"We conclude from these results that mere exposure will not always produce an increase in liking for paintings. This puts pressure on Cutting’s conclusions that canon formation is simply a function of cultural exposure, and that quality is not playing a role in artistic judgement."

"In this paper we propose numerical measures for evaluating the aesthetic interest of simple patterns. The patterns consist of elements (symbols, pixels, etc.) in regular square arrays. The measures depend on two characteristics of the patterns: the number of different types of element, and the number of symmetries in their arrangement. We define two complementary composite measures L and C for the degree of pattern in a design, and compute them here for 2x2 and 6x6 arrays. The results distinguish simple from high-variation cases. We suspect that the measure L corresponds to the degree that human beings intuitively feel a design to be "interesting", so this model would aid in quantifying the visual connection of two- dimensional designs with viewers. The other composite measure C based on these numerical properties characterizes the extent of randomness of an array. Combining symbol variety with symmetry calculations allows us to employ hierarchical scaling to count the relative impact of different levels of scale. By identifying substructures we can distinguish between organized patterns and disorganized complexity. The measures described here are related to verbal descriptors derived from work by psychologists on responses to visual environments."

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Simon Fraser's BEAM robotic projects