mattogle   4

This Is My Jam - The Future Of Music Sharing Online? - NME Blogs - NME.COM - The world's fastest music news service, music videos, interviews, photos and free stuff to win
"I also think there's tremendous value in creating a dedicated music graph (as opposed to a social network that also has music); it's in your best interest to follow (or unfollow!) someone regardless of whether you're strangers or best friends. It's all about the music you're going to get from that person in your playlist of jams." Yep, this - which is the thing I always try to explain about TIMJ. I don't follow the list of people I follow everywhere else; I follow people who make my playlist of music better/worse. It means I discover all manner of new music, but I hope nobody takes it personally. (About the worst thing you can do on TIMJ is just import all your Twitter contacts and not add anyone else ever).
music  social  graph  thisismyjam  mattogle  flaneur  discovery 
january 2012 by infovore
Archive Fever: a love letter to the post real-time web | mattogle.com
Brilliant call to arms. Luckily delicious has always been good about export, but Twitter really needs to figure out how to get full archives back online for people.
twitter  archives  mattogle  last.fm  web  apis  data  history  from delicious
december 2010 by TomC
Archive Fever: a love letter to the post real-time web | mattogle.com
Yes. It should be easier to access our old online stuff. We should archive it more often. There should be better ways to explore archives. I am interested. (via Blech)
archiving  mattogle  via:blech 
december 2010 by philgyford
Archive Fever: a love letter to the post real-time web | mattogle.com
"I believe we, as makers of online services, have an incredible opportunity to ground the things we create in both the present and the past, making them — and thus ourselves — richer, more beautiful, and more human.<br />
<br />
"But first we need to catch archive fever."
web  archive  realtime  internet  twitter  mattogle  from delicious
december 2010 by mattbiddulph

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