``When another scholar worries that if one begins with data, one can “go anywhere,” Ramsay makes it clear that going anywhere is exactly what he wants to encourage. The critical acts he values are not directed at achieving closure by arriving at a meaning; they are, he says, “ludic” and they are “distinguished … by a refusal to declare meaning in any form.” The right question to propose “is not ‘What does the text mean?’ but, rather, ‘How do we ensure that it keeps on meaning’ — how … can we ensure that our engagement with the text is deep, multifaceted, and prolonged?”" Which is interesting, as is the whole article - the author is not convinced by the 'digital humanities', but he still links to some very interesting stuff about algorithmic criticism..``

"When another scholar worries that if one begins with data, one can “go anywhere,” Ramsay makes it clear that going anywhere is exactly what he wants to encourage. The critical acts he values are not directed at achieving closure by arriving at a meaning; they are, he says, “ludic” and they are “distinguished … by a refusal to declare meaning in any form.” The right question to propose “is not ‘What does the text mean?’ but, rather, ‘How do we ensure that it keeps on meaning’ — how … can we ensure that our engagement with the text is deep, multifaceted, and prolonged?”" Which is interesting, as is the whole article - the author is not convinced by the 'digital humanities', but he still links to some very interesting stuff about algorithmic criticism.

really good essay about michel houellebecq's work

really good resource for reception of wuthering heights

Excellent essay on morality in Enders Game

The "infamous" Ender as Hitler essay! Finally online!

Critics reflect on how social media, such as Facebook, Twitter and myDigg, fit into the perennial debate on cultural elitism

Late last year there was a confluence of critical opinion in America the likes of which the nation hadn't seen in years. Every single film critic in the traditional media – 350 "best" lists, the ads boast – seemed to anoint The Social Network, director David Fincher's semi-fictionalised account of the founding of Facebook, as the movie of the year, maybe even of the decade. Every single literary critic in the traditional media seemed to agree that Jonathan Franzen's Freedom, his saga of a dysfunctional American family, was the novel of the epoch. And just to make it three for three, just about every television critic in the traditional media seemed to genuflect before Martin Scorsese's Boardwalk Empire, an HBO series that depicts the depredations of a mob kingpin in Atlantic City during Prohibition.

As Never Let Me Go, Kazuo Ishiguro's unsettling story of a community of clones, comes to cinema screens, Rachel Cusk finds herself both intrigued and repelled by the novel

In contrast to both of these positions, Gadamer argued that people have a 'historically effected consciousness' (wirkungsgeschichtliches Bewußtsein) and that they are embedded in the particular history and culture that shaped them. Thus interpreting a text involves a fusion of horizons where the scholar finds the ways that the text's history articulates with their own background. Truth and Method is not meant to be a programmatic statement about a new 'hermeneutic' method of interpreting texts. Gadamer intended Truth and Method to be a description of what we always do when we interpret things (even if we do not know it): "My real concern was and is philosophic: not what we do or what we ought to do, but what happens to us over and above our wanting and doing"<br />
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this is very interesting to me.

Excellent resource for finding poems in full text and finding articles about poems and poets.

"Craig Raine’s Heartbreak is a novel in the sense in which Eton is a school near Slough. The description is true but misleading. It is really a collection of short stories, loosely linked by the topic announced in the title; but perhaps because the English are said to be averse to buying such volumes, the publishers have represented it as a novel, rather as Jedward are represented as singers." Yes, this has got a lot of coverage (mainly for that opening sentence) but it's still a powerful piece of criticism from Eagleton.

A look at T.S. Eliot and C. S. Lewis' relationship as writers and critics of literature

interesting. borges on philosophy in his literature

hmm. great books foundation? sustained inquiry? hmm.

why reading a novel, how reading a novel. interiority, tone, intention? cultural consumption shading personal experience

woo

what the hell is this? literary hypertext spider-nexus! reminds me of that interconnect/nested website about memetics i used to got to, ~10 yrs ago