Eames makes a wish for Arthur to be naked always. To Arthur's displeasure, it actually comes true.

Arthur wins the raffle for the traditional "first kiss"; the first sailor off the ship who gets to kiss his significant other. Of course all of Eames' colleagues decide they need to be there as well; it's possible (not really) they're more excited about it than Eames. All Eames cares about is finally getting his boyfriend back.

The one where Eames knocks Arthur's subconscious up.

The one where their car breaks down in the middle of a deserted road.

Eames has a problem. Therefore, naturally, they all have a problem.

Eames’ problem is, he can’t stand the idea of Arthur being intimate with anyone else.

Of course, Arthur can’t stand the idea of being intimate with anyone but Eames, and if they just communicated a little, everything would be fine.

But they don’t communicate. It’s all their fault, which is why we have a plot. It is, incidentally, also why Cobb gets dragged out of retirement, why Eames pulls a gun on a guy he barely knows, and why Ariadne ends up all the way over in Lithuania with only Arthur’s luggage for company.

Woe.

Or, as Ariadne calls it, “You guys are pretty much completely idiotic. ...Except for that part where one of you almost died, sorry.”

Who almost died?

Well.

The one where Eames kisses Arthur's hurts better.

If there was one thing that scared him, truly scared him about the dreamstate, it was the thought of getting lost in a poor copy of the beloved original.

Arthur is an ex-model and Eames is Vegas card dealer. Arthur wants Eames to help him with a con.

Arthur and Eames go house shopping, but not necessarily because they live together.

The one where Arthur has misread Eames all along.

There are worse places to be, his mother tells him, than in love with the father of your unborn child. even if you haven't told him yet. Even if you're not going to tell him, because he already didn't love you back, and now he'll hate you.

What it says on the tin.

So good. So so good. A must read if you're even slightly interested in the concept behind the characters' wardrobes.

The one where they have to run from the Russians, then Cobb decides to cockblock them because Mal denied him sex. *nodnod*

Arthur and Eames have mid-afternoon sex on the middle of a job they are working together, and enjoy some post-coital knotting afterwards. Except... someone knocks on their hotel room. "Are you two busy?" "...we're kind of tied up at the moment."

The one where Eames keeps stealing Arthur's stuff to get him to come back.

Outsider POV with crazy stories about what Arthur did and what he didn't do. Also, A/E if you can get it in there too!

"When the next generation of Somnacin compound gets released, people start experiencing odd side effects; they dream about their past lives. The next time Arthur & Eames share a dream, they come across a startling revelation - they've been lovers in every single incarnation of their past selves, finding each other no matter what their form, no matter what obstacles had stood in their way."

The one where Eames runs a tattoo parlor.

Ariadne watches Arthur and Eames. There is something there in the way they watch each other, in the way the lines of Arthur's back tense beneath his pinstriped suit when Eames flicks him, but she doesn’t know what she’s looking for.

The one where Eames is nobility and Arthur is his horse-hand.

In which Eames proposes, twice, and Arthur says no, twice.

Eames has got Arthur all wrong, but he's too busy trying to hit that to notice.

They come together gradually, so slowly, Eames doesn’t notice until he’s in too deep, and he tries to imagine how his life was before Arthur, like testing himself in a dream. He can’t. He doesn’t want to anyway.

...Seduction via arithmetic.

Seduction. Via arithmetic.

Arthur wakes up and realizes the last ten years of his life have been a dream. He is nineteen, and he can barely remember where he is. What he can remember is the ghost of Eames’ hands pressed down on his chest trying frantically to stop the blood flooding up around his fingers as Arthur died (as he woke up).

The one where Eames is Arthur's blind-date. And they have sex in a bathroom stall. *nodnod*

A reworking of Ms Laurens' A Secret Love. Lord Arthur Morwellan is desperate -- otherwise he would never have approached such a dangerous gentleman as Mr Gabriel Eames. While they grew up together, a misguided fight in their youth resulted in their estrangement from each other. But Arthur knows that Eames is the only person who can help him now, and he must find a way to gain his assistance -- even if it means deceiving him as to the true identity of the person in need. But what happens when Eames discovers his shocking secret?

The one where Arthur is actually Arlet.

The one where Eames is actually Arthur's last name.

Pre-movie. Arthur tries normal life as a bank manager after the Army shuts down its PASIV program, until Eames comes along and steals that normal life right out from under him.

In which Eames is an undergrad, and Arthur used to be his TA--but that's not part of this story, this is just the story of how now is the perfect moment, and how Eames came home.

Eames and Arthur go way back. Farther back than either one of them will admit.

The one where Arthur is a survivor of the plague, and Eames is the husband who refused to leave him behind.

Pulp fiction superhero fic for great justice.

What it says on the tin.

The one time they almost break up, and in turn, realize that they're actually together, a fact which they've somehow managed to miss. Or, nothing says "I love you" like a nose job.

Or, the one where Eames snores like a God damn vacuum cleaner.

“Pictures of Dom tonight, Eames,” Yusuf replies from the doorway, “or I swear to you, I will

point out to Arthur that he has a stalker with no shame and a thousand dollar camera.” From celebutaunt's prompt at the kink meme, "Cobb is the presidential candidate, Ariadne is his running mate, Yusuf is campaign manager, Saito is the sponsor, and Eames is the campaign photographer who spends way too much time taking picture of Cobb's speechwriter, Arthur."

Prince Eames needs a date for the ball. The solution? Rescue a princess, of course.

“I’m putting an embargo on motivational parenting books,” Arthur warns. “I really mean it this time.”

This follows Atom to Atom, Pattern to Pattern (though it can also stand alone) and was inspired by this prompt from the kink meme. Contains lactation and references to mpreg.

Beautiful, dirty, rich, ambitious, lost, found, running, chasing, young, immortal, out of time, out of breath, one summer, in Taipei, in love, so in love.

Eames is a high-end thief. Arthur is a private investigator hired to catch him. Summary: Ridiculous events ensue; something like love happens somewhere along the way. (Warning for extra bad Eames spelling, haha)

Arthur's a corporate lawyer, Eames owns the coffee shop across the street, and all good love stories start with a quadruple shot latte.

Arthur figures if Eames just finally gets what he wants--Arthur's undivided attention--he'll get bored and go away. He's proven spectacularly wrong.

Arthur hates Eames' clothes. Mostly for how comfortable they are.

20 Random Facts about Arthur, who doesn't take bad risks. And Eames is nothing but a bad risk.

Another one where they were married long before they were together, but this time they are superhuman assassins.

“No hard feelings?” Eames said, his voice dropping a few pitches to hit silky depth.

“Plenty of hard feelings,” Arthur tugged the cork out of the wine and poured himself a glass. “This works a lot better when I'm angry at you.”

Or: In which Arthur and Eames piss each other off and then have sex.

Arthur and Eames aren't particularly nice to each other. It doesn't matter.

The problem is, Arthur's been saying it through all their times together. It was Eames who refused to hear it.

Basically, a crash-course in the safe handlings of an IV. Also, Yussuf is an utterly amusing know-it-all.

Arthur builds a relationship with Cobb, which begins as casual sex between friends and gradually becomes more. But as it does so, Arthur's lack of confidence in Cobb weighs on him.

Circus Au. Yusuf is the magician, Ariadne is the equestrian vaulter, Arthur is the fire-dancer, Eames is the trapeze artist, Dom is the ringmaster, Robert is the horse-whisperer son of rival circus Fischer and Friends owner. Espionage and popcorn ensue.

The one where Arthur gets locked out of his own subconscious, and Eames has to find a way to bring him back.

Eames tells Arthur to go fuck himself. He didn't expect Arthur to obey so literally.

They'd kissed in the airport after the Fischer job. It was the most efficient inception Arthur had ever witnessed.

The one where Eames goes to jail, and Arthur thinks he's dead.

The one where Eames keeps leaving Arthur messages on the walls with spray-cans.

Arthur kisses then fucks his projection of himself while Eames gives instructions from the sidelines, the end. Or, if you prefer the longer, thinkier, more descriptive version, read on.

Maybe in another life, in another time, Arthur would have ended up sharing his life with someone else and be still alive. Maybe all it took was to have a life with Eames. Warning: Non-graphic major character death (off-screen)

The one where they were married long before they were together.

The one where Eames has a beard, and Arthur has beard-burns all over his thighs.

Brendan Frye is dead. Handsome Bob doesn't exist anymore. Unfortunately, neither Arthur's nor Eames's subconscious agrees.

The one where Arthur accidentally calls Eames "baby".

The one where Arthur seduces Eames into domesticity.

The one where Eames used to be a book forger, and has a past no one knows about.

Ten years ago, they achieved successful inception. Since then, Eames' sanity has slowly begun to splinter into various forgeries. Arthur puts together a plan to complete inception once more and bring Eames back to the world. Despite the threat of failure, losing Eames, and the perils of limbo, Arthur is willing to try anything.

The one where Eames is an illusionist.

The morning after, and everything that comes with it, is always an uphill battle. A story of broken glass, chore therapy, white flags, torture via Journey songs, and rash impulses.

The one where both Arthur and Eames fantasize about coming on each other's faces.

Eames tries to incept Arthur into falling in love with him, he fails, Arthur's fall for him anyway, he finds out about what Eames did, they fight, they make up, they make out, they live happily ever after.

The Mediafire image.

The one where Arthur's subconscious wants him dead.

In which Arthur gets presents from a secret admirer.

In which they pretend to be boyfriends. :D

Eames is fucking hot and Arthur wants to climb him like a tree, so he does. Also there is boxing and sweaty locker room sex! :D

Erm...nothing much, really. Arthur and Eames have dancefloor sex that's all.

"This is a fairy tale, chap," said the toucan. "Or didn't you figure that out already?"

TWITTER PORN. BRRRRRMMMMMM!

Being a freshman piano performance major at a prestigious New England conservatory is difficult enough without landing the school's star baritone as your singer, and inevitably, your hopeless crush.

Part one in the Steinway!verse