What it says on the tin.

Eames makes a wish for Arthur to be naked always. To Arthur's displeasure, it actually comes true.

Arthur wins the raffle for the traditional "first kiss"; the first sailor off the ship who gets to kiss his significant other. Of course all of Eames' colleagues decide they need to be there as well; it's possible (not really) they're more excited about it than Eames. All Eames cares about is finally getting his boyfriend back.

The one where Eames knocks Arthur's subconscious up.

Amnesia is just another case to solve. Piece together unfamiliar faces, reconstruct the old identity, the lost reality. A challenge that Sherlock could even enjoy. He can read people like books. The man with the silver hair is his boss. The tottering old woman, his landlady. The girl with the worried look in her eyes… infatuated. And as for John Watson? His husband. Obviously.

The one where their car breaks down in the middle of a deserted road.

The one where John discovers that he has a foot fetish.

At Baskerville, John is infected by a virus that turns him into a genius. But when the infection progresses into neurodegeneration, it's a race against time to save himself. Flowers for Algernon fusion.

Eames has a problem. Therefore, naturally, they all have a problem.

Eames’ problem is, he can’t stand the idea of Arthur being intimate with anyone else.

Of course, Arthur can’t stand the idea of being intimate with anyone but Eames, and if they just communicated a little, everything would be fine.

But they don’t communicate. It’s all their fault, which is why we have a plot. It is, incidentally, also why Cobb gets dragged out of retirement, why Eames pulls a gun on a guy he barely knows, and why Ariadne ends up all the way over in Lithuania with only Arthur’s luggage for company.

Woe.

Or, as Ariadne calls it, “You guys are pretty much completely idiotic. ...Except for that part where one of you almost died, sorry.”

Who almost died?

Well.

The one where Steve gets lost in a time loop and Tony goes to find him.

The one where Eames kisses Arthur's hurts better.

If there was one thing that scared him, truly scared him about the dreamstate, it was the thought of getting lost in a poor copy of the beloved original.

Arthur is an ex-model and Eames is Vegas card dealer. Arthur wants Eames to help him with a con.

Arthur and Eames go house shopping, but not necessarily because they live together.

The one where Arthur has misread Eames all along.

There are worse places to be, his mother tells him, than in love with the father of your unborn child. even if you haven't told him yet. Even if you're not going to tell him, because he already didn't love you back, and now he'll hate you.

What it says on the tin.

John-centric, in which John reflects on Harry's relationship with Clara.

So good. So so good. A must read if you're even slightly interested in the concept behind the characters' wardrobes.

The one where they have to run from the Russians, then Cobb decides to cockblock them because Mal denied him sex. *nodnod*

In which Sherlock forms a plan to stop women from chasing John.

Arthur and Eames have mid-afternoon sex on the middle of a job they are working together, and enjoy some post-coital knotting afterwards. Except... someone knocks on their hotel room. "Are you two busy?" "...we're kind of tied up at the moment."

The one where they meet for the first time on their wedding day.

The one where they went to the same school and Sherlock had a rather fierce crush on John.

The one where Eames keeps stealing Arthur's stuff to get him to come back.

The one where Sherlock nearly loses his engagement ring.

Most people can’t pinpoint the moment when they first become aware of sex. Charles can. Just a quick look at Charles’ telepathy and how it might shape his attitude towards sex.

Outsider POV with crazy stories about what Arthur did and what he didn't do. Also, A/E if you can get it in there too!

"When the next generation of Somnacin compound gets released, people start experiencing odd side effects; they dream about their past lives. The next time Arthur & Eames share a dream, they come across a startling revelation - they've been lovers in every single incarnation of their past selves, finding each other no matter what their form, no matter what obstacles had stood in their way."

The one where Eames runs a tattoo parlor.

"The point is to come up with fantasies about where you'd rather be." Charles and Raven play a game. Charles and Erik have a conversation. The location's rubbish, but the company's good.

Tony is a little slow on the uptake.

The one where they have sex in the shower while Lestrade is waiting downstairs?

Ariadne watches Arthur and Eames. There is something there in the way they watch each other, in the way the lines of Arthur's back tense beneath his pinstriped suit when Eames flicks him, but she doesn’t know what she’s looking for.

The one where Eames is nobility and Arthur is his horse-hand.

In which Eames proposes, twice, and Arthur says no, twice.

Eames has got Arthur all wrong, but he's too busy trying to hit that to notice.

They come together gradually, so slowly, Eames doesn’t notice until he’s in too deep, and he tries to imagine how his life was before Arthur, like testing himself in a dream. He can’t. He doesn’t want to anyway.

...Seduction via arithmetic.

Seduction. Via arithmetic.

Arthur wakes up and realizes the last ten years of his life have been a dream. He is nineteen, and he can barely remember where he is. What he can remember is the ghost of Eames’ hands pressed down on his chest trying frantically to stop the blood flooding up around his fingers as Arthur died (as he woke up).

The one where Eames is Arthur's blind-date. And they have sex in a bathroom stall. *nodnod*

A reworking of Ms Laurens' A Secret Love. Lord Arthur Morwellan is desperate -- otherwise he would never have approached such a dangerous gentleman as Mr Gabriel Eames. While they grew up together, a misguided fight in their youth resulted in their estrangement from each other. But Arthur knows that Eames is the only person who can help him now, and he must find a way to gain his assistance -- even if it means deceiving him as to the true identity of the person in need. But what happens when Eames discovers his shocking secret?

The one where Arthur is actually Arlet.

The one where Eames is actually Arthur's last name.

The one where Arthur can no longer tell for sure if he's dreaming or not.

Pre-movie. Arthur tries normal life as a bank manager after the Army shuts down its PASIV program, until Eames comes along and steals that normal life right out from under him.

In which Eames is an undergrad, and Arthur used to be his TA--but that's not part of this story, this is just the story of how now is the perfect moment, and how Eames came home.

Eames and Arthur go way back. Farther back than either one of them will admit.

The one where Arthur is a survivor of the plague, and Eames is the husband who refused to leave him behind.

Pulp fiction superhero fic for great justice.

Sherlock is asexual. John is not. Possibly, Sherlock should have told him this before they had sex.

The one where John is a werewolf, and Sherlock wants them to have sex on a full moon.

What it says on the tin.

The one where Erik is fifty years older than Charles. Oh, and where Charles have a second mutation.

The one time they almost break up, and in turn, realize that they're actually together, a fact which they've somehow managed to miss. Or, nothing says "I love you" like a nose job.

Or, the one where Eames snores like a God damn vacuum cleaner.

“Pictures of Dom tonight, Eames,” Yusuf replies from the doorway, “or I swear to you, I will

point out to Arthur that he has a stalker with no shame and a thousand dollar camera.” From celebutaunt's prompt at the kink meme, "Cobb is the presidential candidate, Ariadne is his running mate, Yusuf is campaign manager, Saito is the sponsor, and Eames is the campaign photographer who spends way too much time taking picture of Cobb's speechwriter, Arthur."

Prince Eames needs a date for the ball. The solution? Rescue a princess, of course.

“I’m putting an embargo on motivational parenting books,” Arthur warns. “I really mean it this time.”

This follows Atom to Atom, Pattern to Pattern (though it can also stand alone) and was inspired by this prompt from the kink meme. Contains lactation and references to mpreg.

The one where they are soul mates. With each other's names written on the inside of their middle fingers.

Beautiful, dirty, rich, ambitious, lost, found, running, chasing, young, immortal, out of time, out of breath, one summer, in Taipei, in love, so in love.

Eames is a high-end thief. Arthur is a private investigator hired to catch him. Summary: Ridiculous events ensue; something like love happens somewhere along the way. (Warning for extra bad Eames spelling, haha)

Arthur's a corporate lawyer, Eames owns the coffee shop across the street, and all good love stories start with a quadruple shot latte.

Arthur figures if Eames just finally gets what he wants--Arthur's undivided attention--he'll get bored and go away. He's proven spectacularly wrong.

Arthur hates Eames' clothes. Mostly for how comfortable they are.

"If he'd been around when Emma Lazarus had written that bit about giving her your tired and your poor, Sebastian Shaw would have added "and I will put them to work for as cheap as possible," instead of the part about the lamp and the golden door and liberty and everything." [Or, the one where Shaw is the tyrannical owner of an independent bookstore, Erik is one of the several employees who hates him, and Charles is far too determined for Erik's good.]

Sorcerer!Sherlock sets out to trap himself a pet dragon. Said dragon turns out to be far more interesting than he initially anticipated.

20 Random Facts about Arthur, who doesn't take bad risks. And Eames is nothing but a bad risk.

Tony nearly dies in the field on a Saturday.

Steve breaks up with Tony the Wednesday after he's released from hospital.

Another one where they were married long before they were together, but this time they are superhuman assassins.

He calls Erik my friend and the words resonate with a meaning only Charles can hear. There's a dangerous pleasure in it, that hidden meaning he longs to be able to share with Erik. Maybe one day, or one night, he'll find a way to tell him. But time is running out and he hasn't done it yet.

“There were clues,” Sherlock said, simply.

What clues could there possibly have been? John had been very guarded, very quiet about the whole thing. But of course. Of course he should have known that Sherlock would see it all.

Or: the one where Sherlock tells John how he deduced that John has feelings for him.

“Everyone sees it except for you because you are the only one who is trying not to see it,” Sherlock said in an agitated rush. “We are together. We are a couple. For once they are using their minds to observe something and they are not wrong.”

It happened so often that most of the time John didn’t even bother to protest anymore. So the entire world thought that he and Sherlock were - well, whatever. It was fine. It was really fine.

Takes place prior to 2x03.

Steve watches Xtube. Tony can never tell him no when he wants to try new things, even if those things are somewhat more intimate than what Tony usually allows.

“No hard feelings?” Eames said, his voice dropping a few pitches to hit silky depth.

“Plenty of hard feelings,” Arthur tugged the cork out of the wine and poured himself a glass. “This works a lot better when I'm angry at you.”

Or: In which Arthur and Eames piss each other off and then have sex.