"For my part, I started Brain Pickings more than six years ago as what’s commonly referred to as a “passion project” (though I don’t like the fleeting noncommittal relationship this phrasing suggests) and didn’t have a business model — but I did have a crystal-clear editorial model, which remains the same today: get people interested in meaningful cross-disciplinary things they didn’t yet know they were interested in, and in the process empower their networked knowledge and combinatorial creativity; break out of the filter bubble, if you will, though conceived long before we had the very vocabulary to articulate it. So when an aggregator like the Huffington Post, a business-model wolf wearing an editorial-authenticity sheep’s skin, takes my (ad-free) content and regurgitates it on its (ad-plastered) site, it lives up to the term “parasite” at the heart of Levine’s argument, derived from the Greek parasitos and used to describe “someone who ate at someone else’s table without providing anything in return.”"

'Uncertainty drives the search for and generation of creative ideas, but "uncertainty also makes us less able to recognize creativity, perhaps when we need it most," the researchers wrote. "Revealing the existence and nature of a bias against creativity can help explain why people might reject creative ideas and stifle scientific advancements, even in the face of strong intentions to the contrary. ... The field of creativity may need to shift its current focus from identifying how to generate more creative ideas to identify how to help innovative institutions recognize and accept creativity."'

The group ended up recording a 6 song album, “Nighty Night,” in the space of 12 hours. You can listen to the full record streaming on Amanda Palmer’s site.

The Creative Commons-released material and somewhat egalitarian nature of the project has led to the online SFF and rock communities picking up the music and using it to craft their own original works. Below the cut, we list the coolest videos that have grown out of the project so far!

“Nobody’s original,” Cope says. “We are what we eat, and in music, we are what we hear. What we do is look through history and listen to music. Everybody copies from everybody. The skill is in how large a fragment you choose to copy and how elegantly you can put them together.”

"I've found there are two types of thoughts especially worth avoiding—thoughts like the Nile Perch in the way they push out more interesting ideas. One I've already mentioned: thoughts about money. Getting money is almost by definition an attention sink. The other is disputes. These too are engaging in the wrong way: they have the same velcro-like shape as genuinely interesting ideas, but without the substance. So avoid disputes if you want to get real work done."

"If a d.j. can thread together twenty different songs and package the end product as her own, why can’t a writer? This seems to be the question Hegemann is using as a defense. Original content, then, becomes subordinate to context, meaning that as long as a newer, larger work is being created, portions of prior works are fair game."

"Works by Ganga Devi (1928 - 1991), found in the book Ganga Devi: Traditions and Expressions in Mithila Painting by Jyotindra Jain."

"If the Internet has a motif, it is rock 'n' roll's Protestant Reformation thrashing against the orchestral One Church. Rock 'n' roll gets lots of wee kirks built in every hill and dale in which parishioners can find religion in their own ways; choral music erects majestic cathedrals that humble and amaze, but take three generations of laborers to build.

The interesting bit isn't what it costs to replicate some big, pre-Internet business or project.

The interesting bit is what it costs to do something half as well as some big, pre-Internet business or project."

"Creation spaces have the potential to generate increasing returns — the more participants that join, the faster new knowledge gets created and the more rapidly performance improves. They bring into play network effects in the generation of new knowledge. In contrast, traditional knowledge management systems are inherently diminishing returns propositions. Since existing knowledge is by definition limited, it requires more and more effort to squeeze the next increment of performance improvement as existing knowledge gets more broadly distributed."

"Florida assured Tessa that Detroit's plight "is not something I'm particularly happy about." He told her his wife is from Detroit. And then he told her that his friends who live in Detroit are making it as "freelancers" who "commute on an irregular basis" to work on projects somewhere else. He had recently given a speech to Detroit airport officials, who told him that the airport would remain viable. "That airport provides connective fiber," he told her. "Finding local employment is going to be a lot harder. So you either have to say, can I commute to work, by plane perhaps, or do I have to look for a place that has a better set of opportunities for me?"

There was no way to know if the answer was satisfactory: Tessa from Detroit was off the air."

"When producing a movie, everything stems back to this box: IDEA. In the 1940s, these were the sources of ideas: "Play," "Short Story or Novel," "Newspaper Story or Current Event," "Original Story," "Magazine Article," or "Historical Incident." Way off on the left, however, there's one additional source that's not shown above: "Vice President in Charge of Production." If you want something unoriginal done that isn't in print or in the history books, go talk to the VP, he'll get it done. On another note: this particular flowchart is one of the few places the words "Restaurants," "Mimeograph," "Arsenal," "Publicity," and "Bits & Extras" fit together so well. From the 20th Century Fox flowcharts collection."

In case you, reader, cannot see where she is pointing into the corner at her genius: she is pointing at her context, her network, her friends and learning and colleagues and enemies, what she has read and who she has spoken to, what she has done and never noticed, and what she has heard and never noticed and who she has met and never noticed. You are the genius of others.

"You might think that with the economy crashing, the free-labor business model would be crashing, too. Will people continue to invest in their personal brands during hard times? Gould is betting they will. Between investor visits during a late November trip to New York, he sips a soy latte and speculates. During the downturn, he says, firings are sapping loyalty to companies and steering people toward goals of self-sufficiency. In Gould's acerbic phrasing: "The only person I can rely on not to screw me—hopefully—is myself."

Beyond brand-hungry strivers, masses of free laborers continue to toil without ever seeing a payday, or even angling for one. Many find compensation in currencies that predate the market economy. These include winning praise from peers, earning an exalted place within a community, scoring thrills from winning, and finding satisfaction in helping others."

Find your obsession. Every day...

"Friends, I’m done with “productivity” as a personal fetish or hobby. There are countless sites that are all too happy to vend stroke material for your joyless addiction to puns about procrastination and systems for generating more taxonomically satisfying meta-work. But, presently, you won’t find so much of that here."

"The best way to have one good idea is to have a thousand ideas."

"Criticism understands that "good" and "bad" are just the surface. What's more important is why, and how, and to what end."

"...[G]iven any rule, however ‘fundamental’ or ‘necessary’ for science, there are always circumstances when it is advisable not only to ignore the rule, but to adopt its opposite."

via: boingboing

Funny, but sad. So many people broken.

I love the interface for the website, frankly. The application and utility of the zoom in an online exhibit is great.

Now consider this in the context of science and engineering research....