"With Box, the customers are businesses for the most part. That is a key difference to other challenges by the RIAA. And It sets up a conflict between service providers and their clients who now face a determined media industry with a historic interest in litigation to protect its copyrights."

"This project aims to create an archive of user contributed clip art that can be freely used. All graphics submitted to the project should be placed into the Public Domain according to the statement by the Creative Commons. If you'd like to help out, please join the mailing list, and review the archives. "

"The goal of this project is to spread media content that is licensed under Creative Commons throughout the web in much the same way that weblogs spread CC licensed text."

"Mass collaboration differs from mass cooperation in that the creative acts taking place requires the emergence of jointly developed shared understandings. Conversely, group members involved in a cooperation needn't engage in a joint negotiation of understanding (from which shared understandings emerge), they may simply execute instructions willingly.
Another important distinction is the borders around which a mass cooperation can be defined. Due to the extremely general characteristics and lack of need for fine grain negotiation and consensus when cooperating, the entire Internet, a city and even the global economy may be regarded as a mass cooperation. Thus a mass collaboration is more refined and complex in its process and production on the level of collective engagement."

"OneSwarm is a new P2P data sharing application we’re building to provide users with explicit control over their privacy by enabling fine-grained control over how data is shared. Instead of sharing data indiscriminately, data shared with OneSwarm can be made public, it can be shared with friends, shared with some friends but not others, and so forth. We call this friend-to-friend (F2F) data sharing. OneSwarm is:..."

"When SoundExchange, the organization that represents many labels and artists, proposed steep new royalty rates for radio webcasters last year, they shortsightedly killed off their own revenue stream. Instead of their proposed rates being cut back as part of a standard negotiation, they were surprised to see the U.S. Copyright Royalty Board reject opposing arguments and adopt SoundExchange's rates fully. Now Pandora, the popular streaming music site, says it's paying over 70% of its revenue in royalties, and unless Washington changes the rates soon—which looks unlikely— they will have to shut down."

"When the semantics comes baked in then the semantic web will fly and the metadata that everyone knows they want, but can’t be bothered putting in, will be available and re-useable, along with the content."

via Hugh MacLeod, on Twitter

"What better way could there be to create a nation of constant lawbreakers than to instill in that nation a contempt for its own laws?"

"From personal experience I can tell you that the big labels are beyond clueless in the digital world - their ideas are out-dated, their methods make no sense, and every decision is hampered by miles and miles of legal tape, copyright restrictions, and co