thomas Cole in the years 1833-36. It is notable in part for reflecting popular American sentiments of the times, when many saw pastoralism as the ideal phase of human civilization, fearing that empire would lead to gluttony and inevitable decay. The series of paintings depicts the growth and fall of an imaginary city and comprise the following works: The Course of Empire - The Savage State; The Course of Empire - The Arcadian or Pastoral State; The Course of Empire - The Consummation; The Course of Empire - Destruction; and The Course of Empire - Desolation.'
art
civilization
america
empire
collapse
march 2010 by adamcrowe
eBay -- A Tool to Deceive and Slaughter (2009) - Caleb Larsen
january 2010 by adamcrowe
'Description: This object perpetually attempts to sell itself on eBay. -- WHEREAS: A. Artist has created a work of art titled “A Tool to Deceive and Slaughter (2009)” (“the Artwork”) which consists of a black box that places itself for sale on the auction website “eBay” (the “Auction Venue”) every seven (7) days. The Artwork consists of the combination of the black box or cube, the electronics contained therein, and the concept that such a physical object “sells itself” every week. WHEREFORE: 12. Any failure to follow these terms without prior consent of Artist will forfeit the status of the Artwork as a legitimate work of art. The item will no longer be considered a genuine work by the Artist and any value associated with it will be reduced to its value as a material object and not a work of art.'
art
net.art
replication
january 2010 by adamcrowe
Wired -- Artwork selling itself on eBay
january 2010 by adamcrowe
'A Tool to Deceive and Slaughter, 2009, is a black, acrylic box that places itself for sale on eBay every seven days thanks to an internet connection, which, according to the artist's conditions of sale, must be live at all times. Disconnections are only allowed during transportation, says the creator. -- Here's how it works. The purchaser can set a new value for the artwork, which must be based on "current market expectations" of Larsen's work, and which could be considerably more than the price they paid. When A Tool to Deceive and Slaughter decides it wants to be sold again, bidders will start their battle at the value set by the current owner. This is where the art collector could make money. However they must first pay any fees to eBay and give Larsen 15 percent of any increase in value of the artwork.'
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art
net.art
markets
dematerialization
financialization
blackboxes
commodityfetishism
transaction
interaction
replication
liminalobjects
objects
january 2010 by adamcrowe
Wikipedia -- Abbas Kiarostami
january 2010 by adamcrowe
"We can never get close to the truth except through lying."
reality
reflexivity
cinema
art
productnarratives
january 2010 by adamcrowe
The Last Psychiatrist -- The Limits Of Control: The Movie
january 2010 by adamcrowe
'In the last scene, the movie picture appears to jolt suddenly; the only way I can describe it is that it's as if the camera operator started putting the camera down before he turning it off. What's the significance of that jolt? It's in such contrast to the stillness of the rest of the movie. Does it mean it's all a dream? He's killed? What? No, believe it or not, that jolt happens because the camera operator actually did put the camera down before he turned it off. And the director liked the effect.' -- I've *seen* this movie before, but I can't say what it is because the comment above would ruin it for you, though I'm keen to recommend it. Interesting... I kinda feel art finds you, rather than the other way around, so I'm careful not to intervene but— If you'd like to chance my ruining it for you rather than leaving things to fate: Amazon > Search: "Abbas Kiarostami Close Up" > Add to basket > Checkout > ??? > !!! yw ;^)
art
cinema
fourthwall
productnarratives
stage
reality
simulacra
existentialism
reflexivity
january 2010 by adamcrowe
The Onion -- A Complete History Of Art
december 2009 by adamcrowe
( . )( . ) OR GTFO
TheOnion
history
art
tits
lulz
satire
december 2009 by adamcrowe
Wired -- American Stonehenge: Monumental Instructions for the Post-Apocalypse
november 2009 by adamcrowe
"LET THESE BE GUIDESTONES TO AN AGE OF REASON. MAINTAIN HUMANITY UNDER 500,000,000 IN PERPETUAL BALANCE WITH NATURE. GUIDE REPRODUCTION WISELY—IMPROVING FITNESS AND DIVERSITY. (UNITE HUMANITY WITH A LIVING NEW LANGUAGE [Science]). RULE PASSION—FAITH—TRADITION—AND ALL THINGS WITH TEMPERED REASON. PROTECT PEOPLE AND NATIONS WITH FAIR LAWS AND JUST COURTS. LET ALL NATIONS RULE INTERNALLY RESOLVING EXTERNAL DISPUTES IN A WORLD COURT. AVOID PETTY LAWS AND USELESS OFFICIALS. BALANCE PERSONAL RIGHTS WITH SOCIAL DUTIES. PRIZE TRUTH—BEAUTY—LOVE—SEEKING HARMONY WITH THE INFINITE. BE NOT A CANCER ON THE EARTH—LEAVE ROOM FOR NATURE." -- Still doesn't solve the problem of the psychopaths.
art
sculpture
monuments
astronomy
enlightenment
reason
rationalism
science
renaissance
apocalypse
death
rebirth
life
mythology
occult
conspiracy
november 2009 by adamcrowe
scott-eaton.com -- Death of the Centaur
october 2009 by adamcrowe
'Chiron originally appears in Greek mythology as an exemplar of wisdom and learning, tutoring many of the legendary Greek heroes including Achilles, Jason, Theseus, and Hercules. He meets his end at the hands of Hercules who, during a skirmish with unruly centaurs, accidentally wounds Chiron with an arrow poisoned with Hydra blood. Being immortal Chiron can’t die, but lives in agony until he selflessly barters his immortality for Prometheus‘ freedom...'
3d
digital
art
sculpture
mythology
archetypes
selflessness
learning
healing
october 2009 by adamcrowe
Alice and Kev: The story of being homeless in The Sims 3
june 2009 by adamcrowe
"This is an experiment in playing a homeless family in The Sims 3. I created two Sims, moved them in to a place made to look like an abandoned park, removed all of their remaining money, and then attempted to help them survive without taking any job promotions or easy cash routes. I have attempted to tell my experiences with the minimum of embellishment. Everything I describe in here is something that happened in the game. What’s more, a surprising amount of the interesting things in this story were generated by just letting go and watching the Sims’ free will and personality traits take over." -- @Baudrillard The desert of the real estate?
sims
homelessness
recession
america
simulation
simulacra
storytelling
productnarratives
narrativeenvironments
virtualworlds
machinima
liveart
art
thegamingofeverydaylife
june 2009 by adamcrowe
The Art of David Dees
june 2009 by adamcrowe
Laser-sharp political satire or 'conspiracy theory', if you prefer. (Warning: Includes some holocaust 'conjecture')
art
activism
illustration
satire
politics
june 2009 by adamcrowe
thatgamecompany -- Flower
may 2009 by adamcrowe
"The game exploits the tension between urban bustle and natural serenity. Players accumulate flower petals as the onscreen world swings between the pastoral and the chaotic. Like in the real world, everything you pick up causes the environment to change. And hopefully by the end of the journey, you change a little as well."
art
games
flow
space
JenovaChen
may 2009 by adamcrowe
Chris Jordan -- Running the Numbers II: Portraits of global mass culture
may 2009 by adamcrowe
'Finding meaning in global mass phenomena can be difficult because the phenomena themselves are invisible, spread across the earth in millions of separate places. There is no Mount Everest of waste that we can make a pilgrimage to and behold the sobering aggregate of our discarded stuff, seeing and feeling it viscerally with our senses. Instead, we are stuck with trying to comprehend the gravity of these phenomena through the anaesthetizing and emotionally barren language of statistics. Sociologists tell us that the human mind cannot meaningfully grasp numbers higher than a few thousand; yet every day we read of mass phenomena characterized by numbers in the millions, billions, even trillions. Compounding this challenge is our sense of insignificance as individuals in a world of 6.7 billion people. And if we fully open ourselves to the horrors of our times, we also risk becoming overwhelmed, panicked, or emotionally paralyzed.' -- Numbers numb.
art
photography
numbers
consumption
visualization
ChrisJordan
may 2009 by adamcrowe
Chris Jordan -- Running the Numbers: An American Self-Portrait
may 2009 by adamcrowe
"Running the Numbers looks at contemporary American culture through the austere lens of statistics. Each image portrays a specific quantity of something...My hope is that images representing these quantities might have a different effect than the raw numbers alone, such as we find daily in articles and books. Statistics can feel abstract and anesthetizing, making it difficult to connect with and make meaning of 3.6 million SUV sales in one year, for example, or 2.3 million Americans in prison, or 32,000 breast augmentation surgeries in the U.S. every month. This project visually examines these vast and bizarre measures of our society, in large intricately detailed prints assembled from thousands of smaller photographs. Employing themes such as the near versus the far, and the one versus the many, I hope to raise some questions about the roles and responsibilities we each play as individuals in a society that is increasingly enormous, incomprehensible, and overwhelming." -- Numbers numb
art
photography
numbers
consumption
visualization
ChrisJordan
may 2009 by adamcrowe
Vimeo -- The Artvertiser: Augmented Billboards
may 2009 by adamcrowe
"The Artvertiser is an urban, hand-held, augmented-reality project exploring the live substitution of advertising content for art. Software is trained to recognise individual advertisements, each of which become a virtual 'canvas' on which an artist can exhibit when viewed through the hand-held device."
art
augmentedreality
advertising
backlash
may 2009 by adamcrowe
beautiful agony -- facettes de la petite mort view
april 2009 by adamcrowe
"Beautiful Agony is dedicated to the beauty of human orgasm. This may be the most erotic thing you have ever seen, yet the only nudity it contains is from the neck up. That's where people are truly naked."
sexuality
art
april 2009 by adamcrowe
ART BY THOMAS DOYLE
april 2009 by adamcrowe
'My work mines the debris of memory through the creation of intricate worlds sculpted in 1:43 scale and smaller. The pieces’ radically reduced scales evoke feelings of omnipotence—as well as the visceral sensation of unbidden memory recall. Hovering above the glass, the viewer approaches these worlds as an all-seeing eye, looking down upon landscapes that dwarf and threaten the figures within. Conversely, the private intensity of moments rendered in such a small scale draws the viewer in, allowing for the intimacy one might feel peering into a museum display case or dollhouse. Though surrounded by chaos, hazard, and longing, the figures’ faces betray little emotion, inviting viewers to lose themselves in these crucibles—and in the jumble of feelings and memories they elicit.'
art
scuplture
memory
inspiration
ThomasDoyle
april 2009 by adamcrowe
Harpers -- Faustian economics: Hell hath no limits by Wendell Berry
march 2009 by adamcrowe
"... once greed has been made an honorable motive, then you have an economy without limits. It has no place for temperance or thrift or the ecological law of return. It will do anything. It is monstrous by definition ... the commonly accepted basis of our economy is the supposed possibility of limitless growth, limitless wants, limitless wealth, limitless natural resources, limitless energy, and limitless debt. The idea of a limitless economy implies and requires a doctrine of general human limitlessness: all are entitled to pursue without limit whatever they conceive as desirable... this credo of limitlessness clearly implies a principled wish not only for limitless possessions but also for limitless knowledge, limitless science, limitless technology, and limitless progress. And, necessarily, it must lead to limitless violence, waste, war, and destruction. That it should finally produce a crowning cult of political limitlessness is only a matter of mad logic." -- Supersize We
*
economics
debt
ponzi
criticism
consumption
consumerism
delusion
denial
insanity
virtuality
reality
freedom
friendship
ethics
trust
loyalty
empathy
communities
civility
ecology
sustainability
austerity
humanity
philosophy
religion
art
life
march 2009 by adamcrowe
Maschmeyer -- Princeton Speech
march 2009 by adamcrowe
"In many ways, we have saturated the world with understanding. But just as we can find information quickly so too can we sort it. … we cocoon ourselves in the information and people we want to see and read because they make us feel good about ourselves. In the pursuit of understanding, we have unintentionally created less empathy. While we may intellectually be aware of the world and the different people around us, we feel less emotionally connected to them. Without a commitment to empathizing, we won’t be able to grow as individuals. But more importantly, without a commitment to amplifying empathy in the world, we won’t be able to achieve the compromises necessary to the collaboration necessary to overcome the environmental and social issues that are plaguing our world. If we continue to live without empathy, we will continue to ... see other peoples’ problems as not our problems. Empathy is critical to our communication future."
empathy
emotionalintelligence
ethics
civility
support
relationalaesthetics
relational
art
LelandMaschmeyer
march 2009 by adamcrowe
YouTube -- GOLDIE: WHEN SATURN RETURNZ (1998)
february 2009 by adamcrowe
"The flamboyant figurehead of avant-garde dance music confronts his past in a controversial feature. GOLDIE: WHEN SATURN RETURNZ delves behind the gold toothed image to reveal the private hurts that drive the Midlands born superstar. Musical heroes such as David Bowie, Noel Gallagher and former collaborator Rob Playford contribute to a powerful portrait of a British visionary." -- LEGENDARY.
documentaries
art
music
british
uk
hiphop
jungle
dnb
reinforced
metalheadz
Goldie
february 2009 by adamcrowe
Max Keiser Radio -- [1013] The Truth About Markets (31 January 2009)
february 2009 by adamcrowe
"The global insurrection against the corporate occuptation." -- Excellent thoughts about the need for artists in times of crisis. (The purpose of art is to tell the truth.)
economics
fascism
socialism
corporatism
resistance
activism
art
philosophy
podcasts
MaxKeiser
mercantilism
february 2009 by adamcrowe
Esquire -- The Video-Game Programmer Saving Our 21st-Century Souls
december 2008 by adamcrowe
"You meet a girl. Your fat-pixeled soul mate. Link up with her and a heart explodes. You're in love. Now she sticks to you as you move through the forest, less easily than before. It's a trade-off: You can get more treasure by staying single, but bond with your "wife" and you earn double the points for every step you take. If you're like most people, you'll choose the comforts of companionship. Only, as you trudge across the stripe, something happens. Your pixels begin to fade, gray out. Your hair recedes by degrees. Your wife slurs into a matronly shape. It hits you: This is going to happen to me. Age, decrepitude, ugliness. At least I won't be alone. Somebody loves me. Ha-ha-ha... Then -- thwack -- she dies."
*
games
design
gaming
empathy
emotion
emotionalintelligence
relationalaesthetics
criticaldesign
creativity
solitude
introspection
transformation
art
JasonRohrer
december 2008 by adamcrowe
UNM Relational Art Program -- Happy to Meet You: An Introduction to Relational Art
december 2008 by adamcrowe
"... bourriaud formulated a new aesthetics for contemporary art. his theoretical leaning, summarized as 'relational art,' gives a new interpretation of the aesthetic object. the object is no longer materially or conceptually defined, but relationally. "what do relations eventually create? relations to the artistic work, institutions and so on?" -- Transformations. Design for the transformation. Everything else is secondary.
via:lelandmaschmeyer
transformation
design
relationalobjects
objects
art
relationalaesthetics
reflexivity
performance
improv
productnarratives
socialobjects
production
paradigms
marxism
NicolasBourriaud
december 2008 by adamcrowe
Tate -- Altermodern: Manifesto by Nicolas Bourriaud
december 2008 by adamcrowe
"The artist becomes ‘homo viator’, the prototype of the contemporary traveller whose passage through signs and formats refers to a contemporary experience of mobility, travel and transpassing. This evolution can be seen in the way works are made: a new type of form is appearing, the journey-form, made of lines drawn both in space and time, materialising trajectories rather than destinations. The form of the work expresses a course, a wandering, rather than a fixed space-time. Altermodern art is thus read as a hypertext; artists translate and transcode information from one format to another, and wander in geography as well as in history. This gives rise to practices which might be referred to as ‘time-specific’, in response to the ‘site-specific’ work of the 1960s. Flight-lines, translation programmes and chains of heterogeneous elements articulate each other. Our universe becomes a territory all dimensions of which may be travelled both in time and space."
*
manifesto
altermodernism
art
theory
criticism
relationalobjects
relationalaesthetics
space
time
metanarratives
paradigms
history
reflexivity
transformation
multitude
navigation
networks
#bandwidth
#socialization
#diversity
NicolasBourriaud
itr
retribalization
december 2008 by adamcrowe
YouTube -- Altermodern by Nicolas Bourriaud
december 2008 by adamcrowe
"Nicolas Bourriaud previews his hypothesis that postmodernism is over and that a new type of modern - the altermodern - is emerging."
*
altermodernism
art
theory
criticism
relationalobjects
objects
relationalaesthetics
metanarratives
paradigms
history
reflexivity
multitude
#diversity
NicolasBourriaud
itr
retribalization
december 2008 by adamcrowe
Wired -- Eye Spy: Filmmaker Plans to Install Camera in His Eye Socket
december 2008 by adamcrowe
'"If you lose your eye and have a hole in your head, then why not stick a camera in there?"'
cyborg
prosthetics
camera
extensionsofman
eye
centralnervoussystem
lifecasting
sousveillance
film
art
eyes
december 2008 by adamcrowe
Add-Art
september 2008 by adamcrowe
"Add-Art is a free FireFox add-on which replaces advertising on websites with curated art images. The art shows are updated every two weeks and feature contemporary artists and curators."
advertising
hacks
adblock
art
browser
curation
september 2008 by adamcrowe
BURAK ARIKAN - Creative Networking, NYU / ITP
september 2008 by adamcrowe
"This course is an introduction to complex networks within the context of the arts."
networks
art
relationalaesthetics
september 2008 by adamcrowe
Chris Speed -- Looking Clock
september 2008 by adamcrowe
"The Looking Clock is a digital art piece that could function as a product but at present represents an alternative to delivering time and ultimately moving between lived time and universal time or the moment and the instant. Very simply, it is an analogue clock that only reveals the time and continues working when a person is present and looking at it."
art
relationalaesthetics
time
clocks
ChrisSpeed
september 2008 by adamcrowe
fuck you sideways you fuck you duck crazy shit man yeah!
august 2008 by adamcrowe
"The initial idea behind buying this domain name - or better said: the initial enthusiasm - can not be retrieved in my mind any more. Now, after the fun is gone, I am stuck with a weird obligation to make something of it and it seems like one of the most challenging tasks in my life." - Pffftttt hahaha!
art
recursion
boredom
lulz
domains
august 2008 by adamcrowe
TED.com -- Jonathan Harris collects stories
july 2008 by adamcrowe
Video: Stories have #Characters #Concepts #Contexts #Colours #Time #Dates #Excitement Level
visualization
storygraph
narrativeobjects
storytelling
narrativeenvironments
narrativeacts
stage
performance
design
art
relationalobjects
objects
relationalaesthetics
*
july 2008 by adamcrowe
Google Code -- RA DIOHEA_D / HOU SE OF_C ARDS
july 2008 by adamcrowe
Transmedia doesn't get any more granular than this!
*
radiohead
transmedia
mediaclouds
data
productnarratives
visualization
tools
music
video
narrativeenvironments
storytelling
objects
narrativeobjects
narrativeacts
animation
LIDAR
processing
processing.org
code
art
share
remix
openmedia
july 2008 by adamcrowe
Wikipedia -- The Mindscape of Alan Moore
june 2008 by adamcrowe
"The Mindscape of Alan Moore is a 2003 feature documentary which chronicles the life and work of Alan Moore, author of several acclaimed graphic novels, including From Hell, Watchmen and V for Vendetta."
AlanMoore
art
writing
magic
culture
documentaries
june 2008 by adamcrowe
The New Yorker -- The World of Fashion: Pixel Perfect
june 2008 by adamcrowe
"Pascal Dangin is the premier retoucher of fashion photographs. In the March issue of Vogue Dangin tweaked a hundred and forty-four images: a hundred and seven advertisements (Estée Lauder, Gucci, Dior, etc.), thirty-six fashion pictures, and the cover."
fashion
beauty
art
portraiture
photography
photoshop
digital
painting
retouching
virtuality
body
avatars
self
simulacra
june 2008 by adamcrowe
BBC -- The Shock of the New
may 2008 by adamcrowe
"First shown on BBC Two in the 1980s, the series looks at different themes rather than presenting the art chronologically."
art
modernism
design
history
criticism
documentaries
may 2008 by adamcrowe
Bert Simons -- Paper self clone
may 2008 by adamcrowe
"I considered myself one of many who just will be forgotten. That sucked, but instead of endulging my self into depression I desperetly started looking for a solution and I came up with this idea, I decided to clone myself.. more me's have more chances."
art
papercraft
replicants
self
cloning
avatars
may 2008 by adamcrowe
BBC -- Artists catch head lice for show
may 2008 by adamcrowe
'"The idea is that we live in the museum as their guests, and at the same time we are hosting lice on our heads," said artist Vincent Grunwald, 23.'
art
parasitism
objects
narrativeobjects
storytelling
narrativeenvironments
narrativeacts
performance
design
animals
insects
may 2008 by adamcrowe
Psymbiote -- Hybrid Apparatus for Social Interface
april 2008 by adamcrowe
"Adorned in titanium, latex, silicone, and electronic apparatus, isa becomes Psymbiote: the conceptual terrain at the collision of bodies and machines, the mutation of her own identity through transformation of the body."
body
bodymodification
modification
hacking
cyborg
cyberpunk
art
fashion
performance
organisms
april 2008 by adamcrowe
Kevin Kelly -- The (Unspeakable) Ultimate Machine
march 2008 by adamcrowe
Arthur C. Clarke on the 'Ultimate Machine': "There is something unspeakably sinister about a machine that does nothing -- absolutely nothing -- except switch itself off."
quotes
ClaudeShannon
technology
designnoir
performance
design
binary
digital
vintage
art
sculpture
prosthetics
consciousness
storytelling
objects
narrativeobjects
relationalobjects
machine
artificiallife
mecha
march 2008 by adamcrowe
The Most Beautiful Machine, 2003
march 2008 by adamcrowe
"In this special case the observers are supposed to push the ON button. After a while the lid of the trunk opens, a hand comes out and turns off the machine. The trunk closes - that's it!" -- Ffffffark that's goooood!
ClaudeShannon
technology
designnoir
performance
design
binary
digital
vintage
art
sculpture
prosthetics
consciousness
storytelling
objects
narrativeobjects
machine
artificiallife
mecha
march 2008 by adamcrowe
Net Surrealism: Original Oil Paintings by Jeremiah Palecek - Techno Viking
march 2008 by adamcrowe
"He sees an injustice. steps in. then procedes to wow everyone with his unbeliably hot dance moves." - Save The Dancer, Save the World! [via: Iain Tait | crackunit]
painting
art
heroes
internet
lulz
march 2008 by adamcrowe
Ben Fry - Genomic Cartography Projects
march 2008 by adamcrowe
"The works range from practical tools to conceptual works for alternative methods for viewing data."
bioinformatics
biology
genetics
genomics
mapping
information
design
visualization
maps
art
architecture
BenFry
march 2008 by adamcrowe
The Opte Project
march 2008 by adamcrowe
"The data represented and collected here serves a multitude of purposes: Modeling the Internet, analyzing wasted IP space, IP space distribution, detecting the result of natural disasters, weather, war, and esthetics/art."
internet
maps
networks
mapping
traceroute
damage
art
march 2008 by adamcrowe
CR Blog - London redefined
march 2008 by adamcrowe
"Graf mixes old technology with new in his work, using medium format photography to take the initial shots of a city before removing, via Photoshop, all traces of language and signage including commercials signs, street signs, people and traffic."
london
photography
art
march 2008 by adamcrowe
Gawker - Celebrity-industrial Complex: Art School's Julia Allison Training Program
march 2008 by adamcrowe
Video: "In a crumbling America that can't actually make anything except narcissistic "reality" entertainment, Parsons has taken the ingenious step of launching a class where grades are determined by internet fame."
celebrity
fame
art
narcissism
america
entertainment
realitytv
web
psychology
attention
trenddaq
education
experiencepoints
theadvertisedlife
AndyWarhol
march 2008 by adamcrowe
Wired - Is Virtual Destruction an Art Form?
february 2008 by adamcrowe
"games [are] unique [in] that they allow us to experiment with insanely dangerous physics. Games are only arena of modern life in which otherwise responsible adults are permitted to smash expensive things all to hell, purely for the sheer joy of it."
Burnout
gaming
psychology
art
catharsis
destruction
death
february 2008 by adamcrowe
KesselsKramer OUTLET
february 2008 by adamcrowe
London just become about a billion times better. -- KKOutlet, 42 Hoxton Square, N1 6PB
kesselskramer
do
shop
agency
london
office
interiors
design
art
fun
february 2008 by adamcrowe
Mediamatic.net -- Art and Advertising, Peter Fend 1994
january 2008 by adamcrowe
"I did not understand sufficiently that Advertising is directed to people who would like to live at least somewhat like the Leisure Class, and that if you want to succeed in Advertising you must -- as adman David Olgilvy wrote – believe in the products and lifestyle sought by the Leisure Class. I did not sufficiently believe in most of the products, or attendant lifestyle being offered then by people in Advertising. I was going to that meeting, in 1973, talking about believing in ecology."
*
advertising
art
consumerism
ethics
ecology
PeterFend
quotes
january 2008 by adamcrowe
RbkCustom - John Maeda Limited Edition
january 2008 by adamcrowe
John Maeda custom designed Rbk shoes. Code is printed inside the shoe. Kinda digital cool, but not really because the material isn't a dynamic display surface: so no pixels, no thermo-optic camouflage. Lame.
geeks
sneakers
design
code
art
JohnMaeda
fashion
Rbk
productnarratives
storytelling
objects
narrativeobjects
january 2008 by adamcrowe
Flickr - Photos from the decapitator
january 2008 by adamcrowe
Rather evocative of the French Revolution. 2008. Going to be a fun year!
advertising
activism
art
death
decapitator
january 2008 by adamcrowe
Adobe - Creative gesture or vapid prototyping? The importance of fictional products
january 2008 by adamcrowe
'the transition from the "experience of the artifact" to the "consumption of the idea of the artifact.'... 'Designer as Author' - Same old Lucy Lippard-ian conceptual art ['Six Years: The Dematerialization of the Art Object'] thing. Toys to think with.
toys
objects
narrativeobjects
narrativeactivism
product
storytelling
productnarratives
conceptual
art
prototyping
consumering
consumption
via:chromacomms
performance
design
january 2008 by adamcrowe
Last FM - GOLDIE: “1997. YEAR OF THE B-BOY” – Will Aston (Trace/True Magazine UK, 1997)
december 2007 by adamcrowe
Seminal article (they don't write 'em like this anymore) on Goldie and art and things. Deep.
music
art
culture
goldie
history
1997
last.fm
december 2007 by adamcrowe
Wikipedia - The Three Graces
december 2007 by adamcrowe
"Euphrosyne, Aglaea and Thalia - who were said to represent beauty, charm and joy. The Graces presided over banquets and gatherings primarily to entertain and delight the guests of the Gods."
mythology
art
archetypes
storytelling
december 2007 by adamcrowe
Wired - Portrait of a 'Halo 3' Forge Artist
december 2007 by adamcrowe
"I'm always looking for ways of doing creative things differently." Very Dali
halo
3d
tools
art
painting
portraiture
december 2007 by adamcrowe
Ain't It Cool - AICN COMICS REVIEWS LOEG: THE BLACK DOSSIER!
december 2007 by adamcrowe
It is rather good. I didn't pick up all the references, so thanks for this.
via:danhon
comics
AlanMoore
writing
art
narrativeenvironments
intertextuality
storytelling
transmedia
productplacement
interface
3d
december 2007 by adamcrowe
Wired - The Art of Surveillance
november 2007 by adamcrowe
"Mindful of Google Earth, camera phones, over-the-counter spy gear, reality TV, terrorist-conscious politicians and security-obsessed corporations, these interactive auteurs put their own spin on a surveillance-saturated global culture."
art
design
surveillance
gallery
activism
criticaldesign
november 2007 by adamcrowe
recreating movement
november 2007 by adamcrowe
"Recreating Movement makes it possible to extract single frames of any given film sequence and arranges them behind each other in a three-dimensional space. This creates a tube-like set of frames that "freezes" a particular time span in a film." LOOK!
graphics
animation
art
video
film
digital
information
visualization
time
space
research
software
tools
diagrams
motion
bullettime
editing
interesting
november 2007 by adamcrowe
New York Times - Pay Me for My Content
november 2007 by adamcrowe
"People happily pay for content in certain Internet ecosystems, provided the ecosystems are delightful. People love paying for virtual art, clothing and other items in virtual worlds like Second Life, for instance."
aggregation
content
intellectualproperty
free
virtualgoods
virtualworlds
businessmodels
art
creativity
place
hackersvsvectoralists
economics
immateriallabour
affectivelabour
work
augmentationistsvsimmersionists
immersion
narrativeenvironments
storytelling
objects
narrativeobjects
november 2007 by adamcrowe
CR Blog - Daniel Eatock’s Editions & Originals show
november 2007 by adamcrowe
God comes down and puts on a show. Going!
DanielEatock
design
art
play
inspiration
events
november 2007 by adamcrowe
Guardian - Shooting Andy Warhol in Exeter
november 2007 by adamcrowe
"One of the pieces on show is I Shot Andy Warhol, a hacked version of the 1984 lightgun game, Hogan's Alley. Players take on the role of feminist activist Valerie Solanas who once attempted to assassinate the pop art genius."
warhol
gaming
popculture
art
culture
feminism
parody
november 2007 by adamcrowe
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