Mark Waid has really put his money where his mouth is: After preaching the gospel of the “culture of sharing” for a couple of years now, he’s making his comic Insufferable available for anyone to download and share.

Although the comic is available for free from his Thrillbent website, he found that within 24 hours the first chapter had been copied and uploaded to torrent and file-sharing sites. “The only thing that startled me was that it took 24 hours,” he said, and sure enough, the next two chapters were uploaded even faster. And he’s happy about it:


Your mileage may vary but, me, I’m okay with torrenters and “pirates” sharing INSUFFERABLE. Not just because, what the hell, it’s free anyway, Mr. Cynic. .. my hand to God, even if we were charging for it, I’d still be happy because the exposure and promotion is worth more to me at this point than dollars and cents. But more than that…more than that … after having been hip-deep in the research for the past three years, I have seen zero conclusive evidence that, on the whole, “piracy” removes more money from the system than it adds to it.

Furthermore, he points out, pirates gonna pirate and he has no way to stop them. So rather than obsessing about that, he’s turned it to his advantage by posting each chapter as downloadable PDF and .cbz files — with a pointer toward Thrillbent on the last page. There’s no reason why the uploaders couldn’t remove that page, but they haven’t. What’s more, he’s finding that most of the uploaded files of Insufferable are indeed the ones he supplied, which means the “pirates” are really providing him with free advertising.

"John Huston’s World War II documentary Let There Be Light is so legendary for its censorship controversy that its sheer power as a film has been easy to miss. Produced by the U.S. Army in 1945, it pioneered unscripted interview techniques to take an unprecedented look into the psychological wounds of war. However, by the time the film was first allowed a public screening—in December 1980—its remarkable innovations in style and subject, which in the 1940s were at least a decade ahead of their time, could be taken as old hat, especially because of the poor quality of then-available prints. This new restoration finally reveals the film’s full force."

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